Learn More About the Navajo people and Navajo Weaving

{"id":9210104152286,"title":"What is My Rug Worth?","handle":"what-is-my-rug-worth-1","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch1\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/ChambersTradingPost_480x480.jpg?v=1548713221\" alt=\"\"\u003e\u003c\/h1\u003e\n\u003cp\u003eHere at Nizhoni Ranch Gallery we get our fair share of inquiries about Navajo rugs people have inherited from family members or picked up at a thrift show or estate sale.  Most stories begin with something like \"my grandmother bought a weaving from a trading post while vacationing in the Southwest\".\u003c\/p\u003e\n\u003cp\u003eThe main question we are asked is \"what is it worth?\"   The answer is:  it depends...  In valuing weavings we suggest keeping the following things at the forefront:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize, Condition, Complexity of Design, Age, Tightness of weave, Types of dyes used (natural vs aniline) and provenance.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSize\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003eYes, size matters - a lot.  Big rugs are rare which of course increases value.  Past and present weavers typically weave small to medium size rugs.  One reason is limited space.  The larger the rug, the larger the loom.  Many Navajo live in homes that have low ceilings and low square footage, which makes it nearly impossible for many weavers to take on large rugs.  Another is the amount of time it takes to weave large rugs.  Large rugs can take a year or more to complete.  Weaver's payday typically come when they sell their rug.  Which means fewer weavers then and now take on large rugs.  \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/navajo_weavers_l_large.jpg?v=1549481508\" alt=\"Navajo Weavers at loom\"\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eThe condition of a Navajo Rug will of course affect the value.  Pay attention to any damage,  if it is clean,  if there is any fading (one side is lighter than the other), if the wool colors have runs, stains, etc. There are talented rug restores out there, yet some issues just cannot be fixed.  Navajo rugs that have serious damage may not be worth the original cost or even the cost to restore it.  One rug restoration company we highly recommend is: \u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/enverfromdenver.com\/\" title=\"Enver From Denver website\"\u003eEnver From Denver. \u003c\/a\u003e\u003cbr\u003e \u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eAge\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eEarly 1800's to 1950\u003c\/strong\u003e\u003cbr\u003eNavajo rugs before the 1950's we consider historic or antique.  Navajo weavings started to become popular at about the turn of the century. Navajo Textiles from 1800's have a much higher value - and they don't have to be in perfect condition.  Here is an \u003ca href=\"https:\/\/www.youtube.com\/watch?v=9cGlS05233Q\"\u003eepisode from Antiques Roadshow.  \u003c\/a\u003eWorth the watch and this weaving is worth up to 7 figures.  This episode brought us all to tears here at NRG.  \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=9cGlS05233Q\" title=\"Lt and his amazing rags to riches story\"\u003e\u003cimg alt=\"Astonishing Antique Roadshow Find - 1st Phase Ute Chief Blanket!\" src=\"https:\/\/www.navajorug.com\/cdn\/shop\/products\/Clb5DqoXEAAGgJ7_300x.jpg?v=1634329812\" width=\"530\" height=\"353\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e1940 to 1970 \u003c\/strong\u003e\u003cbr\u003eIn mid 1900 the Southwest was all the rage.  The Navajo keyed in on this and began weaving rugs for tourists.  A perfect and inexpensive souvenir that could easily fit in a suitcase to take home.  Navajo weavers would set up along side tourist routes.  Few tourists could resist a beautiful piece of art.  The weavings were small in size, designs were simple yet colorful, not always finely woven and not with the best wool.  These weavings typically have a moderate value.  Not necessarily a valuable family heirloom, but a warm reminder of who passed it down.\u003ca href=\"https:\/\/www.navajorug.com\/products\/antique-navajo-weaving-yei-pcitorial-ght-2304?_pos=5\u0026amp;_sid=dc24e5f36\u0026amp;_ss=r\" title=\"Antique Navajo Weaving: Yei Pictorial : GHT 2304\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ca href=\"https:\/\/www.navajorug.com\/collections\/contemporary\/products\/gallup-throw-navajo-weaving-lilly-tracey-3431-15-x-19-13-x-17-copy\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Throw-rug-navajo-3432_9693a4b5-73e9-499d-9bbc-7f0c086b0dd6_480x480.jpg?v=1748891004\" alt=\"\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/contemporary\/products\/gallup-throw-navajo-weaving-lilly-tracey-3431-15-x-19-13-x-17-copy\"\u003eThrow Navajo Weaving : 3432 : 14\" x 23\" (1'2\" x 1'11\") : $700\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/www.navajorug.com\/products\/antique-navajo-weaving-yei-pcitorial-ght-2304?_pos=5\u0026amp;_sid=dc24e5f36\u0026amp;_ss=r\" alt=\"\"\u003e\u003cstrong\u003e1970 to Present \u003c\/strong\u003e\u003cbr\u003eToday's \u003ca href=\"https:\/\/www.navajorug.com\/collections\/contemporary\" title=\"Nizhoni Ranch Gallery Contemporary weavings\"\u003eContemporary Navajo rugs\u003c\/a\u003e, can range from \u003ca href=\"https:\/\/www.navajorug.com\/collections\/contemporary\/under-500\" title=\"Nizhoni Ranch Gallery contemporary rugs under $500\"\u003eUNDER $500 \u003c\/a\u003eup to many thousands of dollars. The number of Navajo weavers working today is dwindling. Many Navajo are not learning this sacred Navajo weaving tradition, as it is a very time consuming, the pay is inconsistent and requires discipline in learning the art form.   Below is a weaving from our Exclusive Navajo Churro Collection that represents some of the best weavings of today.\u003cbr\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/churro-collection-2001-gallery\" title=\"Getzwiller Collection of Contemporary Navajo Weavings 1975-2000\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003ca href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\/products\/burntwater-navajo-rug-elsie-bia-1779-medium\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/churro-1779-elsie-bia-burntwater-navajo-rug_f9d344ba-dbd3-48c3-bfbf-c2abb8553a44_480x480.jpg?v=1748891303\" alt=\"\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\/products\/burntwater-navajo-rug-elsie-bia-1779-medium\"\u003eBurntwater Navajo Rug : Elsie Bia : Churro 1779 : 50\" x 72\" (4'2\" x 6') : $ 9,000\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComplexity\/Tightness \u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/navajo-rug-descriptions\" title=\"Navajo Rug Styles Descriptions\"\u003eThere are 28+ Styles of Navajo Rugs\u003c\/a\u003e. Some Styles are more difficult to weave than others. Complexity and tightness of the weave affect the value. Generally speaking, the tighter and finer the weave, the more valuable the piece. Teec Nos Pos is generally considered one of the most intricate design.  \u003cbr\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\/products\/teec-nos-pos-navajo-rug-geraldine-phillips-churro-1574\" title=\"Teec Nos Pos, Geraldine Phillips, Churro # 1574\"\u003e\u003cimg alt=\"extra large Teec Nos Pos Navajo rug for sale\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/very-large-teec-nos-pos-navajo-rug-churro-1574_large.jpg?v=1535408665\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\/products\/teec-nos-pos-navajo-rug-geraldine-phillips-churro-1574\"\u003eNavajo Churro Collection,  \u003c\/a\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\/products\/teec-nos-pos-navajo-rug-geraldine-phillips-churro-1574\" title=\"Teec Nos Pos, Geraldine Phillips, Churro # 1574\"\u003eTeec Nos Pos,  Geraldine Phillips,  6\"1\" x 12'1\", Churro wool, Circa 2015  Geraldine won Best of Category for large rugs in 2015.  Churro # 1574\u003c\/a\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\/products\/teec-nos-pos-navajo-rug-geraldine-phillips-churro-1574\"\u003e, $16,000\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eNatural Dyes vs Aniline \u003c\/strong\u003e\u003cbr\u003eUsing natural dyes vs aniline dyes (commercial chemical dye).  Natural dyes add value because of the extra time it takes to hand dye the wool.  Hand dying wool with natural dyes can take almost as much time as weaving the rug.  See a previous blog we wrote on natural dyes:  \u003ca href=\"https:\/\/www.navajorug.com\/blogs\/news\/dyeing-art\" title=\"Blog on using natural dyes\"\u003eAn Organic Experience\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003ca href=\"https:\/\/www.navajorug.com\/collections\/small-weavings\/products\/chinle-navajo-rug-helen-bia-churro-1703-26-x-36-22-x-3?_pos=1\u0026amp;_sid=a44e9753d\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Churro-1703-helen-bia-chinle-navajo-rug_3_480x480.jpg?v=1748632545\" alt=\"\" style=\"margin-bottom: 16px; float: none;\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/small-weavings\/products\/chinle-navajo-rug-helen-bia-churro-1703-26-x-36-22-x-3?_pos=1\u0026amp;_sid=a44e9753d\u0026amp;_ss=r\"\u003eChinle : Navajo Rug : Helen Bia : Churro 1703 : 26\" x 36\" (2'2\" x 3') : $ 4,000\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eProvenance \u003c\/strong\u003e\u003cbr\u003eProvenance is the history and ownership of the weaving.  When the history of a weaving can be verified it takes on a whole new value.  Again we go back to the Antique Road Show Episode with the well known Ute Chiefs blanket.  The provenance (proof) went all the way back to Kit Carson.  \u003cbr\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=WJw2qCnhea0\" title=\"PBS Antique Roadshow Ute First Phase Blanket\"\u003e\u003cimg alt=\"\" src=\"http:\/\/www-tc.pbs.org\/prod-media\/antiques-roadshow\/__sized__\/Images\/Tucson_20010609_01\/200101A48\/IMG0002-crop-c0-39__0-43-676x380.jpg\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=WJw2qCnhea0\" title=\"Antique Roadshow Ute Blanket\"\u003e First Phase Ute Blanket, circa 1850,  PBS Antique Roadshow \u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cstrong\u003e\u003cbr\u003eThe Bottom Line \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eIf you want to get an accurate value on a weaving,  contact a certified appraiser that specializes in Native American art, or better yet Navajo weavings.  Nizhoni Ranch does not do appraisals, as we are not certified appraisers.  \u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-08T13:54:20-07:00","created_at":"2026-05-08T13:50:29-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48224463913182,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"What is My Rug Worth?","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/What_is_my_rug_worth_d1b84c8c-0c61-46fd-ab83-2bbda374af1b.jpg?v=1778273613"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/What_is_my_rug_worth_d1b84c8c-0c61-46fd-ab83-2bbda374af1b.jpg?v=1778273613","options":["Title"],"media":[{"alt":null,"id":38204426420446,"position":1,"preview_image":{"aspect_ratio":1.427,"height":646,"width":922,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/What_is_my_rug_worth_d1b84c8c-0c61-46fd-ab83-2bbda374af1b.jpg?v=1778273613"},"aspect_ratio":1.427,"height":646,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/What_is_my_rug_worth_d1b84c8c-0c61-46fd-ab83-2bbda374af1b.jpg?v=1778273613","width":922}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ch1\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/ChambersTradingPost_480x480.jpg?v=1548713221\" alt=\"\"\u003e\u003c\/h1\u003e\n\u003cp\u003eHere at Nizhoni Ranch Gallery we get our fair share of inquiries about Navajo rugs people have inherited from family members or picked up at a thrift show or estate sale.  Most stories begin with something like \"my grandmother bought a weaving from a trading post while vacationing in the Southwest\".\u003c\/p\u003e\n\u003cp\u003eThe main question we are asked is \"what is it worth?\"   The answer is:  it depends...  In valuing weavings we suggest keeping the following things at the forefront:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize, Condition, Complexity of Design, Age, Tightness of weave, Types of dyes used (natural vs aniline) and provenance.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSize\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003eYes, size matters - a lot.  Big rugs are rare which of course increases value.  Past and present weavers typically weave small to medium size rugs.  One reason is limited space.  The larger the rug, the larger the loom.  Many Navajo live in homes that have low ceilings and low square footage, which makes it nearly impossible for many weavers to take on large rugs.  Another is the amount of time it takes to weave large rugs.  Large rugs can take a year or more to complete.  Weaver's payday typically come when they sell their rug.  Which means fewer weavers then and now take on large rugs.  \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/navajo_weavers_l_large.jpg?v=1549481508\" alt=\"Navajo Weavers at loom\"\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eThe condition of a Navajo Rug will of course affect the value.  Pay attention to any damage,  if it is clean,  if there is any fading (one side is lighter than the other), if the wool colors have runs, stains, etc. There are talented rug restores out there, yet some issues just cannot be fixed.  Navajo rugs that have serious damage may not be worth the original cost or even the cost to restore it.  One rug restoration company we highly recommend is: \u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/enverfromdenver.com\/\" title=\"Enver From Denver website\"\u003eEnver From Denver. \u003c\/a\u003e\u003cbr\u003e \u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eAge\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eEarly 1800's to 1950\u003c\/strong\u003e\u003cbr\u003eNavajo rugs before the 1950's we consider historic or antique.  Navajo weavings started to become popular at about the turn of the century. Navajo Textiles from 1800's have a much higher value - and they don't have to be in perfect condition.  Here is an \u003ca href=\"https:\/\/www.youtube.com\/watch?v=9cGlS05233Q\"\u003eepisode from Antiques Roadshow.  \u003c\/a\u003eWorth the watch and this weaving is worth up to 7 figures.  This episode brought us all to tears here at NRG.  \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=9cGlS05233Q\" title=\"Lt and his amazing rags to riches story\"\u003e\u003cimg alt=\"Astonishing Antique Roadshow Find - 1st Phase Ute Chief Blanket!\" src=\"https:\/\/www.navajorug.com\/cdn\/shop\/products\/Clb5DqoXEAAGgJ7_300x.jpg?v=1634329812\" width=\"530\" height=\"353\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e1940 to 1970 \u003c\/strong\u003e\u003cbr\u003eIn mid 1900 the Southwest was all the rage.  The Navajo keyed in on this and began weaving rugs for tourists.  A perfect and inexpensive souvenir that could easily fit in a suitcase to take home.  Navajo weavers would set up along side tourist routes.  Few tourists could resist a beautiful piece of art.  The weavings were small in size, designs were simple yet colorful, not always finely woven and not with the best wool.  These weavings typically have a moderate value.  Not necessarily a valuable family heirloom, but a warm reminder of who passed it down.\u003ca href=\"https:\/\/www.navajorug.com\/products\/antique-navajo-weaving-yei-pcitorial-ght-2304?_pos=5\u0026amp;_sid=dc24e5f36\u0026amp;_ss=r\" title=\"Antique Navajo Weaving: Yei Pictorial : GHT 2304\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ca href=\"https:\/\/www.navajorug.com\/collections\/contemporary\/products\/gallup-throw-navajo-weaving-lilly-tracey-3431-15-x-19-13-x-17-copy\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Throw-rug-navajo-3432_9693a4b5-73e9-499d-9bbc-7f0c086b0dd6_480x480.jpg?v=1748891004\" alt=\"\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/contemporary\/products\/gallup-throw-navajo-weaving-lilly-tracey-3431-15-x-19-13-x-17-copy\"\u003eThrow Navajo Weaving : 3432 : 14\" x 23\" (1'2\" x 1'11\") : $700\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/www.navajorug.com\/products\/antique-navajo-weaving-yei-pcitorial-ght-2304?_pos=5\u0026amp;_sid=dc24e5f36\u0026amp;_ss=r\" alt=\"\"\u003e\u003cstrong\u003e1970 to Present \u003c\/strong\u003e\u003cbr\u003eToday's \u003ca href=\"https:\/\/www.navajorug.com\/collections\/contemporary\" title=\"Nizhoni Ranch Gallery Contemporary weavings\"\u003eContemporary Navajo rugs\u003c\/a\u003e, can range from \u003ca href=\"https:\/\/www.navajorug.com\/collections\/contemporary\/under-500\" title=\"Nizhoni Ranch Gallery contemporary rugs under $500\"\u003eUNDER $500 \u003c\/a\u003eup to many thousands of dollars. The number of Navajo weavers working today is dwindling. Many Navajo are not learning this sacred Navajo weaving tradition, as it is a very time consuming, the pay is inconsistent and requires discipline in learning the art form.   Below is a weaving from our Exclusive Navajo Churro Collection that represents some of the best weavings of today.\u003cbr\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/churro-collection-2001-gallery\" title=\"Getzwiller Collection of Contemporary Navajo Weavings 1975-2000\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003ca href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\/products\/burntwater-navajo-rug-elsie-bia-1779-medium\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/churro-1779-elsie-bia-burntwater-navajo-rug_f9d344ba-dbd3-48c3-bfbf-c2abb8553a44_480x480.jpg?v=1748891303\" alt=\"\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\/products\/burntwater-navajo-rug-elsie-bia-1779-medium\"\u003eBurntwater Navajo Rug : Elsie Bia : Churro 1779 : 50\" x 72\" (4'2\" x 6') : $ 9,000\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComplexity\/Tightness \u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/navajo-rug-descriptions\" title=\"Navajo Rug Styles Descriptions\"\u003eThere are 28+ Styles of Navajo Rugs\u003c\/a\u003e. Some Styles are more difficult to weave than others. Complexity and tightness of the weave affect the value. Generally speaking, the tighter and finer the weave, the more valuable the piece. Teec Nos Pos is generally considered one of the most intricate design.  \u003cbr\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\/products\/teec-nos-pos-navajo-rug-geraldine-phillips-churro-1574\" title=\"Teec Nos Pos, Geraldine Phillips, Churro # 1574\"\u003e\u003cimg alt=\"extra large Teec Nos Pos Navajo rug for sale\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/very-large-teec-nos-pos-navajo-rug-churro-1574_large.jpg?v=1535408665\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\/products\/teec-nos-pos-navajo-rug-geraldine-phillips-churro-1574\"\u003eNavajo Churro Collection,  \u003c\/a\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\/products\/teec-nos-pos-navajo-rug-geraldine-phillips-churro-1574\" title=\"Teec Nos Pos, Geraldine Phillips, Churro # 1574\"\u003eTeec Nos Pos,  Geraldine Phillips,  6\"1\" x 12'1\", Churro wool, Circa 2015  Geraldine won Best of Category for large rugs in 2015.  Churro # 1574\u003c\/a\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\/products\/teec-nos-pos-navajo-rug-geraldine-phillips-churro-1574\"\u003e, $16,000\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eNatural Dyes vs Aniline \u003c\/strong\u003e\u003cbr\u003eUsing natural dyes vs aniline dyes (commercial chemical dye).  Natural dyes add value because of the extra time it takes to hand dye the wool.  Hand dying wool with natural dyes can take almost as much time as weaving the rug.  See a previous blog we wrote on natural dyes:  \u003ca href=\"https:\/\/www.navajorug.com\/blogs\/news\/dyeing-art\" title=\"Blog on using natural dyes\"\u003eAn Organic Experience\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\n\u003ca href=\"https:\/\/www.navajorug.com\/collections\/small-weavings\/products\/chinle-navajo-rug-helen-bia-churro-1703-26-x-36-22-x-3?_pos=1\u0026amp;_sid=a44e9753d\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Churro-1703-helen-bia-chinle-navajo-rug_3_480x480.jpg?v=1748632545\" alt=\"\" style=\"margin-bottom: 16px; float: none;\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/small-weavings\/products\/chinle-navajo-rug-helen-bia-churro-1703-26-x-36-22-x-3?_pos=1\u0026amp;_sid=a44e9753d\u0026amp;_ss=r\"\u003eChinle : Navajo Rug : Helen Bia : Churro 1703 : 26\" x 36\" (2'2\" x 3') : $ 4,000\u003c\/a\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: start;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eProvenance \u003c\/strong\u003e\u003cbr\u003eProvenance is the history and ownership of the weaving.  When the history of a weaving can be verified it takes on a whole new value.  Again we go back to the Antique Road Show Episode with the well known Ute Chiefs blanket.  The provenance (proof) went all the way back to Kit Carson.  \u003cbr\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=WJw2qCnhea0\" title=\"PBS Antique Roadshow Ute First Phase Blanket\"\u003e\u003cimg alt=\"\" src=\"http:\/\/www-tc.pbs.org\/prod-media\/antiques-roadshow\/__sized__\/Images\/Tucson_20010609_01\/200101A48\/IMG0002-crop-c0-39__0-43-676x380.jpg\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=WJw2qCnhea0\" title=\"Antique Roadshow Ute Blanket\"\u003e First Phase Ute Blanket, circa 1850,  PBS Antique Roadshow \u003c\/a\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 0px;\"\u003e\u003cstrong\u003e\u003cbr\u003eThe Bottom Line \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eIf you want to get an accurate value on a weaving,  contact a certified appraiser that specializes in Native American art, or better yet Navajo weavings.  Nizhoni Ranch does not do appraisals, as we are not certified appraisers.  \u003c\/span\u003e\u003c\/p\u003e"}

{"id":9210104742110,"title":"Deliberate Imperfection? You bet!","handle":"deliberate-imperfection-you-bet-1","description":"\u003cp\u003e\u003cstrong\u003eIntentional Flaw?  Deliberate Mistake?  Perfectly Imperfect?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecently a new collector inquired about how much would a weavings value and collectability be diminished if the weaver made a mistake in the mirror image of the design.  The answer is\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003ezero.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNavajo are deeply religious.  They believe nothing is perfect, except for the Gods.  They were given the gift of weaving by the Gods and taught by Spiderwoman herself - an important deity to the Navajo.  To honor the Gods, Navajo weavers deliberately incorporate an imperfection. \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/daisy2_480x480.jpg?v=1638824488\" alt=\"Daisy Taugelchee\"\u003e\u003c\/p\u003e\n\u003cp\u003eAs protection from harm, a textile is sometimes woven with an insertion of a foreign object.  This may be a small piece of feather, hairs or a piece of sinew from an animal.  \u003c\/p\u003e\n\u003cp\u003eIt is taught that if a  feather falls from a bird in flight and is caught before it touches the ground, the feather becomes a symbol of deliverance and should be woven into a textile.  Hairs from a goat, a bobcat, a bear, shavings of  bear claw, granules of corn and unknown red or black fibers can be woven into a textile.  Items of protection and power are woven into textiles secretly.  The weaver does not want them to be seen easily.  Saddle blankets, for example, can contain a wide array of special items, including a piece of sinew from animals such as cougars, wildcats or even squirrels, whose strength gives the animals added quickness, regardless of size.  \u003c\/p\u003e\n\u003cp\u003ePollen is considered a very sacred substance and is used ceremonially as an offering to the Holy People in a gesture of supplication and protection.  A knot, often erroneously thought to be where the ends of a broken warp were tied together, usually contains a pinch of pollen and is woven into the textile quite purposefully by the weaver to seek protection from harm.\u003ca href=\"https:\/\/www.tucsondart.org\/\" title=\"Tucson Desert Art Museum\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eOften times one must closely study weavings to find the deliberate mistake. Here at the gallery we enjoy looking for and finding the change up in the design. Even our eyes miss them sometimes.  It becomes a bit of a game.  Some weavings may only have one, others have a few.  When we find a weaving with several flaws we imagine the weaver may have been overly superstitious and wanted to ensure the Gods would be pleased and no bad luck would follow.\u003c\/p\u003e\n\u003cp\u003eSome of the most important pieces collected have fairly obvious deliberate imperfections.  One example is the 3rd Phase Chief Blanket which is on the front cover of Navajo Textiles by Nancy J. Blomberg.  That 3rd Phase is part of the William Randolph Hearst Collection.  Without working too hard we came up with 7 imperfections in the design.  \u003c\/p\u003e\n\u003cp\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/scan0027_480x480.jpg?v=1638473628\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eHere is a weaving that we currently have available.  Can you find an imperfection?   At the bottom of this blog we will share what we have found.  Warning - this is a tough one but give it a shot.\u003c\/p\u003e\n\u003cp\u003e \u003ca href=\"https:\/\/www.navajorug.com\/collections\/historic\/products\/jb-moore-plate-variant-historic-pc-104\" title=\"JB Moore Navajo Rug : Historic : PC 104\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/PC104g_1400x_8cc67dda-8160-47f5-85f8-1a807cce4d17_480x480.jpg?v=1638476227\" alt=\"\"\u003e\u003cbr\u003eJB Moore Navajo Rug : Historic : PC 104\u003cbr\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThere is another deliberate imperfection called the Spirit Line or Spirit Pathway. \u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eNavajo believe that when weaving a rug, the weaver entwines part of her or his  spirit into the rug.  The spirit line prevents the weavers spirit from being trapped and allows weaver's spirit to safely exit the rug.  Spirit Lines are found in rugs with a border - however not all bordered rugs have spirit lines.  It is up to the weaver as to how they will incorporate their personal deliberate imperfection.  Look to the top right corner of the weaving below for the Spirit Line.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/pc_83g_1400x_82aac16b-2a09-4002-a837-b42c5ea6b55f_480x480.jpg?v=1638476500\" alt=\"\"\u003e\u003cbr\u003eNavajo Double Saddle Blanket : Historic : PC 83 (no longer available)\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNot a surprise we adore Navajo weavings and are honored we can share our collections with the world.  While we have been in this business for more than half of a century there is still much to learn about Navajo weaving, past and present.  Without a doubt Navajo have been given the gift of weaving by the Gods and for that we cannot be more thankful.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHere is the answer from the challenge above.  \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/scan0028_480x480.jpg?v=1638477411\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cheader class=\"Article__Header\"\u003e\u003c\/header\u003e\n\u003cdiv class=\"Article__Body Rte\"\u003e\n\u003cp\u003e Here is another to try.  Enjoy!\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/historic\/products\/teec-nos-pos-historic-pc-88\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/pc_88_1400x_882abc84-d854-49b1-9fb6-869f90c0ace9_480x480.jpg?v=1638478654\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/historic\/products\/teec-nos-pos-historic-pc-88\"\u003eTeec Nos Pos Navajo Weaving : Historic : PC 88\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2026-05-08T14:00:33-07:00","created_at":"2026-05-08T13:57:41-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48224465387742,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Deliberate Imperfection? You bet!","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/pc-167-teec-nos-pos-native-american-rug-antique_4.jpg?v=1778274008"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/pc-167-teec-nos-pos-native-american-rug-antique_4.jpg?v=1778274008","options":["Title"],"media":[{"alt":null,"id":38204472197342,"position":1,"preview_image":{"aspect_ratio":1.515,"height":924,"width":1400,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/pc-167-teec-nos-pos-native-american-rug-antique_4.jpg?v=1778274008"},"aspect_ratio":1.515,"height":924,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/pc-167-teec-nos-pos-native-american-rug-antique_4.jpg?v=1778274008","width":1400}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eIntentional Flaw?  Deliberate Mistake?  Perfectly Imperfect?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecently a new collector inquired about how much would a weavings value and collectability be diminished if the weaver made a mistake in the mirror image of the design.  The answer is\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003ezero.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNavajo are deeply religious.  They believe nothing is perfect, except for the Gods.  They were given the gift of weaving by the Gods and taught by Spiderwoman herself - an important deity to the Navajo.  To honor the Gods, Navajo weavers deliberately incorporate an imperfection. \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/daisy2_480x480.jpg?v=1638824488\" alt=\"Daisy Taugelchee\"\u003e\u003c\/p\u003e\n\u003cp\u003eAs protection from harm, a textile is sometimes woven with an insertion of a foreign object.  This may be a small piece of feather, hairs or a piece of sinew from an animal.  \u003c\/p\u003e\n\u003cp\u003eIt is taught that if a  feather falls from a bird in flight and is caught before it touches the ground, the feather becomes a symbol of deliverance and should be woven into a textile.  Hairs from a goat, a bobcat, a bear, shavings of  bear claw, granules of corn and unknown red or black fibers can be woven into a textile.  Items of protection and power are woven into textiles secretly.  The weaver does not want them to be seen easily.  Saddle blankets, for example, can contain a wide array of special items, including a piece of sinew from animals such as cougars, wildcats or even squirrels, whose strength gives the animals added quickness, regardless of size.  \u003c\/p\u003e\n\u003cp\u003ePollen is considered a very sacred substance and is used ceremonially as an offering to the Holy People in a gesture of supplication and protection.  A knot, often erroneously thought to be where the ends of a broken warp were tied together, usually contains a pinch of pollen and is woven into the textile quite purposefully by the weaver to seek protection from harm.\u003ca href=\"https:\/\/www.tucsondart.org\/\" title=\"Tucson Desert Art Museum\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eOften times one must closely study weavings to find the deliberate mistake. Here at the gallery we enjoy looking for and finding the change up in the design. Even our eyes miss them sometimes.  It becomes a bit of a game.  Some weavings may only have one, others have a few.  When we find a weaving with several flaws we imagine the weaver may have been overly superstitious and wanted to ensure the Gods would be pleased and no bad luck would follow.\u003c\/p\u003e\n\u003cp\u003eSome of the most important pieces collected have fairly obvious deliberate imperfections.  One example is the 3rd Phase Chief Blanket which is on the front cover of Navajo Textiles by Nancy J. Blomberg.  That 3rd Phase is part of the William Randolph Hearst Collection.  Without working too hard we came up with 7 imperfections in the design.  \u003c\/p\u003e\n\u003cp\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/scan0027_480x480.jpg?v=1638473628\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eHere is a weaving that we currently have available.  Can you find an imperfection?   At the bottom of this blog we will share what we have found.  Warning - this is a tough one but give it a shot.\u003c\/p\u003e\n\u003cp\u003e \u003ca href=\"https:\/\/www.navajorug.com\/collections\/historic\/products\/jb-moore-plate-variant-historic-pc-104\" title=\"JB Moore Navajo Rug : Historic : PC 104\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/PC104g_1400x_8cc67dda-8160-47f5-85f8-1a807cce4d17_480x480.jpg?v=1638476227\" alt=\"\"\u003e\u003cbr\u003eJB Moore Navajo Rug : Historic : PC 104\u003cbr\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThere is another deliberate imperfection called the Spirit Line or Spirit Pathway. \u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eNavajo believe that when weaving a rug, the weaver entwines part of her or his  spirit into the rug.  The spirit line prevents the weavers spirit from being trapped and allows weaver's spirit to safely exit the rug.  Spirit Lines are found in rugs with a border - however not all bordered rugs have spirit lines.  It is up to the weaver as to how they will incorporate their personal deliberate imperfection.  Look to the top right corner of the weaving below for the Spirit Line.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/pc_83g_1400x_82aac16b-2a09-4002-a837-b42c5ea6b55f_480x480.jpg?v=1638476500\" alt=\"\"\u003e\u003cbr\u003eNavajo Double Saddle Blanket : Historic : PC 83 (no longer available)\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNot a surprise we adore Navajo weavings and are honored we can share our collections with the world.  While we have been in this business for more than half of a century there is still much to learn about Navajo weaving, past and present.  Without a doubt Navajo have been given the gift of weaving by the Gods and for that we cannot be more thankful.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHere is the answer from the challenge above.  \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/scan0028_480x480.jpg?v=1638477411\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cheader class=\"Article__Header\"\u003e\u003c\/header\u003e\n\u003cdiv class=\"Article__Body Rte\"\u003e\n\u003cp\u003e Here is another to try.  Enjoy!\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/historic\/products\/teec-nos-pos-historic-pc-88\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/pc_88_1400x_882abc84-d854-49b1-9fb6-869f90c0ace9_480x480.jpg?v=1638478654\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/historic\/products\/teec-nos-pos-historic-pc-88\"\u003eTeec Nos Pos Navajo Weaving : Historic : PC 88\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e"}

{"id":9210108412126,"title":"Nizhoni means Beautiful","handle":"nizhoni-means-beautiful","description":"\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"color: #008080;\"\u003e\u003cstrong\u003eIndian Paintbrush Wild Flowers In the Pasture At Nizhoni Ranch Gallery. Growing wild at Nizhoni, a very special treat, since this plant has often been used as a natural dye by the Navajo in their Navajo Rugs. They would gather it and use a family tested recipe to turn it into a beautiful dye.\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e Steve and Gail chose a fitting name for the Gallery. Nizhoni means Beautiful in the Navajo language. The spring rains have brought out the color in our high desert landscape. \u003c\/strong\u003e \u003cstrong\u003eWe thought you might enjoy a few glamour shots! \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/DSC_2948.jpg?4646054022266515338\"\u003e\u003cimg class=\"aligncenter wp-image-30500\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/DSC_2948.jpg?4646054022266515338\" alt=\"Nizhoni Ranch Gallery\" width=\"604\" height=\"400\"\u003e \u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eThe view from our office window can't get much better !\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/DSC_2877.jpg?1468282230933498341\"\u003e\u003cimg class=\"aligncenter wp-image-30497\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/DSC_2877-600x397.jpg?15322005789856872079\" alt=\"Wonderful Roses\" width=\"558\" height=\"369\"\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/DSC_2932.jpg?34603114643691946\"\u003e\u003cimg class=\"aligncenter wp-image-30499\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/DSC_2932.jpg?34603114643691946\" alt=\"Beautiful Roses\" width=\"558\" height=\"370\"\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/DSC_2931.jpg?7577524869974585183\"\u003e\u003cimg class=\"aligncenter wp-image-30498\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/DSC_2931.jpg?7577524869974585183\" alt=\"Snapdragon flowers\" width=\"570\" height=\"378\"\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/p\u003e","published_at":"2026-05-08T14:04:20-07:00","created_at":"2026-05-08T14:01:36-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48224470728926,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nizhoni means Beautiful","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/IMG_0042.jpg?v=1778274234"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/IMG_0042.jpg?v=1778274234","options":["Title"],"media":[{"alt":null,"id":38204496216286,"position":1,"preview_image":{"aspect_ratio":1.5,"height":1365,"width":2048,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/IMG_0042.jpg?v=1778274234"},"aspect_ratio":1.5,"height":1365,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/IMG_0042.jpg?v=1778274234","width":2048}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"color: #008080;\"\u003e\u003cstrong\u003eIndian Paintbrush Wild Flowers In the Pasture At Nizhoni Ranch Gallery. Growing wild at Nizhoni, a very special treat, since this plant has often been used as a natural dye by the Navajo in their Navajo Rugs. They would gather it and use a family tested recipe to turn it into a beautiful dye.\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e Steve and Gail chose a fitting name for the Gallery. Nizhoni means Beautiful in the Navajo language. The spring rains have brought out the color in our high desert landscape. \u003c\/strong\u003e \u003cstrong\u003eWe thought you might enjoy a few glamour shots! \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/DSC_2948.jpg?4646054022266515338\"\u003e\u003cimg class=\"aligncenter wp-image-30500\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/DSC_2948.jpg?4646054022266515338\" alt=\"Nizhoni Ranch Gallery\" width=\"604\" height=\"400\"\u003e \u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eThe view from our office window can't get much better !\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/DSC_2877.jpg?1468282230933498341\"\u003e\u003cimg class=\"aligncenter wp-image-30497\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/DSC_2877-600x397.jpg?15322005789856872079\" alt=\"Wonderful Roses\" width=\"558\" height=\"369\"\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/DSC_2932.jpg?34603114643691946\"\u003e\u003cimg class=\"aligncenter wp-image-30499\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/DSC_2932.jpg?34603114643691946\" alt=\"Beautiful Roses\" width=\"558\" height=\"370\"\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e \u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/DSC_2931.jpg?7577524869974585183\"\u003e\u003cimg class=\"aligncenter wp-image-30498\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/DSC_2931.jpg?7577524869974585183\" alt=\"Snapdragon flowers\" width=\"570\" height=\"378\"\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/p\u003e"}

{"id":9210104545502,"title":"Spider Woman and Spider Rock - Deity Who Taught the Navajo how to Weave - and more!","handle":"spider-woman-and-spider-rock-deity-who-taught-the-navajo-how-to-weave-and-more","description":"\u003ch6 class=\"pageheader1\" align=\"center\"\u003e\u003cbr\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/download_8_spider_woman.jpg?v=1778182683\" alt=\"\"\u003e\u003cimg\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpider Woman and Spider Rock\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eAccording to Navajo legend, Spider Woman lives at the top of Spider Rock, a 750 foot spire in Canyon De Chelly.  She was first to weave the web of the universe. She taught the Navajo women how to use a loom - made of sunlight, lighting and rain to create blankets and rugs, bringing both functionality and sacred art to the people (Diné).  By sharing the gift of weaving she showed Navajo weavers how to create beauty in their own life and to spread the \"Beauty Way\" teaching of balance within the mind, body \u0026amp; soul (hózhó). On the other hand Spider Woman has a bit of a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003edark side\u003c\/strong\u003e. But let's start off with the bright.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn the Navajo creation story\u003c\/strong\u003e, the first world was small and pitch black. There were four seas and an island. In the very middle of the island was a single pine tree. Ants, dragonflies, locusts and beetles lived there and made up the Air-Spirit People of the first world.\u003c\/p\u003e\n\u003cp\u003eThe second world was known as the Blue world, where life was given to Spider Woman \u0026amp; Spider Man. Only their inner spirits or souls were made. Their physical bodies were made later to contain their spirits when they evolved into future worlds.\u003c\/p\u003e\n\u003cp\u003eIn the third, known as the Yellow world the holy ones advised Spider Woman that she had the capabilities of weaving a map of the universe and the geometrical patterns of the spirit beings in the night sky.  At first she did not know what they meant, and was not told how it could be done. Curiosity became her energy and driving force to learn to weave as the holy ones instructed.\u003c\/p\u003e\n\u003cp\u003eOn a beautiful day when she was out on the land, exploring and gathering food, she came upon a small young tree. She touched it with her right hand and wrapped her fingers around one of its branches. As she was letting go, a string streamed out the center of her palm and wrapped around the tree branch. She was not quite sure what the string was. At first she shook her hand to release the string, but it would not break free. She thought if she kept wrapping the string around the branch it might let go.  \u003c\/p\u003e\n\u003cp\u003eSpider Woman started maneuvering and manipulating the string into various shapes. At this particular moment, she knew this was the weaving the holy people instructed her to do. Immediately she broke the string with her left hand without hesitation. She sat and thought carefully about how to use her new gift. For the rest of the day she sat close to the tree and wrapped the string into various patterns on other branches of the small tree.\u003c\/p\u003e\n\u003cp\u003eThe holy ones heard about Spider Woman's new talent and came to visit her. During the visit the holy ones instructed Spider Man to construct a weaving loom and also create the tools used in the various processes of weaving. At this time Spider Woman began to sing the weaving songs, given to her by the holy ones. The songs empower the weavings and the weaving tools.\u003c\/p\u003e\n\u003cp\u003eDine (Navajo) of today live in the fourth world, known as the \"Glittering World\". Young weavers are instructed to find a spider web in the early morning, glistening with sunlight and sparkles. They are told to place the palm of their right hand upon the spider's webbing without destroying or damaging the web. At that moment Spider Woman's gift of weaving enters the young weaver's spirit, where it lives forever. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpider Woman's dark side.  \u003c\/strong\u003eNavajo elders warn young children that Spider Woman is always on the look out for mischievous and disobedient children. When she finds them, she spins them tight with her web and takes them to the top of Spider Rock. There she boils and eats them. Their left over bones melt in the sun which create the white bands at the very top of Spider Rock. Yikes. Kids, be on your best behavior!   \u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Cara Gorman Master WEaver Nizhoni Ranch Gallery Navajo Rugs\" href=\"https:\/\/www.navajorug.com\/collections\/cara-gorman\"\u003e\u003cimg alt=\"Cara Gorman Spider Rock Navajo Rug Master Weaver Nizhoni Rnach Gallery\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Cara-Gorman-R1_1024x1024_884fbc47-d239-4e8e-9735-0debdb3e7af3_large.jpg?v=1525721158\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003ca title=\"Cara Gorman Rugs Weavings Nizhoni Ranch Gallery\" href=\"https:\/\/www.navajorug.com\/collections\/cara-gorman\"\u003eCara Gorman,  Master Navajo Weaver\u003c\/a\u003e, close enough to Spider Rock to see the white bands \u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Elsie Bia Master Navajo Weaver rugs Nizhoni Ranch Gallery\" href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\/products\/ganado-klagetoh-navajo-weaving-elsie-bia-churro-1496\"\u003e\u003cimg alt=\"Elsie Bia Nizhoni Ranch Gallery Navajo Rug\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/elsie-bia_1024x1024_9c45d8b4-fa32-4fd2-bd94-05ccc9a9584a_grande.jpg?v=1525457097\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003ca title=\"Elsie Bia Navajo Rugs Nizhoni Ranch Gallery\" href=\"https:\/\/www.navajorug.com\/collections\/elsie-bia\"\u003eElsie Bia,  Master Navajo Weaver, near Spider Rock\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2026-05-08T13:55:53-07:00","created_at":"2026-05-08T13:55:53-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48224464928990,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Spider Woman and Spider Rock - Deity Who Taught the Navajo how to Weave - and more!","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/SouthRim447.jpg?v=1778273790"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/SouthRim447.jpg?v=1778273790","options":["Title"],"media":[{"alt":null,"id":38204451946718,"position":1,"preview_image":{"aspect_ratio":1.501,"height":1066,"width":1600,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/SouthRim447.jpg?v=1778273790"},"aspect_ratio":1.501,"height":1066,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/SouthRim447.jpg?v=1778273790","width":1600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch6 class=\"pageheader1\" align=\"center\"\u003e\u003cbr\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/download_8_spider_woman.jpg?v=1778182683\" alt=\"\"\u003e\u003cimg\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpider Woman and Spider Rock\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eAccording to Navajo legend, Spider Woman lives at the top of Spider Rock, a 750 foot spire in Canyon De Chelly.  She was first to weave the web of the universe. She taught the Navajo women how to use a loom - made of sunlight, lighting and rain to create blankets and rugs, bringing both functionality and sacred art to the people (Diné).  By sharing the gift of weaving she showed Navajo weavers how to create beauty in their own life and to spread the \"Beauty Way\" teaching of balance within the mind, body \u0026amp; soul (hózhó). On the other hand Spider Woman has a bit of a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003edark side\u003c\/strong\u003e. But let's start off with the bright.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn the Navajo creation story\u003c\/strong\u003e, the first world was small and pitch black. There were four seas and an island. In the very middle of the island was a single pine tree. Ants, dragonflies, locusts and beetles lived there and made up the Air-Spirit People of the first world.\u003c\/p\u003e\n\u003cp\u003eThe second world was known as the Blue world, where life was given to Spider Woman \u0026amp; Spider Man. Only their inner spirits or souls were made. Their physical bodies were made later to contain their spirits when they evolved into future worlds.\u003c\/p\u003e\n\u003cp\u003eIn the third, known as the Yellow world the holy ones advised Spider Woman that she had the capabilities of weaving a map of the universe and the geometrical patterns of the spirit beings in the night sky.  At first she did not know what they meant, and was not told how it could be done. Curiosity became her energy and driving force to learn to weave as the holy ones instructed.\u003c\/p\u003e\n\u003cp\u003eOn a beautiful day when she was out on the land, exploring and gathering food, she came upon a small young tree. She touched it with her right hand and wrapped her fingers around one of its branches. As she was letting go, a string streamed out the center of her palm and wrapped around the tree branch. She was not quite sure what the string was. At first she shook her hand to release the string, but it would not break free. She thought if she kept wrapping the string around the branch it might let go.  \u003c\/p\u003e\n\u003cp\u003eSpider Woman started maneuvering and manipulating the string into various shapes. At this particular moment, she knew this was the weaving the holy people instructed her to do. Immediately she broke the string with her left hand without hesitation. She sat and thought carefully about how to use her new gift. For the rest of the day she sat close to the tree and wrapped the string into various patterns on other branches of the small tree.\u003c\/p\u003e\n\u003cp\u003eThe holy ones heard about Spider Woman's new talent and came to visit her. During the visit the holy ones instructed Spider Man to construct a weaving loom and also create the tools used in the various processes of weaving. At this time Spider Woman began to sing the weaving songs, given to her by the holy ones. The songs empower the weavings and the weaving tools.\u003c\/p\u003e\n\u003cp\u003eDine (Navajo) of today live in the fourth world, known as the \"Glittering World\". Young weavers are instructed to find a spider web in the early morning, glistening with sunlight and sparkles. They are told to place the palm of their right hand upon the spider's webbing without destroying or damaging the web. At that moment Spider Woman's gift of weaving enters the young weaver's spirit, where it lives forever. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpider Woman's dark side.  \u003c\/strong\u003eNavajo elders warn young children that Spider Woman is always on the look out for mischievous and disobedient children. When she finds them, she spins them tight with her web and takes them to the top of Spider Rock. There she boils and eats them. Their left over bones melt in the sun which create the white bands at the very top of Spider Rock. Yikes. Kids, be on your best behavior!   \u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Cara Gorman Master WEaver Nizhoni Ranch Gallery Navajo Rugs\" href=\"https:\/\/www.navajorug.com\/collections\/cara-gorman\"\u003e\u003cimg alt=\"Cara Gorman Spider Rock Navajo Rug Master Weaver Nizhoni Rnach Gallery\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Cara-Gorman-R1_1024x1024_884fbc47-d239-4e8e-9735-0debdb3e7af3_large.jpg?v=1525721158\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003ca title=\"Cara Gorman Rugs Weavings Nizhoni Ranch Gallery\" href=\"https:\/\/www.navajorug.com\/collections\/cara-gorman\"\u003eCara Gorman,  Master Navajo Weaver\u003c\/a\u003e, close enough to Spider Rock to see the white bands \u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Elsie Bia Master Navajo Weaver rugs Nizhoni Ranch Gallery\" href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\/products\/ganado-klagetoh-navajo-weaving-elsie-bia-churro-1496\"\u003e\u003cimg alt=\"Elsie Bia Nizhoni Ranch Gallery Navajo Rug\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/elsie-bia_1024x1024_9c45d8b4-fa32-4fd2-bd94-05ccc9a9584a_grande.jpg?v=1525457097\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003ca title=\"Elsie Bia Navajo Rugs Nizhoni Ranch Gallery\" href=\"https:\/\/www.navajorug.com\/collections\/elsie-bia\"\u003eElsie Bia,  Master Navajo Weaver, near Spider Rock\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}

{"id":9210100515038,"title":"Foes of Evil: The Navajo Story of Twins Monster Slayer and Born-For-Water","handle":"foes-of-evil-the-navajo-myth-of-twins-monster-slayer-and-born-for-water","description":"\u003ch3\u003eBy: Aleksa Vuckovic, 8-10-2024\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"Foes of Evil: The Navajo Myth of Twins Monster Slayer and Born-For-Water\" src=\"https:\/\/www.ancient-origins.net\/sites\/default\/files\/styles\/article_image\/public\/field\/image\/Foes%20of%20Evil%20The%20Navajo%20Myth%20of%20Twins%20Monster%20Slayer%20and%20Born-For-Water.jpg?itok=J-ATnP5q\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Native American tribes boast a very complex and thought-provoking set of beliefs and traditions, in which the legend of heroic twin brothers is often shared and found in many tribes.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn the myths of the Navajo tribe, these twins are known as Monster Slayer and Born-For-Water, and are central figures in the tribe’s mythology, embodying themes of bravery, protection, and the struggle against evil. Their story is not just a tale of heroism but a complex set of cultural beliefs, values, and the enduring relationship between the Navajo people and their environment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe tale of Monster Slayer and Born-For-Water begins with their mother, Changing Woman (Asdzą́ą́ Nádleehi), one of the most revered deities in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.ancient-origins.net\/myths-legends-americas\/navajo-mythology-0016193\"\u003eNavajo mythology\u003c\/a\u003e.  Changing Woman represents life, fertility, and transformation. According to the myths, she conceived the twins with the Sun, who gave her two pieces of turquoise and abalone shell, which transformed into the twins. The Changing Woman raised her sons on Gobernador Knob, a Navajo sacred mountain, where they learned about their divine heritage and the destiny that awaited them.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs they grew older, Monster Slayer and Born-For-Water became aware of the many monsters that plagued their people. These monsters were the personification of chaos and danger in the world. Determined to rid their land of these threats, the twins embarked on a perilous journey to the Sun's house to seek guidance and weapons. Their journey was fraught with challenges, including crossing a vast desert and overcoming numerous obstacles that tested their courage and resolve.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eWarriors of the Sun\u003c\/h2\u003e\n\u003cp\u003eEach battle was not only a physical confrontation but also a spiritual one. The twins relied on their wit, bravery, and the teachings of their mother and father. They invoked prayers and rituals to ensure their success, highlighting the deep connection between their physical prowess and their spiritual strength.\u003c\/p\u003e\n\u003cp\u003eWe can quickly understand that the story of Monster Slayer and Born-For-Water is more than an epic adventure; it is a cornerstone of Navajo cultural identity. The twins symbolize the triumph of good over evil, the importance of bravery, and the necessity of working together for the greater good. Their tale is recounted in various\u003cspan\u003e \u003c\/span\u003eceremonies\u003cspan\u003e \u003c\/span\u003eand rituals, serving as a reminder of the values that underpin Navajo society.\u003c\/p\u003e\n\u003cp\u003eOne of the most significant ceremonies associated with the twins is the Enemy Way (Anaaʼjí). This healing ceremony is performed to restore balance and harmony for individuals who have been in conflict or war. The stories of the twins are recited during the ceremony, emphasizing their role as protectors and healers. The twins’ journey and victories also serve as metaphors for overcoming personal and communal challenges.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn contemporary Navajo culture, the story of Monster Slayer and Born-For-Water continues to be a source of inspiration. Their legacy is preserved through oral traditions, storytelling, and art. Navajo artists often depict the twins in paintings, sculptures, and jewelry, each piece capturing the essence of their heroism and spiritual significance. What is more, their story resonates beyond the Navajo Nation, offering universal themes of courage, resilience, and the fight against adversity. Scholars and enthusiasts of \u003c\/span\u003eNative American\u003cspan\u003e mythology study the twins’ tale to gain deeper insights into the rich cultural heritage of the \u003c\/span\u003eNavajo people\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"blog_post\"\u003e\n\u003cp align=\"center\"\u003e\u003cimg width=\"610\" height=\"407\" class=\"media-image\" alt=\"Traditional Dinétah territory (northwestern New Mexico), where Gobernador Knob (Chʼóolʼį́ʼí) is located. (U.S. Geological Survey\/CC BY 2.0)\" src=\"https:\/\/www.ancient-origins.net\/sites\/default\/files\/styles\/large\/public\/Traditional%20Din%C3%A9tah%20territory%20%28northwestern%20New%20Mexico%29%2C%20where%20Gobernador%20Knob%20%28Ch%CA%BC%C3%B3ol%CA%BC%C4%AF%CC%81%CA%BC%C3%AD%29%20is%20located.jpg?itok=82isJU2c\"\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cem\u003eTraditional Dinétah territory (northwestern New Mexico), where Gobernador Knob (Chʼóolʼį́ʼí) is located. (U.S. Geological Survey\/\u003c\/em\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Shiprock_3.jpg\" target=\"_blank\"\u003e\u003cem\u003eCC BY 2.0\u003c\/em\u003e\u003c\/a\u003e\u003cem\u003e)\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"content_add_block\" id=\"article-add-7\"\u003e\n\u003cdiv class=\"gazeta-ads-block\"\u003e\n\u003cdiv data-google-query-id=\"CPia1PLHpZQDFd9XCAQdpC4lRg\" data-lazy-callback=\"lazy_cb_9vk1rt2z0l\" id=\"gpt_unit_\/339474670,423516288\/Ancient_D10\/incontent_2_0\" data-adpath=\"\/339474670,423516288\/Ancient_D10\/incontent_2\" data-onpage=\"true\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"content_add_block\" id=\"article-add-12\"\u003e\n\u003cdiv class=\"gazeta-ads-block\"\u003e\n\u003cdiv data-google-query-id=\"CNHe1vXHpZQDFfz6_QUdWs0UjQ\" data-lazy-callback=\"lazy_cb_4krikuaqz7g\" id=\"gpt_unit_\/339474670,423516288\/Ancient_D10\/incontent_3_0\" data-adpath=\"\/339474670,423516288\/Ancient_D10\/incontent_3\" data-onpage=\"true\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2026-05-08T13:30:04-07:00","created_at":"2026-05-08T13:30:03-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48224438812894,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Foes of Evil: The Navajo Story of Twins Monster Slayer and Born-For-Water","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/9798284962107_cfa04b20-b1b9-4acd-acda-65598e1b4183.jpg?v=1778272742"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/9798284962107_cfa04b20-b1b9-4acd-acda-65598e1b4183.jpg?v=1778272742","options":["Title"],"media":[{"alt":null,"id":38204321235166,"position":1,"preview_image":{"aspect_ratio":0.658,"height":400,"width":263,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/9798284962107_cfa04b20-b1b9-4acd-acda-65598e1b4183.jpg?v=1778272742"},"aspect_ratio":0.658,"height":400,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/9798284962107_cfa04b20-b1b9-4acd-acda-65598e1b4183.jpg?v=1778272742","width":263}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch3\u003eBy: Aleksa Vuckovic, 8-10-2024\u003c\/h3\u003e\n\u003cp\u003e\u003cimg alt=\"Foes of Evil: The Navajo Myth of Twins Monster Slayer and Born-For-Water\" src=\"https:\/\/www.ancient-origins.net\/sites\/default\/files\/styles\/article_image\/public\/field\/image\/Foes%20of%20Evil%20The%20Navajo%20Myth%20of%20Twins%20Monster%20Slayer%20and%20Born-For-Water.jpg?itok=J-ATnP5q\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Native American tribes boast a very complex and thought-provoking set of beliefs and traditions, in which the legend of heroic twin brothers is often shared and found in many tribes.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn the myths of the Navajo tribe, these twins are known as Monster Slayer and Born-For-Water, and are central figures in the tribe’s mythology, embodying themes of bravery, protection, and the struggle against evil. Their story is not just a tale of heroism but a complex set of cultural beliefs, values, and the enduring relationship between the Navajo people and their environment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe tale of Monster Slayer and Born-For-Water begins with their mother, Changing Woman (Asdzą́ą́ Nádleehi), one of the most revered deities in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.ancient-origins.net\/myths-legends-americas\/navajo-mythology-0016193\"\u003eNavajo mythology\u003c\/a\u003e.  Changing Woman represents life, fertility, and transformation. According to the myths, she conceived the twins with the Sun, who gave her two pieces of turquoise and abalone shell, which transformed into the twins. The Changing Woman raised her sons on Gobernador Knob, a Navajo sacred mountain, where they learned about their divine heritage and the destiny that awaited them.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs they grew older, Monster Slayer and Born-For-Water became aware of the many monsters that plagued their people. These monsters were the personification of chaos and danger in the world. Determined to rid their land of these threats, the twins embarked on a perilous journey to the Sun's house to seek guidance and weapons. Their journey was fraught with challenges, including crossing a vast desert and overcoming numerous obstacles that tested their courage and resolve.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eWarriors of the Sun\u003c\/h2\u003e\n\u003cp\u003eEach battle was not only a physical confrontation but also a spiritual one. The twins relied on their wit, bravery, and the teachings of their mother and father. They invoked prayers and rituals to ensure their success, highlighting the deep connection between their physical prowess and their spiritual strength.\u003c\/p\u003e\n\u003cp\u003eWe can quickly understand that the story of Monster Slayer and Born-For-Water is more than an epic adventure; it is a cornerstone of Navajo cultural identity. The twins symbolize the triumph of good over evil, the importance of bravery, and the necessity of working together for the greater good. Their tale is recounted in various\u003cspan\u003e \u003c\/span\u003eceremonies\u003cspan\u003e \u003c\/span\u003eand rituals, serving as a reminder of the values that underpin Navajo society.\u003c\/p\u003e\n\u003cp\u003eOne of the most significant ceremonies associated with the twins is the Enemy Way (Anaaʼjí). This healing ceremony is performed to restore balance and harmony for individuals who have been in conflict or war. The stories of the twins are recited during the ceremony, emphasizing their role as protectors and healers. The twins’ journey and victories also serve as metaphors for overcoming personal and communal challenges.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn contemporary Navajo culture, the story of Monster Slayer and Born-For-Water continues to be a source of inspiration. Their legacy is preserved through oral traditions, storytelling, and art. Navajo artists often depict the twins in paintings, sculptures, and jewelry, each piece capturing the essence of their heroism and spiritual significance. What is more, their story resonates beyond the Navajo Nation, offering universal themes of courage, resilience, and the fight against adversity. Scholars and enthusiasts of \u003c\/span\u003eNative American\u003cspan\u003e mythology study the twins’ tale to gain deeper insights into the rich cultural heritage of the \u003c\/span\u003eNavajo people\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"blog_post\"\u003e\n\u003cp align=\"center\"\u003e\u003cimg width=\"610\" height=\"407\" class=\"media-image\" alt=\"Traditional Dinétah territory (northwestern New Mexico), where Gobernador Knob (Chʼóolʼį́ʼí) is located. (U.S. Geological Survey\/CC BY 2.0)\" src=\"https:\/\/www.ancient-origins.net\/sites\/default\/files\/styles\/large\/public\/Traditional%20Din%C3%A9tah%20territory%20%28northwestern%20New%20Mexico%29%2C%20where%20Gobernador%20Knob%20%28Ch%CA%BC%C3%B3ol%CA%BC%C4%AF%CC%81%CA%BC%C3%AD%29%20is%20located.jpg?itok=82isJU2c\"\u003e\u003c\/p\u003e\n\u003cp align=\"center\"\u003e\u003cem\u003eTraditional Dinétah territory (northwestern New Mexico), where Gobernador Knob (Chʼóolʼį́ʼí) is located. (U.S. Geological Survey\/\u003c\/em\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Shiprock_3.jpg\" target=\"_blank\"\u003e\u003cem\u003eCC BY 2.0\u003c\/em\u003e\u003c\/a\u003e\u003cem\u003e)\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"content_add_block\" id=\"article-add-7\"\u003e\n\u003cdiv class=\"gazeta-ads-block\"\u003e\n\u003cdiv data-google-query-id=\"CPia1PLHpZQDFd9XCAQdpC4lRg\" data-lazy-callback=\"lazy_cb_9vk1rt2z0l\" id=\"gpt_unit_\/339474670,423516288\/Ancient_D10\/incontent_2_0\" data-adpath=\"\/339474670,423516288\/Ancient_D10\/incontent_2\" data-onpage=\"true\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"content_add_block\" id=\"article-add-12\"\u003e\n\u003cdiv class=\"gazeta-ads-block\"\u003e\n\u003cdiv data-google-query-id=\"CNHe1vXHpZQDFfz6_QUdWs0UjQ\" data-lazy-callback=\"lazy_cb_4krikuaqz7g\" id=\"gpt_unit_\/339474670,423516288\/Ancient_D10\/incontent_3_0\" data-adpath=\"\/339474670,423516288\/Ancient_D10\/incontent_3\" data-onpage=\"true\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":9211779612894,"title":"Design of the Classic First \/ Second Phase Men's Navajo Chief Blanket Pattern","handle":"design-of-the-classic-first-or-second-phase-mens-navajo-chief-blanket-pattern","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eA Theory on the Origins of the Design of the Classic First or Second\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ePhase Men’s Navajo Chief’s Pattern Blanket.\u003c\/strong\u003e\u003cbr\u003eby Jeffery Voracek, 2023, All Rights Reserved\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg\u003eTo understand the following you should have a rudimentary understanding of the Navajo Creation Story:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -.25pt;\"\u003eAfter 35 years of visiting the Navajo reservation, I have come to believe that the \u003cu style=\"text-underline: black;\"\u003eMen’s Navajo Chief’s Blanke\u003c\/u\u003et had originally been the symbolism of the \u003cspan style=\"color: #303030;\"\u003eDiné \u003c\/span\u003ecreation story from the oral and written history of the \u003cspan style=\"color: #303030;\"\u003eDiné. They say that the creation story is in the Chief’s blanket.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -.25pt;\"\u003eThis is what I have come to believe based on evidence: \u003cu style=\"text-underline: black;\"\u003eThe foundation of the\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCreation Story is the Warrior Twins\/Hero Twins. \u003c\/u\u003eThe \u003cspan style=\"color: #303030;\"\u003eDiné \u003c\/span\u003ecannot occupy the earth without the removal of the things that kill people. There are dread monsters and many bad things that need to be cleaned up first. The Hero\/Warrior Twins will be the salvation of the earth for the \u003cspan style=\"color: #303030;\"\u003eDiné \u003c\/span\u003eif they are successful. \u003cu style=\"text-underline: black;\"\u003eThe Men’s Navajo Chief’s pattern blanket has the symbolism of the creation story in it. \u003c\/u\u003eNavajo Chief’s pattern blankets are worn longer than wide. In the 19th and 20th century where there are many pictures of them, they are worn horizontally.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -.25pt;\"\u003eWhen searching the Smithsonian archive of photos I found one photo with a 19th century ink caption on an early Chief’s pattern blanket photograph showing that this was the way it was to be worn. According to my research, this all makes sense. It is widely recognized today that a Chief’s pattern blanket is still being held horizontally. This is one thing that has come through time successfully and not been lost. When I see unstaged photographs of the Plains Indians with handmade blankets, those blankets are almost always Navajo Chief’s pattern blankets. \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -.25pt;\"\u003e\u003cu style=\"text-underline: black;\"\u003eI don’t consider it by chance that the Plains Indians would have wanted a Navajo Chief’s pattern blanket with this symbolism woven into it. \u003c\/u\u003eThey were also trying to rid their world of bad things. The Navajos had no Chiefs. A Chief’s pattern blanket that was Navajo meant that you had to be a Chief to afford one. When reading many versions of the Creation Story, I found that in order for this symbolism to exist within the blanket, it would need to be held \u003cu style=\"text-underline: black;\"\u003ehorizontally like the sky, as if the blanket were\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003ethe horizon that you were looking at \u003c\/u\u003e(like a painting). If the Hero Twins are to be involved, there must be two Horizons as there are two Hero Twins.\u003c\/p\u003e\nIn the earliest ceremonial picture that I’ve seen, there was half of a Chief’s pattern blanket displayed as if it was a memory cloth for the ceremony. It was displayed horizontally and placed front center in a group of \u003cspan style=\"color: #303030;\"\u003eDiné \u003c\/span\u003eas if they were reading something from it. Of course there is no writing, just symbolism.\u003c\/blockquote\u003e\n\u003cblockquote\u003eIn the Creation Story, this is the fifth world. In the \u003cu style=\"text-underline: black;\"\u003efour former worlds, the horizon was darkness that alternated with three shades of light.\u003c\/u\u003eThis looks and sounds like the description of\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003ehalf of a Chief’s Pattern Blanket.\u003cspan style=\"mso-no-proof: yes;\"\u003e\u003c!--[endif]--\u003e\u003c\/span\u003eThere are many hints to the symbolism in every version of the CreationStory.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\n\u003c\/blockquote\u003e\n\u003cblockquote\u003eAn example is the 1934 book, “Spider Woman: A Story of Navajo Weavers and Chanters’’ by Gladys A. Reichard. A portion of this book reads as follows….”After the Hero Twins are born, \u003cu style=\"text-underline: black;\"\u003ethe infants were hidden under six blankets, darkness was below, above it was blue sky, then came blue horizon light ....” \u003c\/u\u003eEarly \u003cspan style=\"color: #303030;\"\u003eDiné (Navjo) \u003c\/span\u003eblankets would have been made from cotton or possibly mountain sheep’s wool, which is white. So, this portion of the sentence from the book could describe the Navajo Chief’s pattern blanket held horizontally, as there are two blue stripes above and below (blue sky and blue horizon light). There is also darkness below. This again very much seems like half of a Chief’s pattern blanket. \u003c\/blockquote\u003e\n\u003cblockquote\u003eIn most versions of the Creation Story, the horizon is thick. Blankets are often described as clouds. All First or Second Phase blankets would work for the above, but a Second Phase would be best for remembering the sequences to follow in The Hero Twins Creation Story\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e(98% of First and Second Phase Classic Men’s Chief's Blankets fit the criteria symbolized in the above statements).The Hero Twins had to become adults to rid the earth of Dread Monsters so that the \u003cspan style=\"color: #303030;\"\u003eDiné \u003c\/span\u003ecould live on the planet.\u003c\/blockquote\u003e\n\u003cblockquote\u003eIn order for the Hero Twins to mature and reign over the Dread Monsters, they needed to go through a series of tests: if they survived these tests, their Father, the Sun would give them the tools that they would need to defeat many bad things, including the Dread Monsters.\u003c\/blockquote\u003e\n\u003cblockquote\u003eThe pregnancy and birth of the Hero Twins have a numerical sequence adding to \u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu style=\"text-underline: black;\"\u003etwenty four\u003c\/u\u003e.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e(**\u003c\/b\u003eAfter the Hero Twins complete this sequence, they are \u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu style=\"text-underline: black;\"\u003etwelve \u003c\/u\u003e\u003c\/b\u003eyears old and full grown.); after \u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu style=\"text-underline: black;\"\u003efour \u003c\/u\u003e\u003c\/b\u003emornings of Changing Woman laying next to the waterfall, she gets pregnant. In \u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu style=\"text-underline: black;\"\u003efour \u003c\/u\u003e\u003c\/b\u003edays, the twins moved within her, and in \u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu style=\"text-underline: black;\"\u003efour \u003c\/u\u003e\u003c\/b\u003emore days she was in labor. Enemy Slayer and Born of the Water are born (hero\/warrior twins): in \u003cu style=\"text-underline: black;\"\u003efour \u003c\/u\u003edays the children walked; in \u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu style=\"text-underline: black;\"\u003efour \u003c\/u\u003e\u003c\/b\u003emore days they were full grown and talking.\u003c\/blockquote\u003e\n\u003cblockquote\u003eTalking God and Water Sprinkler (Dine Gods) came to instruct them and promised to come back in \u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu style=\"text-underline: black;\"\u003efour \u003c\/u\u003e\u003c\/b\u003edays. This sequence adds to a total of \u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu style=\"text-underline: black;\"\u003etwenty four\u003c\/u\u003e\u003c\/b\u003e. **After this, the Hero Twins have to survive a sequence of events that culminates with their Father, the Sun. The sequence of challenges that they must go through comes to \u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu style=\"text-underline: black;\"\u003etwenty four. \u003c\/u\u003e\u003c\/b\u003eAlso, at the end of these successful challenges, their Father, the Sun provides them with the weapons to kill the Dread Monsters and cleanse the planet of many bad things. The number is \u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu style=\"text-underline: black;\"\u003etwelve or twenty four\u003c\/u\u003e\u003c\/b\u003e.\u003c\/blockquote\u003e\n\u003cblockquote\u003eIf you used a classic Second Phase as a memory cloth, you could go through and show the sky before the fifth world (in the four former worlds). You could go through the Hero Twins life from pregnancy to birth to full grown. Additionally you could go through the complete sequence that culminates with the Hero Twins avenging the monsters and bad things of the planet, so that the \u003cspan style=\"color: #303030;\"\u003eDiné \u003c\/span\u003ecould live on the earth. This symbolism that was built into the Chief’s Blanket was the same symbolism that protected The Hero\/Warrior Twins so that they could prepare the planet for the \u003cspan style=\"color: #303030;\"\u003eDiné.  \u003c\/span\u003e\u003cspan style=\"color: #303030;\"\u003eIn conclusion, the Diné have written that the Chief’s blanket contains “The Creation Story”. Oral history also supports this.\u003c\/span\u003e\n\u003c\/blockquote\u003e","published_at":"2026-05-11T12:48:49-07:00","created_at":"2026-05-11T12:24:54-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48229390876894,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Design of the Classic First \/ Second Phase Men's Navajo Chief Blanket Pattern","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/1stphasewebsiteready_7b342cc6-a746-49b5-8927-0de5ef844fc5.jpg?v=1614328486","\/\/www.navajorug.com\/cdn\/shop\/files\/half.jpg?v=1778527991","\/\/www.navajorug.com\/cdn\/shop\/files\/2nd.jpg?v=1778527892"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/1stphasewebsiteready_7b342cc6-a746-49b5-8927-0de5ef844fc5.jpg?v=1614328486","options":["Title"],"media":[{"alt":"Early Classic 1st Phase Chief Blanket Ute Style : Historic Navajo Weaving","id":20241226662055,"position":1,"preview_image":{"aspect_ratio":1.249,"height":1121,"width":1400,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/1stphasewebsiteready_7b342cc6-a746-49b5-8927-0de5ef844fc5.jpg?v=1614328486"},"aspect_ratio":1.249,"height":1121,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/1stphasewebsiteready_7b342cc6-a746-49b5-8927-0de5ef844fc5.jpg?v=1614328486","width":1400},{"alt":null,"id":38223788409054,"position":2,"preview_image":{"aspect_ratio":2.196,"height":163,"width":358,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/half.jpg?v=1778527991"},"aspect_ratio":2.196,"height":163,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/half.jpg?v=1778527991","width":358},{"alt":null,"id":38223781298398,"position":3,"preview_image":{"aspect_ratio":1.316,"height":266,"width":350,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/2nd.jpg?v=1778527892"},"aspect_ratio":1.316,"height":266,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/2nd.jpg?v=1778527892","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eA Theory on the Origins of the Design of the Classic First or Second\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ePhase Men’s Navajo Chief’s Pattern Blanket.\u003c\/strong\u003e\u003cbr\u003eby Jeffery Voracek, 2023, All Rights Reserved\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg\u003eTo understand the following you should have a rudimentary understanding of the Navajo Creation Story:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -.25pt;\"\u003eAfter 35 years of visiting the Navajo reservation, I have come to believe that the \u003cu style=\"text-underline: black;\"\u003eMen’s Navajo Chief’s Blanke\u003c\/u\u003et had originally been the symbolism of the \u003cspan style=\"color: #303030;\"\u003eDiné \u003c\/span\u003ecreation story from the oral and written history of the \u003cspan style=\"color: #303030;\"\u003eDiné. They say that the creation story is in the Chief’s blanket.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -.25pt;\"\u003eThis is what I have come to believe based on evidence: \u003cu style=\"text-underline: black;\"\u003eThe foundation of the\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCreation Story is the Warrior Twins\/Hero Twins. \u003c\/u\u003eThe \u003cspan style=\"color: #303030;\"\u003eDiné \u003c\/span\u003ecannot occupy the earth without the removal of the things that kill people. There are dread monsters and many bad things that need to be cleaned up first. The Hero\/Warrior Twins will be the salvation of the earth for the \u003cspan style=\"color: #303030;\"\u003eDiné \u003c\/span\u003eif they are successful. \u003cu style=\"text-underline: black;\"\u003eThe Men’s Navajo Chief’s pattern blanket has the symbolism of the creation story in it. \u003c\/u\u003eNavajo Chief’s pattern blankets are worn longer than wide. In the 19th and 20th century where there are many pictures of them, they are worn horizontally.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -.25pt;\"\u003eWhen searching the Smithsonian archive of photos I found one photo with a 19th century ink caption on an early Chief’s pattern blanket photograph showing that this was the way it was to be worn. According to my research, this all makes sense. It is widely recognized today that a Chief’s pattern blanket is still being held horizontally. This is one thing that has come through time successfully and not been lost. When I see unstaged photographs of the Plains Indians with handmade blankets, those blankets are almost always Navajo Chief’s pattern blankets. \u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-left: -.25pt;\"\u003e\u003cu style=\"text-underline: black;\"\u003eI don’t consider it by chance that the Plains Indians would have wanted a Navajo Chief’s pattern blanket with this symbolism woven into it. \u003c\/u\u003eThey were also trying to rid their world of bad things. The Navajos had no Chiefs. A Chief’s pattern blanket that was Navajo meant that you had to be a Chief to afford one. When reading many versions of the Creation Story, I found that in order for this symbolism to exist within the blanket, it would need to be held \u003cu style=\"text-underline: black;\"\u003ehorizontally like the sky, as if the blanket were\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003ethe horizon that you were looking at \u003c\/u\u003e(like a painting). If the Hero Twins are to be involved, there must be two Horizons as there are two Hero Twins.\u003c\/p\u003e\nIn the earliest ceremonial picture that I’ve seen, there was half of a Chief’s pattern blanket displayed as if it was a memory cloth for the ceremony. It was displayed horizontally and placed front center in a group of \u003cspan style=\"color: #303030;\"\u003eDiné \u003c\/span\u003eas if they were reading something from it. Of course there is no writing, just symbolism.\u003c\/blockquote\u003e\n\u003cblockquote\u003eIn the Creation Story, this is the fifth world. In the \u003cu style=\"text-underline: black;\"\u003efour former worlds, the horizon was darkness that alternated with three shades of light.\u003c\/u\u003eThis looks and sounds like the description of\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003ehalf of a Chief’s Pattern Blanket.\u003cspan style=\"mso-no-proof: yes;\"\u003e\u003c!--[endif]--\u003e\u003c\/span\u003eThere are many hints to the symbolism in every version of the CreationStory.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\n\u003c\/blockquote\u003e\n\u003cblockquote\u003eAn example is the 1934 book, “Spider Woman: A Story of Navajo Weavers and Chanters’’ by Gladys A. Reichard. A portion of this book reads as follows….”After the Hero Twins are born, \u003cu style=\"text-underline: black;\"\u003ethe infants were hidden under six blankets, darkness was below, above it was blue sky, then came blue horizon light ....” \u003c\/u\u003eEarly \u003cspan style=\"color: #303030;\"\u003eDiné (Navjo) \u003c\/span\u003eblankets would have been made from cotton or possibly mountain sheep’s wool, which is white. So, this portion of the sentence from the book could describe the Navajo Chief’s pattern blanket held horizontally, as there are two blue stripes above and below (blue sky and blue horizon light). There is also darkness below. This again very much seems like half of a Chief’s pattern blanket. \u003c\/blockquote\u003e\n\u003cblockquote\u003eIn most versions of the Creation Story, the horizon is thick. Blankets are often described as clouds. All First or Second Phase blankets would work for the above, but a Second Phase would be best for remembering the sequences to follow in The Hero Twins Creation Story\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e(98% of First and Second Phase Classic Men’s Chief's Blankets fit the criteria symbolized in the above statements).The Hero Twins had to become adults to rid the earth of Dread Monsters so that the \u003cspan style=\"color: #303030;\"\u003eDiné \u003c\/span\u003ecould live on the planet.\u003c\/blockquote\u003e\n\u003cblockquote\u003eIn order for the Hero Twins to mature and reign over the Dread Monsters, they needed to go through a series of tests: if they survived these tests, their Father, the Sun would give them the tools that they would need to defeat many bad things, including the Dread Monsters.\u003c\/blockquote\u003e\n\u003cblockquote\u003eThe pregnancy and birth of the Hero Twins have a numerical sequence adding to \u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu style=\"text-underline: black;\"\u003etwenty four\u003c\/u\u003e.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e(**\u003c\/b\u003eAfter the Hero Twins complete this sequence, they are \u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu style=\"text-underline: black;\"\u003etwelve \u003c\/u\u003e\u003c\/b\u003eyears old and full grown.); after \u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu style=\"text-underline: black;\"\u003efour \u003c\/u\u003e\u003c\/b\u003emornings of Changing Woman laying next to the waterfall, she gets pregnant. In \u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu style=\"text-underline: black;\"\u003efour \u003c\/u\u003e\u003c\/b\u003edays, the twins moved within her, and in \u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu style=\"text-underline: black;\"\u003efour \u003c\/u\u003e\u003c\/b\u003emore days she was in labor. Enemy Slayer and Born of the Water are born (hero\/warrior twins): in \u003cu style=\"text-underline: black;\"\u003efour \u003c\/u\u003edays the children walked; in \u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu style=\"text-underline: black;\"\u003efour \u003c\/u\u003e\u003c\/b\u003emore days they were full grown and talking.\u003c\/blockquote\u003e\n\u003cblockquote\u003eTalking God and Water Sprinkler (Dine Gods) came to instruct them and promised to come back in \u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu style=\"text-underline: black;\"\u003efour \u003c\/u\u003e\u003c\/b\u003edays. This sequence adds to a total of \u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu style=\"text-underline: black;\"\u003etwenty four\u003c\/u\u003e\u003c\/b\u003e. **After this, the Hero Twins have to survive a sequence of events that culminates with their Father, the Sun. The sequence of challenges that they must go through comes to \u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu style=\"text-underline: black;\"\u003etwenty four. \u003c\/u\u003e\u003c\/b\u003eAlso, at the end of these successful challenges, their Father, the Sun provides them with the weapons to kill the Dread Monsters and cleanse the planet of many bad things. The number is \u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003cu style=\"text-underline: black;\"\u003etwelve or twenty four\u003c\/u\u003e\u003c\/b\u003e.\u003c\/blockquote\u003e\n\u003cblockquote\u003eIf you used a classic Second Phase as a memory cloth, you could go through and show the sky before the fifth world (in the four former worlds). You could go through the Hero Twins life from pregnancy to birth to full grown. Additionally you could go through the complete sequence that culminates with the Hero Twins avenging the monsters and bad things of the planet, so that the \u003cspan style=\"color: #303030;\"\u003eDiné \u003c\/span\u003ecould live on the earth. This symbolism that was built into the Chief’s Blanket was the same symbolism that protected The Hero\/Warrior Twins so that they could prepare the planet for the \u003cspan style=\"color: #303030;\"\u003eDiné.  \u003c\/span\u003e\u003cspan style=\"color: #303030;\"\u003eIn conclusion, the Diné have written that the Chief’s blanket contains “The Creation Story”. Oral history also supports this.\u003c\/span\u003e\n\u003c\/blockquote\u003e"}

{"id":9211808383198,"title":"Tree of Life - Explained","handle":"tree-of-life-explained","description":"\u003cp\u003e\u003cstrong\u003eHistory of Tree of Life Rugs\u003cbr\u003e\u003c\/strong\u003eThe Tree of Life Navajo Rug, often referred to as the Cosmic Tree.\u003c\/p\u003e\n\u003cp\u003eSince their early days of the late 1800s, these weavings have often portrayed pictures of a wedding basket with a corn stalk springing forth, birds, and rainbow bars. These pictures are meant to represent progression and movement within life, as well as the connections between the Navajo, the Earth, and the Universe. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImportant Symbolism\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/3203-600x719_grande.jpg?v=1480711183\" width=\"275\" height=\"329\"\u003e\u003cbr\u003e\u003c\/strong\u003eKnown for their remarkable beauty and iconic images, the fact remains that even today the Tree of Life rug design remains a meaningful symbol to the Navajo people. It’s so important, in fact, that they’ve even been the inspiration behind SandPaintings  and other artistic endeavors. A wonderful choice for celebrating the natural world and helping people reconnect and harmonize with nature, the Tree of Life is admired for its scenic designs and it’s fresh world perspective.  From the Navajo ceremonial perspective; the Blue birds are considered the messengers to the gods and rainbows represent life and all things good.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePictorial Style\u003cbr\u003e\u003c\/strong\u003eWeavers today still value what the Tree of Life rug represents and enjoy being able to share their creativity and imagination with bold colors, flourishing style and contemporary weaving. If you’re looking for a rug styling that’s not only breathtakingly gorgeous, but signifies an important tie between the Navajo and the world around them, then the Tree of Life rugs may just help you find your own connection with the world. \u003c\/p\u003e","published_at":"2026-05-11T12:56:52-07:00","created_at":"2026-05-11T12:55:13-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48229553504478,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tree of Life - Explained","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/IMG_7718.jpg?v=1773427740"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/IMG_7718.jpg?v=1773427740","options":["Title"],"media":[{"alt":"Selena With her tree of life.","id":37766822953182,"position":1,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/IMG_7718.jpg?v=1773427740"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/IMG_7718.jpg?v=1773427740","width":3024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eHistory of Tree of Life Rugs\u003cbr\u003e\u003c\/strong\u003eThe Tree of Life Navajo Rug, often referred to as the Cosmic Tree.\u003c\/p\u003e\n\u003cp\u003eSince their early days of the late 1800s, these weavings have often portrayed pictures of a wedding basket with a corn stalk springing forth, birds, and rainbow bars. These pictures are meant to represent progression and movement within life, as well as the connections between the Navajo, the Earth, and the Universe. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImportant Symbolism\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/3203-600x719_grande.jpg?v=1480711183\" width=\"275\" height=\"329\"\u003e\u003cbr\u003e\u003c\/strong\u003eKnown for their remarkable beauty and iconic images, the fact remains that even today the Tree of Life rug design remains a meaningful symbol to the Navajo people. It’s so important, in fact, that they’ve even been the inspiration behind SandPaintings  and other artistic endeavors. A wonderful choice for celebrating the natural world and helping people reconnect and harmonize with nature, the Tree of Life is admired for its scenic designs and it’s fresh world perspective.  From the Navajo ceremonial perspective; the Blue birds are considered the messengers to the gods and rainbows represent life and all things good.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePictorial Style\u003cbr\u003e\u003c\/strong\u003eWeavers today still value what the Tree of Life rug represents and enjoy being able to share their creativity and imagination with bold colors, flourishing style and contemporary weaving. If you’re looking for a rug styling that’s not only breathtakingly gorgeous, but signifies an important tie between the Navajo and the world around them, then the Tree of Life rugs may just help you find your own connection with the world. \u003c\/p\u003e"}

{"id":9211811037406,"title":"Churro Sheep History","handle":"churro-sheep-history","description":"\u003ch2\u003eChurro Sheep History\u003c\/h2\u003e\n\u003cp\u003eThe Churro breed of sheep was introduced into the Rio Grande Valley by the Spaniards around 16th century and were obtained by the Navajos through raiding and trading.  The lustrous fibers of Churro Wool are long and straight with a very low lanolin content, making them ideal for the limited hand methods of Navajo weaving.  If you were to look at the Churro wool fiber under a microscope, it is actually translucent.  \u003cbr\u003e\u003cbr\u003eFor the Navajo weaver, historically one of the best parts of using Churro wool was less work to raise the sheep and prepare the wool.   The Churro Sheep are very hardy and well adapted to the harsh dry conditions under which the Navajo live and the low lanolin content means very clean wool (not a lot of water or time used to clean it).  The historic superiority of weavings produced from the wool of Churro sheep is very apparent in the blankets that have survived through time.  \u003c\/p\u003e\n\u003cp\u003eThe common Diné (Navajo) word for the breed, \u003cspan title=\"Navajo-language text\"\u003eDibé dits’ozí\u003c\/span\u003e, means \"long fleeced sheep.\" \u003cspan title=\"Navajo-language text\"\u003eT’áá Dibé\u003c\/span\u003e is also occasionally used, meaning \"first sheep. The churro is important to Diné subsistence and culture.\u003c\/p\u003e\n\u003cp class=\"mw-heading mw-heading2\"\u003e \u003c\/p\u003e\n\u003ch2 id=\"History\"\u003eHistory\u003c\/h2\u003e\n\u003cp\u003eThe Spanish Churra (renamed Churro by American frontiersmen) was first imported to North America in 1598 by Juan de Oñate, a conquistador who established the colony of \u003cspan id=\"ref270327\"\u003e\u003c\/span\u003eNew Mexico for Spain.  He used Churro Sheep to feed Spanish armies and settlers.  By the 17th century, Churros were popular with the Spanish settlers in the upper Rio Grande Valley.  The Churro soon became an important part of the Diné economy and culture.  The Navajo bred sheep to adapt to a pastoral lifestyle in a harsh desert environment.\u003csup id=\"cite_ref-textile_10-1\" class=\"reference\"\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eDuring the \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Navajo_Wars\" title=\"Navajo Wars\"\u003eNavajo Wars\u003c\/a\u003e, American soldier \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kit_Carson\" title=\"Kit Carson\"\u003eKit Carson\u003c\/a\u003e instructed his troops to destroy Navajo crops and kill their livestock, including the Churro sheep, in 1863. They killed thousands of sheep. Some small clusters in remote canyons survived the attack. The entire Navajo nation was then forced to march to a reservation. The Navajo nation and the US government signed Treaty of Bosque Redondo in 1868, allowing the Navajo to return to their homeland. As part of the agreement, the US government provided sheep to the  Navajo; however, these breeds were unfamiliar and contaminated the Churro sheep line.\u003c\/p\u003e\n\u003cp\u003eIn the 1930s, the US government implemented the \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Navajo_Livestock_Reduction\" title=\"Navajo Livestock Reduction\"\u003eNavajo Livestock Reduction\u003c\/a\u003e, intended to reduce the amount of sheep and horses on Diné lands. Tens of thousands of Churro sheep were slaughtered, and their numbers dwindled.  \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Livestock_Conservancy\" title=\"The Livestock Conservancy\"\u003eThe Livestock Conservancy\u003c\/a\u003e estimated that less than 450 Churros remained by the 1970s. This reduction of the flocks drove many Diné ranchers into poverty. Many Diné who had traditionally lived off of the land and agriculture turned to wage work.\u003csup id=\"cite_ref-textile_10-2\" class=\"reference\"\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eRestoration of the breed began in the 1970s when breeders began acquiring Churro phenotypes with the purpose of preserving the breed and revitalizing Diné and Hispanic flocks.\u003csup id=\"cite_ref-npr20100613_11-1\" class=\"reference\"\u003e\u003c\/sup\u003e The Navajo Sheep Project, headed by Lyle McNeal, was the first organization to start a breeding program.\u003csup id=\"cite_ref-textile_10-3\" class=\"reference\"\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eWhile the Navajo-Churro breed is no longer in danger of extinction, it is still considered a rare breed.\u003csup id=\"cite_ref-npr20100613_11-2\" class=\"reference\"\u003e\u003c\/sup\u003e There were over 8,000 head of Navajo-Churro sheep in 2022.\u003c\/p\u003e\n\u003cp id=\"Cultural_role\"\u003eCultural role\u003c\/p\u003e\n\u003cp\u003eDiné weavers have used Churro wool to make rugs, wall hangings, and other products since the late 1600s.  \u003csup id=\"cite_ref-Gass_7-2\" class=\"reference\"\u003e\u003c\/sup\u003eThe sheep naturally produce wool in fourteen colors, so weavers can produce complex colorwork without needing to dye the wool. The yarn produced from the wool is durable, coarse, and non-pilling. \u003csup id=\"cite_ref-st_2-2\" class=\"reference\"\u003e\u003c\/sup\u003e Many Diné through the early 20th century made their livelihood in farming and ranching. Woven products, such as rugs and blankets, were and continue to be important exports.\u003csup id=\"cite_ref-textile_10-4\" class=\"reference\"\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eCarding wool, spinning yarn, and weaving are traditionally women's work among the Diné. As such, flocks of sheep traditionally belonged to women and were passed from a mother to her children. Children learned to tend the sheep at a young age.\u003csup id=\"cite_ref-textile_10-5\" class=\"reference\"\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe specific Churro breed, as opposed to sheep in general, is an important part of Diné cultural identity. Elders in particular remembered the Churro flocks from the early 20th century. Some were overjoyed to see the revitalization from the 1970s onward:\u003csup id=\"cite_ref-textile_10-6\" class=\"reference\"\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eI said, \"Why are you crying for grandpa?\" He said, \"It's been a long time since I've seen these sheep. I'm so happy that they're here again.\"\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExcerpted from an article printed in the June issue of \u003c\/strong\u003e\u003cstrong\u003ePhoenix 2016 Home and Garden.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Churro breed of sheep were introduced by the Spaniards in the mid 1500’s upon their discovery and colonization of the “New World”. Having originated in the mountainous regions of southern Spain, they were well adapted to the arid and poor forage conditions of this new environment. Twice on the brink of extinction, this hardy breed of sheep endures. In 1863, the Kit Carson\/U.S. Military campaign to incarcerate the Navajo people and destroy their economy {the sheep} was successful in rounding up about half of the population, taking them to Bosque Redondo and killing a large percentage of their sheep. The escaping Navajo went into hiding with the remnants of their flocks. Upon returning from “The Long Walk”, they were issued new breeds of sheep, which for the most part replaced the Churro wool in their weaving. Some weaver’s preference for their “old wool” persisted, and many managed to rebuild their Churro flocks. Later, in the 1930’s, Congress enacted the Taylor Grazing Act; tens of thousands of sheep were killed. This federally enforced stock reduction program was the result of overgrazing and the severe drought conditions of the dust bowl era. Still a few bands of Churro survived, secreted away in the remote canyons of Navajo land.\u003c\/p\u003e\n\u003cp\u003eNavajo weavers first used Churro wool during the classic period of Navajo weaving (1700-1863). The superior quality of these weavings is very evident in the blankets that have survived through time. The lustrous fibers of the wool were long and straight, ideal for the limited hand methods of Navajo weaving. Also, the low lanolin content reduced the necessity for extensive cleaning in a land of little water.\u003cbr\u003e\u003cbr\u003eIn recent years, the efforts of a few dedicated breeders have revived the Churro genetics and fleece quality. However, the circle was not complete, as the wool wasn’t getting into the hands of Navajo weavers. The most successful effort to reintroduce Churro wool to the Navajo loom was accomplished by native Arizonan, Steve Getzwiller. He set out to revive some of the older design elements as well as some rare and natural dyes. The reintroduction of Churro wool brought those lustrous qualities back to the finished weavings, completing the circle and reconnecting some of the weavers with their past. “The Navajo Churro Collection” was bo\u003c\/p\u003e","published_at":"2026-05-11T12:59:29-07:00","created_at":"2026-05-11T12:57:23-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48229565661406,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Churro Sheep History","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/3228d7003ffac5bb9044c413eaa3aa16_1_360x_11369c33-158f-4d09-a8ff-508a1ac7cdf0.jpg?v=1778529558"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/3228d7003ffac5bb9044c413eaa3aa16_1_360x_11369c33-158f-4d09-a8ff-508a1ac7cdf0.jpg?v=1778529558","options":["Title"],"media":[{"alt":null,"id":38223940518110,"position":1,"preview_image":{"aspect_ratio":1.118,"height":322,"width":360,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/3228d7003ffac5bb9044c413eaa3aa16_1_360x_11369c33-158f-4d09-a8ff-508a1ac7cdf0.jpg?v=1778529558"},"aspect_ratio":1.118,"height":322,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/3228d7003ffac5bb9044c413eaa3aa16_1_360x_11369c33-158f-4d09-a8ff-508a1ac7cdf0.jpg?v=1778529558","width":360}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003eChurro Sheep History\u003c\/h2\u003e\n\u003cp\u003eThe Churro breed of sheep was introduced into the Rio Grande Valley by the Spaniards around 16th century and were obtained by the Navajos through raiding and trading.  The lustrous fibers of Churro Wool are long and straight with a very low lanolin content, making them ideal for the limited hand methods of Navajo weaving.  If you were to look at the Churro wool fiber under a microscope, it is actually translucent.  \u003cbr\u003e\u003cbr\u003eFor the Navajo weaver, historically one of the best parts of using Churro wool was less work to raise the sheep and prepare the wool.   The Churro Sheep are very hardy and well adapted to the harsh dry conditions under which the Navajo live and the low lanolin content means very clean wool (not a lot of water or time used to clean it).  The historic superiority of weavings produced from the wool of Churro sheep is very apparent in the blankets that have survived through time.  \u003c\/p\u003e\n\u003cp\u003eThe common Diné (Navajo) word for the breed, \u003cspan title=\"Navajo-language text\"\u003eDibé dits’ozí\u003c\/span\u003e, means \"long fleeced sheep.\" \u003cspan title=\"Navajo-language text\"\u003eT’áá Dibé\u003c\/span\u003e is also occasionally used, meaning \"first sheep. The churro is important to Diné subsistence and culture.\u003c\/p\u003e\n\u003cp class=\"mw-heading mw-heading2\"\u003e \u003c\/p\u003e\n\u003ch2 id=\"History\"\u003eHistory\u003c\/h2\u003e\n\u003cp\u003eThe Spanish Churra (renamed Churro by American frontiersmen) was first imported to North America in 1598 by Juan de Oñate, a conquistador who established the colony of \u003cspan id=\"ref270327\"\u003e\u003c\/span\u003eNew Mexico for Spain.  He used Churro Sheep to feed Spanish armies and settlers.  By the 17th century, Churros were popular with the Spanish settlers in the upper Rio Grande Valley.  The Churro soon became an important part of the Diné economy and culture.  The Navajo bred sheep to adapt to a pastoral lifestyle in a harsh desert environment.\u003csup id=\"cite_ref-textile_10-1\" class=\"reference\"\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eDuring the \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Navajo_Wars\" title=\"Navajo Wars\"\u003eNavajo Wars\u003c\/a\u003e, American soldier \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kit_Carson\" title=\"Kit Carson\"\u003eKit Carson\u003c\/a\u003e instructed his troops to destroy Navajo crops and kill their livestock, including the Churro sheep, in 1863. They killed thousands of sheep. Some small clusters in remote canyons survived the attack. The entire Navajo nation was then forced to march to a reservation. The Navajo nation and the US government signed Treaty of Bosque Redondo in 1868, allowing the Navajo to return to their homeland. As part of the agreement, the US government provided sheep to the  Navajo; however, these breeds were unfamiliar and contaminated the Churro sheep line.\u003c\/p\u003e\n\u003cp\u003eIn the 1930s, the US government implemented the \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Navajo_Livestock_Reduction\" title=\"Navajo Livestock Reduction\"\u003eNavajo Livestock Reduction\u003c\/a\u003e, intended to reduce the amount of sheep and horses on Diné lands. Tens of thousands of Churro sheep were slaughtered, and their numbers dwindled.  \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/The_Livestock_Conservancy\" title=\"The Livestock Conservancy\"\u003eThe Livestock Conservancy\u003c\/a\u003e estimated that less than 450 Churros remained by the 1970s. This reduction of the flocks drove many Diné ranchers into poverty. Many Diné who had traditionally lived off of the land and agriculture turned to wage work.\u003csup id=\"cite_ref-textile_10-2\" class=\"reference\"\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eRestoration of the breed began in the 1970s when breeders began acquiring Churro phenotypes with the purpose of preserving the breed and revitalizing Diné and Hispanic flocks.\u003csup id=\"cite_ref-npr20100613_11-1\" class=\"reference\"\u003e\u003c\/sup\u003e The Navajo Sheep Project, headed by Lyle McNeal, was the first organization to start a breeding program.\u003csup id=\"cite_ref-textile_10-3\" class=\"reference\"\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eWhile the Navajo-Churro breed is no longer in danger of extinction, it is still considered a rare breed.\u003csup id=\"cite_ref-npr20100613_11-2\" class=\"reference\"\u003e\u003c\/sup\u003e There were over 8,000 head of Navajo-Churro sheep in 2022.\u003c\/p\u003e\n\u003cp id=\"Cultural_role\"\u003eCultural role\u003c\/p\u003e\n\u003cp\u003eDiné weavers have used Churro wool to make rugs, wall hangings, and other products since the late 1600s.  \u003csup id=\"cite_ref-Gass_7-2\" class=\"reference\"\u003e\u003c\/sup\u003eThe sheep naturally produce wool in fourteen colors, so weavers can produce complex colorwork without needing to dye the wool. The yarn produced from the wool is durable, coarse, and non-pilling. \u003csup id=\"cite_ref-st_2-2\" class=\"reference\"\u003e\u003c\/sup\u003e Many Diné through the early 20th century made their livelihood in farming and ranching. Woven products, such as rugs and blankets, were and continue to be important exports.\u003csup id=\"cite_ref-textile_10-4\" class=\"reference\"\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eCarding wool, spinning yarn, and weaving are traditionally women's work among the Diné. As such, flocks of sheep traditionally belonged to women and were passed from a mother to her children. Children learned to tend the sheep at a young age.\u003csup id=\"cite_ref-textile_10-5\" class=\"reference\"\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eThe specific Churro breed, as opposed to sheep in general, is an important part of Diné cultural identity. Elders in particular remembered the Churro flocks from the early 20th century. Some were overjoyed to see the revitalization from the 1970s onward:\u003csup id=\"cite_ref-textile_10-6\" class=\"reference\"\u003e\u003c\/sup\u003e\u003c\/p\u003e\n\u003cp\u003eI said, \"Why are you crying for grandpa?\" He said, \"It's been a long time since I've seen these sheep. I'm so happy that they're here again.\"\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExcerpted from an article printed in the June issue of \u003c\/strong\u003e\u003cstrong\u003ePhoenix 2016 Home and Garden.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Churro breed of sheep were introduced by the Spaniards in the mid 1500’s upon their discovery and colonization of the “New World”. Having originated in the mountainous regions of southern Spain, they were well adapted to the arid and poor forage conditions of this new environment. Twice on the brink of extinction, this hardy breed of sheep endures. In 1863, the Kit Carson\/U.S. Military campaign to incarcerate the Navajo people and destroy their economy {the sheep} was successful in rounding up about half of the population, taking them to Bosque Redondo and killing a large percentage of their sheep. The escaping Navajo went into hiding with the remnants of their flocks. Upon returning from “The Long Walk”, they were issued new breeds of sheep, which for the most part replaced the Churro wool in their weaving. Some weaver’s preference for their “old wool” persisted, and many managed to rebuild their Churro flocks. Later, in the 1930’s, Congress enacted the Taylor Grazing Act; tens of thousands of sheep were killed. This federally enforced stock reduction program was the result of overgrazing and the severe drought conditions of the dust bowl era. Still a few bands of Churro survived, secreted away in the remote canyons of Navajo land.\u003c\/p\u003e\n\u003cp\u003eNavajo weavers first used Churro wool during the classic period of Navajo weaving (1700-1863). The superior quality of these weavings is very evident in the blankets that have survived through time. The lustrous fibers of the wool were long and straight, ideal for the limited hand methods of Navajo weaving. Also, the low lanolin content reduced the necessity for extensive cleaning in a land of little water.\u003cbr\u003e\u003cbr\u003eIn recent years, the efforts of a few dedicated breeders have revived the Churro genetics and fleece quality. However, the circle was not complete, as the wool wasn’t getting into the hands of Navajo weavers. The most successful effort to reintroduce Churro wool to the Navajo loom was accomplished by native Arizonan, Steve Getzwiller. He set out to revive some of the older design elements as well as some rare and natural dyes. The reintroduction of Churro wool brought those lustrous qualities back to the finished weavings, completing the circle and reconnecting some of the weavers with their past. “The Navajo Churro Collection” was bo\u003c\/p\u003e"}

{"id":9211820114142,"title":"Don't Fall for a Knock Off Navajo Rug!","handle":"dont-fall-for-a-knock-off-navajo-rug-1","description":"\u003cp\u003eOh, the thrill of stumbling across a beautiful weaving at a spectacular price.  Here at Nizhoni Ranch some of our clients have interesting stories about coming across an estate sale, consignment shop, garage sale or auction house where they hit the jackpot\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eor\u003c\/strong\u003e\u003c\/em\u003e crapped out.\u003c\/p\u003e\n\u003cp\u003eYet, the old adage \"if something sounds to good to be true, it probably is\".  \u003cstrong\u003e\u003cem\u003eProbably\u003c\/em\u003e\u003c\/strong\u003e is the downfall for some.  The definition of probably is: without much doubt, reasonably true, likely. \u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eProbably\u003c\/em\u003e\u003c\/strong\u003e is trouble - it gives a ray of hope to those who want to believe.\u003c\/p\u003e\n\u003cp\u003eThen there is the Antique Roadshow situation.  As AR passed through Tucson in 2001 a man took in a blanket he inherited from his grandmother. The blanket was originally given to his great grandfather by \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kit_Carson\" title=\"kit carson\"\u003eKit Carson\u003c\/a\u003e (not beloved by many Native American tribes). The \u003cspan\u003eblanket was used on his bed as a child then later sat on the back of a chair for years.\u003c\/span\u003e  After watching the appraiser almost pass out and then being whisked away by security, he was told the weaving was a Ute First Phase Blanket, circa 1850's.  A national treasure worth (at that time) $350k to $500k.  Today that very weaving is valued somewhere around 1.5 million. \u003cstrong\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=WJw2qCnhea0\" title=\"Antique Road Show and 1st Phase Ute Blanket\"\u003eA beautiful story that remains one of AR's finest moments - a must see and a tear jerker!\u003c\/a\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSo what is one to do?  Pay close attention to:\u003c\/p\u003e\n\u003cp\u003e1 - Fringe\u003c\/p\u003e\n\u003cp\u003eAlmost all Navajo weavings will\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003enot\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehave fringe.  There are only 2 exceptions. Textiles woven with Germantown yarn.  Fringe is added after the weaving is completed.  Take a look:\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/saddle-blanket-single-sunday-navajo-weaving-historic-pc-119\" title=\"PC 119, Single Sunday Saddle Blanket Germantown\"\u003e\u003cimg alt=\"Saddle Blanket - Single Sunday Navajo Weaving : Historic : PC 119 - Getzwiller's Nizhoni Ranch Gallery\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/pc_119g_large.jpg?v=1527222890\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cem\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/saddle-blanket-single-sunday-navajo-weaving-historic-pc-119\" title=\"SADDLE BLANKET - SINGLE SUNDAY NAVAJO WEAVING : HISTORIC : PC\"\u003eGermantown Saddle Blanket, PC 119\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eThe other Navajo weaving that has fringe (only on one end) is a Gallup Throw.  Gallup throws became a popular and inexpensive tourist souvenirs.  They are woven with a cotton warp.  Once finished the warp is cut then knotted. A typical contemporary Gallup Throw sells for somewhere between $50 to $100.  See below:\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Gallup_Throw_large.jpg?v=1547496164\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGanado Throw\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e2. Warp\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWarp strings run vertically and made on a continuous loom that contains the actual warp threads. You can check this by running your hand along the side of the rug to feel whether the warp threads run the length of the rug or whether they’ve been cut. In Mexican-made copies, the warp strings run horizontally and threads are cut and then sometimes hidden, making it more difficult to detect. \u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/b0ab1e0e7ee57bd03fb9d913ae2b7d95_large.jpg?v=1547501529\" alt=\"Mother and children Navajo weaving rug\"\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e Navajo woman weaving on an upright loom with vertical warp strings.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e3. Lazy Lines\u003c\/p\u003e\n\u003cp\u003eLazy lines appear as a diagonal line in the weave of the fabric. During the weaving process, the rug maker would move to work on adjacent sections of the warp, resulting in the subtle diagonal lines referred to as lazy lines. Note: not every Navajo weaving has visible lazy lines.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"Lazy lines in Navajo weaving\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/025-klagetoh-1930s-104hx64w-2f_1024x1024.jpg?v=1547501699\"\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e Lazy lines at diagonal angles\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e 4. Cost\u003c\/p\u003e\n\u003cp\u003eLike all Navajo weavings, the values vary based on the age, quality, size, design complexity and condition.  \u003cspan\u003eA 3 x 5 contemporary weaving, with good design, good condition and nice wool starts around $ 2,000.  Below is a contemporary Teec Nos Pos \/ Red Mesa weaving.  Teec Nos Pos is one of the most intricate of designs. This was woven in 2017 by Elsie Begay and measures approximately 5' x 9', $9,000.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/contemporary\/products\/red-mesa-teec-nos-pos-navajo-weaving-contemporary-3324\" title=\"RED MESA \/ TEEC NOS POS NAVAJO WEAVING : ELSIE BEGAY : 3324\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/3324_Red_Mesa_Teec_Main_copy_1024x1024_80619597-8475-4b3d-afdf-4808dcd80934_large.jpg?v=1547503330\" alt=\"Red Mesa Teec Nos Pos Nizhoni Ranch GAllery\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe U.S. Department of the Interior, Indian Arts and Crafts Board have published a very informative pamphlet on How to Buy Authentic Navajo (Dine') Weavings.  To view the publication go to:  \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.doi.gov\/sites\/doi.gov\/files\/uploads\/iacb_navajo_brochure_2017_web.compressed.pdf\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.doi.gov\/sites\/doi.gov\/files\/uploads\/iacb_navajo_brochure_2017_web.compressed.pdf\u0026amp;source=gmail\u0026amp;ust=1549730761810000\u0026amp;usg=AFQjCNFgJwHlvMDHDM2pDXvIGEe7Qb9HVg\" rel=\"noopener noreferrer\" target=\"_blank\"\u003ehttps:\/\/www.doi.gov\/sites\/doi.\u003cwbr\u003egov\/files\/uploads\/iacb_navajo_\u003cwbr\u003ebrochure_2017_web.compressed.\u003cwbr\u003epdf\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/a\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBottom line, buy through a reputable source and keep all receipts and other documents.  Reputable, meaning they stand behind the weaving and if it's not as portrayed, they will return 100% of what you paid.  \u003c\/p\u003e\n\u003cp\u003eIf you are fortunate enough to have a weaving pop up outside of a gallery or reputable dealer and told it is Navajo, buyer beware.  We believe if you love a weaving, the price is right and will still be happy if the weavings turns out to be something other than Navajo - go for it!     \u003c\/p\u003e\n\u003cp\u003eHappy Hunting!\u003c\/p\u003e","published_at":"2026-05-11T13:11:28-07:00","created_at":"2026-05-11T13:05:00-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48229612191966,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Don't Fall for a Knock Off Navajo Rug!","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/Elder-Abuse-Elder-Care-Beware-of-wolves-in-sheeps-clothing-Senior-Support-Home-Support-Services-Langley-Surrey-Abbotsford_540x_05b44e89-254d-480d-be16-0f7ae8535b7c.webp?v=1778529948"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/Elder-Abuse-Elder-Care-Beware-of-wolves-in-sheeps-clothing-Senior-Support-Home-Support-Services-Langley-Surrey-Abbotsford_540x_05b44e89-254d-480d-be16-0f7ae8535b7c.webp?v=1778529948","options":["Title"],"media":[{"alt":null,"id":38223979708638,"position":1,"preview_image":{"aspect_ratio":1.436,"height":376,"width":540,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/Elder-Abuse-Elder-Care-Beware-of-wolves-in-sheeps-clothing-Senior-Support-Home-Support-Services-Langley-Surrey-Abbotsford_540x_05b44e89-254d-480d-be16-0f7ae8535b7c.webp?v=1778529948"},"aspect_ratio":1.436,"height":376,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/Elder-Abuse-Elder-Care-Beware-of-wolves-in-sheeps-clothing-Senior-Support-Home-Support-Services-Langley-Surrey-Abbotsford_540x_05b44e89-254d-480d-be16-0f7ae8535b7c.webp?v=1778529948","width":540}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eOh, the thrill of stumbling across a beautiful weaving at a spectacular price.  Here at Nizhoni Ranch some of our clients have interesting stories about coming across an estate sale, consignment shop, garage sale or auction house where they hit the jackpot\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eor\u003c\/strong\u003e\u003c\/em\u003e crapped out.\u003c\/p\u003e\n\u003cp\u003eYet, the old adage \"if something sounds to good to be true, it probably is\".  \u003cstrong\u003e\u003cem\u003eProbably\u003c\/em\u003e\u003c\/strong\u003e is the downfall for some.  The definition of probably is: without much doubt, reasonably true, likely. \u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eProbably\u003c\/em\u003e\u003c\/strong\u003e is trouble - it gives a ray of hope to those who want to believe.\u003c\/p\u003e\n\u003cp\u003eThen there is the Antique Roadshow situation.  As AR passed through Tucson in 2001 a man took in a blanket he inherited from his grandmother. The blanket was originally given to his great grandfather by \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Kit_Carson\" title=\"kit carson\"\u003eKit Carson\u003c\/a\u003e (not beloved by many Native American tribes). The \u003cspan\u003eblanket was used on his bed as a child then later sat on the back of a chair for years.\u003c\/span\u003e  After watching the appraiser almost pass out and then being whisked away by security, he was told the weaving was a Ute First Phase Blanket, circa 1850's.  A national treasure worth (at that time) $350k to $500k.  Today that very weaving is valued somewhere around 1.5 million. \u003cstrong\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=WJw2qCnhea0\" title=\"Antique Road Show and 1st Phase Ute Blanket\"\u003eA beautiful story that remains one of AR's finest moments - a must see and a tear jerker!\u003c\/a\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSo what is one to do?  Pay close attention to:\u003c\/p\u003e\n\u003cp\u003e1 - Fringe\u003c\/p\u003e\n\u003cp\u003eAlmost all Navajo weavings will\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003enot\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehave fringe.  There are only 2 exceptions. Textiles woven with Germantown yarn.  Fringe is added after the weaving is completed.  Take a look:\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/saddle-blanket-single-sunday-navajo-weaving-historic-pc-119\" title=\"PC 119, Single Sunday Saddle Blanket Germantown\"\u003e\u003cimg alt=\"Saddle Blanket - Single Sunday Navajo Weaving : Historic : PC 119 - Getzwiller's Nizhoni Ranch Gallery\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/pc_119g_large.jpg?v=1527222890\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cem\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/saddle-blanket-single-sunday-navajo-weaving-historic-pc-119\" title=\"SADDLE BLANKET - SINGLE SUNDAY NAVAJO WEAVING : HISTORIC : PC\"\u003eGermantown Saddle Blanket, PC 119\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eThe other Navajo weaving that has fringe (only on one end) is a Gallup Throw.  Gallup throws became a popular and inexpensive tourist souvenirs.  They are woven with a cotton warp.  Once finished the warp is cut then knotted. A typical contemporary Gallup Throw sells for somewhere between $50 to $100.  See below:\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Gallup_Throw_large.jpg?v=1547496164\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGanado Throw\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e2. Warp\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWarp strings run vertically and made on a continuous loom that contains the actual warp threads. You can check this by running your hand along the side of the rug to feel whether the warp threads run the length of the rug or whether they’ve been cut. In Mexican-made copies, the warp strings run horizontally and threads are cut and then sometimes hidden, making it more difficult to detect. \u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/b0ab1e0e7ee57bd03fb9d913ae2b7d95_large.jpg?v=1547501529\" alt=\"Mother and children Navajo weaving rug\"\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e Navajo woman weaving on an upright loom with vertical warp strings.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e3. Lazy Lines\u003c\/p\u003e\n\u003cp\u003eLazy lines appear as a diagonal line in the weave of the fabric. During the weaving process, the rug maker would move to work on adjacent sections of the warp, resulting in the subtle diagonal lines referred to as lazy lines. Note: not every Navajo weaving has visible lazy lines.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"Lazy lines in Navajo weaving\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/025-klagetoh-1930s-104hx64w-2f_1024x1024.jpg?v=1547501699\"\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e Lazy lines at diagonal angles\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e 4. Cost\u003c\/p\u003e\n\u003cp\u003eLike all Navajo weavings, the values vary based on the age, quality, size, design complexity and condition.  \u003cspan\u003eA 3 x 5 contemporary weaving, with good design, good condition and nice wool starts around $ 2,000.  Below is a contemporary Teec Nos Pos \/ Red Mesa weaving.  Teec Nos Pos is one of the most intricate of designs. This was woven in 2017 by Elsie Begay and measures approximately 5' x 9', $9,000.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/contemporary\/products\/red-mesa-teec-nos-pos-navajo-weaving-contemporary-3324\" title=\"RED MESA \/ TEEC NOS POS NAVAJO WEAVING : ELSIE BEGAY : 3324\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/3324_Red_Mesa_Teec_Main_copy_1024x1024_80619597-8475-4b3d-afdf-4808dcd80934_large.jpg?v=1547503330\" alt=\"Red Mesa Teec Nos Pos Nizhoni Ranch GAllery\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe U.S. Department of the Interior, Indian Arts and Crafts Board have published a very informative pamphlet on How to Buy Authentic Navajo (Dine') Weavings.  To view the publication go to:  \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.doi.gov\/sites\/doi.gov\/files\/uploads\/iacb_navajo_brochure_2017_web.compressed.pdf\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.doi.gov\/sites\/doi.gov\/files\/uploads\/iacb_navajo_brochure_2017_web.compressed.pdf\u0026amp;source=gmail\u0026amp;ust=1549730761810000\u0026amp;usg=AFQjCNFgJwHlvMDHDM2pDXvIGEe7Qb9HVg\" rel=\"noopener noreferrer\" target=\"_blank\"\u003ehttps:\/\/www.doi.gov\/sites\/doi.\u003cwbr\u003egov\/files\/uploads\/iacb_navajo_\u003cwbr\u003ebrochure_2017_web.compressed.\u003cwbr\u003epdf\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/a\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBottom line, buy through a reputable source and keep all receipts and other documents.  Reputable, meaning they stand behind the weaving and if it's not as portrayed, they will return 100% of what you paid.  \u003c\/p\u003e\n\u003cp\u003eIf you are fortunate enough to have a weaving pop up outside of a gallery or reputable dealer and told it is Navajo, buyer beware.  We believe if you love a weaving, the price is right and will still be happy if the weavings turns out to be something other than Navajo - go for it!     \u003c\/p\u003e\n\u003cp\u003eHappy Hunting!\u003c\/p\u003e"}

{"id":8936752283870,"title":"History of Navajo Weaving","handle":"history-of-navajo-weaving","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/navajo_woman_medium.jpg?v=1483909062\" alt=\"Historic Navajo Rug\"\u003e\u003c\/p\u003e\n\u003cp\u003eThere are many tales and stories regarding the rich Navajo history in America. None may be more intriguing and exciting than that of Spider Woman. A deity that holds a special place in the Navajo culture, it is believed that she is the one that taught the Navajo to weave.\u003c\/p\u003e\n\u003cp\u003eIt's said that the first loom was made from sky and earth cords, and that the weave itself was made from sunlight, lightning, crystals and white shells.  For more tales about Spider Woman, Read\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.navajorug.com\/blogs\/news\/spider-rock-center-of-the-navajo-nation?_pos=1\u0026amp;_sid=d02880ef3\u0026amp;_ss=r\" title=\"The tale of Spider Woman who lives at the top of Spider Rock\"\u003e\"Spider Rock, Home of Spider Woman\"\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eHowever, anthropologists believe is was the Pueblo people who taught the Navajo how to create Native American hand-woven blankets and that Navajo artists were influenced in part by the Spanish who had introduced cotton to the Pueblo long before 1650.\u003c\/p\u003e\n\u003cp\u003eInitially, the Pueblo men would weave the textiles; but the Navajo, being a matriarchal society in which the women owned the sheep and were the ones to weave with the wool.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/historic\" title=\"Click for Antique Navajo Rugs\"\u003e\u003cimg alt=\"Historic Navajo Rug\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/3118396971_42f44d48ae_b_grande.jpg?v=1483909263\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWhat began with weaving women's dresses (two identical blankets sewn together), eventually became single blankets (mantas), then Chief's blankets, and evolved on to different styles and designs of blankets and rugs.\u003c\/p\u003e\n\u003cp\u003eOver time, the Navajo Indian rug scene became more beautiful, diverse and sought after with each passing year. Yarn's changed, from natural hand-carded, hand-spun, and hand-dyed yarns, to Germantown yarns, to native wool spun in small mills, to some of the prized Navajo Churro wool pieces of today.\u003c\/p\u003e\n\u003cp\u003eSpider Woman's teachings can still be found in modern-day craftsmanship, as the Navajo weaving is done the same way it now as was on the first Navajo loom: using a hand-made upright loom, with one continuous warp, and each stand of woolen yarn is placed into the warp, by hand, one strand at a time. That is why if a Navajo rug is cut of compromised in anyway – it will not unravel. This is a process that cannot be mechanized – making the Navajo weaving one of the most unique in the world.\u003c\/p\u003e\n\u003cp\u003eFrom the very first \"Black Design Blanket\" Spider Woman created; to the gorgeous Two Grey Hills or historic Storm Patterns weavers craft today, each textile has one thing in common; they are carefully and spiritually created by expert hands who understand the value of earth and the gifts it gives us. Navajo weaving is a transformation of what mother nature offers to us to give life, the Navajo have used this gift to live off of the land and prosper for hundreds of years.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","published_at":"2026-05-11T13:14:08-07:00","created_at":"2025-06-03T12:23:42-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46988087394526,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"History of Navajo Weaving","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/2nd_3rdphase.jpg?v=1748978993"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/2nd_3rdphase.jpg?v=1748978993","options":["Title"],"media":[{"alt":null,"id":36378456326366,"position":1,"preview_image":{"aspect_ratio":0.75,"height":2048,"width":1536,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/2nd_3rdphase.jpg?v=1748978993"},"aspect_ratio":0.75,"height":2048,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/2nd_3rdphase.jpg?v=1748978993","width":1536}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/navajo_woman_medium.jpg?v=1483909062\" alt=\"Historic Navajo Rug\"\u003e\u003c\/p\u003e\n\u003cp\u003eThere are many tales and stories regarding the rich Navajo history in America. None may be more intriguing and exciting than that of Spider Woman. A deity that holds a special place in the Navajo culture, it is believed that she is the one that taught the Navajo to weave.\u003c\/p\u003e\n\u003cp\u003eIt's said that the first loom was made from sky and earth cords, and that the weave itself was made from sunlight, lightning, crystals and white shells.  For more tales about Spider Woman, Read\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.navajorug.com\/blogs\/news\/spider-rock-center-of-the-navajo-nation?_pos=1\u0026amp;_sid=d02880ef3\u0026amp;_ss=r\" title=\"The tale of Spider Woman who lives at the top of Spider Rock\"\u003e\"Spider Rock, Home of Spider Woman\"\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eHowever, anthropologists believe is was the Pueblo people who taught the Navajo how to create Native American hand-woven blankets and that Navajo artists were influenced in part by the Spanish who had introduced cotton to the Pueblo long before 1650.\u003c\/p\u003e\n\u003cp\u003eInitially, the Pueblo men would weave the textiles; but the Navajo, being a matriarchal society in which the women owned the sheep and were the ones to weave with the wool.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/historic\" title=\"Click for Antique Navajo Rugs\"\u003e\u003cimg alt=\"Historic Navajo Rug\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/3118396971_42f44d48ae_b_grande.jpg?v=1483909263\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWhat began with weaving women's dresses (two identical blankets sewn together), eventually became single blankets (mantas), then Chief's blankets, and evolved on to different styles and designs of blankets and rugs.\u003c\/p\u003e\n\u003cp\u003eOver time, the Navajo Indian rug scene became more beautiful, diverse and sought after with each passing year. Yarn's changed, from natural hand-carded, hand-spun, and hand-dyed yarns, to Germantown yarns, to native wool spun in small mills, to some of the prized Navajo Churro wool pieces of today.\u003c\/p\u003e\n\u003cp\u003eSpider Woman's teachings can still be found in modern-day craftsmanship, as the Navajo weaving is done the same way it now as was on the first Navajo loom: using a hand-made upright loom, with one continuous warp, and each stand of woolen yarn is placed into the warp, by hand, one strand at a time. That is why if a Navajo rug is cut of compromised in anyway – it will not unravel. This is a process that cannot be mechanized – making the Navajo weaving one of the most unique in the world.\u003c\/p\u003e\n\u003cp\u003eFrom the very first \"Black Design Blanket\" Spider Woman created; to the gorgeous Two Grey Hills or historic Storm Patterns weavers craft today, each textile has one thing in common; they are carefully and spiritually created by expert hands who understand the value of earth and the gifts it gives us. Navajo weaving is a transformation of what mother nature offers to us to give life, the Navajo have used this gift to live off of the land and prosper for hundreds of years.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e"}

{"id":8936048885982,"title":"How to Care for Your Navajo Weaving","handle":"how-to-care-for-your-navajo-wweaving","description":"\u003cp\u003e\u003cstrong\u003eHow to Clean a Navajo Rug\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eAs both a work of art and a functional piece of décor, it’s essential that you maintain your American Indian textile with proper care and attentiveness. That’s why we want to give you a comprehensive list of ways to clean your Navajo Rug to extend its life and quality.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBasic and Extended Cleaning\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eHere are just a few things you should remember for proper care of your Navajo\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e√  Avoid machine washing, steam cleaning or ironing.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e√  Never “whip” or use a beater bar on Navajo textiles.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e√  Do use a smooth floor attachment to vacuum your rug by hand.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e√  Turn and or rotate the weaving from time to time to help with even wear.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIf your weaving does need an overall cleaning, you can use a foam rug cleaner for wool rugs offered by Woolite.  To remove minor stains, OxiClean has a good stain remover. We have been known to use white wine to blot out red wine (and then sometimes to finish it off with a little OxiClean)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSafe, Bug-Free Storage\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eIf you own multiple Navajo textiles and routinely swap them out for décor changes or to maintain their quality, it’s important that they are stored properly. As such, there are several methods you should use to protect your wool from sunlight, moths, or moisture. These include:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRolling rugs in the direction of the warp threads.\u003c\/li\u003e\n\u003cli\u003eIf folding, also fold in the direction of the warp for the first folds to prevent creasing.\u003c\/li\u003e\n\u003cli\u003eFor museum storage you can also use acid-free tissue paper or unbleached muslin while rolling.\u003c\/li\u003e\n\u003cli\u003eTextiles can be placed in a cedar chest or any chest or cabinet can work with added cedar chips or herbs (such as lavender) to ward off moths.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003ca rel=\"noopener noreferrer\" title=\"Navajo weavings come in all shapes, styles, colors, and sizes. They can be rugs on the floor or art on the wall, they can cover a table, or be an artistic accent.\" href=\"https:\/\/www.navajorug.com\/pages\/interior-designer\" target=\"_blank\"\u003eAvoiding Sunlight\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003eDirect sunlight can fade the colors in your Navajo weaving. We recommend using a UV treated window or film on windows to reduce (in some cases eliminate) sun damage. When placing Navajo rugs in or around your home, try to avoid direct raw sunlight, spots of light shining in through windows, or broken illumination. Also, rotate your rug regularly to keep colors and fabrics balanced.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHanging Instructions\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eApply Velcro to a thin piece of wooden lathe about ¼” thick and 2-3” wide; the length of lathe should be just shy of the length of your weaving. Tack the wooden lathe to the wall with small nails for proper security.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eYou may also keep the sticky back on the Velcro and tack the full strip to the wall, but you may need a few more small nails for this process. Then simply press the weaving to the Velcro. This method works well when hanging a weaving on a curved surface or around a corner. \u003c\/p\u003e\n\u003cp\u003eBoth methods make it easy to vacuum or rotate the weaving. We recommend 2-3 times per year.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eNote:\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003eHistoric weavings may need an additional strip of Velcro sewn to the Weaving, \u003c\/em\u003e\u003cem\u003eso it can adhere to the Velcro on the wall.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cem\u003e\u003c\/em\u003e\u003ca title=\"Antique, Contemporary Native American Rugs, Blankets and Native American art collections\" href=\"https:\/\/www.navajorug.com\/collections?sort_by=price-ascending\"\u003e\u003cem\u003eTo see all of our Native American Collections click here\u003c\/em\u003e\u003c\/a\u003e\n\u003c\/h3\u003e","published_at":"2026-05-11T13:15:37-07:00","created_at":"2025-06-02T10:55:55-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46985683992798,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"How to Care for Your Navajo Weaving","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/churro-1776-cara-yazzie-red-mesa-teec-nos-pos_2.jpg?v=1748887069"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/churro-1776-cara-yazzie-red-mesa-teec-nos-pos_2.jpg?v=1748887069","options":["Title"],"media":[{"alt":null,"id":36373272887518,"position":1,"preview_image":{"aspect_ratio":0.65,"height":1400,"width":910,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/churro-1776-cara-yazzie-red-mesa-teec-nos-pos_2.jpg?v=1748887069"},"aspect_ratio":0.65,"height":1400,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/churro-1776-cara-yazzie-red-mesa-teec-nos-pos_2.jpg?v=1748887069","width":910}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eHow to Clean a Navajo Rug\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eAs both a work of art and a functional piece of décor, it’s essential that you maintain your American Indian textile with proper care and attentiveness. That’s why we want to give you a comprehensive list of ways to clean your Navajo Rug to extend its life and quality.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBasic and Extended Cleaning\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eHere are just a few things you should remember for proper care of your Navajo\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e√  Avoid machine washing, steam cleaning or ironing.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e√  Never “whip” or use a beater bar on Navajo textiles.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e√  Do use a smooth floor attachment to vacuum your rug by hand.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e√  Turn and or rotate the weaving from time to time to help with even wear.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIf your weaving does need an overall cleaning, you can use a foam rug cleaner for wool rugs offered by Woolite.  To remove minor stains, OxiClean has a good stain remover. We have been known to use white wine to blot out red wine (and then sometimes to finish it off with a little OxiClean)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSafe, Bug-Free Storage\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eIf you own multiple Navajo textiles and routinely swap them out for décor changes or to maintain their quality, it’s important that they are stored properly. As such, there are several methods you should use to protect your wool from sunlight, moths, or moisture. These include:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRolling rugs in the direction of the warp threads.\u003c\/li\u003e\n\u003cli\u003eIf folding, also fold in the direction of the warp for the first folds to prevent creasing.\u003c\/li\u003e\n\u003cli\u003eFor museum storage you can also use acid-free tissue paper or unbleached muslin while rolling.\u003c\/li\u003e\n\u003cli\u003eTextiles can be placed in a cedar chest or any chest or cabinet can work with added cedar chips or herbs (such as lavender) to ward off moths.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003ca rel=\"noopener noreferrer\" title=\"Navajo weavings come in all shapes, styles, colors, and sizes. They can be rugs on the floor or art on the wall, they can cover a table, or be an artistic accent.\" href=\"https:\/\/www.navajorug.com\/pages\/interior-designer\" target=\"_blank\"\u003eAvoiding Sunlight\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003eDirect sunlight can fade the colors in your Navajo weaving. We recommend using a UV treated window or film on windows to reduce (in some cases eliminate) sun damage. When placing Navajo rugs in or around your home, try to avoid direct raw sunlight, spots of light shining in through windows, or broken illumination. Also, rotate your rug regularly to keep colors and fabrics balanced.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHanging Instructions\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eApply Velcro to a thin piece of wooden lathe about ¼” thick and 2-3” wide; the length of lathe should be just shy of the length of your weaving. Tack the wooden lathe to the wall with small nails for proper security.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eYou may also keep the sticky back on the Velcro and tack the full strip to the wall, but you may need a few more small nails for this process. Then simply press the weaving to the Velcro. This method works well when hanging a weaving on a curved surface or around a corner. \u003c\/p\u003e\n\u003cp\u003eBoth methods make it easy to vacuum or rotate the weaving. We recommend 2-3 times per year.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eNote:\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003eHistoric weavings may need an additional strip of Velcro sewn to the Weaving, \u003c\/em\u003e\u003cem\u003eso it can adhere to the Velcro on the wall.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cem\u003e\u003c\/em\u003e\u003ca title=\"Antique, Contemporary Native American Rugs, Blankets and Native American art collections\" href=\"https:\/\/www.navajorug.com\/collections?sort_by=price-ascending\"\u003e\u003cem\u003eTo see all of our Native American Collections click here\u003c\/em\u003e\u003c\/a\u003e\n\u003c\/h3\u003e"}

{"id":8936160755934,"title":"The Schoch First Phase Chief’s Blanket - By John O'Hern","handle":"the-schoch-first-phase-chief-s-blanket-by-john-ohern","description":"\u003cdiv class=\"my-4\" id=\"article-title\"\u003e\n\u003cp class=\"lead color-gray mb-2\"\u003eThe discovery of a Navajo masterpiece.\u003c\/p\u003e\n\u003cdiv class=\"byline font-medium\"\u003eBy John O’Hern\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"byline font-medium\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"article-content\" class=\"mb-5\"\u003e\n\u003cp\u003eThe weaving of wearing blankets is part of the Navajo (Diné) creation story, present in Navajo culture from the beginning. Spider Woman, who wove the web of the universe, taught the Navajo people to weave. She is present in their lives today, residing atop Spider Rock in Canyon de Chelly.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cimg height=\"332\" width=\"480\" src=\"https:\/\/nativeamericanartmagazine.s3.amazonaws.com\/OxIpoFh7u6YmtVL9sl0w8zAKTc106DLzR097RhyU.jpeg\"\u003e\u003cbr\u003e\u003cspan class=\"fr-inner\"\u003eAn Early Classic First Phase Chief’s Blanket, Diné (Navajo), circa 1830, also known as the Schoch First Phase. The first phase measures 54 inches long by 73 inches wide, as woven. In the collection of the Bernisches Historisches Museum (BHM), Bern, Switzerland, by purchase from Marie Karolina Ruef, Lorenz Alphons Schoch’s widow, 1890. BHM Catalog #1890.410.0027. Cataloged by BHM as a “Sioux trade cloth.” Photograph by Joshua Baer. © 2021 Joshua Baer \u0026amp; Company, Santa Fe. Used by permission. All reproduction rights reserved.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Navajo philosophy of Sa’ah Naaghai Bik’eh Hozhoo guides life in balance and in harmony with the natural world and the universe. Balance occurs in the physical world with a reverence for the four cardinal directions, the four sacred colors and the four sacred mountains that border Navajo Country.\u003c\/p\u003e\n\u003cp\u003eBalance is the theme of the Beauty Way Chant, part of which reads:\u003c\/p\u003e\n\u003cp\u003eIn beauty I walk\u003cbr\u003eWith beauty before me I walk\u003cbr\u003eWith beauty behind me I walk\u003cbr\u003eWith beauty above me I walk\u003cbr\u003eWith beauty around me I walk\u003cbr\u003eIt has become beauty again\u003c\/p\u003e\n\u003cp\u003eTo the south of Navajo Country, or Dinétah, were the Hopi. To the north were the Utes. Navajo wearing blankets were admired by the Hopi and Utes, who bartered with the Navajo for their blankets. Navajo blankets woven longer than wide were called “serapes” by the Spanish. Navajo blankets woven wider than long were called either “chief’s blankets” or “mantas.” The term “chief’s blanket” came into use because chief’s blankets were expensive. Only the high-ranking members of the Utes and the Plains tribes could afford them. According to Joshua Baer, an appraiser of Navajo blankets in Santa Fe, “Anglo-American explorers and military officers began collecting Navajo chief’s blankets during the 1840s. Between 1840 and 1860, the rate of exchange for one chief’s blanket was either 10 buffalo hides, 20 horses, or $50 in gold. In 1850, $10 was one month’s pay for a cavalry officer in the U.S. Army. The $10 gold piece, or ‘eagle,’ contained one-half of one ounce of gold.”\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cimg height=\"469\" width=\"366\" src=\"https:\/\/nativeamericanartmagazine.s3.amazonaws.com\/fcyptE4MBfqulOj4Q9wqle1E3AkVL5FVEK7Lkmaj.jpeg\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cspan class=\"fr-inner\"\u003eKarl Bodmer (1809-1893), Kiäsax, Piegan Blackfoot Man, 1833, watercolor and graphite on paper. Joslyn Art Museum, Omaha, Nebraska. Gift of the Enron Art Foundation, 1986.49.395. Photograph © Bruce M. White, 2019.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNavajo chief’s blankets were valued by the Ute, the Sioux and the Cheyenne because of their beauty, but also because they were so tightly woven as to be nearly waterproof and could be worn as a coat in the daytime and used as a blanket at night. Examples of early first phase chief’s blankets are scarce today because they were worn aggressively until they were worn out.\u003c\/p\u003e\n\u003cp\u003eEarly chief’s blankets featured broad stripes of blue, brown and white handspun Churro yarns. The handspun brown and white yarns were un-dyed. The handspun blue yarns were dyed in the yarn with indigo. Baer explains, “After the introduction of rectangular, target designs during the 1840s, and the subsequent introduction of concentric diamonds during the 1850s, Navajo chief’s blankets with no designs came to be known as ‘first phases.’ Chief’s blankets with rectangular designs came to be known as ‘second phases’ and chief’s blankets with concentric diamonds came to be known as ‘third phases.’” First-phase chief’s with broad brown and white stripes are referred to as man’s style, in contrast to the woman’s style chiefs blankets which have narrow stripes.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cimg height=\"333\" width=\"515\" src=\"https:\/\/nativeamericanartmagazine.s3.amazonaws.com\/cxj0N8x07DK6cojShfXg4YAJZW3KOqw4ikWFd9Al.jpeg\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cspan class=\"fr-inner\"\u003eAn Early Classic First Phase Chief’s Blanket, Diné (Navajo), circa 1830, also known as the Schoch First Phase. The first phase measures 54 inches long by 73 inches wide, as woven. In the collection of the Bernisches Historisches Museum (BHM), Bern, Switzerland, by purchase from Marie Karolina Ruef, Lorenz Alphons Schoch’s widow, 1890. BHM Catalog #1890.410.0027. Cataloged by BHM as a “Sioux trade cloth.” The image has been enhanced to show how the first phase may have looked in original condition.  Photograph by Joshua Baer. © 2021 Joshua Baer \u0026amp; Company, Santa Fe. Used by permission. All reproduction rights reserved.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFirst phase chief’s blankets with brown, white and blue stripes are known as Ute style first phase chief’s blankets. Blankets with thin red stripes between the blue and brown stripes are known as bayeta first phase chief’s blankets because of their use of raveled bayeta yarn. The Navajo weavers were adept at dying their handspun yarn blue with indigo but weren’t able to dye their handspun yarn red with cochineal. Produced in Mexico, cochineal is the dried and pulverized larvae of ladybugs. In the 17th century, cochineal was declared the property of the King of Spain and shipped to Spain where it was used to color woolen cloth in vats.\u003c\/p\u003e\n\u003cp\u003eIn response to Spain’s attempts to monopolize cochineal, the British developed a red dye from lac, a scale insect found in Bengal. Red bayeta cloth was woven and piece-dyed in Seville, Spain, and in Manchester, England, then exported in bolts to North America. Bayeta was then shipped from ports in New Orleans and Charleston to St. Louis where it was transported by mule to merchants in Santa Fe, Taos, and the Chama Valley. When bayeta arrived  in Navajo Country, Navajo weavers raveled the woven cloth to obtain red yarn to weave into their blankets. Between 1830 and 1860, bayeta was Navajo weavers’ primary source of red yarn. Navajo weavers also used a red knitting yarn from Germany, known as Saxony.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cimg height=\"311\" width=\"507\" src=\"https:\/\/nativeamericanartmagazine.s3.amazonaws.com\/pXObEtkLZMqRr7pQmQryEbluoOvd8BMizM6bPSvC.jpeg\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cspan class=\"fr-inner\"\u003eA Classic Bayeta First Phase Chief’s Blanket, Diné (Navajo), ca. 1850. The bayeta first phase measures 57 inches long by 71 inches wide, as woven. Collected, 1851, by Samuel W. Woodhouse (1821-1904), a surgeon and naturalist who accompanied the Topographical Engineer Corps on the Sitgreaves Expedition to explore the Zuni and Colorado Rivers. Inherited by Woodhouse’s son, Samuel W. Woodhouse Jr. (1873-1943). Purchased by the Museum of the American Indian (MAI) from Woodhouse Jr., 1923. Image courtesy of the National Museum of the American Indian (NMAI), Washington, D.C. NMAI Catalog #11\/8280.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBaer explains the incorporation of red yarn in second and third phase blankets and subsequent variants: “Second phase chief’s blankets have horizontally banded fields with rectangular foreground designs, usually in the form of either concentric squares, concentric rectangles, or pairs of solid rectangular bars. Ute Style second phases have no thin red stripes between their design elements. Bayeta second phases have thin, horizontal red stripes of raveled bayeta between their design elements.\u003c\/p\u003e\n\u003cp\u003e“Third phase chief’s blankets have horizontally banded fields with diamond-shaped foreground designs. Ute Style third phases have no thin red stripes between their diamonds. Bayeta third phases have thin red stripes of raveled bayeta between their diamonds.\u003c\/p\u003e\n\u003cp\u003e“Navajo chief’s blankets that combine second and third phase designs are called variants. Chief’s blankets with designs appropriated from Navajo dress halves, mantas, poncho serapes or serapes are also called variants.”\u003c\/p\u003e\n\u003cp\u003eAn installation of the three phases of Navajo chief’s blankets can be seen at the National Museum of the American Indian in Washington, D.C. The Nelson-Atkins Museum in Kansas City, Missouri, has what Baer considers to be one of two Ute style first phase chief’s blankets in mint condition. The Nelson-Atkins also has as a chief’s blanket variant with a spur pattern in cochineal-dyed bayeta wool, circa 1840.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cimg height=\"290\" width=\"490\" src=\"https:\/\/nativeamericanartmagazine.s3.amazonaws.com\/ZYcHNV0niZjUUPkfIQ4IVYLgqDbbqJNRHzsh9k4r.jpeg\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cspan class=\"fr-inner\"\u003eA Classic Second Phase Chief Blanket, Ute Style, Diné (Navajo), circa 1850. The second phase measures 56 inches long by 75 inches wide, as woven. Collected, 1851, by Samuel W. Woodhouse (1821-1904), a surgeon and naturalist who accompanied the Topographical Engineer Corps on the Sitgreaves Expedition to explore the Zuni and Colorado Rivers. Inherited by Woodhouse’s son, Samuel W. Woodhouse Jr. (1873-1943). Purchased by the Museum of the American Indian (MAI), New York, from Woodhouse Jr., 1923. Image courtesy of the National Museum of the American Indian (NMAI), Washington, D.C. Image courtesy of NMAI. NMAI Catalog #11\/8281.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Nelson-Atkins Museum describes its first phase blanket as “a broad horizontal configuration of contrasting and subtly colored bands…often described as a distillation of the Navajo’s desert plateau and mountain landscape.”\u003c\/p\u003e\n\u003cp\u003eA characteristic of Navajo looms is that they were often set up outdoors where the weavers looked through them at the landscape as they worked.\u003c\/p\u003e\n\u003cp\u003eThe widespread trade in chief’s blankets is documented in a watercolor by Karl Bodmer (1809-1893), a young Swiss artist who accompanied the Prussian naturalist Prince Maximilian of Wied-Neuwied (1782-1867) on an expedition through the Missouri Valley from 1832 to 1834. Prince Max, as he was known, believed the Indigenous tribes of central North America were on the verge of extinction. He had set out to document their cultures before they disappeared.\u003c\/p\u003e\n\u003cp\u003eBodmer was a prodigy who would amaze audiences by creating an accurate sketch or watercolor in less than an hour. Prince Max would often use him to impress the people they met on their expedition. In 1833, on one leg of their journey, Bodmer painted Kiasax, a Piegan Blackfoot chief, wearing a Ute style first phase chief’s blanket with pairs of blue stripes. It is the earliest known painting of a Navajo chief’s blanket.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cimg height=\"290\" width=\"481\" src=\"https:\/\/nativeamericanartmagazine.s3.amazonaws.com\/CRwuRY3akbZKE45yeDgGeUlxZfrjS1KmNtgdty6J.jpeg\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cspan class=\"fr-inner\"\u003eA Classic Third Phase Chief Blanket, Ute Style, Diné (Navajo), circa 1855. The third phase measures 58 inches long by 78 inches wide, as woven. Collected between 1855 and 1860 at Fort Laramie, Dakota Territory (now Wyoming), by Thomas S. Twiss (1802-1871), U.S. Indian Agent for the Upper Platte River). Acquired by Daisy M. Barnett (1874-1937), at an unknown date. Purchased by the Museum of the American Indian (MAI), New York, from Barnett, 1921, with funds donated by MAI Trustee Harmon W. Hendricks (1846-1928). Image courtesy of the National Museum of the American Indian (NMAI), Washington, D.C. NMAI Catalog No. 10\/8457.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThey met Kiasax aboard the steamer Assiniboine owned by John Jacob Astor’s American Fur Company. They also took advantage of Astor’s steamer Yellowstone, which they rode from St. Louis 900 miles north to Fort Pierre and Fort Union.\u003c\/p\u003e\n\u003cp\u003ePrince Max’s choice of the scrupulously accurate Bodmer resulted in some of the finest paintings of the region and its people. The prince was as meticulous in his written descriptions as was Bodmer in his paintings and drawings. In a journal entry from March, 1833, he describes Massika, a Sauk man he met in St. Louis. “The area surrounding the eyes and ears is red, often also the cheeks; with others the entire head is completely red, except for a white spot on the forehead and a black one around mouth and chin; this gives them a dreadful appearance…Their ears are pierced along the upper edge with three or four holes, and from them hang short strings of blue and white wampum, like tassels.”\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cimg height=\"332\" width=\"468\" src=\"https:\/\/nativeamericanartmagazine.s3.amazonaws.com\/1LU4O8pNBovSLERXIbMzZEJ8lnW5WN1JDC4wVRT8.jpeg\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cspan class=\"fr-inner\"\u003eGeorge Catlin (1796-1872), St. Louis from the River Below, 1832-1833, oil on canvas, 193\/8 x 26¾”. Smithsonian American Art Museum. Gift of Mrs. Joseph Harrison Jr., 1985.66.311.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePrince Max’s collections were dispersed in museums in Bern, Berlin and Stuttgart.\u003c\/p\u003e\n\u003cp\u003eGeorge Catlin (1796-1872) traveled to the West five times in the 1830s, painting portraits of its Indigenous people and amassing artifacts from their cultures. He wrote in 1841, “St. Louis…is a flourishing town, of 15,000 inhabitants, and destined to be the great emporium of the West…[It] is the great depot of all the Fur Trading Companies to the Upper Missouri and Rocky Mountains, and their starting-place; and also for the Santa Fe, and other Trading Companies, who reach the Mexican borders overland, to trade for silver bullion, from the extensive mines of that rich country…I have also made it my starting-point, and place of deposit, to which I send from different quarters, my packages of paintings and Indian articles, minerals, fossils, etc., as I collect them in various regions, here to be stored till my return; and where on my last return, if I ever make it, I shall hustle them altogether, and remove them to the East.”\u003c\/p\u003e\n\u003cp\u003eLorenz Alphons Schoch traveled from Switzerland to St. Louis in 1832 and collected between 1833 and 1837, at the same time Prince Max and Bodmer were on their expedition and Catlin was collecting artifacts. Schoch was the son of a Swiss instrument manufacturer. Among the artifacts he collected is a war shirt that appears in George Catlin’s painting Mix-ke-móte-skin-na, Iron Horn, a Warrior, 1832.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cimg height=\"578\" width=\"470\" src=\"https:\/\/nativeamericanartmagazine.s3.amazonaws.com\/yDDg4Id4Yh5nkyy7O3Dtc0T98KzHsR2BZ6x49eJ9.jpeg\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cspan class=\"fr-inner\"\u003eGeorge Catlin (1796-1872), Mix-ke-móte-skin-na, Iron Horn, a Warrior, 1832, oil on canvas, 29 x 24”. Smithsonian American Art Museum. Gift of Mrs. Joseph Harrison Jr. 1985.66.153.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJudy Thompson wrote The North American Indian Collection: A Catalog for the Berne Historical Museum in Switzerland. She comments, “Although European trade goods had reached the Plains area by the early 1700s, Plains Indians had little direct contact with white men until the mid-19th century. Collections as early as the Schoch material (1837) are therefore rare. Lorenz Alphons Schoch (1810-1866) was a Swiss from Burgdorf, Canton Berne. He went to the United States in 1832, where he lived in St. Louis for several years and apparently came into contact with various Indian tribes in his role of merchant or trader. Schoch returned to Switzerland in 1842. His collection was purchased from his widow in 1890.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cimg height=\"353\" width=\"498\" src=\"https:\/\/nativeamericanartmagazine.s3.amazonaws.com\/hJmvkLVeW47XSsoCEaPL8TML92RJwDBsOvsg0FIs.jpeg\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cspan class=\"fr-inner\"\u003eA Classic First Phase Chief’s Blanket, Ute Style, Diné (Navajo), ca. 1850. The first phase measures 51 inches long by 70 inches wide, as woven. In the collection of the Nelson-Atkins Museum of Art, Kansas City. Ex- Fred Harvey, Kansas City. Purchase: William Rockhill Nelson Trust, from the estate of Fred Harvey, 1933. NAMA Catalog #33-1430. Photo: Joshua Ferdinand.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAnother item in the Schoch collection in Berne is a blanket cataloged by the museum as “Sioux Trade Cloth.” Baer believes it is the earliest documented example of a Navajo first phase chief’s blanket. It is illustrated here by his interpretation of the item if it is restored. He bases his hypothesis on five criteria:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIts collection date (1832-1837) establishes the Schoch First Phase as the earliest Navajo chief’s blanket with a documented collection history.\u003c\/li\u003e\n\u003cli\u003eThe absence of pairs of blue stripes in the Schoch First Phase makes it a unique example of the Navajo first phase style, and raises the possibility that the first phase was woven during the late 18th century, which would make it the earliest known example of a Navajo chief’s blanket woven in the man’s style.\u003c\/li\u003e\n\u003cli\u003eTicking along all of the edges of its brown and white bands is unique to the Schoch first phase. Of the approximately 150 other known classic Navajo chief’s blankets, none have ticking along all edges of their horizontal bands.\u003c\/li\u003e\n\u003cli\u003eThe Schoch First Phase’s configuration of three brown stripes and four white stripes above and below its central panel links the first phase to three of the best-known classic Navajo chief’s blankets in either museum or private collections. [The Twiss Third Phase Chief’s Blanket, Ute Style, Navajo, circa 1850, in the collection of National Museum of the American Indian, is illustrated here, on Page 43.]\u003c\/li\u003e\n\u003cli\u003eThe location of the Schoch First Phase in the Bernisches Historisches Museum (BHM) in Bern, Switzerland, and BHM’s catalog listing of the first phase as a “Sioux Trade Cloth,” establish the Schoch First Phase as an undiscovered example of early classic Navajo weaving.\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cimg height=\"277\" width=\"414\" src=\"https:\/\/nativeamericanartmagazine.s3.amazonaws.com\/afKvWQ8EWKCSPPvxuRNrPjFqYHOyVonaYiDBiIQR.jpeg\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cspan class=\"fr-inner\"\u003eA Classic Chief’s Blanket Variant, Ute Style, Diné (Navajo), ca. 1840. The variant measures 53 inches long by 72 inches wide, as woven. In the collection of the Nelson-Atkins Museum of Art, Kansas City. Purchase: William Rockhill Nelson Trust. NAMA Catalog #33-1432. Photo: Joshua Ferdinand.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBefore Baer’s interpretation of what he refers to as the “Schoch First Phase,” the Navajo chief’s blankets with the earliest documented collection history were the classic bayeta first phase chief’s blanket, Navajo, circa 1850, also known as the Woodhouse Bayeta First Phase; and a classic second phase chief’s blanket, Navajo, circa 1850, also known as the Woodhouse Second Phase. Both were collected at Zuni Pueblo, New Mexico Territory in September, 1851, by Samuel Washington Woodhouse (1821-1904), who was a surgeon and ornithologist with the Sitgreaves Expeditions of 1849 and 1851. Both the Woodhouse First and Second Phase Chief’s Blankets exhibit no wear. They were probably purchased from their weavers. The blankets were acquired in 1923 by what is now the National Museum of the American Indian from Woodhouse’s son in 1923.\u003c\/p\u003e\n\u003cp\u003eBaer remarks, “The Schoch First Phase is an extraordinary work of American art. The first phase is also an important part of American and Native American history. My hope is that the BHM will allow the Schoch First Phase to travel to the United States. This will make it possible for the first phase to be seen by contemporary Navajo weavers, and by the American public.”\u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2026-05-11T13:17:17-07:00","created_at":"2025-06-02T13:40:31-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46985908846814,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Schoch First Phase Chief’s Blanket - By John O'Hern","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/OxIpoFh7u6YmtVL9sl0w8zAKTc106DLzR097RhyU_1.jpg?v=1748896849"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/OxIpoFh7u6YmtVL9sl0w8zAKTc106DLzR097RhyU_1.jpg?v=1748896849","options":["Title"],"media":[{"alt":null,"id":36373842002142,"position":1,"preview_image":{"aspect_ratio":1.447,"height":1106,"width":1600,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/OxIpoFh7u6YmtVL9sl0w8zAKTc106DLzR097RhyU_1.jpg?v=1748896849"},"aspect_ratio":1.447,"height":1106,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/OxIpoFh7u6YmtVL9sl0w8zAKTc106DLzR097RhyU_1.jpg?v=1748896849","width":1600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv class=\"my-4\" id=\"article-title\"\u003e\n\u003cp class=\"lead color-gray mb-2\"\u003eThe discovery of a Navajo masterpiece.\u003c\/p\u003e\n\u003cdiv class=\"byline font-medium\"\u003eBy John O’Hern\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"byline font-medium\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"article-content\" class=\"mb-5\"\u003e\n\u003cp\u003eThe weaving of wearing blankets is part of the Navajo (Diné) creation story, present in Navajo culture from the beginning. Spider Woman, who wove the web of the universe, taught the Navajo people to weave. She is present in their lives today, residing atop Spider Rock in Canyon de Chelly.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cimg height=\"332\" width=\"480\" src=\"https:\/\/nativeamericanartmagazine.s3.amazonaws.com\/OxIpoFh7u6YmtVL9sl0w8zAKTc106DLzR097RhyU.jpeg\"\u003e\u003cbr\u003e\u003cspan class=\"fr-inner\"\u003eAn Early Classic First Phase Chief’s Blanket, Diné (Navajo), circa 1830, also known as the Schoch First Phase. The first phase measures 54 inches long by 73 inches wide, as woven. In the collection of the Bernisches Historisches Museum (BHM), Bern, Switzerland, by purchase from Marie Karolina Ruef, Lorenz Alphons Schoch’s widow, 1890. BHM Catalog #1890.410.0027. Cataloged by BHM as a “Sioux trade cloth.” Photograph by Joshua Baer. © 2021 Joshua Baer \u0026amp; Company, Santa Fe. Used by permission. All reproduction rights reserved.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Navajo philosophy of Sa’ah Naaghai Bik’eh Hozhoo guides life in balance and in harmony with the natural world and the universe. Balance occurs in the physical world with a reverence for the four cardinal directions, the four sacred colors and the four sacred mountains that border Navajo Country.\u003c\/p\u003e\n\u003cp\u003eBalance is the theme of the Beauty Way Chant, part of which reads:\u003c\/p\u003e\n\u003cp\u003eIn beauty I walk\u003cbr\u003eWith beauty before me I walk\u003cbr\u003eWith beauty behind me I walk\u003cbr\u003eWith beauty above me I walk\u003cbr\u003eWith beauty around me I walk\u003cbr\u003eIt has become beauty again\u003c\/p\u003e\n\u003cp\u003eTo the south of Navajo Country, or Dinétah, were the Hopi. To the north were the Utes. Navajo wearing blankets were admired by the Hopi and Utes, who bartered with the Navajo for their blankets. Navajo blankets woven longer than wide were called “serapes” by the Spanish. Navajo blankets woven wider than long were called either “chief’s blankets” or “mantas.” The term “chief’s blanket” came into use because chief’s blankets were expensive. Only the high-ranking members of the Utes and the Plains tribes could afford them. According to Joshua Baer, an appraiser of Navajo blankets in Santa Fe, “Anglo-American explorers and military officers began collecting Navajo chief’s blankets during the 1840s. Between 1840 and 1860, the rate of exchange for one chief’s blanket was either 10 buffalo hides, 20 horses, or $50 in gold. In 1850, $10 was one month’s pay for a cavalry officer in the U.S. Army. The $10 gold piece, or ‘eagle,’ contained one-half of one ounce of gold.”\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cimg height=\"469\" width=\"366\" src=\"https:\/\/nativeamericanartmagazine.s3.amazonaws.com\/fcyptE4MBfqulOj4Q9wqle1E3AkVL5FVEK7Lkmaj.jpeg\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cspan class=\"fr-inner\"\u003eKarl Bodmer (1809-1893), Kiäsax, Piegan Blackfoot Man, 1833, watercolor and graphite on paper. Joslyn Art Museum, Omaha, Nebraska. Gift of the Enron Art Foundation, 1986.49.395. Photograph © Bruce M. White, 2019.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNavajo chief’s blankets were valued by the Ute, the Sioux and the Cheyenne because of their beauty, but also because they were so tightly woven as to be nearly waterproof and could be worn as a coat in the daytime and used as a blanket at night. Examples of early first phase chief’s blankets are scarce today because they were worn aggressively until they were worn out.\u003c\/p\u003e\n\u003cp\u003eEarly chief’s blankets featured broad stripes of blue, brown and white handspun Churro yarns. The handspun brown and white yarns were un-dyed. The handspun blue yarns were dyed in the yarn with indigo. Baer explains, “After the introduction of rectangular, target designs during the 1840s, and the subsequent introduction of concentric diamonds during the 1850s, Navajo chief’s blankets with no designs came to be known as ‘first phases.’ Chief’s blankets with rectangular designs came to be known as ‘second phases’ and chief’s blankets with concentric diamonds came to be known as ‘third phases.’” First-phase chief’s with broad brown and white stripes are referred to as man’s style, in contrast to the woman’s style chiefs blankets which have narrow stripes.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cimg height=\"333\" width=\"515\" src=\"https:\/\/nativeamericanartmagazine.s3.amazonaws.com\/cxj0N8x07DK6cojShfXg4YAJZW3KOqw4ikWFd9Al.jpeg\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cspan class=\"fr-inner\"\u003eAn Early Classic First Phase Chief’s Blanket, Diné (Navajo), circa 1830, also known as the Schoch First Phase. The first phase measures 54 inches long by 73 inches wide, as woven. In the collection of the Bernisches Historisches Museum (BHM), Bern, Switzerland, by purchase from Marie Karolina Ruef, Lorenz Alphons Schoch’s widow, 1890. BHM Catalog #1890.410.0027. Cataloged by BHM as a “Sioux trade cloth.” The image has been enhanced to show how the first phase may have looked in original condition.  Photograph by Joshua Baer. © 2021 Joshua Baer \u0026amp; Company, Santa Fe. Used by permission. All reproduction rights reserved.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFirst phase chief’s blankets with brown, white and blue stripes are known as Ute style first phase chief’s blankets. Blankets with thin red stripes between the blue and brown stripes are known as bayeta first phase chief’s blankets because of their use of raveled bayeta yarn. The Navajo weavers were adept at dying their handspun yarn blue with indigo but weren’t able to dye their handspun yarn red with cochineal. Produced in Mexico, cochineal is the dried and pulverized larvae of ladybugs. In the 17th century, cochineal was declared the property of the King of Spain and shipped to Spain where it was used to color woolen cloth in vats.\u003c\/p\u003e\n\u003cp\u003eIn response to Spain’s attempts to monopolize cochineal, the British developed a red dye from lac, a scale insect found in Bengal. Red bayeta cloth was woven and piece-dyed in Seville, Spain, and in Manchester, England, then exported in bolts to North America. Bayeta was then shipped from ports in New Orleans and Charleston to St. Louis where it was transported by mule to merchants in Santa Fe, Taos, and the Chama Valley. When bayeta arrived  in Navajo Country, Navajo weavers raveled the woven cloth to obtain red yarn to weave into their blankets. Between 1830 and 1860, bayeta was Navajo weavers’ primary source of red yarn. Navajo weavers also used a red knitting yarn from Germany, known as Saxony.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cimg height=\"311\" width=\"507\" src=\"https:\/\/nativeamericanartmagazine.s3.amazonaws.com\/pXObEtkLZMqRr7pQmQryEbluoOvd8BMizM6bPSvC.jpeg\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cspan class=\"fr-inner\"\u003eA Classic Bayeta First Phase Chief’s Blanket, Diné (Navajo), ca. 1850. The bayeta first phase measures 57 inches long by 71 inches wide, as woven. Collected, 1851, by Samuel W. Woodhouse (1821-1904), a surgeon and naturalist who accompanied the Topographical Engineer Corps on the Sitgreaves Expedition to explore the Zuni and Colorado Rivers. Inherited by Woodhouse’s son, Samuel W. Woodhouse Jr. (1873-1943). Purchased by the Museum of the American Indian (MAI) from Woodhouse Jr., 1923. Image courtesy of the National Museum of the American Indian (NMAI), Washington, D.C. NMAI Catalog #11\/8280.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBaer explains the incorporation of red yarn in second and third phase blankets and subsequent variants: “Second phase chief’s blankets have horizontally banded fields with rectangular foreground designs, usually in the form of either concentric squares, concentric rectangles, or pairs of solid rectangular bars. Ute Style second phases have no thin red stripes between their design elements. Bayeta second phases have thin, horizontal red stripes of raveled bayeta between their design elements.\u003c\/p\u003e\n\u003cp\u003e“Third phase chief’s blankets have horizontally banded fields with diamond-shaped foreground designs. Ute Style third phases have no thin red stripes between their diamonds. Bayeta third phases have thin red stripes of raveled bayeta between their diamonds.\u003c\/p\u003e\n\u003cp\u003e“Navajo chief’s blankets that combine second and third phase designs are called variants. Chief’s blankets with designs appropriated from Navajo dress halves, mantas, poncho serapes or serapes are also called variants.”\u003c\/p\u003e\n\u003cp\u003eAn installation of the three phases of Navajo chief’s blankets can be seen at the National Museum of the American Indian in Washington, D.C. The Nelson-Atkins Museum in Kansas City, Missouri, has what Baer considers to be one of two Ute style first phase chief’s blankets in mint condition. The Nelson-Atkins also has as a chief’s blanket variant with a spur pattern in cochineal-dyed bayeta wool, circa 1840.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cimg height=\"290\" width=\"490\" src=\"https:\/\/nativeamericanartmagazine.s3.amazonaws.com\/ZYcHNV0niZjUUPkfIQ4IVYLgqDbbqJNRHzsh9k4r.jpeg\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cspan class=\"fr-inner\"\u003eA Classic Second Phase Chief Blanket, Ute Style, Diné (Navajo), circa 1850. The second phase measures 56 inches long by 75 inches wide, as woven. Collected, 1851, by Samuel W. Woodhouse (1821-1904), a surgeon and naturalist who accompanied the Topographical Engineer Corps on the Sitgreaves Expedition to explore the Zuni and Colorado Rivers. Inherited by Woodhouse’s son, Samuel W. Woodhouse Jr. (1873-1943). Purchased by the Museum of the American Indian (MAI), New York, from Woodhouse Jr., 1923. Image courtesy of the National Museum of the American Indian (NMAI), Washington, D.C. Image courtesy of NMAI. NMAI Catalog #11\/8281.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Nelson-Atkins Museum describes its first phase blanket as “a broad horizontal configuration of contrasting and subtly colored bands…often described as a distillation of the Navajo’s desert plateau and mountain landscape.”\u003c\/p\u003e\n\u003cp\u003eA characteristic of Navajo looms is that they were often set up outdoors where the weavers looked through them at the landscape as they worked.\u003c\/p\u003e\n\u003cp\u003eThe widespread trade in chief’s blankets is documented in a watercolor by Karl Bodmer (1809-1893), a young Swiss artist who accompanied the Prussian naturalist Prince Maximilian of Wied-Neuwied (1782-1867) on an expedition through the Missouri Valley from 1832 to 1834. Prince Max, as he was known, believed the Indigenous tribes of central North America were on the verge of extinction. He had set out to document their cultures before they disappeared.\u003c\/p\u003e\n\u003cp\u003eBodmer was a prodigy who would amaze audiences by creating an accurate sketch or watercolor in less than an hour. Prince Max would often use him to impress the people they met on their expedition. In 1833, on one leg of their journey, Bodmer painted Kiasax, a Piegan Blackfoot chief, wearing a Ute style first phase chief’s blanket with pairs of blue stripes. It is the earliest known painting of a Navajo chief’s blanket.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cimg height=\"290\" width=\"481\" src=\"https:\/\/nativeamericanartmagazine.s3.amazonaws.com\/CRwuRY3akbZKE45yeDgGeUlxZfrjS1KmNtgdty6J.jpeg\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cspan class=\"fr-inner\"\u003eA Classic Third Phase Chief Blanket, Ute Style, Diné (Navajo), circa 1855. The third phase measures 58 inches long by 78 inches wide, as woven. Collected between 1855 and 1860 at Fort Laramie, Dakota Territory (now Wyoming), by Thomas S. Twiss (1802-1871), U.S. Indian Agent for the Upper Platte River). Acquired by Daisy M. Barnett (1874-1937), at an unknown date. Purchased by the Museum of the American Indian (MAI), New York, from Barnett, 1921, with funds donated by MAI Trustee Harmon W. Hendricks (1846-1928). Image courtesy of the National Museum of the American Indian (NMAI), Washington, D.C. NMAI Catalog No. 10\/8457.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThey met Kiasax aboard the steamer Assiniboine owned by John Jacob Astor’s American Fur Company. They also took advantage of Astor’s steamer Yellowstone, which they rode from St. Louis 900 miles north to Fort Pierre and Fort Union.\u003c\/p\u003e\n\u003cp\u003ePrince Max’s choice of the scrupulously accurate Bodmer resulted in some of the finest paintings of the region and its people. The prince was as meticulous in his written descriptions as was Bodmer in his paintings and drawings. In a journal entry from March, 1833, he describes Massika, a Sauk man he met in St. Louis. “The area surrounding the eyes and ears is red, often also the cheeks; with others the entire head is completely red, except for a white spot on the forehead and a black one around mouth and chin; this gives them a dreadful appearance…Their ears are pierced along the upper edge with three or four holes, and from them hang short strings of blue and white wampum, like tassels.”\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cimg height=\"332\" width=\"468\" src=\"https:\/\/nativeamericanartmagazine.s3.amazonaws.com\/1LU4O8pNBovSLERXIbMzZEJ8lnW5WN1JDC4wVRT8.jpeg\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cspan class=\"fr-inner\"\u003eGeorge Catlin (1796-1872), St. Louis from the River Below, 1832-1833, oil on canvas, 193\/8 x 26¾”. Smithsonian American Art Museum. Gift of Mrs. Joseph Harrison Jr., 1985.66.311.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePrince Max’s collections were dispersed in museums in Bern, Berlin and Stuttgart.\u003c\/p\u003e\n\u003cp\u003eGeorge Catlin (1796-1872) traveled to the West five times in the 1830s, painting portraits of its Indigenous people and amassing artifacts from their cultures. He wrote in 1841, “St. Louis…is a flourishing town, of 15,000 inhabitants, and destined to be the great emporium of the West…[It] is the great depot of all the Fur Trading Companies to the Upper Missouri and Rocky Mountains, and their starting-place; and also for the Santa Fe, and other Trading Companies, who reach the Mexican borders overland, to trade for silver bullion, from the extensive mines of that rich country…I have also made it my starting-point, and place of deposit, to which I send from different quarters, my packages of paintings and Indian articles, minerals, fossils, etc., as I collect them in various regions, here to be stored till my return; and where on my last return, if I ever make it, I shall hustle them altogether, and remove them to the East.”\u003c\/p\u003e\n\u003cp\u003eLorenz Alphons Schoch traveled from Switzerland to St. Louis in 1832 and collected between 1833 and 1837, at the same time Prince Max and Bodmer were on their expedition and Catlin was collecting artifacts. Schoch was the son of a Swiss instrument manufacturer. Among the artifacts he collected is a war shirt that appears in George Catlin’s painting Mix-ke-móte-skin-na, Iron Horn, a Warrior, 1832.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cimg height=\"578\" width=\"470\" src=\"https:\/\/nativeamericanartmagazine.s3.amazonaws.com\/yDDg4Id4Yh5nkyy7O3Dtc0T98KzHsR2BZ6x49eJ9.jpeg\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cspan class=\"fr-inner\"\u003eGeorge Catlin (1796-1872), Mix-ke-móte-skin-na, Iron Horn, a Warrior, 1832, oil on canvas, 29 x 24”. Smithsonian American Art Museum. Gift of Mrs. Joseph Harrison Jr. 1985.66.153.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJudy Thompson wrote The North American Indian Collection: A Catalog for the Berne Historical Museum in Switzerland. She comments, “Although European trade goods had reached the Plains area by the early 1700s, Plains Indians had little direct contact with white men until the mid-19th century. Collections as early as the Schoch material (1837) are therefore rare. Lorenz Alphons Schoch (1810-1866) was a Swiss from Burgdorf, Canton Berne. He went to the United States in 1832, where he lived in St. Louis for several years and apparently came into contact with various Indian tribes in his role of merchant or trader. Schoch returned to Switzerland in 1842. His collection was purchased from his widow in 1890.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cimg height=\"353\" width=\"498\" src=\"https:\/\/nativeamericanartmagazine.s3.amazonaws.com\/hJmvkLVeW47XSsoCEaPL8TML92RJwDBsOvsg0FIs.jpeg\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cspan class=\"fr-inner\"\u003eA Classic First Phase Chief’s Blanket, Ute Style, Diné (Navajo), ca. 1850. The first phase measures 51 inches long by 70 inches wide, as woven. In the collection of the Nelson-Atkins Museum of Art, Kansas City. Ex- Fred Harvey, Kansas City. Purchase: William Rockhill Nelson Trust, from the estate of Fred Harvey, 1933. NAMA Catalog #33-1430. Photo: Joshua Ferdinand.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAnother item in the Schoch collection in Berne is a blanket cataloged by the museum as “Sioux Trade Cloth.” Baer believes it is the earliest documented example of a Navajo first phase chief’s blanket. It is illustrated here by his interpretation of the item if it is restored. He bases his hypothesis on five criteria:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIts collection date (1832-1837) establishes the Schoch First Phase as the earliest Navajo chief’s blanket with a documented collection history.\u003c\/li\u003e\n\u003cli\u003eThe absence of pairs of blue stripes in the Schoch First Phase makes it a unique example of the Navajo first phase style, and raises the possibility that the first phase was woven during the late 18th century, which would make it the earliest known example of a Navajo chief’s blanket woven in the man’s style.\u003c\/li\u003e\n\u003cli\u003eTicking along all of the edges of its brown and white bands is unique to the Schoch first phase. Of the approximately 150 other known classic Navajo chief’s blankets, none have ticking along all edges of their horizontal bands.\u003c\/li\u003e\n\u003cli\u003eThe Schoch First Phase’s configuration of three brown stripes and four white stripes above and below its central panel links the first phase to three of the best-known classic Navajo chief’s blankets in either museum or private collections. [The Twiss Third Phase Chief’s Blanket, Ute Style, Navajo, circa 1850, in the collection of National Museum of the American Indian, is illustrated here, on Page 43.]\u003c\/li\u003e\n\u003cli\u003eThe location of the Schoch First Phase in the Bernisches Historisches Museum (BHM) in Bern, Switzerland, and BHM’s catalog listing of the first phase as a “Sioux Trade Cloth,” establish the Schoch First Phase as an undiscovered example of early classic Navajo weaving.\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cimg height=\"277\" width=\"414\" src=\"https:\/\/nativeamericanartmagazine.s3.amazonaws.com\/afKvWQ8EWKCSPPvxuRNrPjFqYHOyVonaYiDBiIQR.jpeg\"\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"fr-img-caption fr-fic fr-dib\"\u003e\u003cspan class=\"fr-img-wrap\"\u003e\u003cspan class=\"fr-inner\"\u003eA Classic Chief’s Blanket Variant, Ute Style, Diné (Navajo), ca. 1840. The variant measures 53 inches long by 72 inches wide, as woven. In the collection of the Nelson-Atkins Museum of Art, Kansas City. Purchase: William Rockhill Nelson Trust. NAMA Catalog #33-1432. Photo: Joshua Ferdinand.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBefore Baer’s interpretation of what he refers to as the “Schoch First Phase,” the Navajo chief’s blankets with the earliest documented collection history were the classic bayeta first phase chief’s blanket, Navajo, circa 1850, also known as the Woodhouse Bayeta First Phase; and a classic second phase chief’s blanket, Navajo, circa 1850, also known as the Woodhouse Second Phase. Both were collected at Zuni Pueblo, New Mexico Territory in September, 1851, by Samuel Washington Woodhouse (1821-1904), who was a surgeon and ornithologist with the Sitgreaves Expeditions of 1849 and 1851. Both the Woodhouse First and Second Phase Chief’s Blankets exhibit no wear. They were probably purchased from their weavers. The blankets were acquired in 1923 by what is now the National Museum of the American Indian from Woodhouse’s son in 1923.\u003c\/p\u003e\n\u003cp\u003eBaer remarks, “The Schoch First Phase is an extraordinary work of American art. The first phase is also an important part of American and Native American history. My hope is that the BHM will allow the Schoch First Phase to travel to the United States. This will make it possible for the first phase to be seen by contemporary Navajo weavers, and by the American public.”\u003c\/p\u003e\n\u003c\/div\u003e"}

{"id":8936690221278,"title":"Whirling Log or Swastika?","handle":"whirling-logs-navajo-sacred-symbol-copy","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/jb-moore-crystal-navajo-weaving-historic-ght-2309\" title=\"antique crystal with whirling logs\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/ght-2309-antique-rug-crystal_8800bc15-0e9c-40db-902a-aa24d4548954_large.jpg?v=1550605370\" alt=\"crystal antique rug with whirling logs\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eJB Moore Crystal with Whirling logs.  Circa 1910-1920\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" align=\"center\"\u003e\u003cstrong\u003eThe\u003c\/strong\u003e Whirling Log or sometimes referred to as a \"falling log\" or \"swirling log\",  goes back thousands of years in human culture. \u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eOne of the oldest symbols made by humans, the Whirling Log dates back some 6,000 years.  Scholars generally agree it originated in India. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" class=\"articleContent\" align=\"left\"\u003e\u003cspan\u003e\u003cstrong\u003eIn\u003c\/strong\u003e the Navajo culture the Whirling Log, represents part of their creation story, well being, good luck and protection.  The Whirling Log is often confused with the swastika due to their similar appearance.  The Whirling long is square and rotates where as the swastika is diamond shaped and angled symbol.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" class=\"articleContent\" align=\"left\"\u003e\u003cspan\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/whirling_log.jpg?v=1748970520\"\u003e\u003cbr\u003e                  Navajo Whirling Log                                          Nazi swastika\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" class=\"articleContent\" align=\"left\"\u003e\u003cspan\u003eThe Whirling Log symbol in Navajo culture comes from the tale of the Whirling Log.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eThe Whirling Log Tale - part of the Navajo creation story\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBelow is a simple rendition of the story.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe hero in the story is an outcast from his people.  He decides to leave and sets out on a long journey to seek peace and security.  At first the 4 Gods try to persuade him against going, but seeing his determination, they help him hollow out a log in which he travels down the river.  \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlong the way he has many misadventures which ultimately result in his gaining important ceremonial knowledge. In one such instance he and his craft encounter a whirlpool, hence \"whirling Log\" and is captured by the Water People who carry him down beneath the water to the home of Water Monster. Black God threatens to set fire to Water Monster's home and the hero is released, but not before being taught by Frog how to cure the illnesses caused by the Water People.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhen he finally reaches the lake that is his destination, the gods catch his log and help him to shore. Wandering about on land the hero comes upon a whirling cross with two Yeis (Holy People) seated on each end. From them he learns the knowledge of farming and is given seeds. He then returns home to his people to share these gifts.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUntil\u003c\/strong\u003e the late 1800s, when J. Lorenzo Hubbell and J.B. Moore opened their trading posts in Arizona and New Mexico, Navajos portrayed the Whirling Log solely in their religious ceremonies in the form of sand paintings. But by 1896, with prodding by Hubbell and Moore, the symbol proliferated on Navajo rugs.  \u003c\/p\u003e\n\u003cp class=\"articleContent\" align=\"left\"\u003e\u003cstrong\u003eIn\u003c\/strong\u003e 1940, in response to Hitler's regime, the Navajo, Papago, Apache and Hopi people signed a whirling log proclamation. It read, \"Because the above ornament, which has been a symbol of friendship among our forefathers for many centuries, has been desecrated recently by another nation of peoples, therefore it is resolved that henceforth from this date on and forever more our tribes renounce the use of the emblem commonly known today as the swastika . . . on our blankets, baskets, art objects, sand paintings and clothing.\"\u003c\/p\u003e\n\u003cp\u003e \u003cimg alt=\"Navajo whirling log proclamation\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/21969871._SX540_large.jpg?v=1550602090\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2026-05-11T13:20:57-07:00","created_at":"2025-06-03T11:54:54-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46987975983326,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Whirling Log or Swastika?","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/ght-2309-antique-rug-crystal-main-small_91177856-92fd-46b2-9b5c-73b00504f645.jpg?v=1748977317"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/ght-2309-antique-rug-crystal-main-small_91177856-92fd-46b2-9b5c-73b00504f645.jpg?v=1748977317","options":["Title"],"media":[{"alt":null,"id":36378197164254,"position":1,"preview_image":{"aspect_ratio":0.574,"height":1400,"width":803,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/ght-2309-antique-rug-crystal-main-small_91177856-92fd-46b2-9b5c-73b00504f645.jpg?v=1748977317"},"aspect_ratio":0.574,"height":1400,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/ght-2309-antique-rug-crystal-main-small_91177856-92fd-46b2-9b5c-73b00504f645.jpg?v=1748977317","width":803}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/jb-moore-crystal-navajo-weaving-historic-ght-2309\" title=\"antique crystal with whirling logs\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/ght-2309-antique-rug-crystal_8800bc15-0e9c-40db-902a-aa24d4548954_large.jpg?v=1550605370\" alt=\"crystal antique rug with whirling logs\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eJB Moore Crystal with Whirling logs.  Circa 1910-1920\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" align=\"center\"\u003e\u003cstrong\u003eThe\u003c\/strong\u003e Whirling Log or sometimes referred to as a \"falling log\" or \"swirling log\",  goes back thousands of years in human culture. \u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eOne of the oldest symbols made by humans, the Whirling Log dates back some 6,000 years.  Scholars generally agree it originated in India. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" class=\"articleContent\" align=\"left\"\u003e\u003cspan\u003e\u003cstrong\u003eIn\u003c\/strong\u003e the Navajo culture the Whirling Log, represents part of their creation story, well being, good luck and protection.  The Whirling Log is often confused with the swastika due to their similar appearance.  The Whirling long is square and rotates where as the swastika is diamond shaped and angled symbol.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" class=\"articleContent\" align=\"left\"\u003e\u003cspan\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/whirling_log.jpg?v=1748970520\"\u003e\u003cbr\u003e                  Navajo Whirling Log                                          Nazi swastika\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\" class=\"articleContent\" align=\"left\"\u003e\u003cspan\u003eThe Whirling Log symbol in Navajo culture comes from the tale of the Whirling Log.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eThe Whirling Log Tale - part of the Navajo creation story\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBelow is a simple rendition of the story.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe hero in the story is an outcast from his people.  He decides to leave and sets out on a long journey to seek peace and security.  At first the 4 Gods try to persuade him against going, but seeing his determination, they help him hollow out a log in which he travels down the river.  \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlong the way he has many misadventures which ultimately result in his gaining important ceremonial knowledge. In one such instance he and his craft encounter a whirlpool, hence \"whirling Log\" and is captured by the Water People who carry him down beneath the water to the home of Water Monster. Black God threatens to set fire to Water Monster's home and the hero is released, but not before being taught by Frog how to cure the illnesses caused by the Water People.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhen he finally reaches the lake that is his destination, the gods catch his log and help him to shore. Wandering about on land the hero comes upon a whirling cross with two Yeis (Holy People) seated on each end. From them he learns the knowledge of farming and is given seeds. He then returns home to his people to share these gifts.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUntil\u003c\/strong\u003e the late 1800s, when J. Lorenzo Hubbell and J.B. Moore opened their trading posts in Arizona and New Mexico, Navajos portrayed the Whirling Log solely in their religious ceremonies in the form of sand paintings. But by 1896, with prodding by Hubbell and Moore, the symbol proliferated on Navajo rugs.  \u003c\/p\u003e\n\u003cp class=\"articleContent\" align=\"left\"\u003e\u003cstrong\u003eIn\u003c\/strong\u003e 1940, in response to Hitler's regime, the Navajo, Papago, Apache and Hopi people signed a whirling log proclamation. It read, \"Because the above ornament, which has been a symbol of friendship among our forefathers for many centuries, has been desecrated recently by another nation of peoples, therefore it is resolved that henceforth from this date on and forever more our tribes renounce the use of the emblem commonly known today as the swastika . . . on our blankets, baskets, art objects, sand paintings and clothing.\"\u003c\/p\u003e\n\u003cp\u003e \u003cimg alt=\"Navajo whirling log proclamation\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/21969871._SX540_large.jpg?v=1550602090\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}

{"id":9211844886750,"title":"Hogans - Traditonal dwellings of the Navajo (Dine')","handle":"hogans-the-center-of-the-navajo-world","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"Hogan Styles\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/hogns_medium.jpg?v=1493941643\" style=\"margin-right: 10px; float: left;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eA Hogan is the primary, traditional dwelling of the Navajo (Dine') people.  The ancient hogan, known as the \"forked stick hogan\" was a conical hut constructed of three forked poles covered with logs, brush and mud.  Called the \"male\" hogan by the Navajos, examples of this swelling can still occasionally be found in the western part of the reservation.  More common today is the \"female\" hogan, a circular or 6 sided dwelling constructed of logs or stone, with a doorway facing east and a smoke hole in the center of the roof.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg alt=\"The dome-shaped roof is formed of cribbed logs covered with dirt\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/loonav_73ca8fe9-641b-4a1e-9bd1-071a3e379197_large.jpg?v=1493941677\" style=\"float: none;\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe dome-shaped roof is formed of cribbed logs covered with dirt. The fire  is placed on the hard-packed floor beneath the smoke hole and a flap or hinged door covers the doorway.  Traditionally the hogan lacked windows and was ventilated by the smoke hole in the roof and the east-facing doorway.  Nowadays not only do the Hogans have windows but they may also contain stoves, chimneys, beds, and refrigerators and TVs,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Modern style hogan\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/hgnmrn_large.JPG?v=1493944166\" style=\"float: none;\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Modern Navajo homes on the reservation\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/hgsntoy_large.jpg?v=1493944054\" style=\"float: none;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eToday white prototype houses and even mobile homes are common on the reservation, but families that live in such dwellings also construct a hogan nearby.  Many of the People have retained their native religion and Navajo ceremonies can be conducted only in a hogan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Most Navajo families own 2,3, or several hogans\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/hognsshd_large.jpg?v=1493941692\" style=\"float: none;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMost Navajo families own 2, 3, or several hogans and more than one permanent establishment if they own sheep.  A family that owns several hundred sheep and other livestock might have as many as 5 or 6 separate clusters of buildings scattered over a large area as the animals must be moved from place to place at various seasons of the year.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Summer and Winter hogans\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/hogsn_simwin_large.jpg?v=1493942041\" style=\"float: none;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eVariations in the weather and the water supply may require that a family live in one place during the summer and another during the winter.  Usually though, each family has one location which is their main residence at which there are more or less permanent corrals, storage dugouts, several hogans and temporary shades or bush hogans for summer use.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Navajo hogan is more than just a place to eat and sleep and the concept of it as a \"home\" bears little resemblance to a white person's attitude toward his dwelling place.  The hogan is a gift of the gods and as such it occupies a place in the sacred world.  The first hogans were built by the Holy People of turquoise, white shell, jet, and abalone shell.  The round hogan is symbolic of the sun and its door faces east so that the first thing that a Navajo family sees in the morning is the rising sun, Father Sun, one of the most revered of the Navajo deities.  The construction of a new hogan is almost always a community affair.  Once completed, the new hogan is consecrated with a Blessing Way ceremony whereby the Holy People are asked to \"let this place be happy.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cimg alt=\"Navajo Sweat Hogan\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/hognsetr_medium.jpg?v=1493942613\" style=\"margin-right: 10px; float: left;\"\u003eAlso nearby, but out of sight, will be at least one sweat hogan.  The sweat hogan is small scale replica of the old-style forked stick hogan but without the smoke hole.  It is constructed of three sticks with forked ends which are fasten together in a tripod.  Two straight sticks are leaned against the apes from the east to make the sides of the door.  It is heated by placing hot rocks within, the door being closed with several blankets.  The sweat hogan provides excellent bathing and purifying facilities for the Navajos in their land of scarce water.  As in virtually everything a Navajo does, there are prescribed rituals that must be followed in taking a sweat bath.  Four verses of the Sweat Bath Song must be sung before a Navajo can leave the sweat hogan, which the Navajo call the Son of the She Dark, to plunge into cold water or dry himself in the sand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eHe put it down. He put it down.\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cb\u003eFirst Man put down the sweat house.\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eOn the edge of the hole where they come up,\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eHe put down the Son of the She Dark.\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eHe built it of valuable soft materials.\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eEverlasting and peaceful, he put it there.\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eHe put it there.\"\u003c\/b\u003e\u003cbr\u003e\u003ci\u003e--- A Verse of the Navajo Sweat Bath Song \u003c\/i\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe bather then reenters the sweat hogan and sings four more verses of the song.  He repeats the ritual until the entire song has been sung.   -\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e Raymond Friday Locke\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eTraditional structured hogans are also considered pioneers of energy efficient homes. Using packed mud against the entire wood structure, the home was kept cool by natural air ventilation and water sprinkled on the dirt ground inside. During the winter, the fireplace kept the inside warm for a long period of time and well into the night.\u003c\/span\u003e\u003c\/p\u003e\n\u003cimg alt=\"The evolution of the Navajo Hogan\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/hgnsevol_large.jpg?v=1493941782\" style=\"float: left; margin-right: 10px;\"\u003e\u003cbr\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe evolution of the Navajo Hogan, Left to right. The very old hogan. A later style, a few of which are still in use. The hogan of today, with log walls and dirt roof. Many Navajos live in modern log and stone houses, similar to the one pictured above.  -- Southern Navajo Agency, 1933\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e----------------------\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cstrong\u003e\u003cimg alt=\"Navajo Lifestyle pictorial weavings\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/3212-600x637_f5f1e5da-29ea-4614-b0d4-c2329f248011_medium.jpg?v=1493944548\" style=\"margin-right: 10px; float: left;\"\u003eWeavings which depict hogans and everyday life give us a timeless image of this traditional culture. \u003cbr\u003e\u003cbr\u003eTa\u003c\/strong\u003e\u003cstrong\u003eke a look at some of the Pictorial weavings that we have available. Click \u003cspan style=\"text-decoration: underline;\"\u003ehere\u003c\/span\u003e. \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2026-05-11T13:29:02-07:00","created_at":"2026-05-11T13:23:04-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48229731991774,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hogans - Traditonal dwellings of the Navajo (Dine')","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/1920x935-WEB-NTD-hogans-MF-MV.jpg?v=1778531450"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/1920x935-WEB-NTD-hogans-MF-MV.jpg?v=1778531450","options":["Title"],"media":[{"alt":null,"id":38224156164318,"position":1,"preview_image":{"aspect_ratio":2.053,"height":935,"width":1920,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/1920x935-WEB-NTD-hogans-MF-MV.jpg?v=1778531450"},"aspect_ratio":2.053,"height":935,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/1920x935-WEB-NTD-hogans-MF-MV.jpg?v=1778531450","width":1920}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"Hogan Styles\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/hogns_medium.jpg?v=1493941643\" style=\"margin-right: 10px; float: left;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eA Hogan is the primary, traditional dwelling of the Navajo (Dine') people.  The ancient hogan, known as the \"forked stick hogan\" was a conical hut constructed of three forked poles covered with logs, brush and mud.  Called the \"male\" hogan by the Navajos, examples of this swelling can still occasionally be found in the western part of the reservation.  More common today is the \"female\" hogan, a circular or 6 sided dwelling constructed of logs or stone, with a doorway facing east and a smoke hole in the center of the roof.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg alt=\"The dome-shaped roof is formed of cribbed logs covered with dirt\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/loonav_73ca8fe9-641b-4a1e-9bd1-071a3e379197_large.jpg?v=1493941677\" style=\"float: none;\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe dome-shaped roof is formed of cribbed logs covered with dirt. The fire  is placed on the hard-packed floor beneath the smoke hole and a flap or hinged door covers the doorway.  Traditionally the hogan lacked windows and was ventilated by the smoke hole in the roof and the east-facing doorway.  Nowadays not only do the Hogans have windows but they may also contain stoves, chimneys, beds, and refrigerators and TVs,\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Modern style hogan\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/hgnmrn_large.JPG?v=1493944166\" style=\"float: none;\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Modern Navajo homes on the reservation\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/hgsntoy_large.jpg?v=1493944054\" style=\"float: none;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eToday white prototype houses and even mobile homes are common on the reservation, but families that live in such dwellings also construct a hogan nearby.  Many of the People have retained their native religion and Navajo ceremonies can be conducted only in a hogan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Most Navajo families own 2,3, or several hogans\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/hognsshd_large.jpg?v=1493941692\" style=\"float: none;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMost Navajo families own 2, 3, or several hogans and more than one permanent establishment if they own sheep.  A family that owns several hundred sheep and other livestock might have as many as 5 or 6 separate clusters of buildings scattered over a large area as the animals must be moved from place to place at various seasons of the year.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"Summer and Winter hogans\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/hogsn_simwin_large.jpg?v=1493942041\" style=\"float: none;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eVariations in the weather and the water supply may require that a family live in one place during the summer and another during the winter.  Usually though, each family has one location which is their main residence at which there are more or less permanent corrals, storage dugouts, several hogans and temporary shades or bush hogans for summer use.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Navajo hogan is more than just a place to eat and sleep and the concept of it as a \"home\" bears little resemblance to a white person's attitude toward his dwelling place.  The hogan is a gift of the gods and as such it occupies a place in the sacred world.  The first hogans were built by the Holy People of turquoise, white shell, jet, and abalone shell.  The round hogan is symbolic of the sun and its door faces east so that the first thing that a Navajo family sees in the morning is the rising sun, Father Sun, one of the most revered of the Navajo deities.  The construction of a new hogan is almost always a community affair.  Once completed, the new hogan is consecrated with a Blessing Way ceremony whereby the Holy People are asked to \"let this place be happy.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cimg alt=\"Navajo Sweat Hogan\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/hognsetr_medium.jpg?v=1493942613\" style=\"margin-right: 10px; float: left;\"\u003eAlso nearby, but out of sight, will be at least one sweat hogan.  The sweat hogan is small scale replica of the old-style forked stick hogan but without the smoke hole.  It is constructed of three sticks with forked ends which are fasten together in a tripod.  Two straight sticks are leaned against the apes from the east to make the sides of the door.  It is heated by placing hot rocks within, the door being closed with several blankets.  The sweat hogan provides excellent bathing and purifying facilities for the Navajos in their land of scarce water.  As in virtually everything a Navajo does, there are prescribed rituals that must be followed in taking a sweat bath.  Four verses of the Sweat Bath Song must be sung before a Navajo can leave the sweat hogan, which the Navajo call the Son of the She Dark, to plunge into cold water or dry himself in the sand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cb\u003eHe put it down. He put it down.\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cb\u003eFirst Man put down the sweat house.\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eOn the edge of the hole where they come up,\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eHe put down the Son of the She Dark.\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eHe built it of valuable soft materials.\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eEverlasting and peaceful, he put it there.\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eHe put it there.\"\u003c\/b\u003e\u003cbr\u003e\u003ci\u003e--- A Verse of the Navajo Sweat Bath Song \u003c\/i\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe bather then reenters the sweat hogan and sings four more verses of the song.  He repeats the ritual until the entire song has been sung.   -\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e Raymond Friday Locke\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eTraditional structured hogans are also considered pioneers of energy efficient homes. Using packed mud against the entire wood structure, the home was kept cool by natural air ventilation and water sprinkled on the dirt ground inside. During the winter, the fireplace kept the inside warm for a long period of time and well into the night.\u003c\/span\u003e\u003c\/p\u003e\n\u003cimg alt=\"The evolution of the Navajo Hogan\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/hgnsevol_large.jpg?v=1493941782\" style=\"float: left; margin-right: 10px;\"\u003e\u003cbr\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe evolution of the Navajo Hogan, Left to right. The very old hogan. A later style, a few of which are still in use. The hogan of today, with log walls and dirt roof. Many Navajos live in modern log and stone houses, similar to the one pictured above.  -- Southern Navajo Agency, 1933\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e----------------------\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cstrong\u003e\u003cimg alt=\"Navajo Lifestyle pictorial weavings\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/3212-600x637_f5f1e5da-29ea-4614-b0d4-c2329f248011_medium.jpg?v=1493944548\" style=\"margin-right: 10px; float: left;\"\u003eWeavings which depict hogans and everyday life give us a timeless image of this traditional culture. \u003cbr\u003e\u003cbr\u003eTa\u003c\/strong\u003e\u003cstrong\u003eke a look at some of the Pictorial weavings that we have available. Click \u003cspan style=\"text-decoration: underline;\"\u003ehere\u003c\/span\u003e. \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e"}

{"id":9211860680926,"title":"Symbols and Motifs in Navajo Weaving","handle":"symbols-and-motifs-in-navajo-weaving","description":"\u003cp style=\"float: left;\"\u003e\u003cimg alt=\"sand painting\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Navajos_sandpainting_grande.jpg?v=1483909166\" style=\"margin-right: 10px; float: left;\"\u003eThe Navajo people have a rich history of beautiful traditions that are proudly passed down from generation to generation; many of which can be seen in the gorgeous weavings and tapestries of the Navajo weavers.\u003cbr\u003e\u003cbr\u003eLike most storied cultures, the Navajo believe in powerful deities and forces that have guided them on their path through life; be it traveling by the sun’s rays, learning to live in harmony by Changing Woman, or building a framework for life by using the teachings of Spider Woman.\u003cbr\u003e\u003cbr\u003eAs such, there are a few very distinct designs, patterns, and motifs that can be found in both past and present weaving styles. Below are just a few of the more iconic and storied traditions used by weavers young and old.\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cstrong\u003e\u003cimg alt=\"Spider Woman\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/spider_Woman_medium.jpg?v=1483912261\" style=\"margin-right: 10px; float: left;\"\u003eSpider Woman\u003cbr\u003e\u003c\/strong\u003eBeing that Spider Woman taught the Navajo how to weave, it’s only fitting she dominates much of the early weaving work done by the Navajo people. That’s why many early blankets featured a cross representing Spider Woman and her teachings. Though methods on placement vary, it’s widely considered taboo to place this cross within a diamond, square or triangle pattern so as not to “trap” her in the work; thus, you’ll often find a hole (figuratively or legitimately) woven into the piece.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cstrong\u003e\u003cimg alt=\"navajo weaving symbol\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Screen_Shot_2017-01-08_at_1.57.14_PM_medium.png?v=1483912662\" style=\"margin-right: 10px; float: left;\"\u003eNavajo Homeland\u003cbr\u003e\u003c\/strong\u003eNavajo weavers, like anyone proud of their motherland, would often capture elements of the four sacred mountains of the Navajo homeland in their work. From wearing blankets to modern-day rugs, the use of diamonds and triangles have become cornerstones for representing the “Dinétah” and the beautiful land they call home.\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cstrong\u003e\u003cimg alt=\"spirit line\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Screen_Shot_2017-01-08_at_2.00.29_PM_medium.png?v=1483912921\" style=\"margin-right: 10px; float: left;\"\u003eSpirit Line\u003cbr\u003e\u003c\/strong\u003eAt the turn of the 20\u003csup\u003eth\u003c\/sup\u003e century, weavers began to popularize what we now know as the “spirit line.” This developed because traders of the era wanted borders around these weavings and the Navajo weavers were worried this style would trap their creativity and limit the future work. The spirit line then became a thin contrasting line that ran from the inner weaving to the outer edge to ensure that the creative spirit could still be found. \u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cstrong\u003e\u003cimg alt=\"Whirling Logs\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Screen_Shot_2017-01-08_at_2.03.55_PM_medium.png?v=1483913065\" style=\"margin-right: 10px; float: left;\"\u003eWhirling Logs\u003cbr\u003e\u003c\/strong\u003eOne of the most iconic (and controversial) design elements up until the 1930's was the whirling logs design. Often mistaken for the Nazi “swastika”, the logs were originally chosen as a symbol of good luck and represented all things good to the Navajo. As you can imagine, this style didn’t prevail through WWII.\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cimg alt=\"Eye Dazzler\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Screen_Shot_2017-01-08_at_2.06.25_PM_medium.png?v=1483913219\" style=\"margin-right: 10px; float: left;\"\u003e\u003cstrong\u003eLightning\u003cbr\u003e\u003c\/strong\u003eA powerful elemental force symbolizing much among the Navajo people, lightning embodies strength and power for the weaver, the culture, and even the weaving itself. These “zigzag” weaving styles are most often found in the Eye Dazzler and Germantown designs, creating gorgeous designs that give each rug or blanket its own fantastic energy.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOther Notable Inspirations\u003cbr\u003e\u003c\/strong\u003eLike many early civilizations, the Navajo weavers were inspired by their unforgettable pasts. Weavers would often find inspiration in pictographs, prehistoric pottery, petroglyphs, and even the natural color palettes around them.\u003c\/p\u003e","published_at":"2026-05-11T13:37:42-07:00","created_at":"2026-05-11T13:35:50-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48229811028190,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Symbols and Motifs in Navajo Weaving","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/Churro_679_cf17efe6-ebf9-41b0-a461-1a26488301e7.jpg?v=1778531834"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/Churro_679_cf17efe6-ebf9-41b0-a461-1a26488301e7.jpg?v=1778531834","options":["Title"],"media":[{"alt":null,"id":38224199024862,"position":1,"preview_image":{"aspect_ratio":1.396,"height":666,"width":930,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/Churro_679_cf17efe6-ebf9-41b0-a461-1a26488301e7.jpg?v=1778531834"},"aspect_ratio":1.396,"height":666,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/Churro_679_cf17efe6-ebf9-41b0-a461-1a26488301e7.jpg?v=1778531834","width":930}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp style=\"float: left;\"\u003e\u003cimg alt=\"sand painting\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Navajos_sandpainting_grande.jpg?v=1483909166\" style=\"margin-right: 10px; float: left;\"\u003eThe Navajo people have a rich history of beautiful traditions that are proudly passed down from generation to generation; many of which can be seen in the gorgeous weavings and tapestries of the Navajo weavers.\u003cbr\u003e\u003cbr\u003eLike most storied cultures, the Navajo believe in powerful deities and forces that have guided them on their path through life; be it traveling by the sun’s rays, learning to live in harmony by Changing Woman, or building a framework for life by using the teachings of Spider Woman.\u003cbr\u003e\u003cbr\u003eAs such, there are a few very distinct designs, patterns, and motifs that can be found in both past and present weaving styles. Below are just a few of the more iconic and storied traditions used by weavers young and old.\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cstrong\u003e\u003cimg alt=\"Spider Woman\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/spider_Woman_medium.jpg?v=1483912261\" style=\"margin-right: 10px; float: left;\"\u003eSpider Woman\u003cbr\u003e\u003c\/strong\u003eBeing that Spider Woman taught the Navajo how to weave, it’s only fitting she dominates much of the early weaving work done by the Navajo people. That’s why many early blankets featured a cross representing Spider Woman and her teachings. Though methods on placement vary, it’s widely considered taboo to place this cross within a diamond, square or triangle pattern so as not to “trap” her in the work; thus, you’ll often find a hole (figuratively or legitimately) woven into the piece.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cstrong\u003e\u003cimg alt=\"navajo weaving symbol\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Screen_Shot_2017-01-08_at_1.57.14_PM_medium.png?v=1483912662\" style=\"margin-right: 10px; float: left;\"\u003eNavajo Homeland\u003cbr\u003e\u003c\/strong\u003eNavajo weavers, like anyone proud of their motherland, would often capture elements of the four sacred mountains of the Navajo homeland in their work. From wearing blankets to modern-day rugs, the use of diamonds and triangles have become cornerstones for representing the “Dinétah” and the beautiful land they call home.\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cstrong\u003e\u003cimg alt=\"spirit line\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Screen_Shot_2017-01-08_at_2.00.29_PM_medium.png?v=1483912921\" style=\"margin-right: 10px; float: left;\"\u003eSpirit Line\u003cbr\u003e\u003c\/strong\u003eAt the turn of the 20\u003csup\u003eth\u003c\/sup\u003e century, weavers began to popularize what we now know as the “spirit line.” This developed because traders of the era wanted borders around these weavings and the Navajo weavers were worried this style would trap their creativity and limit the future work. The spirit line then became a thin contrasting line that ran from the inner weaving to the outer edge to ensure that the creative spirit could still be found. \u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cstrong\u003e\u003cimg alt=\"Whirling Logs\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Screen_Shot_2017-01-08_at_2.03.55_PM_medium.png?v=1483913065\" style=\"margin-right: 10px; float: left;\"\u003eWhirling Logs\u003cbr\u003e\u003c\/strong\u003eOne of the most iconic (and controversial) design elements up until the 1930's was the whirling logs design. Often mistaken for the Nazi “swastika”, the logs were originally chosen as a symbol of good luck and represented all things good to the Navajo. As you can imagine, this style didn’t prevail through WWII.\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cimg alt=\"Eye Dazzler\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Screen_Shot_2017-01-08_at_2.06.25_PM_medium.png?v=1483913219\" style=\"margin-right: 10px; float: left;\"\u003e\u003cstrong\u003eLightning\u003cbr\u003e\u003c\/strong\u003eA powerful elemental force symbolizing much among the Navajo people, lightning embodies strength and power for the weaver, the culture, and even the weaving itself. These “zigzag” weaving styles are most often found in the Eye Dazzler and Germantown designs, creating gorgeous designs that give each rug or blanket its own fantastic energy.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOther Notable Inspirations\u003cbr\u003e\u003c\/strong\u003eLike many early civilizations, the Navajo weavers were inspired by their unforgettable pasts. Weavers would often find inspiration in pictographs, prehistoric pottery, petroglyphs, and even the natural color palettes around them.\u003c\/p\u003e"}

{"id":9211866153182,"title":"Weaving a Navajo Rug - Beginning to End","handle":"weaving-a-navajo-rug-beginning-to-end","description":"\u003cp\u003eElsie Bia preparing her loom for her next weaving - 2019.  Times have changed - but over all Navajo weaving has remained the same.  We don't know yet what style she will weave - but sure it will be fabulous!  Go Elsie!\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003eNavajo weaving never ceases to amaze us - \u003c\/strong\u003e\u003cstrong\u003eeven after all these years!!!\u003c\/strong\u003e \u003c\/h2\u003e\n\u003cp\u003eWe often think about the early weavers and how incredible it is that they created magnificent art under the harshest of conditions with the simplest of materials. Tree limbs for looms,  their sheep for the wool, hand carved tools to spin and weave and natural elements such as flowers and trees to dye the wool.  Organic from beginning to end.   \u003c\/p\u003e\n\u003cp\u003eMany clients ask if weavers follow a pattern - and if not how in the world do they create such beautifully complex designs that are a perfect mirror image?  Our answer is simple:  \u003ca href=\"https:\/\/os4372rujhbmybdv-12079128.shopifypreview.com\/blogs\/news\/spider-rock-center-of-the-navajo-nation\"\u003eSpider Woman\u003c\/a\u003e.  \u003cspan\u003eShe taught the Navajo how to weave, how to create beauty in their own life and to spread the \"Beauty Way\" teaching of balance within the mind, body \u0026amp; soul.  The gift of Spider Woman lives in every Navajo weaver.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHow do weavers come up with their designs?  Some weavers we work with tell us they were inspired by a photo,  others say the design lives in their mind and a few say the designs come to them in their dreams.  \u003c\/p\u003e\n\u003cp\u003eFor the last several years Elsie Bia has come to Nizhoni Ranch for special events and to weave live in person for our clients and visitors. To see Navajo weaving in person is extremely rare.  We are appreciate that Elsie shares her gift with us. \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/loom-2_large.jpg?v=1496702095\" style=\"float: none;\"\u003e\u003cbr\u003eElsie preparing her loom for the opening of the Nizhoni Ranch Woven Holy People Exhibit 2016\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/Elsie-Bia-Navajo-Weavver-600x473_large.jpg?v=1496702088\" style=\"float: none;\"\u003e\u003cbr\u003eLive weaving at Nizhoni Ranch Gallery\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/Elsie-Loomn-600x380_large.jpg?v=1496702081\" style=\"float: none;\"\u003e\u003cbr\u003eElsie's weaving close to completion\u003c\/p\u003e\n\u003cp\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/Elsie-Bia-Yei-2_grande.jpg?v=1496702077\"\u003e\u003cbr\u003eElsie's final product - Hero Twin Yei, with \u003ca href=\"https:\/\/hd4kpvpkbeizb0kc-12079128.shopifypreview.com\/blogs\/news\/spider-rock-center-of-the-navajo-nation\"\u003eSpider Rock, home of Spider Woman\u003c\/a\u003e in the background. (Sorry - this one has gone to a new home)\u003c\/p\u003e\n\u003cp\u003e \u003ca href=\"https:\/\/www.navajorug.com\/collections\/elsie-bia\"\u003eClick here\u003c\/a\u003e to view available weavings by Elsie Bia!\u003c\/p\u003e","published_at":"2026-05-11T13:45:43-07:00","created_at":"2026-05-11T13:40:28-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48229841633502,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Weaving a Navajo Rug - Beginning to End","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/elsieloom.jpg?v=1778532315"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/elsieloom.jpg?v=1778532315","options":["Title"],"media":[{"alt":null,"id":38224251093214,"position":1,"preview_image":{"aspect_ratio":1.63,"height":181,"width":295,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/elsieloom.jpg?v=1778532315"},"aspect_ratio":1.63,"height":181,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/elsieloom.jpg?v=1778532315","width":295}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eElsie Bia preparing her loom for her next weaving - 2019.  Times have changed - but over all Navajo weaving has remained the same.  We don't know yet what style she will weave - but sure it will be fabulous!  Go Elsie!\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003eNavajo weaving never ceases to amaze us - \u003c\/strong\u003e\u003cstrong\u003eeven after all these years!!!\u003c\/strong\u003e \u003c\/h2\u003e\n\u003cp\u003eWe often think about the early weavers and how incredible it is that they created magnificent art under the harshest of conditions with the simplest of materials. Tree limbs for looms,  their sheep for the wool, hand carved tools to spin and weave and natural elements such as flowers and trees to dye the wool.  Organic from beginning to end.   \u003c\/p\u003e\n\u003cp\u003eMany clients ask if weavers follow a pattern - and if not how in the world do they create such beautifully complex designs that are a perfect mirror image?  Our answer is simple:  \u003ca href=\"https:\/\/os4372rujhbmybdv-12079128.shopifypreview.com\/blogs\/news\/spider-rock-center-of-the-navajo-nation\"\u003eSpider Woman\u003c\/a\u003e.  \u003cspan\u003eShe taught the Navajo how to weave, how to create beauty in their own life and to spread the \"Beauty Way\" teaching of balance within the mind, body \u0026amp; soul.  The gift of Spider Woman lives in every Navajo weaver.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHow do weavers come up with their designs?  Some weavers we work with tell us they were inspired by a photo,  others say the design lives in their mind and a few say the designs come to them in their dreams.  \u003c\/p\u003e\n\u003cp\u003eFor the last several years Elsie Bia has come to Nizhoni Ranch for special events and to weave live in person for our clients and visitors. To see Navajo weaving in person is extremely rare.  We are appreciate that Elsie shares her gift with us. \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/loom-2_large.jpg?v=1496702095\" style=\"float: none;\"\u003e\u003cbr\u003eElsie preparing her loom for the opening of the Nizhoni Ranch Woven Holy People Exhibit 2016\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/Elsie-Bia-Navajo-Weavver-600x473_large.jpg?v=1496702088\" style=\"float: none;\"\u003e\u003cbr\u003eLive weaving at Nizhoni Ranch Gallery\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/Elsie-Loomn-600x380_large.jpg?v=1496702081\" style=\"float: none;\"\u003e\u003cbr\u003eElsie's weaving close to completion\u003c\/p\u003e\n\u003cp\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/Elsie-Bia-Yei-2_grande.jpg?v=1496702077\"\u003e\u003cbr\u003eElsie's final product - Hero Twin Yei, with \u003ca href=\"https:\/\/hd4kpvpkbeizb0kc-12079128.shopifypreview.com\/blogs\/news\/spider-rock-center-of-the-navajo-nation\"\u003eSpider Rock, home of Spider Woman\u003c\/a\u003e in the background. (Sorry - this one has gone to a new home)\u003c\/p\u003e\n\u003cp\u003e \u003ca href=\"https:\/\/www.navajorug.com\/collections\/elsie-bia\"\u003eClick here\u003c\/a\u003e to view available weavings by Elsie Bia!\u003c\/p\u003e"}

{"id":9211872870622,"title":"An Organic Experience","handle":"an-organic-experience","description":"\u003ch5 style=\"text-align: center;\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eExcerpt from \u003ca href=\"https:\/\/www.navajorug.com\/collections\/books\/products\/book-the-fine-art-of-navajo-weaving\" title=\"Fine Art of Navajo Weaving 1984\"\u003eThe Fine Art of Navajo Weaving\u003c\/a\u003e, text by Steve Getzwiller, photos by Ray Manley\u003c\/strong\u003e\n\u003c\/h5\u003e\n\u003cdiv style=\"text-align: center;\"\u003eThe textile shown here represents a significant achievement in contemporary Navajo weaving.  It is a combination of the talents of six of the most talented vegetal dye artist of the Wide Ruins area, and the weaving and design abilities of two of the finest weavers of the Ganado region.  \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eThere are twenty-five subtly blended vegetal dye colors involved in the weaving.   They represent some of the more desirable hues which the following six ladies are most noted for: Ellen Smith,  Nellie Roan,  Marie Begay,  Betty B. Roan,  Annie Tsosie and Mary Jane Barker. This dye information is generally shared only with family members and no one else, which, by the way, is another reason for much of the experimentation.  Some colors are considered by some weavers to be family hallmarks.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eOver a period of several years,  Steve established the confidence necessary to commission the preparation of the wool used in this rug. The actual preparation time required approximately six months.  These ladies would never consider doing this for someone they did not know well and trust.  \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eSteve commissioned Sadie Curtis to do the weaving of this piece because of her outstanding design and technical ability.  Together with her aunt, Alice Balone, and in approximately six months of weaving time, they completed this masterpiece.  It is exceptionally large, 6\" x 9\", and is finely woven for a rug of this type, for most pieces do not exceed 3' x 5', or 4' x 6'.\u003c\/div\u003e\n\u003ch6\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Rug_3_f6aa3d94-b818-4d32-be15-8bd060abed97_large.jpg?v=1526074508\" alt=\"Burntwater Navajo Rug Nizhoni Ranch Gallery\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/h6\u003e\n\u003ch6\u003eThis incredible piece of art is featured at the \u003ca href=\"https:\/\/westernmuseum.org\/exhibition\/one-traders-legacy-steve-getzwiller-collects-the-west\/\" title=\"Desert Caballeros Western Museum Exhibit\"\u003eDesert Caballeros Western Museum\u003c\/a\u003e as part of the exhibit, \"\u003ca href=\"https:\/\/westernmuseum.org\/exhibition\/one-traders-legacy-steve-getzwiller-collects-the-west\/\" title=\"Desert Caballeros Exhibit One Trader's Legacy, Steve Getzwiller Collect the West\"\u003eOne Traders Legacy, Steve Getzwiller Collects the West\"\u003c\/a\u003e\n\u003c\/h6\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cp\u003e Weavers are still weaving gorgeous Burntwater rugs today.  Some still go to the extra mile and make their own dyes using n\u003cspan\u003eative reservation plants and other natural materials.  Using vegetal dyes, also known as natural \u003c\/span\u003edyes,\u003cspan\u003e plays a major role in the quality and value of Burntwater rugs.  In fact, weaving a rug with hand dyed natural wool can double the amount of time it takes to complete a weaving.  Therefore, weavings made with natural dyes are of much higher value.  Important to note, when purchasing a Burntwater rug,  be sure to identify if the weaver used vegetal dyes versus analine (commercial) dyes as it greatly impacts the value of the weaving.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eElvie Van Winkle, one of our contemporary weavers, is known for her very tight Navajo weavings, but this weaving was a whole new adventure for her.  As she wove this rug, she also hand dyed the wool with natural dyes to create the most incredible colors and color combinations.  She learned this regional style and family secret dye colors from\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eLillian Joe, her mom, who continues to weave today.  \u003c\/span\u003e\u003cspan\u003eLillian is well known for weaving with fine wool, and usually produces small weavings.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e This weaving is 3' x 4' and showcases Elvie's incredible talent.  It is everything that a Burntwater should be, colorful, balanced and intricate!  Elvie told us she used \u003cstrong\u003e60 different wool colors and except for just a few were all hand dyed with vegatal dyes!!!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eElvie won \u003cstrong\u003e1st Place and Best of Category at the 2018 Gallup Inter-Tribal Ceremonial in August for this incredible weaving.  Sorry, it's no longer available!  \u003cbr\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/burntwater-navajo-weaving-elvie-vanwinkle-3352-006_grande_7af09bd9-8bdd-40fb-b31b-f998dd06bb3a_large.jpg?v=1555097690\" alt=\"Burntwater Navajo Weaving : Elvie Van Winkle : 3352\"\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBelow is Elvie's latest work of art.  She is so talented!  Not sure if this one will last until August..so that we can enter it into the 2019 Gallup Inter-tribal Indian Ceremonial.  No ribbon or not this is truly spectacular weaving!\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/burntwater-navajo-weaving-elvie-van-winkle-3373\" title=\"BURNTWATER NAVAJO WEAVING : ELVIE VAN WINKLE : 3373\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/3373_Burntwater_Main_B_1024x1024_cc3bb80c-9b93-4792-990c-9d1a51637a8e_large.jpg?v=1555097425\" alt=\"BURNTWATER NAVAJO WEAVING : ELVIE VAN WINKLE : 3373\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch1 class=\"product_name\" itemprop=\"name\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/burntwater-navajo-weaving-elvie-van-winkle-3373\" title=\"BURNTWATER NAVAJO WEAVING : ELVIE VAN WINKLE : 3373\"\u003eBURNTWATER NAVAJO WEAVING : ELVIE VAN WINKLE : 3373\u003c\/a\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/burntwater-navajo-weaving-elvie-van-winkle-3373\" title=\"BURNTWATER NAVAJO WEAVING : ELVIE VAN WINKLE : 3373\"\u003e \u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003ca href=\"https:\/\/www.navajorug.com\/collections\/burntwater\/products\/burntwater-navajo-weaving-elvie-van-winkle-looming\" title=\"Elvie Vanwinkle navajo rug nizhoni ranch\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/burntwater-navajo-weaving-on-the-loom_1024x1024_Elvie_Vanwinkle_large.jpg?v=1539812944\" alt=\"burntwater-navajo-weaving-on-the-loom_1024x1024 Elvie Vanwinkle\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eAs always, we'd love to talk about our weavings!  Give us a call!  520-455-5020\u003c\/p\u003e","published_at":"2026-05-11T13:50:20-07:00","created_at":"2026-05-11T13:47:27-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48229878268126,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"An Organic Experience","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/dyeartists1.jpg?v=1778532526"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/dyeartists1.jpg?v=1778532526","options":["Title"],"media":[{"alt":null,"id":38224268624094,"position":1,"preview_image":{"aspect_ratio":1.379,"height":214,"width":295,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/dyeartists1.jpg?v=1778532526"},"aspect_ratio":1.379,"height":214,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/dyeartists1.jpg?v=1778532526","width":295}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch5 style=\"text-align: center;\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eExcerpt from \u003ca href=\"https:\/\/www.navajorug.com\/collections\/books\/products\/book-the-fine-art-of-navajo-weaving\" title=\"Fine Art of Navajo Weaving 1984\"\u003eThe Fine Art of Navajo Weaving\u003c\/a\u003e, text by Steve Getzwiller, photos by Ray Manley\u003c\/strong\u003e\n\u003c\/h5\u003e\n\u003cdiv style=\"text-align: center;\"\u003eThe textile shown here represents a significant achievement in contemporary Navajo weaving.  It is a combination of the talents of six of the most talented vegetal dye artist of the Wide Ruins area, and the weaving and design abilities of two of the finest weavers of the Ganado region.  \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eThere are twenty-five subtly blended vegetal dye colors involved in the weaving.   They represent some of the more desirable hues which the following six ladies are most noted for: Ellen Smith,  Nellie Roan,  Marie Begay,  Betty B. Roan,  Annie Tsosie and Mary Jane Barker. This dye information is generally shared only with family members and no one else, which, by the way, is another reason for much of the experimentation.  Some colors are considered by some weavers to be family hallmarks.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eOver a period of several years,  Steve established the confidence necessary to commission the preparation of the wool used in this rug. The actual preparation time required approximately six months.  These ladies would never consider doing this for someone they did not know well and trust.  \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eSteve commissioned Sadie Curtis to do the weaving of this piece because of her outstanding design and technical ability.  Together with her aunt, Alice Balone, and in approximately six months of weaving time, they completed this masterpiece.  It is exceptionally large, 6\" x 9\", and is finely woven for a rug of this type, for most pieces do not exceed 3' x 5', or 4' x 6'.\u003c\/div\u003e\n\u003ch6\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Rug_3_f6aa3d94-b818-4d32-be15-8bd060abed97_large.jpg?v=1526074508\" alt=\"Burntwater Navajo Rug Nizhoni Ranch Gallery\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/h6\u003e\n\u003ch6\u003eThis incredible piece of art is featured at the \u003ca href=\"https:\/\/westernmuseum.org\/exhibition\/one-traders-legacy-steve-getzwiller-collects-the-west\/\" title=\"Desert Caballeros Western Museum Exhibit\"\u003eDesert Caballeros Western Museum\u003c\/a\u003e as part of the exhibit, \"\u003ca href=\"https:\/\/westernmuseum.org\/exhibition\/one-traders-legacy-steve-getzwiller-collects-the-west\/\" title=\"Desert Caballeros Exhibit One Trader's Legacy, Steve Getzwiller Collect the West\"\u003eOne Traders Legacy, Steve Getzwiller Collects the West\"\u003c\/a\u003e\n\u003c\/h6\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cp\u003e Weavers are still weaving gorgeous Burntwater rugs today.  Some still go to the extra mile and make their own dyes using n\u003cspan\u003eative reservation plants and other natural materials.  Using vegetal dyes, also known as natural \u003c\/span\u003edyes,\u003cspan\u003e plays a major role in the quality and value of Burntwater rugs.  In fact, weaving a rug with hand dyed natural wool can double the amount of time it takes to complete a weaving.  Therefore, weavings made with natural dyes are of much higher value.  Important to note, when purchasing a Burntwater rug,  be sure to identify if the weaver used vegetal dyes versus analine (commercial) dyes as it greatly impacts the value of the weaving.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eElvie Van Winkle, one of our contemporary weavers, is known for her very tight Navajo weavings, but this weaving was a whole new adventure for her.  As she wove this rug, she also hand dyed the wool with natural dyes to create the most incredible colors and color combinations.  She learned this regional style and family secret dye colors from\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eLillian Joe, her mom, who continues to weave today.  \u003c\/span\u003e\u003cspan\u003eLillian is well known for weaving with fine wool, and usually produces small weavings.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e This weaving is 3' x 4' and showcases Elvie's incredible talent.  It is everything that a Burntwater should be, colorful, balanced and intricate!  Elvie told us she used \u003cstrong\u003e60 different wool colors and except for just a few were all hand dyed with vegatal dyes!!!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eElvie won \u003cstrong\u003e1st Place and Best of Category at the 2018 Gallup Inter-Tribal Ceremonial in August for this incredible weaving.  Sorry, it's no longer available!  \u003cbr\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/burntwater-navajo-weaving-elvie-vanwinkle-3352-006_grande_7af09bd9-8bdd-40fb-b31b-f998dd06bb3a_large.jpg?v=1555097690\" alt=\"Burntwater Navajo Weaving : Elvie Van Winkle : 3352\"\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBelow is Elvie's latest work of art.  She is so talented!  Not sure if this one will last until August..so that we can enter it into the 2019 Gallup Inter-tribal Indian Ceremonial.  No ribbon or not this is truly spectacular weaving!\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/burntwater-navajo-weaving-elvie-van-winkle-3373\" title=\"BURNTWATER NAVAJO WEAVING : ELVIE VAN WINKLE : 3373\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/3373_Burntwater_Main_B_1024x1024_cc3bb80c-9b93-4792-990c-9d1a51637a8e_large.jpg?v=1555097425\" alt=\"BURNTWATER NAVAJO WEAVING : ELVIE VAN WINKLE : 3373\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch1 class=\"product_name\" itemprop=\"name\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/burntwater-navajo-weaving-elvie-van-winkle-3373\" title=\"BURNTWATER NAVAJO WEAVING : ELVIE VAN WINKLE : 3373\"\u003eBURNTWATER NAVAJO WEAVING : ELVIE VAN WINKLE : 3373\u003c\/a\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/burntwater-navajo-weaving-elvie-van-winkle-3373\" title=\"BURNTWATER NAVAJO WEAVING : ELVIE VAN WINKLE : 3373\"\u003e \u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003ca href=\"https:\/\/www.navajorug.com\/collections\/burntwater\/products\/burntwater-navajo-weaving-elvie-van-winkle-looming\" title=\"Elvie Vanwinkle navajo rug nizhoni ranch\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/burntwater-navajo-weaving-on-the-loom_1024x1024_Elvie_Vanwinkle_large.jpg?v=1539812944\" alt=\"burntwater-navajo-weaving-on-the-loom_1024x1024 Elvie Vanwinkle\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eAs always, we'd love to talk about our weavings!  Give us a call!  520-455-5020\u003c\/p\u003e"}

{"id":9211876933854,"title":"Natural Dyes - Old Traditions Dye Hard, for that we thank you!","handle":"natural-dyes-old-traditions-dye-hard-for-that-we-thank-you","description":"\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan style=\"font-size: 11.5pt; font-family: 'Helvetica',sans-serif; color: black;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"text-decoration: underline; font-size: 11.5pt;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: Helvetica, sans-serif; color: black; text-decoration: underline;\"\u003eNatural Beauties\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 11.5pt; font-family: 'Helvetica',sans-serif; color: black;\"\u003eNavajo's use of natural dyes has a long history.  Some scholars believe Navajo weavers began using natural materials to dye their wool as far back as the 1700s.  We agree!\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eLet's start with Indigo blue. \u003cstrong\u003e Indigo dye\u003c\/strong\u003e is made from \u003cem\u003eIndigofera Tinctoria\u003c\/em\u003e plant that grows in Mexico, Central and South America.  Mexico grew and processed the Indigo plants into a dye powder.  \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Indigofera_tinctoria1_large.jpg?v=1541096796\" alt=\"Indigofera tinctoria\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003cspan\u003e \u003cem\u003eIndigofera Tinctoria\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eThe dye became a popular export from Mexico. The Old Spanish Trail  - sometimes referred to as the Indigo Trail - begins in what is now Mexico City and goes all the way to Taos, New Mexico.  In the 1700s Mexican traders worked all the way up and down the trail,  bringing Indigo to the Navajo weavers.   Natural Indigo is still use today!  \u003cbr\u003e\u003cspan class=\"irc_ho\" dir=\"ltr\"\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"irc_ho\" dir=\"ltr\"\u003e\u003c\/span\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/il_570xN.1493493050_ibbs_large.jpg?v=1541191152\" alt=\"Cochineal wool\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan class=\"irc_ho\" dir=\"ltr\"\u003eIndigo Blue,  (Photo Credit: Isabella Whitworth)\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eOn to \u003cstrong\u003eCochineal dye\u003c\/strong\u003e.  Cochineal dye has and interesting history.  It starts with a tiny insect named Cochineal and the Prickly Pear Cactus.  The insect lives on the pads of the cactus.  The insects are brushed from the cactus, sun dried and ground into a dye powder.  The dye creates beautiful deep scarlet, red and purple hues.  During the Aztec Empire,  C\u003cspan\u003eochineal became Mexico's second-most valued export, second only to silver.  \u003c\/span\u003eWhen the Spanish arrived in 1519 they were impressed and intrigued with the Aztec's use brightly colored clothes.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Opuntia-Engelmannii-with-Cochineal_large.jpg?v=1541107242\" alt=\"Prickly Pear Cactus invested with cochineal\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003cem\u003ePrickly Pear Cactus infested with Cochineal,  \u003cbr\u003e(Photo credit: Tucson Cactus and Succulent Society)\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eIn Europe at that time purple and scarlet red fabric was so\u003cspan\u003e outrageously expensive that only rulers could afford it. The dye initially used to make \u003c\/span\u003epurple,\u003cspan\u003e came from the Phoenician trading city of Tyre, which is now in modern-day Lebanon. Fabric traders obtained the dye from a small mollusk that was only found in the Tyre region of the Mediterranean Sea. \u003c\/span\u003e\u003cspan\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003eAfter the Spanish conquered the Aztec Empire,  they began to export Cochineal dye to Europe.  The dye was consumed throughout Europe and was so highly prized, at one point is was more valuable than gold.  Fun Fact:  because purple was so closely linked to power, wealth and royalty, Queen Elizabeth the first forbade anyone except close members of the royal family to wear purple. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003eDue to Cochineal's value, very little made it's way up the Spanish Trail.  Because of that weavings with Cochineal dyed wool is very rare.  Most weavings with red made in the 1800s is made with Cochineal dyed Spanish Bayetta.  Bayetta cloth was made in England for the Spanish traders.  The cloth made its way back to the US where it was distributed to the Navajo.  The weavers liked the red so much they would painstakingly unravel the cloth and incorporate it into their weavings.  Today our weavers use Churro wool dyed with Cochineal,  which creates absolutely beautiful weavings.  \u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/22eea68ce8418d3cfce8648072073db0_large.jpg?v=1541191142\" alt=\"Cochineal dyes wool\"\u003e\u003cbr\u003e\u003cem\u003eCochineal dyed wool\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eYou may be surprised to know Cochineal is used for more than just fabric dye.  \u003cstrong\u003eGet ready\u003c\/strong\u003e,  \u003cspan\u003eCochineal, also known as carmine, or Natural Red 4 is used i\u003c\/span\u003e\u003cspan\u003en the food industry, \u003c\/span\u003e\u003cspan\u003ecosmetic industry and even in pharmaceuticals.  Yikes!  So, if insects in your food is just not your thing,  read the label!\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003eA bit of dark, however important, history which backs up our belief that early Navajo weavers used natural dyes in the 1700s . \u003c\/strong\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Massacre_Cave_large.jpg?v=1541108210\" alt=\"Massacre Cave Canyon del Muerto\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e\u003cspan style=\"font-size: 11.5pt; font-family: 'Helvetica',sans-serif; color: black;\"\u003eMassacre Cave, Canyon Del Muerto, Cayon De Chelly\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eIn the late 1700s the Navajo were at war with neighboring tribes and the Spanish Colonist in the Rio Grand Valley.  Spain dispatched a punitive expedition to the Navajo stronghold of Canyon De Chelly.  This punitive expedition was sent to punish the Navajo in the worst way.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eWhen the Navajo heard the Spanish expedition was on the way, most fled the canyon.  Yet a group stayed behind.  The women, children and the elderly in the group were hidden in a cave high above the canyon floor.  The men waited in the canyon for the expedition to pass.  The story is one of the women in the cave, thinking they were safe from harm,  yelled at the Spanish expedition as they rode by, blowing their cover in the cave.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eThe Spanish opened fire on the cave killing many inside.  The survivors didn't last long as the Spanish troops found their way into the cave killing the remaining Navajo.  Spanish documents report that over 115 Navajo were killed that day - the women, children and elderly in the group.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eSuperstitions kept the cave untouched for 100 years until a trader by the name of  Sam Day explored the cave.  He found one complete blanket and fragments of clothing and blankets inside the cave along with skeletons of the inhabitants.  Marks of the bullets left on the cave ceiling can still be seen today.  Since that time the cave has been known as Massacre Cave.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eDay retrieved the blankets and sold them to museums around the U.S.  Those blankets are believed to the oldest Navajo blankets in existence.  Below is one of the blankets, which has wool dyed with Cochineal!  \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e  \u003cstrong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/navajo-blankets-and-rugs-one-of-the-oldest-surviving-navajo-blankets-which-is-retrieved-from-canyon-de-chelly-also-called-massacre-cave-dated-around-1804-image-via-art-quill_large.jpg?v=1541008661\" alt=\"massacre cave blanket\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cem\u003eOne of the oldest surviving Navajo blankets (circa 1800) from Massacre Cave in Canyon DeChelly,  (Photo credit:  Art Quil)\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eBelow are a few weavings available with natural dyed Indigo and Cochineal.  \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/historic-navajo-baby-blanket-classic-period-ght-2300\" title=\"Navajo Baby Blanket Classic period Indigo Cochineal GHT 2300\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/historic-navajo-baby-blanket-ght-2300_grande_57946b8a-591e-47ff-ab62-c36d979e8be4_large.jpg?v=1541094790\" alt=\"HISTORIC NAVAJO BABY BLANKET: CLASSIC PERIOD\"\u003e\u003cbr\u003eHistoric Navajo Baby Blanket, GHT 2300\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eThis small Navajo weaving is extremely special, circa 1865.  Woven for a baby in the classic period. It is finely woven with white and Indigo dyed home spun wool,   2 shades of red Cochineal Bayatta and light peach Cochineal Bayetta.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/phase-chief-blanket-judy-marianito-churro-1569\" title=\"first phase chief blanket woven by Judy Marianito Churro 1569\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/1st-phase-navajo-chief-blanket-for-sale-churro-1569-001_1024x1024_551b41bc-97d0-42d1-b7ed-8e56b43a1846_large.jpg?v=1541106120\" alt=\"Chief Navajo Blanket\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/phase-chief-blanket-judy-marianito-churro-1569\" title=\"first phase chief blanket woven by Judy Marianito\"\u003e1st Phase Chief Blanket\u003c\/a\u003e\u003cbr\u003eNavajo 1st Phase Chief Blanket Variant by weaver Judy Marianito.  It is woven like a classic Chief Blanket,  it has the handle of a true blanket weave. Narrow Cochineal red and Indigo blue stripes are highlighted with a thick black band.  The ivory banding adds to the over all effect.  Truly special.  \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eQuestions, comments?  We would love to talk with you!  Give us a call at the gallery 520-455-5020.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2026-05-11T13:53:51-07:00","created_at":"2026-05-11T13:51:24-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48229903171806,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Natural Dyes - Old Traditions Dye Hard, for that we thank you!","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/natrualdyes.jpg?v=1778532818"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/natrualdyes.jpg?v=1778532818","options":["Title"],"media":[{"alt":null,"id":38224298213598,"position":1,"preview_image":{"aspect_ratio":1.152,"height":250,"width":288,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/natrualdyes.jpg?v=1778532818"},"aspect_ratio":1.152,"height":250,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/natrualdyes.jpg?v=1778532818","width":288}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan style=\"font-size: 11.5pt; font-family: 'Helvetica',sans-serif; color: black;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"text-decoration: underline; font-size: 11.5pt;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-family: Helvetica, sans-serif; color: black; text-decoration: underline;\"\u003eNatural Beauties\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan style=\"font-size: 11.5pt; font-family: 'Helvetica',sans-serif; color: black;\"\u003eNavajo's use of natural dyes has a long history.  Some scholars believe Navajo weavers began using natural materials to dye their wool as far back as the 1700s.  We agree!\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eLet's start with Indigo blue. \u003cstrong\u003e Indigo dye\u003c\/strong\u003e is made from \u003cem\u003eIndigofera Tinctoria\u003c\/em\u003e plant that grows in Mexico, Central and South America.  Mexico grew and processed the Indigo plants into a dye powder.  \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Indigofera_tinctoria1_large.jpg?v=1541096796\" alt=\"Indigofera tinctoria\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003cspan\u003e \u003cem\u003eIndigofera Tinctoria\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eThe dye became a popular export from Mexico. The Old Spanish Trail  - sometimes referred to as the Indigo Trail - begins in what is now Mexico City and goes all the way to Taos, New Mexico.  In the 1700s Mexican traders worked all the way up and down the trail,  bringing Indigo to the Navajo weavers.   Natural Indigo is still use today!  \u003cbr\u003e\u003cspan class=\"irc_ho\" dir=\"ltr\"\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"irc_ho\" dir=\"ltr\"\u003e\u003c\/span\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/il_570xN.1493493050_ibbs_large.jpg?v=1541191152\" alt=\"Cochineal wool\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cem\u003e\u003cspan class=\"irc_ho\" dir=\"ltr\"\u003eIndigo Blue,  (Photo Credit: Isabella Whitworth)\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003eOn to \u003cstrong\u003eCochineal dye\u003c\/strong\u003e.  Cochineal dye has and interesting history.  It starts with a tiny insect named Cochineal and the Prickly Pear Cactus.  The insect lives on the pads of the cactus.  The insects are brushed from the cactus, sun dried and ground into a dye powder.  The dye creates beautiful deep scarlet, red and purple hues.  During the Aztec Empire,  C\u003cspan\u003eochineal became Mexico's second-most valued export, second only to silver.  \u003c\/span\u003eWhen the Spanish arrived in 1519 they were impressed and intrigued with the Aztec's use brightly colored clothes.\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Opuntia-Engelmannii-with-Cochineal_large.jpg?v=1541107242\" alt=\"Prickly Pear Cactus invested with cochineal\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003cem\u003ePrickly Pear Cactus infested with Cochineal,  \u003cbr\u003e(Photo credit: Tucson Cactus and Succulent Society)\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eIn Europe at that time purple and scarlet red fabric was so\u003cspan\u003e outrageously expensive that only rulers could afford it. The dye initially used to make \u003c\/span\u003epurple,\u003cspan\u003e came from the Phoenician trading city of Tyre, which is now in modern-day Lebanon. Fabric traders obtained the dye from a small mollusk that was only found in the Tyre region of the Mediterranean Sea. \u003c\/span\u003e\u003cspan\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003eAfter the Spanish conquered the Aztec Empire,  they began to export Cochineal dye to Europe.  The dye was consumed throughout Europe and was so highly prized, at one point is was more valuable than gold.  Fun Fact:  because purple was so closely linked to power, wealth and royalty, Queen Elizabeth the first forbade anyone except close members of the royal family to wear purple. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cspan\u003eDue to Cochineal's value, very little made it's way up the Spanish Trail.  Because of that weavings with Cochineal dyed wool is very rare.  Most weavings with red made in the 1800s is made with Cochineal dyed Spanish Bayetta.  Bayetta cloth was made in England for the Spanish traders.  The cloth made its way back to the US where it was distributed to the Navajo.  The weavers liked the red so much they would painstakingly unravel the cloth and incorporate it into their weavings.  Today our weavers use Churro wool dyed with Cochineal,  which creates absolutely beautiful weavings.  \u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/22eea68ce8418d3cfce8648072073db0_large.jpg?v=1541191142\" alt=\"Cochineal dyes wool\"\u003e\u003cbr\u003e\u003cem\u003eCochineal dyed wool\u003c\/em\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eYou may be surprised to know Cochineal is used for more than just fabric dye.  \u003cstrong\u003eGet ready\u003c\/strong\u003e,  \u003cspan\u003eCochineal, also known as carmine, or Natural Red 4 is used i\u003c\/span\u003e\u003cspan\u003en the food industry, \u003c\/span\u003e\u003cspan\u003ecosmetic industry and even in pharmaceuticals.  Yikes!  So, if insects in your food is just not your thing,  read the label!\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003eA bit of dark, however important, history which backs up our belief that early Navajo weavers used natural dyes in the 1700s . \u003c\/strong\u003e\u003cbr\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Massacre_Cave_large.jpg?v=1541108210\" alt=\"Massacre Cave Canyon del Muerto\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cstrong\u003e\u003cspan style=\"font-size: 11.5pt; font-family: 'Helvetica',sans-serif; color: black;\"\u003eMassacre Cave, Canyon Del Muerto, Cayon De Chelly\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eIn the late 1700s the Navajo were at war with neighboring tribes and the Spanish Colonist in the Rio Grand Valley.  Spain dispatched a punitive expedition to the Navajo stronghold of Canyon De Chelly.  This punitive expedition was sent to punish the Navajo in the worst way.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eWhen the Navajo heard the Spanish expedition was on the way, most fled the canyon.  Yet a group stayed behind.  The women, children and the elderly in the group were hidden in a cave high above the canyon floor.  The men waited in the canyon for the expedition to pass.  The story is one of the women in the cave, thinking they were safe from harm,  yelled at the Spanish expedition as they rode by, blowing their cover in the cave.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eThe Spanish opened fire on the cave killing many inside.  The survivors didn't last long as the Spanish troops found their way into the cave killing the remaining Navajo.  Spanish documents report that over 115 Navajo were killed that day - the women, children and elderly in the group.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eSuperstitions kept the cave untouched for 100 years until a trader by the name of  Sam Day explored the cave.  He found one complete blanket and fragments of clothing and blankets inside the cave along with skeletons of the inhabitants.  Marks of the bullets left on the cave ceiling can still be seen today.  Since that time the cave has been known as Massacre Cave.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eDay retrieved the blankets and sold them to museums around the U.S.  Those blankets are believed to the oldest Navajo blankets in existence.  Below is one of the blankets, which has wool dyed with Cochineal!  \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e  \u003cstrong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/navajo-blankets-and-rugs-one-of-the-oldest-surviving-navajo-blankets-which-is-retrieved-from-canyon-de-chelly-also-called-massacre-cave-dated-around-1804-image-via-art-quill_large.jpg?v=1541008661\" alt=\"massacre cave blanket\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cem\u003eOne of the oldest surviving Navajo blankets (circa 1800) from Massacre Cave in Canyon DeChelly,  (Photo credit:  Art Quil)\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eBelow are a few weavings available with natural dyed Indigo and Cochineal.  \u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/historic-navajo-baby-blanket-classic-period-ght-2300\" title=\"Navajo Baby Blanket Classic period Indigo Cochineal GHT 2300\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/historic-navajo-baby-blanket-ght-2300_grande_57946b8a-591e-47ff-ab62-c36d979e8be4_large.jpg?v=1541094790\" alt=\"HISTORIC NAVAJO BABY BLANKET: CLASSIC PERIOD\"\u003e\u003cbr\u003eHistoric Navajo Baby Blanket, GHT 2300\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eThis small Navajo weaving is extremely special, circa 1865.  Woven for a baby in the classic period. It is finely woven with white and Indigo dyed home spun wool,   2 shades of red Cochineal Bayatta and light peach Cochineal Bayetta.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/phase-chief-blanket-judy-marianito-churro-1569\" title=\"first phase chief blanket woven by Judy Marianito Churro 1569\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/1st-phase-navajo-chief-blanket-for-sale-churro-1569-001_1024x1024_551b41bc-97d0-42d1-b7ed-8e56b43a1846_large.jpg?v=1541106120\" alt=\"Chief Navajo Blanket\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/phase-chief-blanket-judy-marianito-churro-1569\" title=\"first phase chief blanket woven by Judy Marianito\"\u003e1st Phase Chief Blanket\u003c\/a\u003e\u003cbr\u003eNavajo 1st Phase Chief Blanket Variant by weaver Judy Marianito.  It is woven like a classic Chief Blanket,  it has the handle of a true blanket weave. Narrow Cochineal red and Indigo blue stripes are highlighted with a thick black band.  The ivory banding adds to the over all effect.  Truly special.  \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eQuestions, comments?  We would love to talk with you!  Give us a call at the gallery 520-455-5020.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}

{"id":9211879686366,"title":"Hasteen Klah - Preserving the Navajo Heritage","handle":"hasteen-klah-preserving-the-navajo-heritage","description":"\u003cp\u003eThe Navajo Sandpainting Weaving is ranked among the Navajo tribe’s best known and best loved art forms. The original Navajo dry painting is traditionally performed for religious or medicinal purposes; it is a sacred practice. Sandpaintings are used in ceremonies designed to summon supernatural forces, they represent the Navajo’s religious world and are customarily part of ceremonies that will heal and restore a patient that is out of balance.\u003c\/p\u003e\n\u003ch2\u003eHASTEEN KLAH\u003c\/h2\u003e\n\u003cp\u003eThe Navajo Sandpainting Textiles: an art form that owes its existence to Weaver, Artist, and Medicine Man Hasteen Klah (also spelled Hastiin Klah, and Hosteen Klah, 1867-1937). He began his training in the traditionally female craft of weaving with his mother and sister in the 1880s.  He first began to learn the Navajo medicine ways – chanting and sandpainting – from his uncle. In learning the Nightway ceremony, Klah worked under the guidance of Laughing Singer and Tall Chanter. While most Navajo singers can master only one or two complete chants, Klah mastered at least eight. Among the ceremonies which he mastered were the\u003cspan\u003e \u003c\/span\u003eHailway, the\u003cspan\u003e \u003c\/span\u003eMountainway, the\u003cspan\u003e \u003c\/span\u003eNightway, the\u003cspan\u003e \u003c\/span\u003eWindway, and the Chiricahua.\u003c\/p\u003e\n\u003cp\u003eHasteen had seen decades of unending efforts by the US Government and missionaries to transition the Navajo into the mainstream and adopt Christianity. Hasteen felt that the future of Navajo culture and religion was in danger, and yearned to preserve it.\u003c\/p\u003e\n\u003ch3\u003eIT BEGINS\u003c\/h3\u003e\n\u003cp\u003eIn 1911 Hasteen Klah wove a blanket of Yei Be Chei dancers which portrayed sacred masks. Local singers felt that his was sacrilegious and demanded that Klah have a ceremony to expel the evil and that he destroy the weaving. Instead, Klah sent the weaving to Washington and experienced no negative effects.\u003c\/p\u003e\n\u003cp\u003eIn 1917 Klah took Franc Newcomb, trader Arthur Newcomb’s wife, to a Nightway ceremony. After the witnessing the ceremony, she became passionate about helping Klah preserve the traditions in as many media as possible. She attempted to draw from memory the designs from the sandpaintings which were used in the ceremony. She was unsuccessful and Klah sketched them for her in pencil. Newcomb then made these into watercolor reproductions and hung them in her bedroom so that the other Navajo would not be offended. After seeing that no punishment occurred, Klah then did an additional 27 paintings for her.\u003c\/p\u003e\n\u003cp\u003eIn 1919 Klah began to weave sandpainting rugs which were based on the chants he was qualified to sing. His first sandpainting weaving was a whirling log design from the Nightway ceremony.\u003c\/p\u003e\n\u003cdiv class=\"slate-resizable-image-embed slate-image-embed__resize-full-width\"\u003e\u003cimg src=\"https:\/\/media.licdn.com\/dms\/image\/C5612AQFV57y_-1wfeQ\/article-inline_image-shrink_1500_2232\/0?e=1568851200\u0026amp;v=beta\u0026amp;t=Uhct8XXcrBASwxbM-di5AUQfZdcLgFGaZDwsf9Nx-Gs\" data-li-src=\"https:\/\/media.licdn.com\/dms\/image\/C5612AQFV57y_-1wfeQ\/article-inline_image-shrink_1500_2232\/0?e=1568851200\u0026amp;v=beta\u0026amp;t=Uhct8XXcrBASwxbM-di5AUQfZdcLgFGaZDwsf9Nx-Gs\" data-media-urn=\"\" alt=\"No alt text provided for this image\"\u003e\u003c\/div\u003e\n\u003cp\u003eHasteen Klah with one of his Shootingway sandpainting tapestries at the Newcomb’s trading post, Navajo, New Mexico, ca. 1927. Photograph probably by Arthur or Frances Newcomb.\u003c\/p\u003e\n\u003cp\u003eOver the years, Klah worked with a number of non-Indian scholars and allowed them to record his songs, ceremonies, stories, and sandpaintings. His only Navajo student – Beaal Begay – died in 1931 , so much of his knowledge of ceremony was not passed on in the Navajo traditional way. However, Klah and his nieces, Gladys and Irene, wove more than 70 sandpainting weavings between 1919 and 1937, preserving those ceremonial sandpaintings for the future.\u003c\/p\u003e\n\u003cp\u003eOne of the Anglos who worked with Klah was Mary Cabot Wheelwright\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(introduction through the Newcombs) \u003c\/em\u003ewho founded the Museum of Navajo Ceremonial Art in 1937. She had been permitted to record many of Klah’s songs and erected the museum to preserve his medicine knowledge and his sacred objects.\u003c\/p\u003e\n\u003cp\u003eThe museum is now known as the\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"nofollow noopener noreferrer\" href=\"https:\/\/wheelwright.org\/about\/history\/\" target=\"_blank\"\u003eWheelwright Museum\u003c\/a\u003e. The Museum displayed many of his drawings and paintings of sand paintings, as well as his sandpainting weavings. The Wheelwright is no longer actively involved in the study of Navajo religion, however it maintains growing, world-renowned collections that document Navajo art and culture from 1850 to the present. It also presents changing exhibitions on traditional and contemporary Navajo and other Native American arts.\u003c\/p\u003e\n\u003cp itemprop=\"name\"\u003e\u003ca title=\"Yei Be Chei : Historic : GHT 2215\" href=\"https:\/\/www.navajorug.com\/collections\/sandpainting\/products\/ght-2215-antique-navajo-rug-yei-chei\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/sandpainting_8897c238-f81a-4400-bcc1-d4eafd8fd793.jpg?v=1778532963\"\u003e\u003c\/a\u003e\u003cspan\u003eThis sand painting ceremony is protected by a border of arrow fletchings on all sides, Yei Dancers prepare to dance in a healing ceremony.  Talking God with all of the feathers on his head wears a deer pelt as a sash and carries a weasel skin.  The dancers are all male with the exception of the female with the square head in the center.  The male dancers are adorned with fox tails hanging from their skirts. Calling God is seen at the other end with brown feathers on his head. All are wearing collars made of spruce. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is an exceptional weaving and was featured in our Woven Holy People exhibit.  You can see the exhibit guide \u003ca href=\"https:\/\/www.navajorug.com\/products\/woven-holy-people-exhibit-catalog\"\u003e\u003cstrong\u003ehere\u003c\/strong\u003e.\u003c\/a\u003e \u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTo view all Sand Paintings available for purchase click \u003ca title=\"Sand Painting Collection\" href=\"https:\/\/www.navajorug.com\/collections\/sandpainting?sort_by=price-ascending\"\u003ehere\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2026-05-11T13:58:34-07:00","created_at":"2026-05-11T13:54:36-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48229919260894,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hasteen Klah - Preserving the Navajo Heritage","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/sandpainting_8897c238-f81a-4400-bcc1-d4eafd8fd793.jpg?v=1778532963"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/sandpainting_8897c238-f81a-4400-bcc1-d4eafd8fd793.jpg?v=1778532963","options":["Title"],"media":[{"alt":null,"id":38224313778398,"position":1,"preview_image":{"aspect_ratio":1.223,"height":229,"width":280,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/sandpainting_8897c238-f81a-4400-bcc1-d4eafd8fd793.jpg?v=1778532963"},"aspect_ratio":1.223,"height":229,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/sandpainting_8897c238-f81a-4400-bcc1-d4eafd8fd793.jpg?v=1778532963","width":280}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eThe Navajo Sandpainting Weaving is ranked among the Navajo tribe’s best known and best loved art forms. The original Navajo dry painting is traditionally performed for religious or medicinal purposes; it is a sacred practice. Sandpaintings are used in ceremonies designed to summon supernatural forces, they represent the Navajo’s religious world and are customarily part of ceremonies that will heal and restore a patient that is out of balance.\u003c\/p\u003e\n\u003ch2\u003eHASTEEN KLAH\u003c\/h2\u003e\n\u003cp\u003eThe Navajo Sandpainting Textiles: an art form that owes its existence to Weaver, Artist, and Medicine Man Hasteen Klah (also spelled Hastiin Klah, and Hosteen Klah, 1867-1937). He began his training in the traditionally female craft of weaving with his mother and sister in the 1880s.  He first began to learn the Navajo medicine ways – chanting and sandpainting – from his uncle. In learning the Nightway ceremony, Klah worked under the guidance of Laughing Singer and Tall Chanter. While most Navajo singers can master only one or two complete chants, Klah mastered at least eight. Among the ceremonies which he mastered were the\u003cspan\u003e \u003c\/span\u003eHailway, the\u003cspan\u003e \u003c\/span\u003eMountainway, the\u003cspan\u003e \u003c\/span\u003eNightway, the\u003cspan\u003e \u003c\/span\u003eWindway, and the Chiricahua.\u003c\/p\u003e\n\u003cp\u003eHasteen had seen decades of unending efforts by the US Government and missionaries to transition the Navajo into the mainstream and adopt Christianity. Hasteen felt that the future of Navajo culture and religion was in danger, and yearned to preserve it.\u003c\/p\u003e\n\u003ch3\u003eIT BEGINS\u003c\/h3\u003e\n\u003cp\u003eIn 1911 Hasteen Klah wove a blanket of Yei Be Chei dancers which portrayed sacred masks. Local singers felt that his was sacrilegious and demanded that Klah have a ceremony to expel the evil and that he destroy the weaving. Instead, Klah sent the weaving to Washington and experienced no negative effects.\u003c\/p\u003e\n\u003cp\u003eIn 1917 Klah took Franc Newcomb, trader Arthur Newcomb’s wife, to a Nightway ceremony. After the witnessing the ceremony, she became passionate about helping Klah preserve the traditions in as many media as possible. She attempted to draw from memory the designs from the sandpaintings which were used in the ceremony. She was unsuccessful and Klah sketched them for her in pencil. Newcomb then made these into watercolor reproductions and hung them in her bedroom so that the other Navajo would not be offended. After seeing that no punishment occurred, Klah then did an additional 27 paintings for her.\u003c\/p\u003e\n\u003cp\u003eIn 1919 Klah began to weave sandpainting rugs which were based on the chants he was qualified to sing. His first sandpainting weaving was a whirling log design from the Nightway ceremony.\u003c\/p\u003e\n\u003cdiv class=\"slate-resizable-image-embed slate-image-embed__resize-full-width\"\u003e\u003cimg src=\"https:\/\/media.licdn.com\/dms\/image\/C5612AQFV57y_-1wfeQ\/article-inline_image-shrink_1500_2232\/0?e=1568851200\u0026amp;v=beta\u0026amp;t=Uhct8XXcrBASwxbM-di5AUQfZdcLgFGaZDwsf9Nx-Gs\" data-li-src=\"https:\/\/media.licdn.com\/dms\/image\/C5612AQFV57y_-1wfeQ\/article-inline_image-shrink_1500_2232\/0?e=1568851200\u0026amp;v=beta\u0026amp;t=Uhct8XXcrBASwxbM-di5AUQfZdcLgFGaZDwsf9Nx-Gs\" data-media-urn=\"\" alt=\"No alt text provided for this image\"\u003e\u003c\/div\u003e\n\u003cp\u003eHasteen Klah with one of his Shootingway sandpainting tapestries at the Newcomb’s trading post, Navajo, New Mexico, ca. 1927. Photograph probably by Arthur or Frances Newcomb.\u003c\/p\u003e\n\u003cp\u003eOver the years, Klah worked with a number of non-Indian scholars and allowed them to record his songs, ceremonies, stories, and sandpaintings. His only Navajo student – Beaal Begay – died in 1931 , so much of his knowledge of ceremony was not passed on in the Navajo traditional way. However, Klah and his nieces, Gladys and Irene, wove more than 70 sandpainting weavings between 1919 and 1937, preserving those ceremonial sandpaintings for the future.\u003c\/p\u003e\n\u003cp\u003eOne of the Anglos who worked with Klah was Mary Cabot Wheelwright\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(introduction through the Newcombs) \u003c\/em\u003ewho founded the Museum of Navajo Ceremonial Art in 1937. She had been permitted to record many of Klah’s songs and erected the museum to preserve his medicine knowledge and his sacred objects.\u003c\/p\u003e\n\u003cp\u003eThe museum is now known as the\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"nofollow noopener noreferrer\" href=\"https:\/\/wheelwright.org\/about\/history\/\" target=\"_blank\"\u003eWheelwright Museum\u003c\/a\u003e. The Museum displayed many of his drawings and paintings of sand paintings, as well as his sandpainting weavings. The Wheelwright is no longer actively involved in the study of Navajo religion, however it maintains growing, world-renowned collections that document Navajo art and culture from 1850 to the present. It also presents changing exhibitions on traditional and contemporary Navajo and other Native American arts.\u003c\/p\u003e\n\u003cp itemprop=\"name\"\u003e\u003ca title=\"Yei Be Chei : Historic : GHT 2215\" href=\"https:\/\/www.navajorug.com\/collections\/sandpainting\/products\/ght-2215-antique-navajo-rug-yei-chei\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/sandpainting_8897c238-f81a-4400-bcc1-d4eafd8fd793.jpg?v=1778532963\"\u003e\u003c\/a\u003e\u003cspan\u003eThis sand painting ceremony is protected by a border of arrow fletchings on all sides, Yei Dancers prepare to dance in a healing ceremony.  Talking God with all of the feathers on his head wears a deer pelt as a sash and carries a weasel skin.  The dancers are all male with the exception of the female with the square head in the center.  The male dancers are adorned with fox tails hanging from their skirts. Calling God is seen at the other end with brown feathers on his head. All are wearing collars made of spruce. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is an exceptional weaving and was featured in our Woven Holy People exhibit.  You can see the exhibit guide \u003ca href=\"https:\/\/www.navajorug.com\/products\/woven-holy-people-exhibit-catalog\"\u003e\u003cstrong\u003ehere\u003c\/strong\u003e.\u003c\/a\u003e \u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTo view all Sand Paintings available for purchase click \u003ca title=\"Sand Painting Collection\" href=\"https:\/\/www.navajorug.com\/collections\/sandpainting?sort_by=price-ascending\"\u003ehere\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}

{"id":9211884241118,"title":"What is a Unicorn in the Navajo Weaving World?","handle":"what-is-a-unicorn-in-the-navajo-weaving-world","description":"\u003ch2\u003e\u003cspan\u003eOne in a million?  You bet!\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eWe have discovered the Holy Grail for a Navajo textile collector. This \u003cstrong\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/early-classic-1st-phase-chief-blanket-ute-style-historic-navajo-weaving\" title=\"Early Classic 1st Phase Chief Blanket Ute Style : Historic Navajo Weaving\"\u003e1st Phase Navajo Chief Blanket\u003c\/a\u003e \u003c\/strong\u003eis not a Classic, but is truly an EARLY Classic Ute.  \u003cbr\u003e\u003cbr\u003eThis is one of the finest woven \u003cstrong\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/early-classic-1st-phase-chief-blanket-ute-style-historic-navajo-weaving\" title=\"Early Classic 1st Phase Chief Blanket Ute Style : Historic Navajo Weaving\"\u003eUte Style 1st Phase Chief Blankets\u003c\/a\u003e.\u003c\/strong\u003e There are approximately 65 Early Classic 1st Phase Chief Blankets known to exist. Approximately half are permanently in museums or in other institutions.\u003cbr\u003e\u003cbr\u003eMany have heard about the \u003cstrong\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=WJw2qCnhea0\u0026amp;mc_cid=ed5a181111\u0026amp;mc_eid=413daabd8e\" title=\"Top Finds: Mid-19th Century Navajo Ute First Phase Blanket\"\u003eAntique Roadshow episode\u003c\/a\u003e\u003c\/strong\u003e filmed in Tucson where a very nice man was informed a rug that had been passed down to him was, in fact an Early Classic Ute Blanket. If you haven't seen the episode or it's been a while it is a \u003cstrong\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=WJw2qCnhea0\u0026amp;mc_cid=ed5a181111\u0026amp;mc_eid=413daabd8e\" title=\"Top Finds: Mid-19th Century Navajo Ute First Phase Blanket\"\u003eheart warming tale\u003c\/a\u003e\u003c\/strong\u003e!\u003c\/p\u003e","published_at":"2026-05-11T14:01:23-07:00","created_at":"2026-05-11T13:59:52-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48229948555486,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"What is a Unicorn in the Navajo Weaving World?","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/1stphasewebsiteready_7b342cc6-a746-49b5-8927-0de5ef844fc5.jpg?v=1614328486"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/1stphasewebsiteready_7b342cc6-a746-49b5-8927-0de5ef844fc5.jpg?v=1614328486","options":["Title"],"media":[{"alt":"Early Classic 1st Phase Chief Blanket Ute Style : Historic Navajo Weaving","id":20241226662055,"position":1,"preview_image":{"aspect_ratio":1.249,"height":1121,"width":1400,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/1stphasewebsiteready_7b342cc6-a746-49b5-8927-0de5ef844fc5.jpg?v=1614328486"},"aspect_ratio":1.249,"height":1121,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/1stphasewebsiteready_7b342cc6-a746-49b5-8927-0de5ef844fc5.jpg?v=1614328486","width":1400}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan\u003eOne in a million?  You bet!\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eWe have discovered the Holy Grail for a Navajo textile collector. This \u003cstrong\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/early-classic-1st-phase-chief-blanket-ute-style-historic-navajo-weaving\" title=\"Early Classic 1st Phase Chief Blanket Ute Style : Historic Navajo Weaving\"\u003e1st Phase Navajo Chief Blanket\u003c\/a\u003e \u003c\/strong\u003eis not a Classic, but is truly an EARLY Classic Ute.  \u003cbr\u003e\u003cbr\u003eThis is one of the finest woven \u003cstrong\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/early-classic-1st-phase-chief-blanket-ute-style-historic-navajo-weaving\" title=\"Early Classic 1st Phase Chief Blanket Ute Style : Historic Navajo Weaving\"\u003eUte Style 1st Phase Chief Blankets\u003c\/a\u003e.\u003c\/strong\u003e There are approximately 65 Early Classic 1st Phase Chief Blankets known to exist. Approximately half are permanently in museums or in other institutions.\u003cbr\u003e\u003cbr\u003eMany have heard about the \u003cstrong\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=WJw2qCnhea0\u0026amp;mc_cid=ed5a181111\u0026amp;mc_eid=413daabd8e\" title=\"Top Finds: Mid-19th Century Navajo Ute First Phase Blanket\"\u003eAntique Roadshow episode\u003c\/a\u003e\u003c\/strong\u003e filmed in Tucson where a very nice man was informed a rug that had been passed down to him was, in fact an Early Classic Ute Blanket. If you haven't seen the episode or it's been a while it is a \u003cstrong\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=WJw2qCnhea0\u0026amp;mc_cid=ed5a181111\u0026amp;mc_eid=413daabd8e\" title=\"Top Finds: Mid-19th Century Navajo Ute First Phase Blanket\"\u003eheart warming tale\u003c\/a\u003e\u003c\/strong\u003e!\u003c\/p\u003e"}

{"id":9211886403806,"title":"Carding \u0026 Spinning Sheep's Wool for a Navajo Rug","handle":"carding-spinning-sheeps-wool-for-a-navajo-rug-1","description":"\u003cp\u003eNavajo weaving is both an art form and a labor of love. That’s because these highly-detailed rugs, blankets and weavings aren’t just for comfort; they tell an historic tale of a proud people through beauty and innovative creativity.The origin of these well-woven textiles may have been passed down in story from Spider Woman who taught the first weavers to weave by using sunlight, white shells, lightning and crystals.\u003cbr\u003e\u003cspan\u003eHere is more information about the historic methods of working with the wool after it is shorn from the sheep. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cbr\u003e\u003cstrong\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/hand_carding_wool_medium.jpeg?v=1483913698\" style=\"float: left; margin-right: 10px;\"\u003eTraditional Hand Carding\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003eHistorically, fleece and fibers were prepared before they could be used for weaving. Hand carding is the process of separating and straightening wool fibers using wooden paddles with wire “teeth” or bristles.\u003cbr\u003e\u003cbr\u003eIt works like this: the top “card” hooks its teeth into the wool in one direction, while the bottom “card” hooks its teeth in going the opposite direction. The weaver then works to gently tease and pull apart the wool creating evenly distributed layers, varying fiber lengths, eliminating any foreign matter inside, and improve fiber resiliency.\u003cbr\u003e\u003cbr\u003eThere are also two types of teeth which can be used—coarse and fine. The coarse cards are for fibers like mohair or wool, while the fine teeth can be used on soft fibers like cotton or angora.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ca href=\"https:\/\/youtu.be\/D_p7OIghMVw\" title=\"Clara Sherman - carding and spinning wool - a fascinating demonstration\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Screen_Shot_2017-01-08_at_2.46.45_PM_large.png?v=1483915735\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpinning the Perfect Thread\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003eThere are many forms in which to spin wool and the Navajo have a few techniques that can be used to form the perfect thread. The most famous and historic method is the Navajo spindle, also known as a drop spindle.\u003cbr\u003e\u003cbr\u003eThis type of spindle is generally categorized into three classes—center whorl, bottom whorl and top whorl. They all have varying degrees of speed and balance, but they can also produce different threat thickness.  These “handspindles” involve spinning a stick with a weight top while the yarn twists and winds around the shaft.\u003c\/p\u003e\n\u003cp\u003eMost of the historic weavings on our website are made with hand shorn, hand carded, hand spun Native Wool.  \u003c\/p\u003e","published_at":"2026-05-11T14:03:35-07:00","created_at":"2026-05-11T14:02:15-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48229960450270,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Carding \u0026 Spinning Sheep's Wool for a Navajo Rug","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/spinning.jpg?v=1778533409"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/spinning.jpg?v=1778533409","options":["Title"],"media":[{"alt":null,"id":38224351101150,"position":1,"preview_image":{"aspect_ratio":1.239,"height":238,"width":295,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/spinning.jpg?v=1778533409"},"aspect_ratio":1.239,"height":238,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/spinning.jpg?v=1778533409","width":295}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eNavajo weaving is both an art form and a labor of love. That’s because these highly-detailed rugs, blankets and weavings aren’t just for comfort; they tell an historic tale of a proud people through beauty and innovative creativity.The origin of these well-woven textiles may have been passed down in story from Spider Woman who taught the first weavers to weave by using sunlight, white shells, lightning and crystals.\u003cbr\u003e\u003cspan\u003eHere is more information about the historic methods of working with the wool after it is shorn from the sheep. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cbr\u003e\u003cstrong\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/hand_carding_wool_medium.jpeg?v=1483913698\" style=\"float: left; margin-right: 10px;\"\u003eTraditional Hand Carding\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003eHistorically, fleece and fibers were prepared before they could be used for weaving. Hand carding is the process of separating and straightening wool fibers using wooden paddles with wire “teeth” or bristles.\u003cbr\u003e\u003cbr\u003eIt works like this: the top “card” hooks its teeth into the wool in one direction, while the bottom “card” hooks its teeth in going the opposite direction. The weaver then works to gently tease and pull apart the wool creating evenly distributed layers, varying fiber lengths, eliminating any foreign matter inside, and improve fiber resiliency.\u003cbr\u003e\u003cbr\u003eThere are also two types of teeth which can be used—coarse and fine. The coarse cards are for fibers like mohair or wool, while the fine teeth can be used on soft fibers like cotton or angora.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ca href=\"https:\/\/youtu.be\/D_p7OIghMVw\" title=\"Clara Sherman - carding and spinning wool - a fascinating demonstration\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Screen_Shot_2017-01-08_at_2.46.45_PM_large.png?v=1483915735\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpinning the Perfect Thread\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003eThere are many forms in which to spin wool and the Navajo have a few techniques that can be used to form the perfect thread. The most famous and historic method is the Navajo spindle, also known as a drop spindle.\u003cbr\u003e\u003cbr\u003eThis type of spindle is generally categorized into three classes—center whorl, bottom whorl and top whorl. They all have varying degrees of speed and balance, but they can also produce different threat thickness.  These “handspindles” involve spinning a stick with a weight top while the yarn twists and winds around the shaft.\u003c\/p\u003e\n\u003cp\u003eMost of the historic weavings on our website are made with hand shorn, hand carded, hand spun Native Wool.  \u003c\/p\u003e"}

{"id":9211888599262,"title":"Antiques Roadshow and Chief Blanket Phases","handle":"antiques-roadshow-and-chief-blanket-phases","description":"\u003cp\u003eBY Dennis Gaffney   |   POSTED 02.16.2007   |  UPDATED 01.25.2021\u003c\/p\u003e\n\u003cp\u003eAt the Tucson ANTIQUES ROADSHOW in summer 2006, appraiser\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.pbs.org\/wgbh\/roadshow\/appraisers\/douglas-deihl\"\u003eDouglas Deihl\u003c\/a\u003e, of Skinner in Boston, Massachusetts, examined an antique Navajo blanket, probably woven in the 1870s, that was colored with indigo blues and a variety of reds. \"Stylistically,\" Douglas told the woman who owned the blanket, \"this is called a Navajo third-phase chief's blanket.\" \u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo unpack that phrase — \"third-phase chief's blanket\" — we contacted Tyrone Campbell, who has written books about Navajo weavings and is a dealer of antique Navajo and Pueblo weavings in Scottsdale, Arizona. Campbell explained the phrase and provided a cultural history of the Navajo blanket. Here's what we learned:\u003c\/p\u003e\n\u003cdiv class=\"inline-pull-right\"\u003e\n\u003cblockquote class=\"pullquote article-pullquote\"\u003eEvolutions in the style of chief's blankets through the 19th century\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cp\u003eIn the middle of the 17th century, the Navajo had begun sheep herding and making their own wool, skills they picked up from the Spanish settlers. By the late 17th century, they learned to weave from their neighbors, the Pueblo. The weaving skills of the Navajo craftswomen surpassed those of the Spanish and the Pueblo craftsmen within just a few decades, and Navajo blankets became a prized possession desired by the wealthier Indians and Spanish throughout the West.\u003c\/p\u003e\n\u003cp\u003e\"These were worn by the Navajos,\" Campbell says, \"but they were also commercial items that were traded to the Sioux, the Cheyenne, and the Ute.\" They were prized, in part, because they served as coats by day and blankets by night and were far lighter than buffalo skins. The Navajo wove the blankets so tightly that they were \"practically waterproof,\" notes Campbell.\u003c\/p\u003e\n\u003cp\u003eThe blankets were also valued for their beauty, and an important Indian would wear a blanket proudly as a ceremonial wrap on special occasions. They were commonly called \"chief's blankets\" by Indians and traders — and are still referred to by that name — because they were so expensive that only chiefs or other wealthy individuals could afford them.\u003c\/p\u003e\n\u003cp\u003eTo put it in perspective, Campbell says that in 1860, to buy such a blanket would have cost between $100 and $150. \"Guys are making $5 a week if they're lucky, about half that if they're 'blue-collar,'\" Campbell says. \"So that's a year's wages for most men. You could buy a house for $200.\"\u003c\/p\u003e\n\u003ch3\u003eFirst Phase\u003c\/h3\u003e\n\u003cdiv class=\"inline-pull-right\"\u003e\n\u003cdiv class=\"related-inset\"\u003e\n\u003cdiv class=\"inset-figure\"\u003e\u003cimg src=\"https:\/\/www-tc.pbs.org\/prod-media\/antiques-roadshow\/__sized__\/article\/images\/tucson_200601A55_02-thumbnail-1200x1200.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"cutline\"\u003eThis first-phase chief's blanket from the Tucson ANTIQUES ROADSHOW in 2002 was valued at between $350,000 and $500,000.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eUntil about the 1820s, the Navajo made simple striped blankets identical to the Pueblo. Then Navajo weavers began making what cultural historians call the \"first-phase chief's blankets.\" The design for these is the simplest of all the Navajo 19th-century blankets, consisting of brown, blue, and white bands and stripes. These blankets, which the Ute Indians prized (hence the reference to them as Ute-style) are most valued by Navajo blanket collectors today, in large part because of their rarity. Less than 50 of these first-phase blankets, made until roughly 1865, survive. In 2002, an unsuspecting owner of a first-phase Navajo blanket found out at the Tucson ANTIQUES ROADSHOW that his blanket was worth between $350,000 and $500,000.\u003c\/p\u003e\n\u003ch3\u003eSecond and Third Phases\u003c\/h3\u003e\n\u003cp\u003eIn about 1850, Navajo weavers began adding red rectangles to their blanket designs, which cultural historians use as a marker for \"second-phase chief's blankets,\" which were made until about 1880. \"They always have 12 rectangles, grouped in twos,\" Campbell says. \"In the third phase, they went to nine diamonds and half-diamonds.\" As these design elements were added, they grew larger, becoming more centerpieces of the blankets than embellishments. During the third phase, Navajo weavers also added elements inside the diamonds, including, Campbell says, \"zigzags, crosses, thin lines, stacked elements, and triangles.\"\u003c\/p\u003e\n\u003cp\u003eAt the beginning of the second phase, the weavers had also started expanding their color palette, adding yellow and green accents, for example. But one of the colors the Navajo weavers coveted most was the red from the prized bayeta cloth made in England and later, in Spain and Mexico. They would unravel the cloths and then weave the material into rectangles on their blankets. The bayeta, occasionally used in first-phase blankets, became a color and cloth that Navajo weavers used prominently in the second phase. The bayeta was dyed with cochineal, named after the cochineal beetle. \"It came in rich shades from rose to deep burgundy and it's permanent,\" Campbell says. \"There's no plant in the Southwest that will give you such an intense red that won't fade.\"\u003c\/p\u003e\n\u003cp\u003eThese three phases composed what is called the Classical period of Navajo blankets, which ended with the arrival of the railroad to the Southwest after 1880. \"Cheap manufactured blankets arrived,\" Tyrone says. \"If a Navajo blanket cost $100, one made by Pendleton\" — a mill in Pendleton, Oregon, that manufactured blankets for Indians — \"cost you $3. The market was killed,\" Campbell added. \"In order to cater to the ever-greater number of tourists, the Navajo began making rugs.\"\u003c\/p\u003e\n\u003ch3\u003eA Fourth Phase?\u003c\/h3\u003e\n\u003cp\u003eIn the summer of 2020, in anticipation of Deihl’s appraisal re-airing the following winter for a Vintage episode, the ROADSHOW team was researching the three phases of Navajo chief blankets and came across an article that spoke of something unfamiliar: a\u003cspan\u003e \u003c\/span\u003e\u003cem\u003efourth\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ephase blanket.\u003c\/p\u003e\n\u003cp\u003eAccording to a 2013 article by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.canyonroadarts.com\/navajo-chiefs-blankets\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eCannon Road Arts\u003c\/a\u003e, a Santa Fe lifestyle and cultural center, “The fourth phase chiefs’ blankets, occurring generally after 1870 through the early 1900s, take the diamonds to an extreme with the background becoming much less important and the diamonds becoming the main focal element.”\u003c\/p\u003e\n\u003cp\u003eThis got the ROADSHOW team wondering, “Why do our appraisers only refer to first, second, and third phase chief's blankets during appraisals?\" In August 2020, we reached out to longtime Tribal Arts appraisers Doug Deihl and John Buxton to clarify. Both experts agreed that the terms “fourth phase” and “third phase variant” are used synonymously, but “third phase variant” is more favored by most experts.\u003c\/p\u003e\n\u003cp\u003eBuxton explained, “In my judgment, the term “third phase variant” or “fourth phase” are used somewhat interchangeably. Navajo classic first, second, and third phases were made as wearing blankets and not for sale to visitors from the East. As we get into the latter part of the 19th and beginning of the 20th century, we enter the transitional period where you see both wearing blankets and rugs made. By 1900, you begin to see the major impact of the trading posts located throughout the Navajo reservation, as commercialism is in full swing. You do see experimentation with designs, dyes, and techniques. The third phase was a very popular design that created interest for many different variations, hence the term “third phase variant.”\u003c\/p\u003e\n\u003cp\u003eDeihl agreed, adding, “Very few people use the term 'fourth phase' to describe what is more commonly called a third phase variant blanket or rug.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=smwwIQBH0qo\" title=\"Best Moment: Navajo Ute First Phase Blanket, ca. 1850 | Tearjerkers | ANTIQUES ROADSHOW | PBS\"\u003eWatch:  Best Moment: Navajo Ute First Phase Blanket, ca. 1850 | Tearjerkers | ANTIQUES ROADSHOW | PBS\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e","published_at":"2026-05-11T14:07:10-07:00","created_at":"2026-05-11T14:04:31-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48229973557470,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Antiques Roadshow and Chief Blanket Phases","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/ARS_3bf7e6f1-1d65-4539-b044-6df33a368617.jpg?v=1778533619"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/ARS_3bf7e6f1-1d65-4539-b044-6df33a368617.jpg?v=1778533619","options":["Title"],"media":[{"alt":null,"id":38224376201438,"position":1,"preview_image":{"aspect_ratio":1.414,"height":210,"width":297,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/ARS_3bf7e6f1-1d65-4539-b044-6df33a368617.jpg?v=1778533619"},"aspect_ratio":1.414,"height":210,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/ARS_3bf7e6f1-1d65-4539-b044-6df33a368617.jpg?v=1778533619","width":297}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eBY Dennis Gaffney   |   POSTED 02.16.2007   |  UPDATED 01.25.2021\u003c\/p\u003e\n\u003cp\u003eAt the Tucson ANTIQUES ROADSHOW in summer 2006, appraiser\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.pbs.org\/wgbh\/roadshow\/appraisers\/douglas-deihl\"\u003eDouglas Deihl\u003c\/a\u003e, of Skinner in Boston, Massachusetts, examined an antique Navajo blanket, probably woven in the 1870s, that was colored with indigo blues and a variety of reds. \"Stylistically,\" Douglas told the woman who owned the blanket, \"this is called a Navajo third-phase chief's blanket.\" \u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo unpack that phrase — \"third-phase chief's blanket\" — we contacted Tyrone Campbell, who has written books about Navajo weavings and is a dealer of antique Navajo and Pueblo weavings in Scottsdale, Arizona. Campbell explained the phrase and provided a cultural history of the Navajo blanket. Here's what we learned:\u003c\/p\u003e\n\u003cdiv class=\"inline-pull-right\"\u003e\n\u003cblockquote class=\"pullquote article-pullquote\"\u003eEvolutions in the style of chief's blankets through the 19th century\u003c\/blockquote\u003e\n\u003c\/div\u003e\n\u003cp\u003eIn the middle of the 17th century, the Navajo had begun sheep herding and making their own wool, skills they picked up from the Spanish settlers. By the late 17th century, they learned to weave from their neighbors, the Pueblo. The weaving skills of the Navajo craftswomen surpassed those of the Spanish and the Pueblo craftsmen within just a few decades, and Navajo blankets became a prized possession desired by the wealthier Indians and Spanish throughout the West.\u003c\/p\u003e\n\u003cp\u003e\"These were worn by the Navajos,\" Campbell says, \"but they were also commercial items that were traded to the Sioux, the Cheyenne, and the Ute.\" They were prized, in part, because they served as coats by day and blankets by night and were far lighter than buffalo skins. The Navajo wove the blankets so tightly that they were \"practically waterproof,\" notes Campbell.\u003c\/p\u003e\n\u003cp\u003eThe blankets were also valued for their beauty, and an important Indian would wear a blanket proudly as a ceremonial wrap on special occasions. They were commonly called \"chief's blankets\" by Indians and traders — and are still referred to by that name — because they were so expensive that only chiefs or other wealthy individuals could afford them.\u003c\/p\u003e\n\u003cp\u003eTo put it in perspective, Campbell says that in 1860, to buy such a blanket would have cost between $100 and $150. \"Guys are making $5 a week if they're lucky, about half that if they're 'blue-collar,'\" Campbell says. \"So that's a year's wages for most men. You could buy a house for $200.\"\u003c\/p\u003e\n\u003ch3\u003eFirst Phase\u003c\/h3\u003e\n\u003cdiv class=\"inline-pull-right\"\u003e\n\u003cdiv class=\"related-inset\"\u003e\n\u003cdiv class=\"inset-figure\"\u003e\u003cimg src=\"https:\/\/www-tc.pbs.org\/prod-media\/antiques-roadshow\/__sized__\/article\/images\/tucson_200601A55_02-thumbnail-1200x1200.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"cutline\"\u003eThis first-phase chief's blanket from the Tucson ANTIQUES ROADSHOW in 2002 was valued at between $350,000 and $500,000.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eUntil about the 1820s, the Navajo made simple striped blankets identical to the Pueblo. Then Navajo weavers began making what cultural historians call the \"first-phase chief's blankets.\" The design for these is the simplest of all the Navajo 19th-century blankets, consisting of brown, blue, and white bands and stripes. These blankets, which the Ute Indians prized (hence the reference to them as Ute-style) are most valued by Navajo blanket collectors today, in large part because of their rarity. Less than 50 of these first-phase blankets, made until roughly 1865, survive. In 2002, an unsuspecting owner of a first-phase Navajo blanket found out at the Tucson ANTIQUES ROADSHOW that his blanket was worth between $350,000 and $500,000.\u003c\/p\u003e\n\u003ch3\u003eSecond and Third Phases\u003c\/h3\u003e\n\u003cp\u003eIn about 1850, Navajo weavers began adding red rectangles to their blanket designs, which cultural historians use as a marker for \"second-phase chief's blankets,\" which were made until about 1880. \"They always have 12 rectangles, grouped in twos,\" Campbell says. \"In the third phase, they went to nine diamonds and half-diamonds.\" As these design elements were added, they grew larger, becoming more centerpieces of the blankets than embellishments. During the third phase, Navajo weavers also added elements inside the diamonds, including, Campbell says, \"zigzags, crosses, thin lines, stacked elements, and triangles.\"\u003c\/p\u003e\n\u003cp\u003eAt the beginning of the second phase, the weavers had also started expanding their color palette, adding yellow and green accents, for example. But one of the colors the Navajo weavers coveted most was the red from the prized bayeta cloth made in England and later, in Spain and Mexico. They would unravel the cloths and then weave the material into rectangles on their blankets. The bayeta, occasionally used in first-phase blankets, became a color and cloth that Navajo weavers used prominently in the second phase. The bayeta was dyed with cochineal, named after the cochineal beetle. \"It came in rich shades from rose to deep burgundy and it's permanent,\" Campbell says. \"There's no plant in the Southwest that will give you such an intense red that won't fade.\"\u003c\/p\u003e\n\u003cp\u003eThese three phases composed what is called the Classical period of Navajo blankets, which ended with the arrival of the railroad to the Southwest after 1880. \"Cheap manufactured blankets arrived,\" Tyrone says. \"If a Navajo blanket cost $100, one made by Pendleton\" — a mill in Pendleton, Oregon, that manufactured blankets for Indians — \"cost you $3. The market was killed,\" Campbell added. \"In order to cater to the ever-greater number of tourists, the Navajo began making rugs.\"\u003c\/p\u003e\n\u003ch3\u003eA Fourth Phase?\u003c\/h3\u003e\n\u003cp\u003eIn the summer of 2020, in anticipation of Deihl’s appraisal re-airing the following winter for a Vintage episode, the ROADSHOW team was researching the three phases of Navajo chief blankets and came across an article that spoke of something unfamiliar: a\u003cspan\u003e \u003c\/span\u003e\u003cem\u003efourth\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ephase blanket.\u003c\/p\u003e\n\u003cp\u003eAccording to a 2013 article by\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.canyonroadarts.com\/navajo-chiefs-blankets\/\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eCannon Road Arts\u003c\/a\u003e, a Santa Fe lifestyle and cultural center, “The fourth phase chiefs’ blankets, occurring generally after 1870 through the early 1900s, take the diamonds to an extreme with the background becoming much less important and the diamonds becoming the main focal element.”\u003c\/p\u003e\n\u003cp\u003eThis got the ROADSHOW team wondering, “Why do our appraisers only refer to first, second, and third phase chief's blankets during appraisals?\" In August 2020, we reached out to longtime Tribal Arts appraisers Doug Deihl and John Buxton to clarify. Both experts agreed that the terms “fourth phase” and “third phase variant” are used synonymously, but “third phase variant” is more favored by most experts.\u003c\/p\u003e\n\u003cp\u003eBuxton explained, “In my judgment, the term “third phase variant” or “fourth phase” are used somewhat interchangeably. Navajo classic first, second, and third phases were made as wearing blankets and not for sale to visitors from the East. As we get into the latter part of the 19th and beginning of the 20th century, we enter the transitional period where you see both wearing blankets and rugs made. By 1900, you begin to see the major impact of the trading posts located throughout the Navajo reservation, as commercialism is in full swing. You do see experimentation with designs, dyes, and techniques. The third phase was a very popular design that created interest for many different variations, hence the term “third phase variant.”\u003c\/p\u003e\n\u003cp\u003eDeihl agreed, adding, “Very few people use the term 'fourth phase' to describe what is more commonly called a third phase variant blanket or rug.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=smwwIQBH0qo\" title=\"Best Moment: Navajo Ute First Phase Blanket, ca. 1850 | Tearjerkers | ANTIQUES ROADSHOW | PBS\"\u003eWatch:  Best Moment: Navajo Ute First Phase Blanket, ca. 1850 | Tearjerkers | ANTIQUES ROADSHOW | PBS\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e"}

{"id":9211892629726,"title":"President Roosevelt and Elle of Ganado","handle":"president-roosevelt-and-elle-of-ganado","description":"\u003cp\u003eWhat do President's day and Navajo weavings have in common?  A wonderful 2001 article published in \"Frontiers: A Journal of Women Studies\" brings both together in a way which helped shape the nation.  Please grab a cup of tea, sit back and let your heart be filled. \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eElle Meets the President: Weaving Navajo Culture and Commerce in the Southwestern Tourist Industry(1)\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eDuring the spring of 1903, President Theodore Roosevelt included a two-hour stop in Albuquerque while on a speaking tour through the western territories.  the Commercial Club of Albuquerque chose a Navajo woman, called Elle of Ganado, to weave a gift for the president - a textile rendition of his honorary Commercial Club membership card.  Club members provided the design, which Elle wove quickly in hand-spun red, white, and blue yarn. \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/elle3_large.jpg?v=1487295542\" style=\"float: none; margin: 5px;\"\u003e\u003c\/p\u003e\n\u003cp\u003eDuring his tour of Albuquerque, Roosevelt visited the Commercial club, where he received Elle's blanket, and he stopped by the Alvarado Hotel's Indiana Building, where he met the weaver herself.  An Albuquerque newspaper reported that upon meeting the weaver, the \"president gave her a hearty shake and told her how much he appreciated her work.  The little speech was interpreted and pleased the Indian woman beyond expression.\"\u003c\/p\u003e\n\u003cp\u003eAlthough her own thoughts were apparently \"beyond expression,\" Elle's image spoke volumes to turn-of-the-century Americans, showing New Mexico as not only  conquered, but commercialized, safe for investment and safe for statehood.  \u003c\/p\u003e\n\u003cp\u003eIndeed, Commercial Club members orchestrated this performance as part of a statehood campaign, a drive for integration into the social, economic, and political life of the United States, an effort that would not pay off for nearly ten more years. \u003c\/p\u003e\n\u003cp\u003eElle and the president's meeting suggests ways in which race and gender, regional and national politics, culture and commerce interacted and were inextricably linked as the twentieth century began.  \u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cimg alt=\"Elle of Ganado\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/elle2_large.jpg?v=1487294321\" style=\"float: left; margin: 5px;\"\u003eThe pivotal role that Elle played in Roosevelt's visit reveals that while we tend to think of women like Elle as marginalized historical figures, they were far from peripheral to the unfolding of the twentieth-century American history.  Not only can we better understand such women by placing them within the larger economic, cultural, and political context of their times, but we can better understand that context by putting a woman like Elle at its center. Elle of Ganado, also called Asdzaa Lichii' (Red Woman) in Navajo, was born to the Black Sheep Clan and lived in the southern part of the Navajo Reservation near the Hubbell Trading Post in Ganado, Arizona.  She might have been about 50 years old at the time she met Roosevelt, and she lived until 1924.  She was acknowledged as the best weaver among the Navajo.\u003c\/p\u003e\n\u003cp\u003eAt the suggestion of trader John Lorenzo Hubbell, she and her husband Tom began spending substantial periods of time in Albuquerque beginning in 1903 after the Fred Harvey Company opened its Indian Building as part of the Alvarado Hotel complex at the Santa Fe Railroad depot.  Together with other Navajo and Pueblo families, they worked as arts and crafts demonstrators within the burgeoning southwestern tourist industry. \u003c\/p\u003e\n\u003cp\u003eYou may read the rest of this fascinating article online here: \u003ca href=\"https:\/\/www.jstor.org\/stable\/3347066\" title=\"Find article at JStor: Elle Meets the President: Weaving Navajo Culture and Commerce in the Southwestern Tourist Industry\" target=\"_blank\"\u003e https:\/\/www.jstor.org\/stable\/3347066\u003c\/a\u003e \u003c\/p\u003e\n\u003cp\u003eNavajopeople.org has an interesting piece about Elle's husband Tom here:  \u003ca href=\"http:\/\/navajopeople.org\/blog\/elle-ganado-wife-of-tom-ganado\/\" title=\"Read article here: Elle Ganado wife of Tom Ganado\" target=\"_blank\"\u003ehttp:\/\/navajopeople.org\/blog\/elle-ganado-wife-of-tom-ganado\/\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1Moore, Laura Jane. “Elle Meets the President: Weaving Navajo Culture and Commerce in the Southwestern Tourist Industry.” \u003c\/span\u003e\u003ci\u003eFrontiers: A Journal of Women Studies\u003c\/i\u003e\u003cspan\u003e, vol. 22, no. 1, 2001, pp. 21–44., www.jstor.org\/stable\/3347066.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-11T14:09:33-07:00","created_at":"2026-05-11T14:08:31-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48229993906398,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"President Roosevelt and Elle of Ganado","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/elle.jpg?v=1778533759"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/elle.jpg?v=1778533759","options":["Title"],"media":[{"alt":null,"id":38224396091614,"position":1,"preview_image":{"aspect_ratio":1.505,"height":196,"width":295,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/elle.jpg?v=1778533759"},"aspect_ratio":1.505,"height":196,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/elle.jpg?v=1778533759","width":295}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eWhat do President's day and Navajo weavings have in common?  A wonderful 2001 article published in \"Frontiers: A Journal of Women Studies\" brings both together in a way which helped shape the nation.  Please grab a cup of tea, sit back and let your heart be filled. \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eElle Meets the President: Weaving Navajo Culture and Commerce in the Southwestern Tourist Industry(1)\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eDuring the spring of 1903, President Theodore Roosevelt included a two-hour stop in Albuquerque while on a speaking tour through the western territories.  the Commercial Club of Albuquerque chose a Navajo woman, called Elle of Ganado, to weave a gift for the president - a textile rendition of his honorary Commercial Club membership card.  Club members provided the design, which Elle wove quickly in hand-spun red, white, and blue yarn. \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/elle3_large.jpg?v=1487295542\" style=\"float: none; margin: 5px;\"\u003e\u003c\/p\u003e\n\u003cp\u003eDuring his tour of Albuquerque, Roosevelt visited the Commercial club, where he received Elle's blanket, and he stopped by the Alvarado Hotel's Indiana Building, where he met the weaver herself.  An Albuquerque newspaper reported that upon meeting the weaver, the \"president gave her a hearty shake and told her how much he appreciated her work.  The little speech was interpreted and pleased the Indian woman beyond expression.\"\u003c\/p\u003e\n\u003cp\u003eAlthough her own thoughts were apparently \"beyond expression,\" Elle's image spoke volumes to turn-of-the-century Americans, showing New Mexico as not only  conquered, but commercialized, safe for investment and safe for statehood.  \u003c\/p\u003e\n\u003cp\u003eIndeed, Commercial Club members orchestrated this performance as part of a statehood campaign, a drive for integration into the social, economic, and political life of the United States, an effort that would not pay off for nearly ten more years. \u003c\/p\u003e\n\u003cp\u003eElle and the president's meeting suggests ways in which race and gender, regional and national politics, culture and commerce interacted and were inextricably linked as the twentieth century began.  \u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cimg alt=\"Elle of Ganado\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/elle2_large.jpg?v=1487294321\" style=\"float: left; margin: 5px;\"\u003eThe pivotal role that Elle played in Roosevelt's visit reveals that while we tend to think of women like Elle as marginalized historical figures, they were far from peripheral to the unfolding of the twentieth-century American history.  Not only can we better understand such women by placing them within the larger economic, cultural, and political context of their times, but we can better understand that context by putting a woman like Elle at its center. Elle of Ganado, also called Asdzaa Lichii' (Red Woman) in Navajo, was born to the Black Sheep Clan and lived in the southern part of the Navajo Reservation near the Hubbell Trading Post in Ganado, Arizona.  She might have been about 50 years old at the time she met Roosevelt, and she lived until 1924.  She was acknowledged as the best weaver among the Navajo.\u003c\/p\u003e\n\u003cp\u003eAt the suggestion of trader John Lorenzo Hubbell, she and her husband Tom began spending substantial periods of time in Albuquerque beginning in 1903 after the Fred Harvey Company opened its Indian Building as part of the Alvarado Hotel complex at the Santa Fe Railroad depot.  Together with other Navajo and Pueblo families, they worked as arts and crafts demonstrators within the burgeoning southwestern tourist industry. \u003c\/p\u003e\n\u003cp\u003eYou may read the rest of this fascinating article online here: \u003ca href=\"https:\/\/www.jstor.org\/stable\/3347066\" title=\"Find article at JStor: Elle Meets the President: Weaving Navajo Culture and Commerce in the Southwestern Tourist Industry\" target=\"_blank\"\u003e https:\/\/www.jstor.org\/stable\/3347066\u003c\/a\u003e \u003c\/p\u003e\n\u003cp\u003eNavajopeople.org has an interesting piece about Elle's husband Tom here:  \u003ca href=\"http:\/\/navajopeople.org\/blog\/elle-ganado-wife-of-tom-ganado\/\" title=\"Read article here: Elle Ganado wife of Tom Ganado\" target=\"_blank\"\u003ehttp:\/\/navajopeople.org\/blog\/elle-ganado-wife-of-tom-ganado\/\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1Moore, Laura Jane. “Elle Meets the President: Weaving Navajo Culture and Commerce in the Southwestern Tourist Industry.” \u003c\/span\u003e\u003ci\u003eFrontiers: A Journal of Women Studies\u003c\/i\u003e\u003cspan\u003e, vol. 22, no. 1, 2001, pp. 21–44., www.jstor.org\/stable\/3347066.\u003c\/span\u003e\u003c\/p\u003e"}

{"id":9211895840990,"title":"The History of Creating Vegetal Rug Dyes","handle":"the-history-of-creating-vegetal-rug-dyes","description":"\u003cp style=\"float: left;\"\u003e\u003cimg alt=\"navajo wool\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/navajo_weaving_wool_grande.jpg?v=1483910335\" style=\"margin-right: 10px; float: left;\"\u003eWeavers have been dyeing the wool for their weavings to create beautiful artistry nearly as long as they’ve been making rugs, tapestries, throws and blankets. And while methods have varied over the years, early Navajo weavers began using natural plant dyes as far back as the 1700s.\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003eBack then, wool was often dyed using indigo (blue) and cochineal (red)—which was sourced from the English Bayetta wool. Weavers continued to expand their dyeing abilities by boiling plants and extracting even more lasting colors and earthy tones. Today, weavers use a variety of beautiful colors to create gorgeous weavings that are simply breathtaking.\u003c\/p\u003e\n\u003cp style=\"float: right;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cimg alt=\"Vegetal Dyes\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Screen_Shot_2017-01-08_at_1.15.55_PM_large.png?v=1483910323\" style=\"float: right; margin-right: 10px;\"\u003eVegetal Dyes\u003cbr\u003e\u003c\/strong\u003eTraditional vegetal dye-making can be a difficult process, especially when trying to achieve the right consistency during dyeing. Weavers use a variety of natural sources to get the right hues and colorations, including roots, berries, flowers, leaves, moss, bark, and even seeds, all of which will vary depending on the growing season.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA fun fact about vegetal dyes:\u003c\/em\u003e Vegetal dye creation wasn’t an “original” Navajo tradition.  The revival of the vegetal dyed blanket began in the 1920s in Chinle with Cozy McSparren and later, Don Jenson in the 1940s. Bill and Sally Lippincott, owners of the Wide Ruins Trading Post, encouraged weavers to use vegetal and native dyes in the 1930s.\u003cbr\u003e\u003cbr\u003eBy the 1950s, legendary weaver Mable Burnside-Myers of Pine Springs, AZ, created a Navajo Dye Chart to help her children and other weavers create more consistent colors. Her chart shows the following native plants and sources:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRed Onion Skin\u003c\/li\u003e\n\u003cli\u003eSunflower\u003c\/li\u003e\n\u003cli\u003eAlder Bark\u003c\/li\u003e\n\u003cli\u003eSagebrush\u003c\/li\u003e\n\u003cli\u003eIndian Paint Brush\u003c\/li\u003e\n\u003cli\u003eRubber Plant\u003c\/li\u003e\n\u003cli\u003eJuniper Mistletoe\u003c\/li\u003e\n\u003cli\u003eRose Hips\u003c\/li\u003e\n\u003cli\u003eSmall Snake Weed\u003c\/li\u003e\n\u003cli\u003eJuniper Bark\u003c\/li\u003e\n\u003cli\u003eBrown Onion Skin\u003c\/li\u003e\n\u003cli\u003eGamble Oak Bark\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"float: left;\"\u003e\u003cimg alt=\"navajo weaver wool\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Mary-Bia-Begay-600x852_grande.jpg?v=1483909064\" style=\"margin-right: 10px; float: left;\"\u003eThis resurgence in using native reservation plants has played a major factor in the quality and value of rugs today. In fact, because producing consistent colors and having enough resources can make vegetal dye rugs can be a challenge, the cost of these memorable pieces will continue to rise. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOther Notable Dyes and Color Additions\u003cbr\u003e\u003c\/strong\u003ethough vegetal dyes are the most widely used and valued among the dyeing formats, there are also two other dyes that should be mentioned so you can properly understand how weavings are colored. These are aniline dyes and blended wools.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAniline Dye\u003cbr\u003e\u003c\/strong\u003eA synthetic and organic class of dye sourced from coal tar (aniline), these dyes or pigments are generally found in very bright or very dark colors used in Navajo weavings or textiles. Even newer anilines are working to emulate the subtle tones of vegetal dyes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBlended Wools\u003cbr\u003e\u003c\/strong\u003eWhen weavers card natural sheep wools and goat fibers together, this can form a new natural color known as a blended wool. For example, if you were to take two different sheep colors (black and white), you could card them together to create soft grays. These are often found in hand-spun rugs.\u003c\/p\u003e","published_at":"2026-05-11T14:13:27-07:00","created_at":"2026-05-11T14:11:18-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48230010880222,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The History of Creating Vegetal Rug Dyes","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/vegetal_dyes.jpg?v=1778533993"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/vegetal_dyes.jpg?v=1778533993","options":["Title"],"media":[{"alt":null,"id":38224427712734,"position":1,"preview_image":{"aspect_ratio":1.502,"height":201,"width":302,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/vegetal_dyes.jpg?v=1778533993"},"aspect_ratio":1.502,"height":201,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/vegetal_dyes.jpg?v=1778533993","width":302}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp style=\"float: left;\"\u003e\u003cimg alt=\"navajo wool\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/navajo_weaving_wool_grande.jpg?v=1483910335\" style=\"margin-right: 10px; float: left;\"\u003eWeavers have been dyeing the wool for their weavings to create beautiful artistry nearly as long as they’ve been making rugs, tapestries, throws and blankets. And while methods have varied over the years, early Navajo weavers began using natural plant dyes as far back as the 1700s.\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003eBack then, wool was often dyed using indigo (blue) and cochineal (red)—which was sourced from the English Bayetta wool. Weavers continued to expand their dyeing abilities by boiling plants and extracting even more lasting colors and earthy tones. Today, weavers use a variety of beautiful colors to create gorgeous weavings that are simply breathtaking.\u003c\/p\u003e\n\u003cp style=\"float: right;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003cimg alt=\"Vegetal Dyes\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Screen_Shot_2017-01-08_at_1.15.55_PM_large.png?v=1483910323\" style=\"float: right; margin-right: 10px;\"\u003eVegetal Dyes\u003cbr\u003e\u003c\/strong\u003eTraditional vegetal dye-making can be a difficult process, especially when trying to achieve the right consistency during dyeing. Weavers use a variety of natural sources to get the right hues and colorations, including roots, berries, flowers, leaves, moss, bark, and even seeds, all of which will vary depending on the growing season.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA fun fact about vegetal dyes:\u003c\/em\u003e Vegetal dye creation wasn’t an “original” Navajo tradition.  The revival of the vegetal dyed blanket began in the 1920s in Chinle with Cozy McSparren and later, Don Jenson in the 1940s. Bill and Sally Lippincott, owners of the Wide Ruins Trading Post, encouraged weavers to use vegetal and native dyes in the 1930s.\u003cbr\u003e\u003cbr\u003eBy the 1950s, legendary weaver Mable Burnside-Myers of Pine Springs, AZ, created a Navajo Dye Chart to help her children and other weavers create more consistent colors. Her chart shows the following native plants and sources:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRed Onion Skin\u003c\/li\u003e\n\u003cli\u003eSunflower\u003c\/li\u003e\n\u003cli\u003eAlder Bark\u003c\/li\u003e\n\u003cli\u003eSagebrush\u003c\/li\u003e\n\u003cli\u003eIndian Paint Brush\u003c\/li\u003e\n\u003cli\u003eRubber Plant\u003c\/li\u003e\n\u003cli\u003eJuniper Mistletoe\u003c\/li\u003e\n\u003cli\u003eRose Hips\u003c\/li\u003e\n\u003cli\u003eSmall Snake Weed\u003c\/li\u003e\n\u003cli\u003eJuniper Bark\u003c\/li\u003e\n\u003cli\u003eBrown Onion Skin\u003c\/li\u003e\n\u003cli\u003eGamble Oak Bark\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"float: left;\"\u003e\u003cimg alt=\"navajo weaver wool\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Mary-Bia-Begay-600x852_grande.jpg?v=1483909064\" style=\"margin-right: 10px; float: left;\"\u003eThis resurgence in using native reservation plants has played a major factor in the quality and value of rugs today. In fact, because producing consistent colors and having enough resources can make vegetal dye rugs can be a challenge, the cost of these memorable pieces will continue to rise. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOther Notable Dyes and Color Additions\u003cbr\u003e\u003c\/strong\u003ethough vegetal dyes are the most widely used and valued among the dyeing formats, there are also two other dyes that should be mentioned so you can properly understand how weavings are colored. These are aniline dyes and blended wools.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAniline Dye\u003cbr\u003e\u003c\/strong\u003eA synthetic and organic class of dye sourced from coal tar (aniline), these dyes or pigments are generally found in very bright or very dark colors used in Navajo weavings or textiles. Even newer anilines are working to emulate the subtle tones of vegetal dyes.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBlended Wools\u003cbr\u003e\u003c\/strong\u003eWhen weavers card natural sheep wools and goat fibers together, this can form a new natural color known as a blended wool. For example, if you were to take two different sheep colors (black and white), you could card them together to create soft grays. These are often found in hand-spun rugs.\u003c\/p\u003e"}

{"id":9211898822878,"title":"2nd Phase or 3rd Phase? Actually In-Between!","handle":"2nd-phase-or-3rd-phase-actually-in-between","description":"\u003cp\u003eIt is inspiring when Navajo rug collectors are born. Many immerse themselves so deep it is not long before they become experts.  This collector is a perfect example of when the student becomes the teacher.\u003c\/p\u003e\n\u003cp\u003ePlease enjoy the following article!\u003c\/p\u003e\n\u003cp\u003eMay 1, 2022\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSomewhere, Sometime, Somehow In-Between\u003cbr\u003e\u003c\/strong\u003eby Ed B. from Minnetonka, MN\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eSomewhere\u003c\/strong\u003e, deep in a canyon or atop a high mesa, early Pueblo wearing blankets became the inspiration for the The First Phase Chief-Style blanket, or “beeldlei” in Navajo. This style was a simple broad striped weaving made of native hand-spun churro wool, wider than long and so tightly woven that it shed the rain. These blankets kept one safe by offering protection from the elements. Expensive to trade for, Navajo blankets became highly sought after as a sign of important social status and wealth.  Hence the name Chief-Style Blanket.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSometime\u003c\/strong\u003e in the 1840’s, The Second Phase of the Navajo Chief-Style Blanket began to evolve. The arrival of crimson colored cloth and yarns into the Navajo region and renewed experimentation with designs produced rectangular blocks and bands in the new colors. Positioned onto the simple broad striped pattern, this arrangement created the illusion of space by establishing a stable figure-ground relationship. When small shapes are placed upon larger shapes, the larger shapes are understood to be the background.  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSomehow\u003c\/strong\u003e, by the 1860’s, the rectangular blocks and bands were slowly being replaced with triangular and diamond shapes that would define the Third Phase Chief-Style Blanket. Some shapes grew so large that they seemingly reversed the previous figure-ground relationship of the earlier Second Phase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIn-Between\u003c\/strong\u003e, there were early design ventures and continued experimentation with new shapes, colors and yarns that incorporated both the rectangular blocks typical of the Second Phase, combined with early stepped triangular shapes. Examples of this design combination are very rare.  \u003c\/p\u003e\n\u003cp\u003eIn this early transitional or variant blanket, 1860-1870, stepped triangular shapes have just germinated, appearing to grow out of the straight bands of the Second Phase borders. Observe how these new shapes seem to burst into the broader striped areas.  These triangular shapes help to create a newly defined border-contrast phenomena which is surely intensified by the triangular shapes when compared to the earlier straight bands. There exist only a few examples of this blanket design. Some refer to it as simply a Second Phase Variant or an early Third Phase.\u003c\/p\u003e","published_at":"2026-05-11T14:15:31-07:00","created_at":"2026-05-11T14:14:35-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48230030606558,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"2nd Phase or 3rd Phase? Actually In-Between!","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/3rdphaw.jpg?v=1778534120"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/3rdphaw.jpg?v=1778534120","options":["Title"],"media":[{"alt":null,"id":38224447013086,"position":1,"preview_image":{"aspect_ratio":1.255,"height":216,"width":271,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/3rdphaw.jpg?v=1778534120"},"aspect_ratio":1.255,"height":216,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/3rdphaw.jpg?v=1778534120","width":271}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eIt is inspiring when Navajo rug collectors are born. Many immerse themselves so deep it is not long before they become experts.  This collector is a perfect example of when the student becomes the teacher.\u003c\/p\u003e\n\u003cp\u003ePlease enjoy the following article!\u003c\/p\u003e\n\u003cp\u003eMay 1, 2022\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSomewhere, Sometime, Somehow In-Between\u003cbr\u003e\u003c\/strong\u003eby Ed B. from Minnetonka, MN\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eSomewhere\u003c\/strong\u003e, deep in a canyon or atop a high mesa, early Pueblo wearing blankets became the inspiration for the The First Phase Chief-Style blanket, or “beeldlei” in Navajo. This style was a simple broad striped weaving made of native hand-spun churro wool, wider than long and so tightly woven that it shed the rain. These blankets kept one safe by offering protection from the elements. Expensive to trade for, Navajo blankets became highly sought after as a sign of important social status and wealth.  Hence the name Chief-Style Blanket.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSometime\u003c\/strong\u003e in the 1840’s, The Second Phase of the Navajo Chief-Style Blanket began to evolve. The arrival of crimson colored cloth and yarns into the Navajo region and renewed experimentation with designs produced rectangular blocks and bands in the new colors. Positioned onto the simple broad striped pattern, this arrangement created the illusion of space by establishing a stable figure-ground relationship. When small shapes are placed upon larger shapes, the larger shapes are understood to be the background.  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSomehow\u003c\/strong\u003e, by the 1860’s, the rectangular blocks and bands were slowly being replaced with triangular and diamond shapes that would define the Third Phase Chief-Style Blanket. Some shapes grew so large that they seemingly reversed the previous figure-ground relationship of the earlier Second Phase.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIn-Between\u003c\/strong\u003e, there were early design ventures and continued experimentation with new shapes, colors and yarns that incorporated both the rectangular blocks typical of the Second Phase, combined with early stepped triangular shapes. Examples of this design combination are very rare.  \u003c\/p\u003e\n\u003cp\u003eIn this early transitional or variant blanket, 1860-1870, stepped triangular shapes have just germinated, appearing to grow out of the straight bands of the Second Phase borders. Observe how these new shapes seem to burst into the broader striped areas.  These triangular shapes help to create a newly defined border-contrast phenomena which is surely intensified by the triangular shapes when compared to the earlier straight bands. There exist only a few examples of this blanket design. Some refer to it as simply a Second Phase Variant or an early Third Phase.\u003c\/p\u003e"}

{"id":9211902001374,"title":"Bill Malone - One of the Last Authentic Indian Traders","handle":"bill","description":"\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-32c6e31 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"32c6e31\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-6d942ec\" data-id=\"6d942ec\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-cf4919d elementor-widget elementor-widget-text-editor\" data-id=\"cf4919d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Billy_topaz-face-upscale-3.6x_cropped_small_f53a0dd7-f4a7-419e-a77d-9a210b4bcc74.png?v=1748637976\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv\u003eBill Malone\u003c\/div\u003e\n\u003cdiv\u003e1939-2025 \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBy, Friends of Hubbell\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eA Founding Father of Friends of Hubbell and One of the Last Authentic Indian Traders\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-76f6341 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"76f6341\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-936e008\" data-id=\"936e008\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-2c04766 elementor-widget elementor-widget-text-editor\" data-id=\"2c04766\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv\u003eBilly Malone, a Founding Father of the Friends of Hubbell Organization and legendary trader to the Navajos, walked on from this earth on May 10, 2025.  \u003cspan\u003eFor nearly 65 years, Billy served and traded with the Southwest Native American community, both on the Navajo and Hopi Reservations.\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFresh out of the U.S. Army and unable to find employment, he began his colorful career in the early 1960s working at the trading post in Lupton, Arizona.  While working at Lupton, Billy met and married Minnie Goodluck, with whom they would spend more that 60 years together.  After working in Lupton about a year, he ventured to Keams Canyon, Arizona, on the Hopi Reservation, and began working under the tutelage of Cliff McGee, a well-known and respected operator of trading posts on the Hopi and Navajo Reservations. Billy caught the “bug” of becoming a full-time Indian Trader.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-c3c4372 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c3c4372\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e0e1189\" data-id=\"e0e1189\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-fafff20 elementor-widget-mobile__width-auto elementor-widget elementor-widget-text-editor\" data-id=\"fafff20\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003eHe was a ‘natural’ for the job and soon was moved to become assistant manager at the Piñon, Arizona, Trading Post on the Navajo Nation. Billy and Minnie spent 19 years at Piñon, started their family, and became an essential part of the community. While at the Piñon trading post, Billy, who became fluent in the Navajo language, became the trusted trader and partner to the surrounding Navajo community; making their phone calls, writing letters, officiating at funerals, settling disputes, and everything else that goes along the life of a trader. He also served as banker – cashing checks, making loans till payday, trading for store goods and supplies on credit, buying and selling livestock and wool, and trading for rugs, jewelry, saddles, and anything else the Diné brought in for trade, cash or collateral. Back in those days, the Navajo considered jewelry as a valuable trade commodity and Billy was not prone to “killing” (selling) their pawned items if someone was behind on payments. He realized it was very often family heirlooms and would work with the borrowers for as long as it took. For her part, Minnie, in addition to raising their family, became an accomplished weaver and silversmith, and later became the first Navajo Postmaster at Piñon, Arizona – a first for the Navajo Nation.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-e94aae3 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e94aae3\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c64c336\" data-id=\"c64c336\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-c740946 elementor-widget elementor-widget-text-editor\" data-id=\"c740946\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003e\u003cimg decoding=\"async\" class=\"wp-image-106 size-full alignleft\" src=\"https:\/\/friendsofhubbell.org\/wp-content\/uploads\/2025\/05\/Bill-and-Minnie_topaz-face-upscale-2x_small.png\" width=\"300\" height=\"400\"\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1981, Billy and Minnie moved from Piñon to Ganado as Billy was offered the position he could not refuse – Trader for the Hubbell Trading Post.  The Hubbell family had deeded the trading post to the National Park Service with the agreement that it was to be managed and continue to operate as a real trading post to preserve the historic role it served in a quickly vanishing era.  Billy and Minnie thrived as Billy maintained the ways of the old traders at the “crown jewel” of Navajo trading posts.  He served as the trader at Hubbell for 24 years.  But employee jealousy, coupled with ‘Government corporate bean-counters,’ who were supported by inexperienced and over-zealous NPS inspectors, brought the old-school running of Hubbell to an end.  As a result, Billy’s own lifetime collection of Native arts and crafts was illegally confiscated in an early morning raid on his home.  It was a two-and-a-half-year struggle before he was fully exonerated by the Federal courts and “most” of his belongings returned.  Some rugs, jewelry and cash somehow never were found nor returned.  (To get a real look into this travesty, read  “\u003ci\u003eThe Case of the Indian Trader: Billy Malone and the National Park Service Investigation at the Hubbell Trading Post\u003c\/i\u003e,” by Paul Berkowitz.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-7678182 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7678182\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-b6989ed\" data-id=\"b6989ed\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-48db4b5 elementor-widget elementor-widget-text-editor\" data-id=\"48db4b5\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003e\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-106 size-full alignleft\" src=\"https:\/\/friendsofhubbell.org\/wp-content\/uploads\/2025\/05\/With-grandchildern_topaz-face-upscale-2.7x_sign_floor_small.png\" width=\"300\" height=\"400\"\u003e\u003c\/p\u003e\n\u003cp\u003eAfter leaving Hubbell, Billy also worked at the Crystal Forest Museum and Gift Shop at the Petrified Forest National Park in Arizona as well as Shush Yazh Trading in Gallup.  \u003cspan\u003eHe then opened his own store, \u003ca href=\"https:\/\/billmalonetrading.com\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cb\u003eBill Malone Trading\u003c\/b\u003e\u003c\/a\u003e \u003c\/span\u003ein 2009, one of the most respected Native American arts and crafts establishments in Gallup and the Southwest.  The shop is still operated by his family in \u003cspan\u003eGallup.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003eBilly’s wife and life partner for more than 60 years, Minnie, passed away in June of 2024.  \u003c\/span\u003e\u003cspan\u003eBill is survived by his five children, 23 grandchildren and 29 great-grandchildren.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-8262dbe elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"8262dbe\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-bd8c620\" data-id=\"bd8c620\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-730715b elementor-widget elementor-widget-text-editor\" data-id=\"730715b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eBack in the early 1990s, Billy was a driving force behind the establishment of our Friends of Hubbell organization and its mission.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eA central figure in our organization for more than three decades, he continued to provide his wealth of knowledge and expertise on Southwestern Native American culture, arts and crafts, and did so up to the week he passed.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003ePerhaps long-time Friends of Hubbell board member Jay Mahoney summed up Billy’s life genuinely; “A great man has left us to join his beloved Minnie. Kindness was his trademark! He will not be forgotten by all who knew him. He touched so many lives in so many ways. His life mattered, for he left this world a better place than he was born into.”\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-94c9d90 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"94c9d90\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-a1af33b\" data-id=\"a1af33b\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-79ce0a5 elementor-widget elementor-widget-text-editor\" data-id=\"79ce0a5\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eEditor’s Note:\u003c\/b\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eIn recognition of Billy’s and Minnie’s lifetime of contributions to the Native American community and to our Friends of Hubbell organization, we are naming, in perpetuity,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eThe Billy and Minnie Malone Scholarship\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003ein their honor.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/048_f39a9606-fda0-4200-b49e-9a9a53c66755.jpg?v=1748637543\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSteve and Bill had been the closest of friends for decades. Many adventures and so many stories.  Steve attributes much of his success to Bill.  Now they are together again.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","published_at":"2026-05-11T14:18:35-07:00","created_at":"2026-05-11T14:17:16-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48230045286622,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bill Malone - One of the Last Authentic Indian Traders","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/BillM.jpg?v=1778534305"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/BillM.jpg?v=1778534305","options":["Title"],"media":[{"alt":null,"id":38224473555166,"position":1,"preview_image":{"aspect_ratio":1.691,"height":178,"width":301,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/BillM.jpg?v=1778534305"},"aspect_ratio":1.691,"height":178,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/BillM.jpg?v=1778534305","width":301}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-32c6e31 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"32c6e31\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-6d942ec\" data-id=\"6d942ec\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-cf4919d elementor-widget elementor-widget-text-editor\" data-id=\"cf4919d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Billy_topaz-face-upscale-3.6x_cropped_small_f53a0dd7-f4a7-419e-a77d-9a210b4bcc74.png?v=1748637976\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv\u003eBill Malone\u003c\/div\u003e\n\u003cdiv\u003e1939-2025 \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBy, Friends of Hubbell\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eA Founding Father of Friends of Hubbell and One of the Last Authentic Indian Traders\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-76f6341 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"76f6341\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-936e008\" data-id=\"936e008\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-2c04766 elementor-widget elementor-widget-text-editor\" data-id=\"2c04766\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cdiv\u003eBilly Malone, a Founding Father of the Friends of Hubbell Organization and legendary trader to the Navajos, walked on from this earth on May 10, 2025.  \u003cspan\u003eFor nearly 65 years, Billy served and traded with the Southwest Native American community, both on the Navajo and Hopi Reservations.\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFresh out of the U.S. Army and unable to find employment, he began his colorful career in the early 1960s working at the trading post in Lupton, Arizona.  While working at Lupton, Billy met and married Minnie Goodluck, with whom they would spend more that 60 years together.  After working in Lupton about a year, he ventured to Keams Canyon, Arizona, on the Hopi Reservation, and began working under the tutelage of Cliff McGee, a well-known and respected operator of trading posts on the Hopi and Navajo Reservations. Billy caught the “bug” of becoming a full-time Indian Trader.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-c3c4372 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c3c4372\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e0e1189\" data-id=\"e0e1189\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-fafff20 elementor-widget-mobile__width-auto elementor-widget elementor-widget-text-editor\" data-id=\"fafff20\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003eHe was a ‘natural’ for the job and soon was moved to become assistant manager at the Piñon, Arizona, Trading Post on the Navajo Nation. Billy and Minnie spent 19 years at Piñon, started their family, and became an essential part of the community. While at the Piñon trading post, Billy, who became fluent in the Navajo language, became the trusted trader and partner to the surrounding Navajo community; making their phone calls, writing letters, officiating at funerals, settling disputes, and everything else that goes along the life of a trader. He also served as banker – cashing checks, making loans till payday, trading for store goods and supplies on credit, buying and selling livestock and wool, and trading for rugs, jewelry, saddles, and anything else the Diné brought in for trade, cash or collateral. Back in those days, the Navajo considered jewelry as a valuable trade commodity and Billy was not prone to “killing” (selling) their pawned items if someone was behind on payments. He realized it was very often family heirlooms and would work with the borrowers for as long as it took. For her part, Minnie, in addition to raising their family, became an accomplished weaver and silversmith, and later became the first Navajo Postmaster at Piñon, Arizona – a first for the Navajo Nation.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-e94aae3 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e94aae3\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c64c336\" data-id=\"c64c336\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-c740946 elementor-widget elementor-widget-text-editor\" data-id=\"c740946\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003e\u003cimg decoding=\"async\" class=\"wp-image-106 size-full alignleft\" src=\"https:\/\/friendsofhubbell.org\/wp-content\/uploads\/2025\/05\/Bill-and-Minnie_topaz-face-upscale-2x_small.png\" width=\"300\" height=\"400\"\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1981, Billy and Minnie moved from Piñon to Ganado as Billy was offered the position he could not refuse – Trader for the Hubbell Trading Post.  The Hubbell family had deeded the trading post to the National Park Service with the agreement that it was to be managed and continue to operate as a real trading post to preserve the historic role it served in a quickly vanishing era.  Billy and Minnie thrived as Billy maintained the ways of the old traders at the “crown jewel” of Navajo trading posts.  He served as the trader at Hubbell for 24 years.  But employee jealousy, coupled with ‘Government corporate bean-counters,’ who were supported by inexperienced and over-zealous NPS inspectors, brought the old-school running of Hubbell to an end.  As a result, Billy’s own lifetime collection of Native arts and crafts was illegally confiscated in an early morning raid on his home.  It was a two-and-a-half-year struggle before he was fully exonerated by the Federal courts and “most” of his belongings returned.  Some rugs, jewelry and cash somehow never were found nor returned.  (To get a real look into this travesty, read  “\u003ci\u003eThe Case of the Indian Trader: Billy Malone and the National Park Service Investigation at the Hubbell Trading Post\u003c\/i\u003e,” by Paul Berkowitz.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-7678182 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7678182\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-b6989ed\" data-id=\"b6989ed\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-48db4b5 elementor-widget elementor-widget-text-editor\" data-id=\"48db4b5\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003e\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-106 size-full alignleft\" src=\"https:\/\/friendsofhubbell.org\/wp-content\/uploads\/2025\/05\/With-grandchildern_topaz-face-upscale-2.7x_sign_floor_small.png\" width=\"300\" height=\"400\"\u003e\u003c\/p\u003e\n\u003cp\u003eAfter leaving Hubbell, Billy also worked at the Crystal Forest Museum and Gift Shop at the Petrified Forest National Park in Arizona as well as Shush Yazh Trading in Gallup.  \u003cspan\u003eHe then opened his own store, \u003ca href=\"https:\/\/billmalonetrading.com\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cb\u003eBill Malone Trading\u003c\/b\u003e\u003c\/a\u003e \u003c\/span\u003ein 2009, one of the most respected Native American arts and crafts establishments in Gallup and the Southwest.  The shop is still operated by his family in \u003cspan\u003eGallup.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003eBilly’s wife and life partner for more than 60 years, Minnie, passed away in June of 2024.  \u003c\/span\u003e\u003cspan\u003eBill is survived by his five children, 23 grandchildren and 29 great-grandchildren.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-8262dbe elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"8262dbe\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-bd8c620\" data-id=\"bd8c620\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-730715b elementor-widget elementor-widget-text-editor\" data-id=\"730715b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eBack in the early 1990s, Billy was a driving force behind the establishment of our Friends of Hubbell organization and its mission.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eA central figure in our organization for more than three decades, he continued to provide his wealth of knowledge and expertise on Southwestern Native American culture, arts and crafts, and did so up to the week he passed.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003ePerhaps long-time Friends of Hubbell board member Jay Mahoney summed up Billy’s life genuinely; “A great man has left us to join his beloved Minnie. Kindness was his trademark! He will not be forgotten by all who knew him. He touched so many lives in so many ways. His life mattered, for he left this world a better place than he was born into.”\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"elementor-section elementor-top-section elementor-element elementor-element-94c9d90 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"94c9d90\" data-element_type=\"section\"\u003e\n\u003cdiv class=\"elementor-container elementor-column-gap-default\"\u003e\n\u003cdiv class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-a1af33b\" data-id=\"a1af33b\" data-element_type=\"column\"\u003e\n\u003cdiv class=\"elementor-widget-wrap elementor-element-populated\"\u003e\n\u003cdiv class=\"elementor-element elementor-element-79ce0a5 elementor-widget elementor-widget-text-editor\" data-id=\"79ce0a5\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eEditor’s Note:\u003c\/b\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eIn recognition of Billy’s and Minnie’s lifetime of contributions to the Native American community and to our Friends of Hubbell organization, we are naming, in perpetuity,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eThe Billy and Minnie Malone Scholarship\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003ein their honor.\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/048_f39a9606-fda0-4200-b49e-9a9a53c66755.jpg?v=1748637543\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSteve and Bill had been the closest of friends for decades. Many adventures and so many stories.  Steve attributes much of his success to Bill.  Now they are together again.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e"}

{"id":9212757311710,"title":"Katherine Marianito – Lady with Courage","handle":"katherine-marianito-lady-with-courage","description":"\u003cp style=\"float: right;\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"line-height: 1.5;\"\u003eNavajo Name:\u003c\/strong\u003e\u003cspan style=\"line-height: 1.5;\"\u003e Yiintbaah – Lady with Courage\u003c\/span\u003e \u003cstrong\u003e\u003cimg alt=\"Navajo Weaving Kathy Marianito\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Churro-1361R1_large.jpg?v=1482351286\" style=\"float: right; margin-left: 10px;\"\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003eBorn:\u003c\/strong\u003e May 15, 1932\u003cbr\u003e\u003cstrong\u003eClans:\u003c\/strong\u003e Redhouse Born for Edge Water (Tabahi)\u003cbr\u003eChii: Bitterwater, Naali – Nodo dine tachini\u003cbr\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/manuelito2_medium.jpeg?v=1482351287\" style=\"float: left;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eKathy Marianito descends from a long line of some of the finest blanket weavers in Navajo history. A great-great-grandchild of Juanita, considered one of the finest blanket weavers in the 1870-80s, and Manuelito, a prominent leader of the Navajo who helped negotiate their release from Fort Sumner in 1868; she’s inherited a great legacy.\u003cbr\u003e\u003cbr\u003eFortunately, it’s a legacy she’s been proud to represent and has done so quite gracefully. A natural weaver and artist in her own right, she began stealing her mother’s yarn at just 8 years old so she could “weave” it on a nearby fence. Once she was discovered, what began as a difficult challenge quickly became a lifelong passion.\u003cbr\u003e\u003cbr\u003e\u003cimg alt=\"Kathy Master WEaver\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Kathy-Marianito-silk-shaw-AUG-600x450_large.jpg?v=1482351285\" style=\"float: left; margin-right: 10px;\"\u003eHer mother would gently push her to learn to do it on her own, with subtle gestures and guidance as she grew more confident in her skills. It wasn’t long before she’d made six blankets in a summer so she could trade them for shoes and clothes for boarding school.\u003c\/p\u003e\n\u003cp\u003eKathy reminds us that it was her mother’s words that were the biggest lesson in our success: “You have to learn it, so you know next time to do it better.”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e“My very own hands, my designs…that’s how I got started.”\u003cbr\u003e\u003cbr\u003eBefore long she learned how to wash sheep’s wool, how to dry it, and how to spin and dye it using plants like sage, sunflowers and tumbleweeds as natural colors. She laughs and says, “We tried everything!”\u003cbr\u003e\u003cbr\u003eBy 15, however, things began to change and she was to be married in an arranged marriage to an older man. Always the one to strike out on her own path, she instead decided to take off. Taking with some clothes and what little money she had, she rode off on a horse and boarded a bus for Salt Lake City.\u003cbr\u003e\u003cbr\u003e\u003cimg alt=\"Kathy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/kathy3_large.jpg?v=1482351286\" style=\"float: right; margin-left: 10px;\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe excitement and adventure took hold and for the first time off the reservation, she began educating herself and became a seamstress. She eventually moved on to California, only going back to the reservation for quick visits, stating, “I’d come back to the reservation, but it was lonely because I was a city girl now.” Kathy would laugh.\u003cbr\u003e\u003cbr\u003eYears later she did return at the behest of her mother, but she decided to use her newfound time to visit homes and take care of those in the community. While she admits to almost losing her language, it was her people and her mother that brought it and her love for weaving back to the forefront.\u003cbr\u003e\u003cbr\u003eAs she worked with those going through alcohol detox, she found that a good way to help them stay sober was teaching them different crafts and how to learn new habits.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I taught grandmothers and young girls to sew and quilt; how to design them; even how to make tools for weaving.”\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003cimg alt=\"Kathy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Steve-and-Kathy-and-Lorenzo_large.jpg?v=1482351286\" style=\"float: left; margin-right: 10px;\"\u003eAlong the way, Kathy met Lorenzo Marianito, a Navajo medicine man who also came from a family of weavers. This time, however, she found that marriage was the right choice; a decision that has withstood the test of time much like her weavings. \u003cbr\u003e\u003cbr\u003eIn 1998, Steve Getzwiller heard about Kathy’s beautiful rug-making skills and he convinced her to take her Navajo weaving to a new level. In fact, they were the first to use silk as a fiber in traditional designs, and the only ones incorporating alpaca into their gorgeous, unmistakable art.\u003cbr\u003e\u003cbr\u003eOver the next 12 years, Kathy would hone her craft so much so that she became an award-winning weaver. In fact, by 2012, she won many awards including First Place and Best of Category at the Gallup Inter-Tribal All Indian Ceremonial.\u003cbr\u003e\u003cbr\u003eToday, her work is highly sought after by collectors and at 85 years young, Kathy still excels in her artwork, the traditions of her past and her present are still there to behold.\u003cbr\u003e\u003cbr\u003eShe’s quick to recall listening to the tales of her elders, never forgetting the long walk, her search to find herself, while retaining the pride of her people. Kathy Marianito may have ventured out far beyond her mother’s teachings, but each weaving embodies the love she has for her ancestors and her family today.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hwgmbKGXZ0Y\"\u003e\u003c\/iframe\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/C8_47RV_n58\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2026-05-12T10:32:36-07:00","created_at":"2026-05-12T10:31:17-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48234876797150,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Katherine Marianito – Lady with Courage","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/Kathylady.jpg?v=1778607148"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/Kathylady.jpg?v=1778607148","options":["Title"],"media":[{"alt":null,"id":38231248896222,"position":1,"preview_image":{"aspect_ratio":0.758,"height":297,"width":225,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/Kathylady.jpg?v=1778607148"},"aspect_ratio":0.758,"height":297,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/Kathylady.jpg?v=1778607148","width":225}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp style=\"float: right;\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"line-height: 1.5;\"\u003eNavajo Name:\u003c\/strong\u003e\u003cspan style=\"line-height: 1.5;\"\u003e Yiintbaah – Lady with Courage\u003c\/span\u003e \u003cstrong\u003e\u003cimg alt=\"Navajo Weaving Kathy Marianito\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Churro-1361R1_large.jpg?v=1482351286\" style=\"float: right; margin-left: 10px;\"\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003eBorn:\u003c\/strong\u003e May 15, 1932\u003cbr\u003e\u003cstrong\u003eClans:\u003c\/strong\u003e Redhouse Born for Edge Water (Tabahi)\u003cbr\u003eChii: Bitterwater, Naali – Nodo dine tachini\u003cbr\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/manuelito2_medium.jpeg?v=1482351287\" style=\"float: left;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eKathy Marianito descends from a long line of some of the finest blanket weavers in Navajo history. A great-great-grandchild of Juanita, considered one of the finest blanket weavers in the 1870-80s, and Manuelito, a prominent leader of the Navajo who helped negotiate their release from Fort Sumner in 1868; she’s inherited a great legacy.\u003cbr\u003e\u003cbr\u003eFortunately, it’s a legacy she’s been proud to represent and has done so quite gracefully. A natural weaver and artist in her own right, she began stealing her mother’s yarn at just 8 years old so she could “weave” it on a nearby fence. Once she was discovered, what began as a difficult challenge quickly became a lifelong passion.\u003cbr\u003e\u003cbr\u003e\u003cimg alt=\"Kathy Master WEaver\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Kathy-Marianito-silk-shaw-AUG-600x450_large.jpg?v=1482351285\" style=\"float: left; margin-right: 10px;\"\u003eHer mother would gently push her to learn to do it on her own, with subtle gestures and guidance as she grew more confident in her skills. It wasn’t long before she’d made six blankets in a summer so she could trade them for shoes and clothes for boarding school.\u003c\/p\u003e\n\u003cp\u003eKathy reminds us that it was her mother’s words that were the biggest lesson in our success: “You have to learn it, so you know next time to do it better.”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e“My very own hands, my designs…that’s how I got started.”\u003cbr\u003e\u003cbr\u003eBefore long she learned how to wash sheep’s wool, how to dry it, and how to spin and dye it using plants like sage, sunflowers and tumbleweeds as natural colors. She laughs and says, “We tried everything!”\u003cbr\u003e\u003cbr\u003eBy 15, however, things began to change and she was to be married in an arranged marriage to an older man. Always the one to strike out on her own path, she instead decided to take off. Taking with some clothes and what little money she had, she rode off on a horse and boarded a bus for Salt Lake City.\u003cbr\u003e\u003cbr\u003e\u003cimg alt=\"Kathy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/kathy3_large.jpg?v=1482351286\" style=\"float: right; margin-left: 10px;\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe excitement and adventure took hold and for the first time off the reservation, she began educating herself and became a seamstress. She eventually moved on to California, only going back to the reservation for quick visits, stating, “I’d come back to the reservation, but it was lonely because I was a city girl now.” Kathy would laugh.\u003cbr\u003e\u003cbr\u003eYears later she did return at the behest of her mother, but she decided to use her newfound time to visit homes and take care of those in the community. While she admits to almost losing her language, it was her people and her mother that brought it and her love for weaving back to the forefront.\u003cbr\u003e\u003cbr\u003eAs she worked with those going through alcohol detox, she found that a good way to help them stay sober was teaching them different crafts and how to learn new habits.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I taught grandmothers and young girls to sew and quilt; how to design them; even how to make tools for weaving.”\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003cimg alt=\"Kathy\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Steve-and-Kathy-and-Lorenzo_large.jpg?v=1482351286\" style=\"float: left; margin-right: 10px;\"\u003eAlong the way, Kathy met Lorenzo Marianito, a Navajo medicine man who also came from a family of weavers. This time, however, she found that marriage was the right choice; a decision that has withstood the test of time much like her weavings. \u003cbr\u003e\u003cbr\u003eIn 1998, Steve Getzwiller heard about Kathy’s beautiful rug-making skills and he convinced her to take her Navajo weaving to a new level. In fact, they were the first to use silk as a fiber in traditional designs, and the only ones incorporating alpaca into their gorgeous, unmistakable art.\u003cbr\u003e\u003cbr\u003eOver the next 12 years, Kathy would hone her craft so much so that she became an award-winning weaver. In fact, by 2012, she won many awards including First Place and Best of Category at the Gallup Inter-Tribal All Indian Ceremonial.\u003cbr\u003e\u003cbr\u003eToday, her work is highly sought after by collectors and at 85 years young, Kathy still excels in her artwork, the traditions of her past and her present are still there to behold.\u003cbr\u003e\u003cbr\u003eShe’s quick to recall listening to the tales of her elders, never forgetting the long walk, her search to find herself, while retaining the pride of her people. Kathy Marianito may have ventured out far beyond her mother’s teachings, but each weaving embodies the love she has for her ancestors and her family today.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hwgmbKGXZ0Y\"\u003e\u003c\/iframe\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/C8_47RV_n58\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

{"id":9212763767006,"title":"Sandpainting : Father Sky Mother Earth Explained","handle":"sandpainting-father-sky-mother-earth-explained","description":"\u003cp\u003eNavajo Sandpainting - Father Sky, Mother Earth weaving from the Male Shooting Chant and used in various other chant ways.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe first creation of the Great Spirit was Father Sky and Mother Earth, \u003c\/span\u003e\u003cspan\u003efrom whence all life sprang.\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe stars, sun, moon and the constellations are shown on the body of Father Sky. The zigzags crossing his shoulders, arms, and legs form the Milky Way.  From the bosom of Mother Earth radiates the life-giving energy of the sun, bringing fertility to the womb of Mother Earth, from whence springs the seed of all living things.  The 4 sacred plants shown are: Tobacco, Corn, Bean and Squash. \u003cbr\u003e\u003cbr\u003eMineral, vegetable, and animal – all things grow, mature, bear fruit, and fall. They all return back to the source from which they came (represented by the ovals at the bottom of Father Sky and Mother Earth).\u003cbr\u003e\u003cbr\u003eThe bat, the sacred messenger of the spirit of the night, and Big Fly or Sacred Fly guard the sand painting.  The Rainbow Bars allow the Holy People to translocate instantaneously.  \u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-12T10:39:02-07:00","created_at":"2026-05-12T10:37:29-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48234952786142,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sandpainting : Father Sky Mother Earth Explained","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/motherearth.jpg?v=1778607512"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/motherearth.jpg?v=1778607512","options":["Title"],"media":[{"alt":null,"id":38231294542046,"position":1,"preview_image":{"aspect_ratio":0.978,"height":278,"width":272,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/motherearth.jpg?v=1778607512"},"aspect_ratio":0.978,"height":278,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/motherearth.jpg?v=1778607512","width":272}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eNavajo Sandpainting - Father Sky, Mother Earth weaving from the Male Shooting Chant and used in various other chant ways.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe first creation of the Great Spirit was Father Sky and Mother Earth, \u003c\/span\u003e\u003cspan\u003efrom whence all life sprang.\u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe stars, sun, moon and the constellations are shown on the body of Father Sky. The zigzags crossing his shoulders, arms, and legs form the Milky Way.  From the bosom of Mother Earth radiates the life-giving energy of the sun, bringing fertility to the womb of Mother Earth, from whence springs the seed of all living things.  The 4 sacred plants shown are: Tobacco, Corn, Bean and Squash. \u003cbr\u003e\u003cbr\u003eMineral, vegetable, and animal – all things grow, mature, bear fruit, and fall. They all return back to the source from which they came (represented by the ovals at the bottom of Father Sky and Mother Earth).\u003cbr\u003e\u003cbr\u003eThe bat, the sacred messenger of the spirit of the night, and Big Fly or Sacred Fly guard the sand painting.  The Rainbow Bars allow the Holy People to translocate instantaneously.  \u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e"}

{"id":9212779888862,"title":"Churro Sheep : Back from the Brink!","handle":"churro-sheep-back-from-the-brink","description":"\u003cp\u003eFor hundreds of years Churro sheep have been the center of Navajo life, yet the animal was nearly exterminated by outside forces.  \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSteve started working with Navajo weavers in the early 1970s and in the 1980s. He was very interested in improving the Navajo weaving quality by distributing better wools to some of his better weavers. During this time it was New Zealand Romney and Lincoln wools he would distribute to some of the better weavers in the Wide Ruins and surrounding areas. Many of these works were featured in his book \u003c\/span\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/books\/products\/book-the-fine-art-of-navajo-weaving\" title=\"Steve Getzwiller's The Fine Art of Navajo Weaving Book\"\u003e\u003ci\u003eThe Fine Art of Navajo Weaving\u003c\/i\u003e\u003c\/a\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/books\/products\/book-the-fine-art-of-navajo-weaving\" title=\"Steve Getzwiller's The Fine Art of Navajo Weaving Book\"\u003e.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the 1990s the economy was not very good and the natural dyes of the Wide Ruin weavers were copied commercially so the uniqueness of their weavings was compromised in value. At this time, Navajo weavings were missing something. Steve met with an old friend, Ray Dewey, in Santa Fe and they discussed how the quality of Navajo weavings could be improved at this point in time. The answer was the wool and the dyes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe best weaving wool for the Navajo rugs and blankets is the Churro sheep wool. The historic pieces that have been present since over 100 years ago are clear evidence that the Churro wool is the best and only becomes better with time. This conclusion planted the seed to bring Navajo churro wool back to the loom. There were existing efforts to revive the Churro sheep since it was on the endangered species list, but nothing to improve genetics enough to have a high quality weaving wool. Navajo churro wool was the first weaving wool of the Navajo Nation because of its low lanolin content, long staple and translucent qualities. Bringing the churro sheep back to the Navajo weaver and the wool back to the loom was an important goal for Steve and Gail.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSteve was able to find the source of the Navajo Churro Registry where the genetics were being perfected for a better fleece. The next step was to find dye artists who were willing to dye the wool by hand for what would later be called the '\u003ca href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\" title=\"Premiere collection of contemporary Navajo weavings exclusively commissioned by Steve from the Churro wool he provides to Navajo Master weavers\"\u003eNavajo Churro Collection\u003c\/a\u003e'.  Though it seems like a simple thing, this took several years to put together. Moving forward with the process, the next step was reaching out to the best weavers on the Navajo reservation who were willing to use the Churro wool. The weavers were thrilled to use the wool, loved the new colors (Indigo, Cochineal and the highest quality dyes from Switzerland). With that, the \u003ca href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\" title=\"highest quality Navajo weavings created with churro sheep wool\"\u003eNavajo Churro Collection\u003c\/a\u003e was born.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Julia_Upshaw_L_1024x1024_2e9acfb4-9808-44dd-ba34-a2c8b2f9e655_large.jpg?v=1520366651\" alt=\"Navajo third phase Chief blanket Julia Upshaw weaver indigo blue cochineal red Nizhoni Ranch\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe result of this project is history making in itself. For one thing the Navajo Churro Sheep are no longer on the endangered species list. Some of the very best master weavers of the Navajo nation are able to work on projects in the Navajo Churro Collection that they otherwise would not be able to do. They are given the very best wool which is hand dyed and custom spun ready for them to weave on their loom; the \u003ca href=\"https:\/\/www.navajorug.com\/\" title=\"Steve and Gail Getzwiller's Nizhoni Ranch Gallery Navajo weavings and other native American art\"\u003eNizhoni Ranch Gallery\u003c\/a\u003e supports them through the weaving process even if it takes years for them to complete. A registry is kept of each weaving documenting the weaver, a photo of her, and the weaving. It is very important that in 100 years from now, the weavers will be recognized for their work.\u003c\/p\u003e\n\u003cp\u003eThe Navajo Churro Collection Weaving project is playing a part in preserving the Navajo weaving art in the Navajo culture. The Navajo Churro Collection celebrates the Navajo weavers and the art of the loom. The \u003ca href=\"https:\/\/www.navajorug.com\/\" title=\"Steve and Gail Getzwiller's Nizhoni Ranch Gallery Navajo weavings and other native American art\"\u003eNizhoni Ranch Gallery\u003c\/a\u003e exclusively offers these weavings to the world, which represent some of the finest Navajo weavings ever made. Steve and Gail will continue their work and hope that one of the benefits of this project will be for young Navajos to take up this very difficult and beautiful art form, as it is a legacy well worth preserving.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2026-05-12T10:51:38-07:00","created_at":"2026-05-12T10:51:09-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48235088052446,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Churro Sheep : Back from the Brink!","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/navajowomenland.jpg?v=1778608292"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/navajowomenland.jpg?v=1778608292","options":["Title"],"media":[{"alt":null,"id":38231388553438,"position":1,"preview_image":{"aspect_ratio":1.485,"height":196,"width":291,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/navajowomenland.jpg?v=1778608292"},"aspect_ratio":1.485,"height":196,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/navajowomenland.jpg?v=1778608292","width":291}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eFor hundreds of years Churro sheep have been the center of Navajo life, yet the animal was nearly exterminated by outside forces.  \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSteve started working with Navajo weavers in the early 1970s and in the 1980s. He was very interested in improving the Navajo weaving quality by distributing better wools to some of his better weavers. During this time it was New Zealand Romney and Lincoln wools he would distribute to some of the better weavers in the Wide Ruins and surrounding areas. Many of these works were featured in his book \u003c\/span\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/books\/products\/book-the-fine-art-of-navajo-weaving\" title=\"Steve Getzwiller's The Fine Art of Navajo Weaving Book\"\u003e\u003ci\u003eThe Fine Art of Navajo Weaving\u003c\/i\u003e\u003c\/a\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/books\/products\/book-the-fine-art-of-navajo-weaving\" title=\"Steve Getzwiller's The Fine Art of Navajo Weaving Book\"\u003e.\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the 1990s the economy was not very good and the natural dyes of the Wide Ruin weavers were copied commercially so the uniqueness of their weavings was compromised in value. At this time, Navajo weavings were missing something. Steve met with an old friend, Ray Dewey, in Santa Fe and they discussed how the quality of Navajo weavings could be improved at this point in time. The answer was the wool and the dyes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe best weaving wool for the Navajo rugs and blankets is the Churro sheep wool. The historic pieces that have been present since over 100 years ago are clear evidence that the Churro wool is the best and only becomes better with time. This conclusion planted the seed to bring Navajo churro wool back to the loom. There were existing efforts to revive the Churro sheep since it was on the endangered species list, but nothing to improve genetics enough to have a high quality weaving wool. Navajo churro wool was the first weaving wool of the Navajo Nation because of its low lanolin content, long staple and translucent qualities. Bringing the churro sheep back to the Navajo weaver and the wool back to the loom was an important goal for Steve and Gail.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSteve was able to find the source of the Navajo Churro Registry where the genetics were being perfected for a better fleece. The next step was to find dye artists who were willing to dye the wool by hand for what would later be called the '\u003ca href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\" title=\"Premiere collection of contemporary Navajo weavings exclusively commissioned by Steve from the Churro wool he provides to Navajo Master weavers\"\u003eNavajo Churro Collection\u003c\/a\u003e'.  Though it seems like a simple thing, this took several years to put together. Moving forward with the process, the next step was reaching out to the best weavers on the Navajo reservation who were willing to use the Churro wool. The weavers were thrilled to use the wool, loved the new colors (Indigo, Cochineal and the highest quality dyes from Switzerland). With that, the \u003ca href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\" title=\"highest quality Navajo weavings created with churro sheep wool\"\u003eNavajo Churro Collection\u003c\/a\u003e was born.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Julia_Upshaw_L_1024x1024_2e9acfb4-9808-44dd-ba34-a2c8b2f9e655_large.jpg?v=1520366651\" alt=\"Navajo third phase Chief blanket Julia Upshaw weaver indigo blue cochineal red Nizhoni Ranch\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe result of this project is history making in itself. For one thing the Navajo Churro Sheep are no longer on the endangered species list. Some of the very best master weavers of the Navajo nation are able to work on projects in the Navajo Churro Collection that they otherwise would not be able to do. They are given the very best wool which is hand dyed and custom spun ready for them to weave on their loom; the \u003ca href=\"https:\/\/www.navajorug.com\/\" title=\"Steve and Gail Getzwiller's Nizhoni Ranch Gallery Navajo weavings and other native American art\"\u003eNizhoni Ranch Gallery\u003c\/a\u003e supports them through the weaving process even if it takes years for them to complete. A registry is kept of each weaving documenting the weaver, a photo of her, and the weaving. It is very important that in 100 years from now, the weavers will be recognized for their work.\u003c\/p\u003e\n\u003cp\u003eThe Navajo Churro Collection Weaving project is playing a part in preserving the Navajo weaving art in the Navajo culture. The Navajo Churro Collection celebrates the Navajo weavers and the art of the loom. The \u003ca href=\"https:\/\/www.navajorug.com\/\" title=\"Steve and Gail Getzwiller's Nizhoni Ranch Gallery Navajo weavings and other native American art\"\u003eNizhoni Ranch Gallery\u003c\/a\u003e exclusively offers these weavings to the world, which represent some of the finest Navajo weavings ever made. Steve and Gail will continue their work and hope that one of the benefits of this project will be for young Navajos to take up this very difficult and beautiful art form, as it is a legacy well worth preserving.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}

{"id":9212784279774,"title":"Dye Master at Work!","handle":"dye-master-at-work","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eMaster weaver and dye artist \u003ca href=\"https:\/\/www.navajorug.com\/search?q=helen+bia\" title=\"Helen Bia Master weaver rugs for sale at Nizhoni Ranch Gallery\"\u003eHelen Bia\u003c\/a\u003e hard at work!\u003c\/strong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/IMG_20190320_111303_large.jpg?v=1553186692\" alt=\"\"\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eStep 1 - make the dye\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/IMG_20190320_121031_large.jpg?v=1553186716\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eStep 2 - add the wool and simmer\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/IMG_20190320_123914_large.jpg?v=1553186729\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eStep 3 - let the wool cool and sit to absorb the dye\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/IMG_20190320_132521_large.jpg?v=1553186871\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eStep 4 - check the color intensity\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/IMG_20190320_132259_large.jpg?v=1553186882\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eStep 5 - once the desired color is achieved, rinse the wool and let dry.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaking natural dyes and hand dying wool in incredibly time consuming.  Very few weavers today take the extra time and effort to hand dye their wool.  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIt is a family tradition in certain weaving families along with \"secret\" family dye recipes.  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThank you Helen for giving us a glimpse into a day in the life of a Master Navajo Weaver.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBelow is the final product!\u003c\/strong\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/navajo-rug-on-the-loom-gloria-bia-looming-attractions-vegetal-dyed-navajo-weaving-gloria-bia-churro-1597?_pos=1\u0026amp;_sid=43df3c750\u0026amp;_ss=r\" title=\"THREE TURKEY RUIN: VEGETAL DYED NAVAJO WEAVING : GLORIA BIA : CHURRO 1597\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/chinle-navajo-rug-helen-bia-churro-1703-26-x-36-22-x-3?_pos=4\u0026amp;_sid=abdf20485\u0026amp;_ss=r\" title=\"Helen bia chile rug\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Churro-1703-helen-bia-chinle-navajo-rug_3.jpg?v=1748632545\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/chinle-navajo-rug-helen-bia-churro-1703-26-x-36-22-x-3?_pos=4\u0026amp;_sid=abdf20485\u0026amp;_ss=r\" title=\"Helen bia chile rug\"\u003eChinle : Navajo Rug : Helen Bia : Churro 1703 : \u003c\/a\u003e\u003c\/h3\u003e\n\u003ch3 style=\"text-align: center;\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/chinle-navajo-rug-helen-bia-churro-1703-26-x-36-22-x-3?_pos=4\u0026amp;_sid=abdf20485\u0026amp;_ss=r\" title=\"Helen bia chile rug\"\u003e26\" x 36\" (2'2\" x 3') : $4,000\u003c\/a\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2026-05-12T10:58:26-07:00","created_at":"2026-05-12T10:55:58-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48235126653150,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dye Master at Work!","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/IMG_20190320_132259_d808befd-0b9a-483c-8c97-cbf45f97ddea.jpg?v=1741289677"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/IMG_20190320_132259_d808befd-0b9a-483c-8c97-cbf45f97ddea.jpg?v=1741289677","options":["Title"],"media":[{"alt":"Helen Bia hand dying her wool with secret family dyes made with dye stuff harvested from her family property.","id":35865906905310,"position":1,"preview_image":{"aspect_ratio":0.6,"height":400,"width":240,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/IMG_20190320_132259_d808befd-0b9a-483c-8c97-cbf45f97ddea.jpg?v=1741289677"},"aspect_ratio":0.6,"height":400,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/IMG_20190320_132259_d808befd-0b9a-483c-8c97-cbf45f97ddea.jpg?v=1741289677","width":240}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eMaster weaver and dye artist \u003ca href=\"https:\/\/www.navajorug.com\/search?q=helen+bia\" title=\"Helen Bia Master weaver rugs for sale at Nizhoni Ranch Gallery\"\u003eHelen Bia\u003c\/a\u003e hard at work!\u003c\/strong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/IMG_20190320_111303_large.jpg?v=1553186692\" alt=\"\"\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eStep 1 - make the dye\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/IMG_20190320_121031_large.jpg?v=1553186716\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eStep 2 - add the wool and simmer\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/IMG_20190320_123914_large.jpg?v=1553186729\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eStep 3 - let the wool cool and sit to absorb the dye\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/IMG_20190320_132521_large.jpg?v=1553186871\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eStep 4 - check the color intensity\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/IMG_20190320_132259_large.jpg?v=1553186882\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eStep 5 - once the desired color is achieved, rinse the wool and let dry.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaking natural dyes and hand dying wool in incredibly time consuming.  Very few weavers today take the extra time and effort to hand dye their wool.  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIt is a family tradition in certain weaving families along with \"secret\" family dye recipes.  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThank you Helen for giving us a glimpse into a day in the life of a Master Navajo Weaver.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBelow is the final product!\u003c\/strong\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/navajo-rug-on-the-loom-gloria-bia-looming-attractions-vegetal-dyed-navajo-weaving-gloria-bia-churro-1597?_pos=1\u0026amp;_sid=43df3c750\u0026amp;_ss=r\" title=\"THREE TURKEY RUIN: VEGETAL DYED NAVAJO WEAVING : GLORIA BIA : CHURRO 1597\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/chinle-navajo-rug-helen-bia-churro-1703-26-x-36-22-x-3?_pos=4\u0026amp;_sid=abdf20485\u0026amp;_ss=r\" title=\"Helen bia chile rug\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Churro-1703-helen-bia-chinle-navajo-rug_3.jpg?v=1748632545\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/chinle-navajo-rug-helen-bia-churro-1703-26-x-36-22-x-3?_pos=4\u0026amp;_sid=abdf20485\u0026amp;_ss=r\" title=\"Helen bia chile rug\"\u003eChinle : Navajo Rug : Helen Bia : Churro 1703 : \u003c\/a\u003e\u003c\/h3\u003e\n\u003ch3 style=\"text-align: center;\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/chinle-navajo-rug-helen-bia-churro-1703-26-x-36-22-x-3?_pos=4\u0026amp;_sid=abdf20485\u0026amp;_ss=r\" title=\"Helen bia chile rug\"\u003e26\" x 36\" (2'2\" x 3') : $4,000\u003c\/a\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}

{"id":9212787359966,"title":"The History of the Getzwiller Navajo Churro Collection","handle":"the-history-of-the-getzwiller-navajo-churro-collection","description":"\u003cp\u003e\u003cstrong\u003eIn the 1990s the quality and uniqueness of Navajo weavings was on the decline.  Steve met with an old friend, Ray Dewey, in Santa Fe and they discussed how the quality of Navajo weavings could be improved.  The answer was improve the quality of the wool and dyes.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFor hundreds of years Churro sheep have been the center of Navajo life.  Navajo churro wool was the first weaving wool of the Navajo Nation because of its low lanolin content, long staple and translucent qualities.  Unfortunately the churro sheep were nearly exterminated by outside forces.  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIn the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/historic\" title=\"Getzwiller Historic Navajo Rug Collection\"\u003eGetzwiller Historic Textile (GHT) collection\u003c\/a\u003e exists beautiful pieces that are 100 years old, woven with Churro wool.  Which confirms \u003c\/b\u003e\u003cb\u003echurro wool is the best and only becomes better with time.  T\u003c\/b\u003e\u003cstrong\u003ehis conclusion planted the seed with Steve to bring Navajo churro wool back to the loom.  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve was able to find the source of the Navajo Churro Registry where the genetics were being perfected for a better fleece.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNext, Steve found dye artists to dye the wool by hand for what would later be called the \u003ca title=\"Churro Collection\" href=\"https:\/\/www.navajorug.com\/collections\/churro-collection?sort_by=price-ascending\"\u003e'Navajo Churro Collection'\u003c\/a\u003e.  Though it seems like a simple thing, this took several years to put together. The final step was finding the best weavers on the Nation who were willing to use the Churro wool. The weavers were thrilled with the wool and loved the new colors (Indigo, Cochineal and the highest quality dyes from Switzerland). With that, the \u003ca href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\" title=\"highest quality Navajo weavings created with churro sheep wool\"\u003eNavajo Churro Collection\u003c\/a\u003e was born.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe result of this project is history making in itself. For one thing the Navajo Churro Sheep are no longer on the endangered species list. Some of the very best master weavers of the Navajo nation are able to work on projects in the Navajo Churro Collection that they otherwise would not be able to do. They are given the very best wool which is hand dyed and custom spun ready for them to weave on their loom; the Nizhoni Ranch Gallery supports them through the weaving process even if it takes years for them to complete. A registry is kept of each weaving documenting the weaver, a photo of her, and the weaving. It is very important that in 100 years from now, the weavers will be recognized for their work.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Navajo Churro Collection Weaving project is playing a part in preserving the Navajo weaving art in the Navajo culture. The Navajo Churro Collection celebrates the Navajo weavers and the art of the loom. The Nizhoni Ranch Gallery exclusively offers these weavings to the world, which represent some of the finest Navajo weavings ever made. Steve and Gail will continue their work and hope that one of the benefits of this project will be for young Navajos to take up this very difficult and beautiful art form, as it is a legacy well worth preserving.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eToday “\u003ca href=\"https:\/\/www.navajorug.com\/collections\/churro-collection?sort_by=price-ascending\" title=\"Churro Collection\"\u003eThe Navajo Churro Collection\u003c\/a\u003e” is a premier collection of contemporary Navajo Weavings, which are exclusively commissioned by Steve, from the Churro wool he provides to some of the most capable Navajo-weaving artists of today.  The fleece of this registered line of Churro sheep is of the highest quality available.  All of the wool is completely hand washed and custom spun.  The dyes utilized consist of natural vegetal dyes and the finest Swiss aniline dyes.  All colors are dyed by hand in small batches to achieve the highest grade of variegated reach hues.  The natural wool colors are also custom spun to create rich and variegated grays, browns, and tans.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","published_at":"2026-05-12T11:00:03-07:00","created_at":"2026-05-12T10:59:21-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48235158470878,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The History of the Getzwiller Navajo Churro Collection","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/3_Weavers_at_Canyon_de_Chelly.jpg?v=1614291329"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/3_Weavers_at_Canyon_de_Chelly.jpg?v=1614291329","options":["Title"],"media":[{"alt":null,"id":20193980547239,"position":1,"preview_image":{"aspect_ratio":2.131,"height":657,"width":1400,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/3_Weavers_at_Canyon_de_Chelly.jpg?v=1614291329"},"aspect_ratio":2.131,"height":657,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/3_Weavers_at_Canyon_de_Chelly.jpg?v=1614291329","width":1400}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cstrong\u003eIn the 1990s the quality and uniqueness of Navajo weavings was on the decline.  Steve met with an old friend, Ray Dewey, in Santa Fe and they discussed how the quality of Navajo weavings could be improved.  The answer was improve the quality of the wool and dyes.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFor hundreds of years Churro sheep have been the center of Navajo life.  Navajo churro wool was the first weaving wool of the Navajo Nation because of its low lanolin content, long staple and translucent qualities.  Unfortunately the churro sheep were nearly exterminated by outside forces.  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIn the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/historic\" title=\"Getzwiller Historic Navajo Rug Collection\"\u003eGetzwiller Historic Textile (GHT) collection\u003c\/a\u003e exists beautiful pieces that are 100 years old, woven with Churro wool.  Which confirms \u003c\/b\u003e\u003cb\u003echurro wool is the best and only becomes better with time.  T\u003c\/b\u003e\u003cstrong\u003ehis conclusion planted the seed with Steve to bring Navajo churro wool back to the loom.  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteve was able to find the source of the Navajo Churro Registry where the genetics were being perfected for a better fleece.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNext, Steve found dye artists to dye the wool by hand for what would later be called the \u003ca title=\"Churro Collection\" href=\"https:\/\/www.navajorug.com\/collections\/churro-collection?sort_by=price-ascending\"\u003e'Navajo Churro Collection'\u003c\/a\u003e.  Though it seems like a simple thing, this took several years to put together. The final step was finding the best weavers on the Nation who were willing to use the Churro wool. The weavers were thrilled with the wool and loved the new colors (Indigo, Cochineal and the highest quality dyes from Switzerland). With that, the \u003ca href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\" title=\"highest quality Navajo weavings created with churro sheep wool\"\u003eNavajo Churro Collection\u003c\/a\u003e was born.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe result of this project is history making in itself. For one thing the Navajo Churro Sheep are no longer on the endangered species list. Some of the very best master weavers of the Navajo nation are able to work on projects in the Navajo Churro Collection that they otherwise would not be able to do. They are given the very best wool which is hand dyed and custom spun ready for them to weave on their loom; the Nizhoni Ranch Gallery supports them through the weaving process even if it takes years for them to complete. A registry is kept of each weaving documenting the weaver, a photo of her, and the weaving. It is very important that in 100 years from now, the weavers will be recognized for their work.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Navajo Churro Collection Weaving project is playing a part in preserving the Navajo weaving art in the Navajo culture. The Navajo Churro Collection celebrates the Navajo weavers and the art of the loom. The Nizhoni Ranch Gallery exclusively offers these weavings to the world, which represent some of the finest Navajo weavings ever made. Steve and Gail will continue their work and hope that one of the benefits of this project will be for young Navajos to take up this very difficult and beautiful art form, as it is a legacy well worth preserving.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eToday “\u003ca href=\"https:\/\/www.navajorug.com\/collections\/churro-collection?sort_by=price-ascending\" title=\"Churro Collection\"\u003eThe Navajo Churro Collection\u003c\/a\u003e” is a premier collection of contemporary Navajo Weavings, which are exclusively commissioned by Steve, from the Churro wool he provides to some of the most capable Navajo-weaving artists of today.  The fleece of this registered line of Churro sheep is of the highest quality available.  All of the wool is completely hand washed and custom spun.  The dyes utilized consist of natural vegetal dyes and the finest Swiss aniline dyes.  All colors are dyed by hand in small batches to achieve the highest grade of variegated reach hues.  The natural wool colors are also custom spun to create rich and variegated grays, browns, and tans.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e"}

{"id":9212790964446,"title":"Navajo Sandpainting Weavings","handle":"navajo-sandpainting-weavings","description":"\u003ch2\u003e\n\u003cstrong\u003eThe 'Navajo Sandpainting Weaving'\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003ePreserves Tradition and Ceremony\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003ca title=\"Sacred sandpaintings like this are blown away at the end of the ceremony. Gifted artists have preserved this beautiful art as weavings filled with symbolism. You can be a part of preserving history when you own a sandpainting weaving.\" rel=\"noopener noreferrer\" href=\"https:\/\/www.navajorug.com\/collections\/navajo-rugs\/sandpainting\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Navajos_sandpainting_grande.jpg?v=1483909166\" alt=\"Navajo Sandpainting Weavings\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe Navajo Sandpainting Weaving is ranked among the Navajo tribe's best known and best loved art forms. The original Navajo dry painting is traditionally performed for religious or medicinal purposes; it is a sacred practice. Sandpaintings are used in ceremonies designed to summon supernatural forces, they represent the Navajo's religious world and are customarily part of ceremonies that will heal and restore a patient that is out of balance.\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Authentic One-of-a-kind Navajo Sandpainting Weavings become a talking point in nearly every decor.\" rel=\"noopener noreferrer\" href=\"https:\/\/www.navajorug.com\/collections\/navajo-rugs\/sandpainting\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/1939-Navajo-Yei-Arts-Crafts-601_grande.jpg?v=1484514790\" alt=\"Example of a Navajo Sandpainting Weaving - a Yei \/ Yei Be Chei weaving\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe Navajo Sandpainting Textiles: an artform that owes it's existence to weaver, artist, and Medicine Man,  Hosteen Klah (also spelled Hasteen, Hastiin).  From\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener noreferrer\" title=\"About Hosteek Klay\" href=\"http:\/\/nativeamericannetroots.net\/diary\/320\" target=\"_blank\"\u003e\u003cstrong\u003eNative American Roots.net:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e \u003c\/a\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eIn the 1880s, Klah began to learn weaving from his mother and from his sister. He first began to learn the Navajo medicine ways – chanting and sandpainting – from his uncle. In learning the Nightway ceremony, Klah worked under the guidance of Laughing Singer and Tall Chanter. While most Navajo singers can master only one or two complete chants, Klah mastered at least eight. Among the ceremonies which he mastered were the Hailway, the Mountainway, the Nightway, the Windway, and the Chiricahua.\u003c\/p\u003e\n\u003cp\u003eAmong the Navajo, the purpose of the chant is to cure the sick. For the chant to work, it must be repeated exactly by the singer. Learning a chant takes a considerable amount of intellectual work: each one is like memorizing hundreds of lines of song or poetry. When a singer contracts to perform a ceremony, he undertakes a great deal of responsibility for not only the patient, but also others who are present at the ceremony.  \u003c\/p\u003e\n\u003cp\u003eIn 1917, after 24 years of study, Hosteen Klah performed his first Nighway Ceremony (Yeibichai). The nine-day ceremony was perfect in chant, symbol, and ceremony and established him as a great singer.\u003c\/p\u003e\n\u003cp\u003eIn 1911 Hosteen Klah wove a blanket of yeibichai dancers which portrayed sacred masks. Local singers felt that this was sacrilegious and demanded that Klah have a ceremony to expel the evil and that he destroy the weaving. Instead, Klah sent the weaving to Washington and experienced no negative effects.\u003c\/p\u003e\n\u003cp\u003eIn 1917 Klah took Franc Newcomb, a trader’s wife, to a Nightway ceremony. After the ceremony, she attempted to draw from memory the designs from the sandpaintings which were used in the ceremony. She was unsuccessful and Klah sketched them for her in pencil. Newcomb then made these into watercolor reproductions and hung them in her bedroom so that the other Navajo would not be offended. After seeing that no punishment occurred, Klah then did an additional 27 paintings for her.\u003c\/p\u003e\n\u003cp\u003eIn 1919 Klah began to weave sandpainting rugs which were based on the chants he was qualified to sing. His first sandpainting weaving was a whirling log design from the Nightway ceremony.\u003c\/p\u003e\n\u003cp\u003eKlah’s last sandpainting weaving, The Skies from the Shootingway ceremony, was done in 1937 and was not complete at the time of his death. The work was finished by his nieces, Gladys and Irene Manuelito.\u003c\/p\u003e\n\u003cp\u003eOver the years, Klah worked with a number of non-Indian scholars and allowed them to record his songs, ceremonies, stories, and sandpaintings. His only Navajo student – Beaal Begay – died suddenly in 1931 and so much of his knowledge was not passed on in the traditional Navajo way.\u003c\/p\u003e\n\u003cp\u003eOne of the Anglos who worked with Klah was Mary Cabot Wheelwright\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(introduction through the Newcombs) \u003c\/em\u003ewho founded the Museum of Navajo Ceremonial Art in 1937.  She had been permitted to record many of Klah’s songs and erected the museum to preserve his medicine knowledge and his sacred objects.\u003cbr\u003e\u003cbr\u003eThe museum is now known as the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/wheelwright.org\/about\/history\/\" title=\"Wheelwright Museum of the American Indian\" target=\"_blank\"\u003eWheelwright Museum\u003c\/a\u003e\u003c\/strong\u003e.  The Museum displays many of his drawings and paintings of sand paintings, as well as his sandpainting weavings. The Wheelwright is no longer actively involved in the study of Navajo religion, however it maintains growing, world-renowned collections that document Navajo art and culture from 1850 to the present. It also presents changing exhibitions on traditional and contemporary Navajo and other Native American arts.  \u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" title=\"Learn more about Hosteen and the Medicine men who preserved Sandpainting images in weavings at our Woven Holy People Exhibit\" href=\"https:\/\/www.navajorug.com\/pages\/exhibit-woven-holy-people-2014\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/hosteen-klah_large.jpg?v=1495399509\" alt=\"Hosteen Klah\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cem\u003eHastiin Klah with one of his sandpainting tapestries at the Newcomb’s trading post, Navajo, New Mexico, ca. 1927. \u2028Photograph probably by Arthur or Frances Newcomb. \u003c\/em\u003e\u003cb\u003eHosteen Klah (\u003c\/b\u003e\u003cspan lang=\"nv\"\u003e\u003cb\u003eHastiin Tłʼa\u003c\/b\u003e\u003c\/span\u003e, 1867–1937)\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003ca rel=\"noopener noreferrer\" title='Sometimes weavings come together and display their \"alikeness\" as when we notice the matching corner elements of these remarkable pieces.' href=\"https:\/\/www.navajorug.com\/collections\/navajo-rugs\/sandpainting\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Navajo-Sandpainting-Rugs-in-the-Gallery-600x397_grande.jpg?v=1484326321\" alt=\"Navajo Sandpainting Weavings on display at Nizhoni Ranch Gallery\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/blockquote\u003e","published_at":"2026-05-12T11:03:15-07:00","created_at":"2026-05-12T11:02:33-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48235191173342,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Navajo Sandpainting Weavings","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/Navajos_sandpainting_grande_4d1ba020-1213-4787-947d-c58be4119ed2.jpg?v=1778608989"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/Navajos_sandpainting_grande_4d1ba020-1213-4787-947d-c58be4119ed2.jpg?v=1778608989","options":["Title"],"media":[{"alt":null,"id":38231462346974,"position":1,"preview_image":{"aspect_ratio":1.63,"height":368,"width":600,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/Navajos_sandpainting_grande_4d1ba020-1213-4787-947d-c58be4119ed2.jpg?v=1778608989"},"aspect_ratio":1.63,"height":368,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/Navajos_sandpainting_grande_4d1ba020-1213-4787-947d-c58be4119ed2.jpg?v=1778608989","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\n\u003cstrong\u003eThe 'Navajo Sandpainting Weaving'\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003ePreserves Tradition and Ceremony\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003ca title=\"Sacred sandpaintings like this are blown away at the end of the ceremony. Gifted artists have preserved this beautiful art as weavings filled with symbolism. You can be a part of preserving history when you own a sandpainting weaving.\" rel=\"noopener noreferrer\" href=\"https:\/\/www.navajorug.com\/collections\/navajo-rugs\/sandpainting\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Navajos_sandpainting_grande.jpg?v=1483909166\" alt=\"Navajo Sandpainting Weavings\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe Navajo Sandpainting Weaving is ranked among the Navajo tribe's best known and best loved art forms. The original Navajo dry painting is traditionally performed for religious or medicinal purposes; it is a sacred practice. Sandpaintings are used in ceremonies designed to summon supernatural forces, they represent the Navajo's religious world and are customarily part of ceremonies that will heal and restore a patient that is out of balance.\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Authentic One-of-a-kind Navajo Sandpainting Weavings become a talking point in nearly every decor.\" rel=\"noopener noreferrer\" href=\"https:\/\/www.navajorug.com\/collections\/navajo-rugs\/sandpainting\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/1939-Navajo-Yei-Arts-Crafts-601_grande.jpg?v=1484514790\" alt=\"Example of a Navajo Sandpainting Weaving - a Yei \/ Yei Be Chei weaving\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe Navajo Sandpainting Textiles: an artform that owes it's existence to weaver, artist, and Medicine Man,  Hosteen Klah (also spelled Hasteen, Hastiin).  From\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener noreferrer\" title=\"About Hosteek Klay\" href=\"http:\/\/nativeamericannetroots.net\/diary\/320\" target=\"_blank\"\u003e\u003cstrong\u003eNative American Roots.net:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e \u003c\/a\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eIn the 1880s, Klah began to learn weaving from his mother and from his sister. He first began to learn the Navajo medicine ways – chanting and sandpainting – from his uncle. In learning the Nightway ceremony, Klah worked under the guidance of Laughing Singer and Tall Chanter. While most Navajo singers can master only one or two complete chants, Klah mastered at least eight. Among the ceremonies which he mastered were the Hailway, the Mountainway, the Nightway, the Windway, and the Chiricahua.\u003c\/p\u003e\n\u003cp\u003eAmong the Navajo, the purpose of the chant is to cure the sick. For the chant to work, it must be repeated exactly by the singer. Learning a chant takes a considerable amount of intellectual work: each one is like memorizing hundreds of lines of song or poetry. When a singer contracts to perform a ceremony, he undertakes a great deal of responsibility for not only the patient, but also others who are present at the ceremony.  \u003c\/p\u003e\n\u003cp\u003eIn 1917, after 24 years of study, Hosteen Klah performed his first Nighway Ceremony (Yeibichai). The nine-day ceremony was perfect in chant, symbol, and ceremony and established him as a great singer.\u003c\/p\u003e\n\u003cp\u003eIn 1911 Hosteen Klah wove a blanket of yeibichai dancers which portrayed sacred masks. Local singers felt that this was sacrilegious and demanded that Klah have a ceremony to expel the evil and that he destroy the weaving. Instead, Klah sent the weaving to Washington and experienced no negative effects.\u003c\/p\u003e\n\u003cp\u003eIn 1917 Klah took Franc Newcomb, a trader’s wife, to a Nightway ceremony. After the ceremony, she attempted to draw from memory the designs from the sandpaintings which were used in the ceremony. She was unsuccessful and Klah sketched them for her in pencil. Newcomb then made these into watercolor reproductions and hung them in her bedroom so that the other Navajo would not be offended. After seeing that no punishment occurred, Klah then did an additional 27 paintings for her.\u003c\/p\u003e\n\u003cp\u003eIn 1919 Klah began to weave sandpainting rugs which were based on the chants he was qualified to sing. His first sandpainting weaving was a whirling log design from the Nightway ceremony.\u003c\/p\u003e\n\u003cp\u003eKlah’s last sandpainting weaving, The Skies from the Shootingway ceremony, was done in 1937 and was not complete at the time of his death. The work was finished by his nieces, Gladys and Irene Manuelito.\u003c\/p\u003e\n\u003cp\u003eOver the years, Klah worked with a number of non-Indian scholars and allowed them to record his songs, ceremonies, stories, and sandpaintings. His only Navajo student – Beaal Begay – died suddenly in 1931 and so much of his knowledge was not passed on in the traditional Navajo way.\u003c\/p\u003e\n\u003cp\u003eOne of the Anglos who worked with Klah was Mary Cabot Wheelwright\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(introduction through the Newcombs) \u003c\/em\u003ewho founded the Museum of Navajo Ceremonial Art in 1937.  She had been permitted to record many of Klah’s songs and erected the museum to preserve his medicine knowledge and his sacred objects.\u003cbr\u003e\u003cbr\u003eThe museum is now known as the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/wheelwright.org\/about\/history\/\" title=\"Wheelwright Museum of the American Indian\" target=\"_blank\"\u003eWheelwright Museum\u003c\/a\u003e\u003c\/strong\u003e.  The Museum displays many of his drawings and paintings of sand paintings, as well as his sandpainting weavings. The Wheelwright is no longer actively involved in the study of Navajo religion, however it maintains growing, world-renowned collections that document Navajo art and culture from 1850 to the present. It also presents changing exhibitions on traditional and contemporary Navajo and other Native American arts.  \u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener noreferrer\" title=\"Learn more about Hosteen and the Medicine men who preserved Sandpainting images in weavings at our Woven Holy People Exhibit\" href=\"https:\/\/www.navajorug.com\/pages\/exhibit-woven-holy-people-2014\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/hosteen-klah_large.jpg?v=1495399509\" alt=\"Hosteen Klah\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cem\u003eHastiin Klah with one of his sandpainting tapestries at the Newcomb’s trading post, Navajo, New Mexico, ca. 1927. \u2028Photograph probably by Arthur or Frances Newcomb. \u003c\/em\u003e\u003cb\u003eHosteen Klah (\u003c\/b\u003e\u003cspan lang=\"nv\"\u003e\u003cb\u003eHastiin Tłʼa\u003c\/b\u003e\u003c\/span\u003e, 1867–1937)\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003ca rel=\"noopener noreferrer\" title='Sometimes weavings come together and display their \"alikeness\" as when we notice the matching corner elements of these remarkable pieces.' href=\"https:\/\/www.navajorug.com\/collections\/navajo-rugs\/sandpainting\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Navajo-Sandpainting-Rugs-in-the-Gallery-600x397_grande.jpg?v=1484326321\" alt=\"Navajo Sandpainting Weavings on display at Nizhoni Ranch Gallery\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/blockquote\u003e"}

{"id":9212802891998,"title":"Navajo Land and People","handle":"navajo-land-and-people-1","description":"\u003ch2 id=\"1\"\u003e\u003cspan\u003eNavajo Land and People\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eA storied culture that began more than 500 years ago, the Navajo people got their name from the phrase Teva Navahu; which means “highly-cultivated lands.” This designation seems rather apt, especially given that we now know that they are widely considered the largest of all Native American Indian tribes in the world.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eMore hunters and gatherers than raiding warriors, the Navajo culture really began to flourish in the four corners area of the Colorado Plateau. It was here that they were first contacted by the Spanish, who drove them off their lands and further into New Mexico and Arizona.\u003cbr\u003e\u003cbr\u003eBy the middle of the 1800s, many of the Navajo were captured during the Scorched Earth Campaign and forced to walk more than 350 miles east to Fort Sumner; those who lived were hardened by the journey and years of war.\u003cbr\u003e\u003cbr\u003e\u003cimg alt=\"navajo people\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/monument-valley-1752692_1920_large.jpg?v=1483909424\"\u003e\u003c\/p\u003e\n\u003cp\u003eLater that same century the Navajo, the only indigenous people allowed to return to their home land, were released to return to their reservation.  They found solace in their surroundings, raising their sheep and creating gorgeous textiles that gave them a prosperous edge in the changing financial times.\u003cbr\u003e\u003cbr\u003eIn 1906, John and Louisa Wetherill, ranchers and traders by nature, started at trading post which gave the Navajo people an outlet to trade their goods with those heading west to seek their fortune. And over the next 20 years, those trading posts expanded giving them even more opportunity to share their beautiful wares and textiles with people all over the country.\u003cbr\u003e\u003cbr\u003eIn the last decade, the rich history of the Navajo has steadily (and thankfully) been passed down from generation to generation. Families remain strong and close; the heritage can still be found in the language, the people, and their craftsmanship; and old traditions and pride still permeate the very fiber of their unique society.\u003cbr\u003e\u003cbr\u003eAnd whether it be the exclusive textiles created with each generation, the world-changing code talkers of World War II, or the beautiful culture that impacted the very essence of society, the Navajo have long been a driving force behind what it means to be a Native American.   \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"center\" id=\"2\"\u003eNavajo Indians: Matriarchal Society\u003c\/h2\u003e\n\u003cdiv class=\"entry\"\u003e\n\u003cimg alt=\"Navajo society\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Navajo_Indian_woman_with_her_children_large.jpg?v=1483918601\"\u003e\u003cbr\u003eThe Navajos are matriarchal and descent is traced through the mother.  While the basic unit of social cooperation is the biological family, the term “family” is considerably broader in it’s application to Navajo society than it is in the white American world.  A biological family, historically, lived in a cluster of hogans and nearby, usually within shouting distance, lived the “extended family.”  An extended family would consist of an older woman, her husband and unmarried children, and her married daughters together with their husbands and unmarried children.\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003eAn extended family might also consist of unmarried, widowed or other relatives of the older woman of the household.  Historically an extended family lived together in a designated vicinity and changed the place of residence as a group as the weather or foliage for the livestock dictated.  Within the extended family labor is pooled to a great extent in herding and other productive activities.  A man living with his wife’s family may also participate in the work activities of his own extended family. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/240px-Navajofamilya_large.jpg?v=1483918808\"\u003e\u003cbr\u003eHe often visits the homes of his mother and sisters and lends a helping hand in harvesting and other group activities.  A man will sometimes pasture his livestock with that of his mother or sister rather than with the property of his wife and children.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eUntil recently there was no conception of joint property ownership between husband and wife.  As a result Navajo women have always enjoyed a favored and somewhat more “liberated” position in their society than have their white counterparts.  A woman controls the hogan, built on land that was set aside for her by her family; she owns the children, which belong to her clan, her sheep, the product of her sheep and other livestock, her jewelry and all blankets she might weave and the income from the sale of any of her property.  A husband owns what he has inherited from his own family and all goods which he has bought out of his own earnings which, nowadays, often includes a pick-up truck.  Either partner may sell or trade what he owns, though one usually consults with the other about any major transactions.    \u003cem\u003e…………. Raymond Friday Locke \u003ca href=\"https:\/\/navajorug-com.myshopify.com\/collections\/books\/products\/dine-a-history-of-the-navajos\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"center\" id=\"3\"\u003eTHE NAVAJO INDIAN HOGAN: Shelter and Center of their World\u003c\/h2\u003e\n\u003cdiv class=\"entry\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"navajo hogon\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/9905911156_cfdda5767e_k_grande.jpg?v=1483909422\"\u003eBeautiful Rainbow of the Navajo.  At the center of the Navajo world is their shelter, the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e“HOGAN”\u003c\/em\u003e.  \u003c\/strong\u003e\u003cstrong\u003eNavajos do not refer to their mode of living as a way of life…   It is \u003cem\u003eTHE\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eway of life …         \u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eThe ancient hogan, known as the “forked stick hogan” was a conical hut constructed of three forked poles covered with logs, brush and mud.  Called the ” mail” hogan by the Navajos, examples of this swelling can still occasionally be found in the western part of the reservation.  More common today is the “female” hogan, a circular or 6 sided dwelling constructed of logs or stone, (below) with a doorway facing east and a smoke hole in the center of the roof.\u003cbr\u003e\u003cbr\u003eThe dome-shaped roof is formed of cribbed logs covered with dirt. (top photo) The fire  is placed on the hard-packed floor beneath the smoke hole and a flap or hinged door covers the doorway.  Traditionally the hogan lacked windows and was ventilated by the smoke hole in the roof and the east-facing doorway.  Nowadays not only do the hogans have windows but they may also contain stoves, chimneys, beds and even a refrigerator and a T.V.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg alt=\"Navajo Hogon\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Navajo_winter_hogan_1_large.jpg?v=1483920041\"\u003e\u003cbr\u003eToday white prototype houses and even mobile homes are common on the reservation, but families that live in such dwellings also construct a hogan nearby.  Many of the People have retained their native religion and Navajo ceremonies can be conducted only in a hogan.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eMost Navajo families own 2,3, or several hogans and more than one permanent establishment if they own sheep.  A family that owns several hundred sheep and other livestock might have as many as 5 or 6 separate clusters of buildings scattered over a large ara as the animals must be moved from place to place at various seasons of the year.  Too,variations in the weather and the water supply may require that a family live in one place during the summer and another during the winter.  Usually however, each family has one location which is its main residence at which there are more or less permanent corrals, storage dugouts, several hogans and temporary shades or bush hogans for summer use.\u003cbr\u003e\u003cbr\u003e\u003cimg alt=\"Navajo Hogon\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/800px-The_evolution_of_the_Navajo_Hogan__Left_to_right._The_very_old_hogan._A_later_style__a_few_of_which_are_still_in_use...._-_NARA_-_298586_medium.jpg?v=1483920028\"\u003e\u003cbr\u003eThe Navajo hogan is more than just a place to eat and sleep and the concept of it as a “home” bears little resemblance to a white person’s attitude toward his dwelling place.  The hogan is a gift of the gods and as such it occupies a place in the sacred world.  The first hogans were built by the Holy People of turquoise, white shell, jet, and abalone shell.  The round hogan is symbolic of the sun and its door faces east so that the first thing that a Navajo family sees in the morning is the rising sun…. Father Sun, one of the most revered of the Navajo deities.  The construction of a new hogan is almost always a community affair.  Once completed, the new hogan is consecrated with a Blessing Way rite whereby the Holy People are asked to “let this place be happy.”\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg alt=\"Navajo Hogon\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/images_2_medium.jpeg?v=1483920021\"\u003e\u003cbr\u003eAlso nearby, but out of sight, will be at least one sweat hogan.  The sweat hogan is small scale replica of the old-style forked stick hogan but without the smoke hole.  It is constructed of three sticks with forked ends which are fasten together in a tripod.  Two straight sticks are leaned against the apes from the east to make the sides of the door.  It is heated by placing hot rocks within, the door being closed with several blankets.  \u003c\/span\u003eThe sweat hogan provides excellent bathing and purifying facilities for the Navajos in their land of scarce water.  As in virtually everything a Navajo does, there are prescribed rituals that must be followed in taking a sweat bath.  Four verses of the Sweat Bath Song must be sung before a Navajo can leave the sweat hogan, which the Navajo call the Son of the She Dark, to plunge into cold water or dry himself in the sand.  The bather then re-enters the sweat hogan and sings four more verses of the song.  He repeats the ritual until the entire song has been sung. \u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"navajo hogan\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/hogan02_medium.jpg?v=1483920356\"\u003e\u003cbr\u003eTraditional structured hogans are also considered pioneers of energy efficient homes. Using packed mud against the entire wood structure, the home was kept cool by natural air ventilation and water sprinkled on the dirt ground inside. During the winter, the fireplace kept the inside warm for a long period of time and well into the night.  \u003cspan\u003e  \u003c\/span\u003e\u003cem\u003e…………. Raymond Friday Locke \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"center\" id=\"4\"\u003eAthapascan Ancestors\u003c\/h2\u003e\n\u003cdiv class=\"entry\"\u003e\n\u003cp\u003e\u003cimg alt=\"navajo land and people\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Navajo-Land_702797f1-798e-4bbd-9011-21967d998081_large.jpg?v=1483986434\"\u003e|\u003cbr\u003eFirst there was a beautiful and rugged land. And then came the people to the land and they called themselves\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDineh.\u003c\/em\u003e But they, the descendants of those Athapascan-speaking people would come to be known by many names.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDineh\u003c\/em\u003e \u003cem\u003e(or Dine), \u003c\/em\u003etheir name for themselves, cannot be translated exactly into English as there are no articles in the Navajo Language. The translation, “The People,” is formally permissible and accepted by most linguists and anthropologists, but\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDineh\u003c\/em\u003ecan also be translated as “men,” or “people” or even “earth people.”\u003cbr\u003e\u003cbr\u003eAccording to Navajo tradition their ancestors, after many generations of wandering through inhospitable lands, came together and settled in a new land in this, the fifth world of their mythology.  This land was called\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDinehtah- the land of The People.\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003eToday over 170,000 Navajos live on their reservation which encompasses about 27,000 square miles of rugged, semi arid land in the states of Arizona, New Mexico and Utah.  The Reservation, which is about the size of the state of West Virginia.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNavajo Song:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“This is your home, my grandchild!” \u003cbr\u003e“My grandchild! I have returned with you to your home,\u003cbr\u003e“Upon the pollen figure I have returned to sit with you, my grandchild!”  \u003cbr\u003eHe says to me as he sits down beside me;\u003c\/p\u003e\n\u003cp\u003e“Your homes are yours again – Your fire is yous again – Your food is yours again – Your mountains are yours again, my Grandchild,”\u003cbr\u003eHe waves to me as he sits down beside me.  \u003cspan\u003e \u003c\/span\u003e\u003cem\u003e Navajo Song\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e…………. Raymond Friday Locke  \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e“Dine – The People”\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~With beauty before me, it is woven\u003cbr\u003e\u003c\/em\u003e\u003cem\u003e~With beauty behind me, it is woven\u003cbr\u003e\u003c\/em\u003e\u003cem\u003e~With beauty above me, it is woven\u003cbr\u003e\u003c\/em\u003e\u003cem\u003e~With beauty below me, it is woven\u003cbr\u003e\u003c\/em\u003e\u003cem\u003e~And in beauty, it is finished.\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eNavajo weavers’ song……….. \u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2026-05-12T11:15:41-07:00","created_at":"2026-05-12T11:12:21-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48235292819678,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Navajo Land and People","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/navajoland.jpg?v=1778609735"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/navajoland.jpg?v=1778609735","options":["Title"],"media":[{"alt":null,"id":38231546233054,"position":1,"preview_image":{"aspect_ratio":1.454,"height":335,"width":487,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/navajoland.jpg?v=1778609735"},"aspect_ratio":1.454,"height":335,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/navajoland.jpg?v=1778609735","width":487}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2 id=\"1\"\u003e\u003cspan\u003eNavajo Land and People\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eA storied culture that began more than 500 years ago, the Navajo people got their name from the phrase Teva Navahu; which means “highly-cultivated lands.” This designation seems rather apt, especially given that we now know that they are widely considered the largest of all Native American Indian tribes in the world.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eMore hunters and gatherers than raiding warriors, the Navajo culture really began to flourish in the four corners area of the Colorado Plateau. It was here that they were first contacted by the Spanish, who drove them off their lands and further into New Mexico and Arizona.\u003cbr\u003e\u003cbr\u003eBy the middle of the 1800s, many of the Navajo were captured during the Scorched Earth Campaign and forced to walk more than 350 miles east to Fort Sumner; those who lived were hardened by the journey and years of war.\u003cbr\u003e\u003cbr\u003e\u003cimg alt=\"navajo people\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/monument-valley-1752692_1920_large.jpg?v=1483909424\"\u003e\u003c\/p\u003e\n\u003cp\u003eLater that same century the Navajo, the only indigenous people allowed to return to their home land, were released to return to their reservation.  They found solace in their surroundings, raising their sheep and creating gorgeous textiles that gave them a prosperous edge in the changing financial times.\u003cbr\u003e\u003cbr\u003eIn 1906, John and Louisa Wetherill, ranchers and traders by nature, started at trading post which gave the Navajo people an outlet to trade their goods with those heading west to seek their fortune. And over the next 20 years, those trading posts expanded giving them even more opportunity to share their beautiful wares and textiles with people all over the country.\u003cbr\u003e\u003cbr\u003eIn the last decade, the rich history of the Navajo has steadily (and thankfully) been passed down from generation to generation. Families remain strong and close; the heritage can still be found in the language, the people, and their craftsmanship; and old traditions and pride still permeate the very fiber of their unique society.\u003cbr\u003e\u003cbr\u003eAnd whether it be the exclusive textiles created with each generation, the world-changing code talkers of World War II, or the beautiful culture that impacted the very essence of society, the Navajo have long been a driving force behind what it means to be a Native American.   \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"center\" id=\"2\"\u003eNavajo Indians: Matriarchal Society\u003c\/h2\u003e\n\u003cdiv class=\"entry\"\u003e\n\u003cimg alt=\"Navajo society\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Navajo_Indian_woman_with_her_children_large.jpg?v=1483918601\"\u003e\u003cbr\u003eThe Navajos are matriarchal and descent is traced through the mother.  While the basic unit of social cooperation is the biological family, the term “family” is considerably broader in it’s application to Navajo society than it is in the white American world.  A biological family, historically, lived in a cluster of hogans and nearby, usually within shouting distance, lived the “extended family.”  An extended family would consist of an older woman, her husband and unmarried children, and her married daughters together with their husbands and unmarried children.\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003eAn extended family might also consist of unmarried, widowed or other relatives of the older woman of the household.  Historically an extended family lived together in a designated vicinity and changed the place of residence as a group as the weather or foliage for the livestock dictated.  Within the extended family labor is pooled to a great extent in herding and other productive activities.  A man living with his wife’s family may also participate in the work activities of his own extended family. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/240px-Navajofamilya_large.jpg?v=1483918808\"\u003e\u003cbr\u003eHe often visits the homes of his mother and sisters and lends a helping hand in harvesting and other group activities.  A man will sometimes pasture his livestock with that of his mother or sister rather than with the property of his wife and children.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eUntil recently there was no conception of joint property ownership between husband and wife.  As a result Navajo women have always enjoyed a favored and somewhat more “liberated” position in their society than have their white counterparts.  A woman controls the hogan, built on land that was set aside for her by her family; she owns the children, which belong to her clan, her sheep, the product of her sheep and other livestock, her jewelry and all blankets she might weave and the income from the sale of any of her property.  A husband owns what he has inherited from his own family and all goods which he has bought out of his own earnings which, nowadays, often includes a pick-up truck.  Either partner may sell or trade what he owns, though one usually consults with the other about any major transactions.    \u003cem\u003e…………. Raymond Friday Locke \u003ca href=\"https:\/\/navajorug-com.myshopify.com\/collections\/books\/products\/dine-a-history-of-the-navajos\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"center\" id=\"3\"\u003eTHE NAVAJO INDIAN HOGAN: Shelter and Center of their World\u003c\/h2\u003e\n\u003cdiv class=\"entry\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cimg alt=\"navajo hogon\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/9905911156_cfdda5767e_k_grande.jpg?v=1483909422\"\u003eBeautiful Rainbow of the Navajo.  At the center of the Navajo world is their shelter, the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e“HOGAN”\u003c\/em\u003e.  \u003c\/strong\u003e\u003cstrong\u003eNavajos do not refer to their mode of living as a way of life…   It is \u003cem\u003eTHE\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eway of life …         \u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eThe ancient hogan, known as the “forked stick hogan” was a conical hut constructed of three forked poles covered with logs, brush and mud.  Called the ” mail” hogan by the Navajos, examples of this swelling can still occasionally be found in the western part of the reservation.  More common today is the “female” hogan, a circular or 6 sided dwelling constructed of logs or stone, (below) with a doorway facing east and a smoke hole in the center of the roof.\u003cbr\u003e\u003cbr\u003eThe dome-shaped roof is formed of cribbed logs covered with dirt. (top photo) The fire  is placed on the hard-packed floor beneath the smoke hole and a flap or hinged door covers the doorway.  Traditionally the hogan lacked windows and was ventilated by the smoke hole in the roof and the east-facing doorway.  Nowadays not only do the hogans have windows but they may also contain stoves, chimneys, beds and even a refrigerator and a T.V.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg alt=\"Navajo Hogon\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Navajo_winter_hogan_1_large.jpg?v=1483920041\"\u003e\u003cbr\u003eToday white prototype houses and even mobile homes are common on the reservation, but families that live in such dwellings also construct a hogan nearby.  Many of the People have retained their native religion and Navajo ceremonies can be conducted only in a hogan.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eMost Navajo families own 2,3, or several hogans and more than one permanent establishment if they own sheep.  A family that owns several hundred sheep and other livestock might have as many as 5 or 6 separate clusters of buildings scattered over a large ara as the animals must be moved from place to place at various seasons of the year.  Too,variations in the weather and the water supply may require that a family live in one place during the summer and another during the winter.  Usually however, each family has one location which is its main residence at which there are more or less permanent corrals, storage dugouts, several hogans and temporary shades or bush hogans for summer use.\u003cbr\u003e\u003cbr\u003e\u003cimg alt=\"Navajo Hogon\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/800px-The_evolution_of_the_Navajo_Hogan__Left_to_right._The_very_old_hogan._A_later_style__a_few_of_which_are_still_in_use...._-_NARA_-_298586_medium.jpg?v=1483920028\"\u003e\u003cbr\u003eThe Navajo hogan is more than just a place to eat and sleep and the concept of it as a “home” bears little resemblance to a white person’s attitude toward his dwelling place.  The hogan is a gift of the gods and as such it occupies a place in the sacred world.  The first hogans were built by the Holy People of turquoise, white shell, jet, and abalone shell.  The round hogan is symbolic of the sun and its door faces east so that the first thing that a Navajo family sees in the morning is the rising sun…. Father Sun, one of the most revered of the Navajo deities.  The construction of a new hogan is almost always a community affair.  Once completed, the new hogan is consecrated with a Blessing Way rite whereby the Holy People are asked to “let this place be happy.”\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg alt=\"Navajo Hogon\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/images_2_medium.jpeg?v=1483920021\"\u003e\u003cbr\u003eAlso nearby, but out of sight, will be at least one sweat hogan.  The sweat hogan is small scale replica of the old-style forked stick hogan but without the smoke hole.  It is constructed of three sticks with forked ends which are fasten together in a tripod.  Two straight sticks are leaned against the apes from the east to make the sides of the door.  It is heated by placing hot rocks within, the door being closed with several blankets.  \u003c\/span\u003eThe sweat hogan provides excellent bathing and purifying facilities for the Navajos in their land of scarce water.  As in virtually everything a Navajo does, there are prescribed rituals that must be followed in taking a sweat bath.  Four verses of the Sweat Bath Song must be sung before a Navajo can leave the sweat hogan, which the Navajo call the Son of the She Dark, to plunge into cold water or dry himself in the sand.  The bather then re-enters the sweat hogan and sings four more verses of the song.  He repeats the ritual until the entire song has been sung. \u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"navajo hogan\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/hogan02_medium.jpg?v=1483920356\"\u003e\u003cbr\u003eTraditional structured hogans are also considered pioneers of energy efficient homes. Using packed mud against the entire wood structure, the home was kept cool by natural air ventilation and water sprinkled on the dirt ground inside. During the winter, the fireplace kept the inside warm for a long period of time and well into the night.  \u003cspan\u003e  \u003c\/span\u003e\u003cem\u003e…………. Raymond Friday Locke \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"center\" id=\"4\"\u003eAthapascan Ancestors\u003c\/h2\u003e\n\u003cdiv class=\"entry\"\u003e\n\u003cp\u003e\u003cimg alt=\"navajo land and people\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Navajo-Land_702797f1-798e-4bbd-9011-21967d998081_large.jpg?v=1483986434\"\u003e|\u003cbr\u003eFirst there was a beautiful and rugged land. And then came the people to the land and they called themselves\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDineh.\u003c\/em\u003e But they, the descendants of those Athapascan-speaking people would come to be known by many names.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDineh\u003c\/em\u003e \u003cem\u003e(or Dine), \u003c\/em\u003etheir name for themselves, cannot be translated exactly into English as there are no articles in the Navajo Language. The translation, “The People,” is formally permissible and accepted by most linguists and anthropologists, but\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDineh\u003c\/em\u003ecan also be translated as “men,” or “people” or even “earth people.”\u003cbr\u003e\u003cbr\u003eAccording to Navajo tradition their ancestors, after many generations of wandering through inhospitable lands, came together and settled in a new land in this, the fifth world of their mythology.  This land was called\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDinehtah- the land of The People.\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003eToday over 170,000 Navajos live on their reservation which encompasses about 27,000 square miles of rugged, semi arid land in the states of Arizona, New Mexico and Utah.  The Reservation, which is about the size of the state of West Virginia.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNavajo Song:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“This is your home, my grandchild!” \u003cbr\u003e“My grandchild! I have returned with you to your home,\u003cbr\u003e“Upon the pollen figure I have returned to sit with you, my grandchild!”  \u003cbr\u003eHe says to me as he sits down beside me;\u003c\/p\u003e\n\u003cp\u003e“Your homes are yours again – Your fire is yous again – Your food is yours again – Your mountains are yours again, my Grandchild,”\u003cbr\u003eHe waves to me as he sits down beside me.  \u003cspan\u003e \u003c\/span\u003e\u003cem\u003e Navajo Song\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e…………. Raymond Friday Locke  \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e“Dine – The People”\u003cbr\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e~With beauty before me, it is woven\u003cbr\u003e\u003c\/em\u003e\u003cem\u003e~With beauty behind me, it is woven\u003cbr\u003e\u003c\/em\u003e\u003cem\u003e~With beauty above me, it is woven\u003cbr\u003e\u003c\/em\u003e\u003cem\u003e~With beauty below me, it is woven\u003cbr\u003e\u003c\/em\u003e\u003cem\u003e~And in beauty, it is finished.\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eNavajo weavers’ song……….. \u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":9212811575518,"title":"In-depth Descriptions of Navajo Rug Styles","handle":"in-depth-descriptions-of-navajo-rug-styles-1","description":"\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003eThere are more than 21 styles of Navajo design styles.  In most cases they are based on specific designs from certain areas of the Navajo Nation.  \u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Bestie_large.jpg?15823927431408827987\" alt=\"Bistie American Indian Rug with brown, black and red wool colors\"\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"Native American Rugs Bistie Style\" href=\"https:\/\/www.navajorug.com\/pages\/bistie?_pos=1\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eBistie\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Rugs Burntwater Style\" href=\"https:\/\/www.navajorug.com\/pages\/burntwater?_pos=2\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Burntwater_9da57878-774d-47d6-a299-d50040bd2a2e_large.jpg?15823927431408827987\" alt=\"Native American Rug Burntwater\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rugs Burntwater Style\" href=\"https:\/\/www.navajorug.com\/pages\/burntwater?_pos=2\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eBurntwater\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Chief Blankets\" href=\"https:\/\/www.navajorug.com\/pages\/chief-blankets?_pos=7\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/CHIEF_BLANKET_large.jpg?15823927431408827987\" alt=\"American Indian Blanket Chief Blanket Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Chief Blankets\" href=\"https:\/\/www.navajorug.com\/pages\/chief-blankets?_pos=7\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eChief's Blankets\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Rug Childs Blanket style\" href=\"https:\/\/www.navajorug.com\/pages\/wearables\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/childs_blanket_large.jpeg?15823927431408827987\" alt=\"American Indian Blanket Child's Blanket\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rug Childs Blanket style\" href=\"https:\/\/www.navajorug.com\/pages\/wearables\"\u003eChild's Blankets\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Rugs Chinle Style\" href=\"https:\/\/www.navajorug.com\/pages\/chinle-pine-springs-and-wide-ruins\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Chinle_8d767bd4-1829-442e-9b5f-94d8e84fc7ac_large.jpg?10127754980090413361\" alt=\"American Indian Rug Chinle Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rugs Chinle Style\" href=\"https:\/\/www.navajorug.com\/pages\/chinle-pine-springs-and-wide-ruins\"\u003eChinle\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"Native American Rugs Crystal Style\" href=\"https:\/\/www.navajorug.com\/pages\/crystal?_pos=3\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Crystal_f5c39b92-03b9-43da-a92e-ca519af74fe3_large.jpg?10127754980090413361\" alt=\"American Indian Rug Crystal Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"Native American Rugs Crystal Style\" href=\"https:\/\/www.navajorug.com\/pages\/crystal?_pos=3\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eCrystal\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Rug Eye Dazzler Style\" href=\"https:\/\/www.navajorug.com\/pages\/eye-dazzler?_pos=17\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Eye_Dazzler_1e2d9a7c-77c0-4d59-a663-7079a0bb9663_large.jpg?10127754980090413361\" alt=\"American Indian Rug Eye Dazzler Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rug Eye Dazzler Style\" href=\"https:\/\/www.navajorug.com\/pages\/eye-dazzler?_pos=17\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003eEye Dazzler \u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"Native American Rugs ganado and klagetoh style\" href=\"https:\/\/www.navajorug.com\/pages\/ganado-and-klagetoh?_pos=12\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Ganado___Klagatho_large.jpg?1404551871861448868\" alt=\"American Indian Rug Ganado Klagetoh Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"Native American Rugs ganado and klagetoh style\" href=\"https:\/\/www.navajorug.com\/pages\/ganado-and-klagetoh?_pos=12\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eGanado - Klagetoh\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Blankets Germantown style\" href=\"https:\/\/www.navajorug.com\/pages\/germantown-navajo-rug?_pos=18\u0026amp;_sid=dce60a9a2\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Germantown_large.jpg?1404551871861448868\" alt=\"American Indian Rug Germantown Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Blankets Germantown style\" href=\"https:\/\/www.navajorug.com\/pages\/germantown-navajo-rug?_pos=18\u0026amp;_sid=dce60a9a2\u0026amp;_ss=r\"\u003eGermantown\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Rug JB Moore Style\" href=\"https:\/\/www.navajorug.com\/pages\/jb-moore-navajo-rug?_pos=14\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/JB_Moore_large.jpg?1404551871861448868\" alt=\"American Indian Rug JB Moore Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rug JB Moore Style\" href=\"https:\/\/www.navajorug.com\/pages\/jb-moore-navajo-rug?_pos=14\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003eJB Moore\u003c\/a\u003e\u003c\/h2\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/ruby-watchman-navajo-weaving-3377_300x.jpg?v=1552626292\" alt=\"Navajo Chief Variant : Ruby Watchman : 3377 - Getzwiller's Nizhoni Ranch Gallery\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eMoki\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/eye-dazzler?_pos=17\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\" title=\"American Indian Rug Optical Style\"\u003e\u003cimg alt=\"American Indian Rug Optical Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Optical_large.jpg?17413717436438883849\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003eOptical\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/pictorial-rugs?_pos=10\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\" title=\"In depth description of Pictorial weavings\"\u003e\u003cimg alt=\"American Indian Rug Pictorial Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Pictorial_large.jpeg?17413717436438883849\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/pictorial-rugs?_pos=10\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003ePictorial\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/chinle-pine-springs-and-wide-ruins\"\u003e\u003cimg alt=\"American Indian Rug Pine Springs Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Pine_Springs_e90ca0a9-9df5-49a0-9dc5-2a9c0d1c1643_large.jpg?1473092318130747817\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/chinle-pine-springs-and-wide-ruins\"\u003ePine Springs\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/raised-outline-rugs?_pos=15\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003e\u003cimg alt=\"American Indian Rug Raised Outline Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Rasied_Outline_large.jpg?17413717436438883849\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/raised-outline-rugs?_pos=15\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003eRaised Outline\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/red-mesa?_pos=4\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg alt=\"American Indian Rug Red Mesa Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Red_Mesa_large.jpg?17413717436438883849\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/red-mesa?_pos=4\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eRed Mesa\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/navajo-saddle-blankets?_pos=16\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003e\u003cimg alt=\"American Indian Blanket Saddle Blanket Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Saddle_Blanket_large.jpg?9639797554712036978\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/navajo-saddle-blankets?_pos=16\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003eSaddle Blankets\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/navajo-sandpainting-weavings?_pos=9\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/GHT_2123_540x_9c650445-67b9-4531-a846-4170cb22c1ca_480x480.jpg?v=1569261854\" alt=\"American Indian Rug Sandpainting Style\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/navajo-sandpainting-weavings?_pos=9\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eSandpaintings\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/wearables\"\u003e\u003cimg alt=\"American Indian Blanket Serape Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/SERAPE_large.jpeg?9639797554712036978\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/wearables\"\u003eSERAPE\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/storm-pattern?_pos=8\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg alt=\"American Indian Rug Storm Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Storm_large.jpg?9639797554712036978\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/storm-pattern?_pos=8\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eStorm Pattern\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/teec-nos-pos-rugs\"\u003e\u003cimg alt=\"American Indian Rugs Storm Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Teec_Nos_Pos_large.jpg?5271831238402256494\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/teec-nos-pos-rugs\"\u003eTeec Nos Pos Weavings\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/transitional-navajo-rugs\"\u003e\u003cimg alt=\"American Indian Rug Transitional Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Transitional_large.jpg?5271831238402256494\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/transitional-navajo-rugs\"\u003eTransitional\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/tree-of-life-navajo-rugs?_pos=13\u0026amp;_sid=52751440f\u0026amp;_ss=r\"\u003e\u003cimg alt=\"American Indian Rug Tree of Life Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Tree_of_Life_large.jpg?5271831238402256494\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/tree-of-life-navajo-rugs?_pos=13\u0026amp;_sid=52751440f\u0026amp;_ss=r\"\u003eTree Of Life\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/twill-navajo-rugs?_pos=5\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg alt=\"American Indian Rug Twill Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Twill_large.jpg?5271831238402256494\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/twill-navajo-rugs?_pos=5\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eTwill Weavings\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/two-grey-hills-rugs\"\u003e\u003cimg alt=\"American Indian Rug Two Grey Hill Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Two_Gray_Hills_large.jpg?3072396291377765450\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/two-grey-hills-rugs\"\u003eTwo Grey Hills\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/chinle-pine-springs-and-wide-ruins\"\u003e\u003cimg alt=\"American Indian Rug Wide Ruin Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Wide_Ruins_large.jpeg?15019343838961012575\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/chinle-pine-springs-and-wide-ruins\"\u003eWide Ruins\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/navajo-yei-holy-people\"\u003e\u003cimg alt=\"American Indian Rug Yei be Chei Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Yei2_large.jpg?18145299465320891370\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/navajo-yei-holy-people\"\u003eYei \/ Yei Be Chei\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rugs Miniature weavings\" href=\"https:\/\/www.navajorug.com\/pages\/miniature-weavings?_pos=11\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cbr\u003eMiniature\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"American Indian Rugs Moki Style textiles\" href=\"https:\/\/www.navajorug.com\/pages\/moki-navajo-rugs?_pos=6\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg alt=\"Navajo Chief Variant : Ruby Watchman : 3377 - Getzwiller's Nizhoni Ranch Gallery\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/ruby-watchman-navajo-weaving-3377_300x.jpg?v=1552626292\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003ca title=\"American Indian Rugs Moki Style textiles\" href=\"https:\/\/www.navajorug.com\/pages\/moki-navajo-rugs?_pos=6\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003ca title=\"American Indian Rugs Moki Style textiles\" href=\"https:\/\/www.navajorug.com\/pages\/moki-navajo-rugs?_pos=6\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eMoki\u003c\/a\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Rug Optical Style\" href=\"https:\/\/www.navajorug.com\/pages\/eye-dazzler?_pos=17\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Optical_large.jpg?17413717436438883849\" alt=\"American Indian Rug Optical Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rug Optical Style\" href=\"https:\/\/www.navajorug.com\/pages\/eye-dazzler?_pos=17\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003eOptical\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"In depth description of Pictorial weavings\" href=\"https:\/\/www.navajorug.com\/pages\/pictorial-rugs?_pos=10\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Pictorial_large.jpeg?17413717436438883849\" alt=\"American Indian Rug Pictorial Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"In depth description of Pictorial weavings\" href=\"https:\/\/www.navajorug.com\/pages\/pictorial-rugs?_pos=10\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003ePictorial\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian rugs wide Pine springs designs\" href=\"https:\/\/www.navajorug.com\/pages\/chinle-pine-springs-and-wide-ruins\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Pine_Springs_e90ca0a9-9df5-49a0-9dc5-2a9c0d1c1643_large.jpg?1473092318130747817\" alt=\"American Indian Rug Pine Springs Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian rugs wide Pine springs designs\" href=\"https:\/\/www.navajorug.com\/pages\/chinle-pine-springs-and-wide-ruins\"\u003ePine Springs\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Rugs Raised Outline Style\" href=\"https:\/\/www.navajorug.com\/pages\/raised-outline-rugs?_pos=15\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Rasied_Outline_large.jpg?17413717436438883849\" alt=\"American Indian Rug Raised Outline Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rugs Raised Outline Style\" href=\"https:\/\/www.navajorug.com\/pages\/raised-outline-rugs?_pos=15\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003eRaised Outline\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Blankets Red Mesa Style\" href=\"https:\/\/www.navajorug.com\/pages\/red-mesa?_pos=4\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Red_Mesa_large.jpg?17413717436438883849\" alt=\"American Indian Rug Red Mesa Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Blankets Red Mesa Style\" href=\"https:\/\/www.navajorug.com\/pages\/red-mesa?_pos=4\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eRed Mesa\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Blankets Saddle Blanket Style\" href=\"https:\/\/www.navajorug.com\/pages\/navajo-saddle-blankets?_pos=16\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Saddle_Blanket_large.jpg?9639797554712036978\" alt=\"American Indian Blanket Saddle Blanket Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Blankets Saddle Blanket Style\" href=\"https:\/\/www.navajorug.com\/pages\/navajo-saddle-blankets?_pos=16\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003eSaddle Blankets\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Rugs Sand Painting Style\" href=\"https:\/\/www.navajorug.com\/pages\/navajo-sandpainting-weavings?_pos=9\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg alt=\"American Indian Rug Sandpainting Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/GHT_2123_540x_9c650445-67b9-4531-a846-4170cb22c1ca_480x480.jpg?v=1569261854\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rugs Sand Painting Style\" href=\"https:\/\/www.navajorug.com\/pages\/navajo-sandpainting-weavings?_pos=9\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eSandpaintings\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"Native American Navajo Serape Style blanket\" href=\"https:\/\/www.navajorug.com\/pages\/wearables\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/SERAPE_large.jpeg?9639797554712036978\" alt=\"American Indian Blanket Serape Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"Native American Navajo Serape Style blanket\" href=\"https:\/\/www.navajorug.com\/pages\/wearables\"\u003eSERAPE\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Rugs Storm Pattern Style\" href=\"https:\/\/www.navajorug.com\/pages\/storm-pattern?_pos=8\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Storm_large.jpg?9639797554712036978\" alt=\"American Indian Rug Storm Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rugs Storm Pattern Style\" href=\"https:\/\/www.navajorug.com\/pages\/storm-pattern?_pos=8\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eStorm Pattern\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"Native American Indian Teec Nos Pos Rugs description\" href=\"https:\/\/www.navajorug.com\/pages\/teec-nos-pos-rugs\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Teec_Nos_Pos_large.jpg?5271831238402256494\" alt=\"American Indian Rugs Storm Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"Native American Indian Teec Nos Pos Rugs description\" href=\"https:\/\/www.navajorug.com\/pages\/teec-nos-pos-rugs\"\u003eTeec Nos Pos Weavings\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"Native American Indian Transitional Style Rugs\" href=\"https:\/\/www.navajorug.com\/pages\/transitional-navajo-rugs\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Transitional_large.jpg?5271831238402256494\" alt=\"American Indian Rug Transitional Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"Native American Indian Transitional Style Rugs\" href=\"https:\/\/www.navajorug.com\/pages\/transitional-navajo-rugs\"\u003eTransitional\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"Native American Rugs Tree of Life Navajo weavings\" href=\"https:\/\/www.navajorug.com\/pages\/tree-of-life-navajo-rugs?_pos=13\u0026amp;_sid=52751440f\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Tree_of_Life_large.jpg?5271831238402256494\" alt=\"American Indian Rug Tree of Life Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"Native American Rugs Tree of Life Navajo weavings\" href=\"https:\/\/www.navajorug.com\/pages\/tree-of-life-navajo-rugs?_pos=13\u0026amp;_sid=52751440f\u0026amp;_ss=r\"\u003eTree Of Life\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"Native American Navajo Rugs Twill Design\" href=\"https:\/\/www.navajorug.com\/pages\/twill-navajo-rugs?_pos=5\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Twill_large.jpg?5271831238402256494\" alt=\"American Indian Rug Twill Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"Native American Navajo Rugs Twill Design\" href=\"https:\/\/www.navajorug.com\/pages\/twill-navajo-rugs?_pos=5\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eTwill Weavings\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"Native American Rugs Two Grey Hills Style\" href=\"https:\/\/www.navajorug.com\/pages\/two-grey-hills-rugs\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Two_Gray_Hills_large.jpg?3072396291377765450\" alt=\"American Indian Rug Two Grey Hill Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"Native American Rugs Two Grey Hills Style\" href=\"https:\/\/www.navajorug.com\/pages\/two-grey-hills-rugs\"\u003eTwo Grey Hills\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Rugs Pine Springs Style\" href=\"https:\/\/www.navajorug.com\/pages\/chinle-pine-springs-and-wide-ruins\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Wide_Ruins_large.jpeg?15019343838961012575\" alt=\"American Indian Rug Wide Ruin Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rugs Pine Springs Style\" href=\"https:\/\/www.navajorug.com\/pages\/chinle-pine-springs-and-wide-ruins\"\u003eWide Ruins\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Yei be Chei weaving styles\" href=\"https:\/\/www.navajorug.com\/pages\/navajo-yei-holy-people\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Yei2_large.jpg?18145299465320891370\" alt=\"American Indian Rug Yei be Chei Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Yei be Chei weaving styles\" href=\"https:\/\/www.navajorug.com\/pages\/navajo-yei-holy-people\"\u003eYei \/ Yei Be Chei\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2026-05-12T11:19:55-07:00","created_at":"2026-05-12T11:19:24-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48235355341022,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"In-depth Descriptions of Navajo Rug Styles","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/JBMoorerug.jpg?v=1778609989"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/JBMoorerug.jpg?v=1778609989","options":["Title"],"media":[{"alt":null,"id":38231576019166,"position":1,"preview_image":{"aspect_ratio":0.777,"height":273,"width":212,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/JBMoorerug.jpg?v=1778609989"},"aspect_ratio":0.777,"height":273,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/JBMoorerug.jpg?v=1778609989","width":212}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003eThere are more than 21 styles of Navajo design styles.  In most cases they are based on specific designs from certain areas of the Navajo Nation.  \u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Bestie_large.jpg?15823927431408827987\" alt=\"Bistie American Indian Rug with brown, black and red wool colors\"\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"Native American Rugs Bistie Style\" href=\"https:\/\/www.navajorug.com\/pages\/bistie?_pos=1\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eBistie\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Rugs Burntwater Style\" href=\"https:\/\/www.navajorug.com\/pages\/burntwater?_pos=2\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Burntwater_9da57878-774d-47d6-a299-d50040bd2a2e_large.jpg?15823927431408827987\" alt=\"Native American Rug Burntwater\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rugs Burntwater Style\" href=\"https:\/\/www.navajorug.com\/pages\/burntwater?_pos=2\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eBurntwater\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Chief Blankets\" href=\"https:\/\/www.navajorug.com\/pages\/chief-blankets?_pos=7\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/CHIEF_BLANKET_large.jpg?15823927431408827987\" alt=\"American Indian Blanket Chief Blanket Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Chief Blankets\" href=\"https:\/\/www.navajorug.com\/pages\/chief-blankets?_pos=7\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eChief's Blankets\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Rug Childs Blanket style\" href=\"https:\/\/www.navajorug.com\/pages\/wearables\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/childs_blanket_large.jpeg?15823927431408827987\" alt=\"American Indian Blanket Child's Blanket\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rug Childs Blanket style\" href=\"https:\/\/www.navajorug.com\/pages\/wearables\"\u003eChild's Blankets\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Rugs Chinle Style\" href=\"https:\/\/www.navajorug.com\/pages\/chinle-pine-springs-and-wide-ruins\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Chinle_8d767bd4-1829-442e-9b5f-94d8e84fc7ac_large.jpg?10127754980090413361\" alt=\"American Indian Rug Chinle Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rugs Chinle Style\" href=\"https:\/\/www.navajorug.com\/pages\/chinle-pine-springs-and-wide-ruins\"\u003eChinle\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"Native American Rugs Crystal Style\" href=\"https:\/\/www.navajorug.com\/pages\/crystal?_pos=3\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Crystal_f5c39b92-03b9-43da-a92e-ca519af74fe3_large.jpg?10127754980090413361\" alt=\"American Indian Rug Crystal Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"Native American Rugs Crystal Style\" href=\"https:\/\/www.navajorug.com\/pages\/crystal?_pos=3\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eCrystal\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Rug Eye Dazzler Style\" href=\"https:\/\/www.navajorug.com\/pages\/eye-dazzler?_pos=17\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Eye_Dazzler_1e2d9a7c-77c0-4d59-a663-7079a0bb9663_large.jpg?10127754980090413361\" alt=\"American Indian Rug Eye Dazzler Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rug Eye Dazzler Style\" href=\"https:\/\/www.navajorug.com\/pages\/eye-dazzler?_pos=17\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003eEye Dazzler \u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"Native American Rugs ganado and klagetoh style\" href=\"https:\/\/www.navajorug.com\/pages\/ganado-and-klagetoh?_pos=12\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Ganado___Klagatho_large.jpg?1404551871861448868\" alt=\"American Indian Rug Ganado Klagetoh Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"Native American Rugs ganado and klagetoh style\" href=\"https:\/\/www.navajorug.com\/pages\/ganado-and-klagetoh?_pos=12\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eGanado - Klagetoh\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Blankets Germantown style\" href=\"https:\/\/www.navajorug.com\/pages\/germantown-navajo-rug?_pos=18\u0026amp;_sid=dce60a9a2\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Germantown_large.jpg?1404551871861448868\" alt=\"American Indian Rug Germantown Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Blankets Germantown style\" href=\"https:\/\/www.navajorug.com\/pages\/germantown-navajo-rug?_pos=18\u0026amp;_sid=dce60a9a2\u0026amp;_ss=r\"\u003eGermantown\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Rug JB Moore Style\" href=\"https:\/\/www.navajorug.com\/pages\/jb-moore-navajo-rug?_pos=14\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/JB_Moore_large.jpg?1404551871861448868\" alt=\"American Indian Rug JB Moore Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rug JB Moore Style\" href=\"https:\/\/www.navajorug.com\/pages\/jb-moore-navajo-rug?_pos=14\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003eJB Moore\u003c\/a\u003e\u003c\/h2\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/ruby-watchman-navajo-weaving-3377_300x.jpg?v=1552626292\" alt=\"Navajo Chief Variant : Ruby Watchman : 3377 - Getzwiller's Nizhoni Ranch Gallery\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eMoki\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/eye-dazzler?_pos=17\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\" title=\"American Indian Rug Optical Style\"\u003e\u003cimg alt=\"American Indian Rug Optical Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Optical_large.jpg?17413717436438883849\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003eOptical\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/pictorial-rugs?_pos=10\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\" title=\"In depth description of Pictorial weavings\"\u003e\u003cimg alt=\"American Indian Rug Pictorial Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Pictorial_large.jpeg?17413717436438883849\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/pictorial-rugs?_pos=10\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003ePictorial\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/chinle-pine-springs-and-wide-ruins\"\u003e\u003cimg alt=\"American Indian Rug Pine Springs Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Pine_Springs_e90ca0a9-9df5-49a0-9dc5-2a9c0d1c1643_large.jpg?1473092318130747817\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/chinle-pine-springs-and-wide-ruins\"\u003ePine Springs\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/raised-outline-rugs?_pos=15\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003e\u003cimg alt=\"American Indian Rug Raised Outline Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Rasied_Outline_large.jpg?17413717436438883849\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/raised-outline-rugs?_pos=15\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003eRaised Outline\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/red-mesa?_pos=4\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg alt=\"American Indian Rug Red Mesa Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Red_Mesa_large.jpg?17413717436438883849\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/red-mesa?_pos=4\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eRed Mesa\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/navajo-saddle-blankets?_pos=16\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003e\u003cimg alt=\"American Indian Blanket Saddle Blanket Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Saddle_Blanket_large.jpg?9639797554712036978\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/navajo-saddle-blankets?_pos=16\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003eSaddle Blankets\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/navajo-sandpainting-weavings?_pos=9\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/GHT_2123_540x_9c650445-67b9-4531-a846-4170cb22c1ca_480x480.jpg?v=1569261854\" alt=\"American Indian Rug Sandpainting Style\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/navajo-sandpainting-weavings?_pos=9\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eSandpaintings\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/wearables\"\u003e\u003cimg alt=\"American Indian Blanket Serape Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/SERAPE_large.jpeg?9639797554712036978\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/wearables\"\u003eSERAPE\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/storm-pattern?_pos=8\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg alt=\"American Indian Rug Storm Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Storm_large.jpg?9639797554712036978\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/storm-pattern?_pos=8\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eStorm Pattern\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/teec-nos-pos-rugs\"\u003e\u003cimg alt=\"American Indian Rugs Storm Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Teec_Nos_Pos_large.jpg?5271831238402256494\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/teec-nos-pos-rugs\"\u003eTeec Nos Pos Weavings\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/transitional-navajo-rugs\"\u003e\u003cimg alt=\"American Indian Rug Transitional Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Transitional_large.jpg?5271831238402256494\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/transitional-navajo-rugs\"\u003eTransitional\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/tree-of-life-navajo-rugs?_pos=13\u0026amp;_sid=52751440f\u0026amp;_ss=r\"\u003e\u003cimg alt=\"American Indian Rug Tree of Life Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Tree_of_Life_large.jpg?5271831238402256494\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/tree-of-life-navajo-rugs?_pos=13\u0026amp;_sid=52751440f\u0026amp;_ss=r\"\u003eTree Of Life\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/twill-navajo-rugs?_pos=5\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg alt=\"American Indian Rug Twill Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Twill_large.jpg?5271831238402256494\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/twill-navajo-rugs?_pos=5\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eTwill Weavings\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/two-grey-hills-rugs\"\u003e\u003cimg alt=\"American Indian Rug Two Grey Hill Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Two_Gray_Hills_large.jpg?3072396291377765450\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/two-grey-hills-rugs\"\u003eTwo Grey Hills\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/chinle-pine-springs-and-wide-ruins\"\u003e\u003cimg alt=\"American Indian Rug Wide Ruin Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Wide_Ruins_large.jpeg?15019343838961012575\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/chinle-pine-springs-and-wide-ruins\"\u003eWide Ruins\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/navajo-yei-holy-people\"\u003e\u003cimg alt=\"American Indian Rug Yei be Chei Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Yei2_large.jpg?18145299465320891370\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch2\u003e\u003ca href=\"https:\/\/www.navajorug.com\/pages\/navajo-yei-holy-people\"\u003eYei \/ Yei Be Chei\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rugs Miniature weavings\" href=\"https:\/\/www.navajorug.com\/pages\/miniature-weavings?_pos=11\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cbr\u003eMiniature\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"American Indian Rugs Moki Style textiles\" href=\"https:\/\/www.navajorug.com\/pages\/moki-navajo-rugs?_pos=6\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg alt=\"Navajo Chief Variant : Ruby Watchman : 3377 - Getzwiller's Nizhoni Ranch Gallery\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/ruby-watchman-navajo-weaving-3377_300x.jpg?v=1552626292\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003ca title=\"American Indian Rugs Moki Style textiles\" href=\"https:\/\/www.navajorug.com\/pages\/moki-navajo-rugs?_pos=6\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003ca title=\"American Indian Rugs Moki Style textiles\" href=\"https:\/\/www.navajorug.com\/pages\/moki-navajo-rugs?_pos=6\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eMoki\u003c\/a\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Rug Optical Style\" href=\"https:\/\/www.navajorug.com\/pages\/eye-dazzler?_pos=17\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Optical_large.jpg?17413717436438883849\" alt=\"American Indian Rug Optical Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rug Optical Style\" href=\"https:\/\/www.navajorug.com\/pages\/eye-dazzler?_pos=17\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003eOptical\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"In depth description of Pictorial weavings\" href=\"https:\/\/www.navajorug.com\/pages\/pictorial-rugs?_pos=10\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Pictorial_large.jpeg?17413717436438883849\" alt=\"American Indian Rug Pictorial Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"In depth description of Pictorial weavings\" href=\"https:\/\/www.navajorug.com\/pages\/pictorial-rugs?_pos=10\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003ePictorial\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian rugs wide Pine springs designs\" href=\"https:\/\/www.navajorug.com\/pages\/chinle-pine-springs-and-wide-ruins\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Pine_Springs_e90ca0a9-9df5-49a0-9dc5-2a9c0d1c1643_large.jpg?1473092318130747817\" alt=\"American Indian Rug Pine Springs Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian rugs wide Pine springs designs\" href=\"https:\/\/www.navajorug.com\/pages\/chinle-pine-springs-and-wide-ruins\"\u003ePine Springs\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Rugs Raised Outline Style\" href=\"https:\/\/www.navajorug.com\/pages\/raised-outline-rugs?_pos=15\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Rasied_Outline_large.jpg?17413717436438883849\" alt=\"American Indian Rug Raised Outline Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rugs Raised Outline Style\" href=\"https:\/\/www.navajorug.com\/pages\/raised-outline-rugs?_pos=15\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003eRaised Outline\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Blankets Red Mesa Style\" href=\"https:\/\/www.navajorug.com\/pages\/red-mesa?_pos=4\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Red_Mesa_large.jpg?17413717436438883849\" alt=\"American Indian Rug Red Mesa Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Blankets Red Mesa Style\" href=\"https:\/\/www.navajorug.com\/pages\/red-mesa?_pos=4\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eRed Mesa\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Blankets Saddle Blanket Style\" href=\"https:\/\/www.navajorug.com\/pages\/navajo-saddle-blankets?_pos=16\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Saddle_Blanket_large.jpg?9639797554712036978\" alt=\"American Indian Blanket Saddle Blanket Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Blankets Saddle Blanket Style\" href=\"https:\/\/www.navajorug.com\/pages\/navajo-saddle-blankets?_pos=16\u0026amp;_sid=2e94ab80c\u0026amp;_ss=r\"\u003eSaddle Blankets\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Rugs Sand Painting Style\" href=\"https:\/\/www.navajorug.com\/pages\/navajo-sandpainting-weavings?_pos=9\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg alt=\"American Indian Rug Sandpainting Style\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/GHT_2123_540x_9c650445-67b9-4531-a846-4170cb22c1ca_480x480.jpg?v=1569261854\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rugs Sand Painting Style\" href=\"https:\/\/www.navajorug.com\/pages\/navajo-sandpainting-weavings?_pos=9\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eSandpaintings\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"Native American Navajo Serape Style blanket\" href=\"https:\/\/www.navajorug.com\/pages\/wearables\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/SERAPE_large.jpeg?9639797554712036978\" alt=\"American Indian Blanket Serape Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"Native American Navajo Serape Style blanket\" href=\"https:\/\/www.navajorug.com\/pages\/wearables\"\u003eSERAPE\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Rugs Storm Pattern Style\" href=\"https:\/\/www.navajorug.com\/pages\/storm-pattern?_pos=8\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Storm_large.jpg?9639797554712036978\" alt=\"American Indian Rug Storm Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rugs Storm Pattern Style\" href=\"https:\/\/www.navajorug.com\/pages\/storm-pattern?_pos=8\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eStorm Pattern\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"Native American Indian Teec Nos Pos Rugs description\" href=\"https:\/\/www.navajorug.com\/pages\/teec-nos-pos-rugs\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Teec_Nos_Pos_large.jpg?5271831238402256494\" alt=\"American Indian Rugs Storm Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"Native American Indian Teec Nos Pos Rugs description\" href=\"https:\/\/www.navajorug.com\/pages\/teec-nos-pos-rugs\"\u003eTeec Nos Pos Weavings\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"Native American Indian Transitional Style Rugs\" href=\"https:\/\/www.navajorug.com\/pages\/transitional-navajo-rugs\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Transitional_large.jpg?5271831238402256494\" alt=\"American Indian Rug Transitional Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"Native American Indian Transitional Style Rugs\" href=\"https:\/\/www.navajorug.com\/pages\/transitional-navajo-rugs\"\u003eTransitional\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"Native American Rugs Tree of Life Navajo weavings\" href=\"https:\/\/www.navajorug.com\/pages\/tree-of-life-navajo-rugs?_pos=13\u0026amp;_sid=52751440f\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Tree_of_Life_large.jpg?5271831238402256494\" alt=\"American Indian Rug Tree of Life Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"Native American Rugs Tree of Life Navajo weavings\" href=\"https:\/\/www.navajorug.com\/pages\/tree-of-life-navajo-rugs?_pos=13\u0026amp;_sid=52751440f\u0026amp;_ss=r\"\u003eTree Of Life\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-full\"\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"Native American Navajo Rugs Twill Design\" href=\"https:\/\/www.navajorug.com\/pages\/twill-navajo-rugs?_pos=5\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Twill_large.jpg?5271831238402256494\" alt=\"American Indian Rug Twill Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"Native American Navajo Rugs Twill Design\" href=\"https:\/\/www.navajorug.com\/pages\/twill-navajo-rugs?_pos=5\u0026amp;_sid=fc31b8be5\u0026amp;_ss=r\"\u003eTwill Weavings\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"Native American Rugs Two Grey Hills Style\" href=\"https:\/\/www.navajorug.com\/pages\/two-grey-hills-rugs\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Two_Gray_Hills_large.jpg?3072396291377765450\" alt=\"American Indian Rug Two Grey Hill Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"Native American Rugs Two Grey Hills Style\" href=\"https:\/\/www.navajorug.com\/pages\/two-grey-hills-rugs\"\u003eTwo Grey Hills\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Rugs Pine Springs Style\" href=\"https:\/\/www.navajorug.com\/pages\/chinle-pine-springs-and-wide-ruins\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Wide_Ruins_large.jpeg?15019343838961012575\" alt=\"American Indian Rug Wide Ruin Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Rugs Pine Springs Style\" href=\"https:\/\/www.navajorug.com\/pages\/chinle-pine-springs-and-wide-ruins\"\u003eWide Ruins\u003c\/a\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"one-fourth\"\u003e\n\u003ca title=\"American Indian Yei be Chei weaving styles\" href=\"https:\/\/www.navajorug.com\/pages\/navajo-yei-holy-people\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/Yei2_large.jpg?18145299465320891370\" alt=\"American Indian Rug Yei be Chei Style\"\u003e\u003c\/a\u003e\u003cbr\u003e\n\u003ch2\u003e\u003ca title=\"American Indian Yei be Chei weaving styles\" href=\"https:\/\/www.navajorug.com\/pages\/navajo-yei-holy-people\"\u003eYei \/ Yei Be Chei\u003c\/a\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":9212825960670,"title":"Transitional Rugs - Interesting time for Navajo weaving","handle":"transitional-rugs-interesting-time-for-navajo-weaving","description":"\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eTime changes life for everyone, and that’s especially true for the Navajo. During the last part of 19th century, trading posts opened up and traditional life for the Navajo began to evolve rapidly; especially when it came to Navajo weavers. It was with the changes to wool, newly available dyes, and the transition from wearing blankets to floor rugs; that gave way to this “transitional” period and thus,\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eTransitional Rugs\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003ewere born. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHistory of Transitional Rugs and Blankets\u003cbr\u003e\u003c\/strong\u003eIt began in the late 1870s that “transitional” blankets began to overtake the “late classic”  blanket. And within a few decades, the Transitional Rug began to copy those elements and share in their colors and designs. Larger and heavier than their counterparts, bordered Transitional Rug weavings began to evolve and the old classic banded-style of wearing blankets were nearly phased out altogether by the early 1900s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTransitional Show at the Gallery\u003cbr\u003e\u003c\/strong\u003eWe filled the walls with some of our favorite Native American Transitional rugs and blankets.  The variety of styles, size and colors make Transitionals really interesting.  \u003ca href=\"https:\/\/www.navajorug.com\/collections\/transitional?sort_by=price-ascending\" title=\"Transitional Navajo Rugs for Sale\"\u003eClick here to view the weavings available from this show.  \u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"450\" height=\"253\" src=\"https:\/\/www.youtube.com\/embed\/U0-XS1y6DgE?rel=0\u0026amp;showinfo=0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","published_at":"2026-05-12T11:33:26-07:00","created_at":"2026-05-12T11:30:46-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48235475402974,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Transitional Rugs - Interesting time for Navajo weaving","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/transisonal.jpg?v=1778610779"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/transisonal.jpg?v=1778610779","options":["Title"],"media":[{"alt":null,"id":38231660789982,"position":1,"preview_image":{"aspect_ratio":1.416,"height":219,"width":310,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/transisonal.jpg?v=1778610779"},"aspect_ratio":1.416,"height":219,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/transisonal.jpg?v=1778610779","width":310}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eTime changes life for everyone, and that’s especially true for the Navajo. During the last part of 19th century, trading posts opened up and traditional life for the Navajo began to evolve rapidly; especially when it came to Navajo weavers. It was with the changes to wool, newly available dyes, and the transition from wearing blankets to floor rugs; that gave way to this “transitional” period and thus,\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eTransitional Rugs\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003ewere born. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHistory of Transitional Rugs and Blankets\u003cbr\u003e\u003c\/strong\u003eIt began in the late 1870s that “transitional” blankets began to overtake the “late classic”  blanket. And within a few decades, the Transitional Rug began to copy those elements and share in their colors and designs. Larger and heavier than their counterparts, bordered Transitional Rug weavings began to evolve and the old classic banded-style of wearing blankets were nearly phased out altogether by the early 1900s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTransitional Show at the Gallery\u003cbr\u003e\u003c\/strong\u003eWe filled the walls with some of our favorite Native American Transitional rugs and blankets.  The variety of styles, size and colors make Transitionals really interesting.  \u003ca href=\"https:\/\/www.navajorug.com\/collections\/transitional?sort_by=price-ascending\" title=\"Transitional Navajo Rugs for Sale\"\u003eClick here to view the weavings available from this show.  \u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"450\" height=\"253\" src=\"https:\/\/www.youtube.com\/embed\/U0-XS1y6DgE?rel=0\u0026amp;showinfo=0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e"}

{"id":9212830482654,"title":"How Much Does a Navajo Rug Cost?","handle":"how-much-does-a-navajo-rug-cost","description":"\u003cp\u003eSo how much do Navajo Rugs Cost?    This Navajo Rug cost and pricing guide is designed to help you develop an initial budget and understanding of Navajo Rugs.   \u003cbr\u003eThere are several things to consider when purchasing quality Navajo Rugs...\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Size\u003c\/li\u003e\n\u003cli\u003e When was it woven – is it Historic\/Antique or Contemporary\u003c\/li\u003e\n\u003cli\u003e Tightness of weave\u003c\/li\u003e\n\u003cli\u003e Style (complexity of design)\u003c\/li\u003e\n\u003cli\u003e Dyes used\u003c\/li\u003e\n\u003cli\u003e Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ca title=\"Historic Navajo Rugs for Sale\" href=\"https:\/\/www.navajorug.com\/collections\/historic\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/DSC02320_1_1024x1024_5da437cc-447b-40a8-b4a3-13ad7709dd31_large.jpg?v=1504820580\" alt=\"Navajo rugs come in all shapes, sizes, and colors - there are many factors that go into a weaving's price.\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ca title=\"Historic Navajo Rugs for Sale\" href=\"https:\/\/www.navajorug.com\/collections\/historic\"\u003e\u003cem\u003eHistoric Textile Exhibit Santa Fe, New Mexico\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003ch3\u003eNavajo Rugs – Size\u003c\/h3\u003e\n\u003cp\u003eThere are some standard sizes in Navajo Rugs because of the way it is woven, by hand on a Navajo Loom. Common sizes are 4x6, 5x8, 6x9…. (of course there are more sizes available, larger and smaller). You get the idea, rugs are usually woven in a rectangular configuration. The price will vary greatly by the size you need. Some large Navajo Rugs may take 1, 2, or 3 years to make and are harder to find, so they are in a higher price range. Smaller Navajo Rugs start at $100 and they go up from there.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cbr\u003e\u003ca title=\"Historic Navajo Rugs For Sale\" href=\"https:\/\/www.navajorug.com\/collections\/historic\"\u003eNavajo Rugs – Historic\/Antique – (pre-1950)\u003c\/a\u003e\n\u003c\/h3\u003e\n\u003cp\u003eAntique Navajo rugs, depending on size can range from around $1,000 up to many thousands. Provenance can also add value to historic Navajo rugs, for example, previous collection history, or prior publication, etc. \u003c\/p\u003e\n\u003ch3\u003e\n\u003cbr\u003e\u003ca title=\"Contemporary Navajo Rugs For Sale\" href=\"https:\/\/www.navajorug.com\/collections\/contemporary\"\u003eNavajo Rugs – Contemporary – (1950 to present)\u003c\/a\u003e\n\u003c\/h3\u003e\n\u003cp\u003eContemporary Navajo rugs, again depending on size, can range from \u003ca title=\"Navajo Rugs under $500\" href=\"https:\/\/www.navajorug.com\/collections\/navajo-rugs\/under-500\"\u003eUNDER $500\u003c\/a\u003e up to many thousands. The number of Navajo weavers working today is dwindling. Many of the young weavers are not learning this sacred Navajo weaving tradition, as it is a very time consuming and disciplined art form. When considering whether to purchase a Navajo Rug or not, know this is a way to encourage young Navajos to learn to weave and keep the traditional Navajo Rug weaving alive. \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ca title=\"Getzwiller Collection of Contemporary Navajo Weavings 1975-2000\" href=\"https:\/\/www.navajorug.com\/pages\/churro-collection-2001-gallery\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/The_Getzwiller_Collection_of_Contemporary_Navajo_Weavings22_1024x1024_aa81f017-9e17-46fd-8be0-9eea0f6e5411_large.jpeg?v=1504820857\" alt=\"The Getzwiller's Exclusive Churro collection represents the finest and most skilled Navajo weavers on the reservation.\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003cem\u003e\u003ca title=\"Navajo Rugs Exibition at DCWM\" href=\"https:\/\/www.navajorug.com\/pages\/churro-collection-2001-gallery\"\u003e2001 Textile Exhibit Desert Caballeros Western Museum, Wickenburg AZ\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003ca title=\"Navajo Rugs Navajo Churro Collection for Sale\" href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\"\u003eNavajo Rugs – Navajo Churro Collection\u003c\/a\u003e\u003c\/h3\u003e\n\u003cp\u003eThe Navajo Churro Collection Rugs are contemporary Navajo rugs that we commission from the best Navajo Master Weavers working today. The native Churro sheep wool, the hand dying process and the dyes themselves (natural and aniline) add value to the weaving. Also, each weaving is accompanied by provenance – a Churro Certificate with a photo of the weaver and detailed information about the Navajo rug. You can read more in depth information about \u003ca title=\"Navajo Churro Collection History\" href=\"https:\/\/www.navajorug.com\/pages\/churro-collection-info\"\u003eThe Navajo Churro Collection here.\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cbr\u003e\u003ca title=\"Shop for Navajo Rugs by Style\" href=\"https:\/\/www.navajorug.com\/pages\/navajo-rug-styles\"\u003eNavajo Rugs – Style\u003c\/a\u003e\/Complexity\/Tightness\u003c\/h3\u003e\n\u003cp\u003e\u003ca title=\"Navajo Rug Styles Descriptions\" href=\"https:\/\/www.navajorug.com\/pages\/navajo-rug-descriptions\"\u003eThere are 28 Styles of Navajo Rugs\u003c\/a\u003e. Some Styles are more difficult to weave than others. Intricacy and tightness of the weave affect the value. Generally speaking, the tighter and finer the weave, the more valuable the piece. \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/judym_medium.jpg?v=1504726138\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/Churro_1539b_large.jpg?v=1503604385\"\u003e \u003c\/p\u003e\n\u003ch3\u003eNavajo Rugs – Condition\u003c\/h3\u003e\n\u003cp\u003eThe condition of a Navajo Rug will of course affect the value as well.  Weigh the condition issues (is it clean, straight, damaged, color run, fading, etc.)  against your attraction to the weaving and decide.  Sometime issues can be fixed - but that is another blog about Care \u0026amp; Repair.\u003c\/p\u003e\n\u003ch3\u003eNavajo Rugs – Prices on our site \u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eOn our website, we have pricing for most Navajo rugs posted.  If a price is not visible, it is either part of our exclusive Navajo Churro Collection, or is one of our more important and valuable Antique or Contemporary Navajo Rugs. We are happy to provide pricing for any these pieces. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHope we answered most of your questions about How Much Do Navajo Rugs Cost.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlease contact us with any questions at:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhone: 520-455- 5020 \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eEmail: nizhoniranch@gmail.com\u003c\/strong\u003e\u003c\/p\u003e","published_at":"2026-05-12T11:37:53-07:00","created_at":"2026-05-12T11:35:55-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48235514757342,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"How Much Does a Navajo Rug Cost?","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/churro-1785-elsie-bia-ganado-navajo-rug.jpg?v=1765397450"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/churro-1785-elsie-bia-ganado-navajo-rug.jpg?v=1765397450","options":["Title"],"media":[{"alt":"Navajo Ganado Decorative rug with intricate pattern on a red background.","id":37272881889502,"position":1,"preview_image":{"aspect_ratio":0.687,"height":1400,"width":962,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/churro-1785-elsie-bia-ganado-navajo-rug.jpg?v=1765397450"},"aspect_ratio":0.687,"height":1400,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/churro-1785-elsie-bia-ganado-navajo-rug.jpg?v=1765397450","width":962}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eSo how much do Navajo Rugs Cost?    This Navajo Rug cost and pricing guide is designed to help you develop an initial budget and understanding of Navajo Rugs.   \u003cbr\u003eThere are several things to consider when purchasing quality Navajo Rugs...\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Size\u003c\/li\u003e\n\u003cli\u003e When was it woven – is it Historic\/Antique or Contemporary\u003c\/li\u003e\n\u003cli\u003e Tightness of weave\u003c\/li\u003e\n\u003cli\u003e Style (complexity of design)\u003c\/li\u003e\n\u003cli\u003e Dyes used\u003c\/li\u003e\n\u003cli\u003e Condition\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ca title=\"Historic Navajo Rugs for Sale\" href=\"https:\/\/www.navajorug.com\/collections\/historic\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/DSC02320_1_1024x1024_5da437cc-447b-40a8-b4a3-13ad7709dd31_large.jpg?v=1504820580\" alt=\"Navajo rugs come in all shapes, sizes, and colors - there are many factors that go into a weaving's price.\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ca title=\"Historic Navajo Rugs for Sale\" href=\"https:\/\/www.navajorug.com\/collections\/historic\"\u003e\u003cem\u003eHistoric Textile Exhibit Santa Fe, New Mexico\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003ch3\u003eNavajo Rugs – Size\u003c\/h3\u003e\n\u003cp\u003eThere are some standard sizes in Navajo Rugs because of the way it is woven, by hand on a Navajo Loom. Common sizes are 4x6, 5x8, 6x9…. (of course there are more sizes available, larger and smaller). You get the idea, rugs are usually woven in a rectangular configuration. The price will vary greatly by the size you need. Some large Navajo Rugs may take 1, 2, or 3 years to make and are harder to find, so they are in a higher price range. Smaller Navajo Rugs start at $100 and they go up from there.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cbr\u003e\u003ca title=\"Historic Navajo Rugs For Sale\" href=\"https:\/\/www.navajorug.com\/collections\/historic\"\u003eNavajo Rugs – Historic\/Antique – (pre-1950)\u003c\/a\u003e\n\u003c\/h3\u003e\n\u003cp\u003eAntique Navajo rugs, depending on size can range from around $1,000 up to many thousands. Provenance can also add value to historic Navajo rugs, for example, previous collection history, or prior publication, etc. \u003c\/p\u003e\n\u003ch3\u003e\n\u003cbr\u003e\u003ca title=\"Contemporary Navajo Rugs For Sale\" href=\"https:\/\/www.navajorug.com\/collections\/contemporary\"\u003eNavajo Rugs – Contemporary – (1950 to present)\u003c\/a\u003e\n\u003c\/h3\u003e\n\u003cp\u003eContemporary Navajo rugs, again depending on size, can range from \u003ca title=\"Navajo Rugs under $500\" href=\"https:\/\/www.navajorug.com\/collections\/navajo-rugs\/under-500\"\u003eUNDER $500\u003c\/a\u003e up to many thousands. The number of Navajo weavers working today is dwindling. Many of the young weavers are not learning this sacred Navajo weaving tradition, as it is a very time consuming and disciplined art form. When considering whether to purchase a Navajo Rug or not, know this is a way to encourage young Navajos to learn to weave and keep the traditional Navajo Rug weaving alive. \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ca title=\"Getzwiller Collection of Contemporary Navajo Weavings 1975-2000\" href=\"https:\/\/www.navajorug.com\/pages\/churro-collection-2001-gallery\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/The_Getzwiller_Collection_of_Contemporary_Navajo_Weavings22_1024x1024_aa81f017-9e17-46fd-8be0-9eea0f6e5411_large.jpeg?v=1504820857\" alt=\"The Getzwiller's Exclusive Churro collection represents the finest and most skilled Navajo weavers on the reservation.\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003cem\u003e\u003ca title=\"Navajo Rugs Exibition at DCWM\" href=\"https:\/\/www.navajorug.com\/pages\/churro-collection-2001-gallery\"\u003e2001 Textile Exhibit Desert Caballeros Western Museum, Wickenburg AZ\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003ca title=\"Navajo Rugs Navajo Churro Collection for Sale\" href=\"https:\/\/www.navajorug.com\/collections\/churro-collection\"\u003eNavajo Rugs – Navajo Churro Collection\u003c\/a\u003e\u003c\/h3\u003e\n\u003cp\u003eThe Navajo Churro Collection Rugs are contemporary Navajo rugs that we commission from the best Navajo Master Weavers working today. The native Churro sheep wool, the hand dying process and the dyes themselves (natural and aniline) add value to the weaving. Also, each weaving is accompanied by provenance – a Churro Certificate with a photo of the weaver and detailed information about the Navajo rug. You can read more in depth information about \u003ca title=\"Navajo Churro Collection History\" href=\"https:\/\/www.navajorug.com\/pages\/churro-collection-info\"\u003eThe Navajo Churro Collection here.\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cbr\u003e\u003ca title=\"Shop for Navajo Rugs by Style\" href=\"https:\/\/www.navajorug.com\/pages\/navajo-rug-styles\"\u003eNavajo Rugs – Style\u003c\/a\u003e\/Complexity\/Tightness\u003c\/h3\u003e\n\u003cp\u003e\u003ca title=\"Navajo Rug Styles Descriptions\" href=\"https:\/\/www.navajorug.com\/pages\/navajo-rug-descriptions\"\u003eThere are 28 Styles of Navajo Rugs\u003c\/a\u003e. Some Styles are more difficult to weave than others. Intricacy and tightness of the weave affect the value. Generally speaking, the tighter and finer the weave, the more valuable the piece. \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/judym_medium.jpg?v=1504726138\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/Churro_1539b_large.jpg?v=1503604385\"\u003e \u003c\/p\u003e\n\u003ch3\u003eNavajo Rugs – Condition\u003c\/h3\u003e\n\u003cp\u003eThe condition of a Navajo Rug will of course affect the value as well.  Weigh the condition issues (is it clean, straight, damaged, color run, fading, etc.)  against your attraction to the weaving and decide.  Sometime issues can be fixed - but that is another blog about Care \u0026amp; Repair.\u003c\/p\u003e\n\u003ch3\u003eNavajo Rugs – Prices on our site \u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eOn our website, we have pricing for most Navajo rugs posted.  If a price is not visible, it is either part of our exclusive Navajo Churro Collection, or is one of our more important and valuable Antique or Contemporary Navajo Rugs. We are happy to provide pricing for any these pieces. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHope we answered most of your questions about How Much Do Navajo Rugs Cost.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlease contact us with any questions at:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhone: 520-455- 5020 \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eEmail: nizhoniranch@gmail.com\u003c\/strong\u003e\u003c\/p\u003e"}

{"id":9212835791070,"title":"Rare and Unique Pictorial Weavings Created in the 1920s and 1930s","handle":"rare-and-unique-pictorial-weavings-created-in-the-1920s-and-1930s","description":"\u003ch2\u003eA look at these rare and unique pictorial weavings created in the 1920s and 1930s. \u003c\/h2\u003e\n\u003cp style=\"float: left;\"\u003eby Rebecca M Valette and Jean-Paul Valette\u003cbr\u003eBased on a chapter in their forthcoming book \u003cem\u003eNavajo Weavings with Ceremonial Themes \u003c\/em\u003eA Historical Overview of a Secular Art Form to be published by Schiffer Books later this year. \u003cbr\u003e\u003cbr\u003eReprinted from April \/ May 2017 Issue of Native American Art Magazine\u003c\/p\u003e\n\u003cp\u003e Most collectors of Navajo textiles are familiar with the Yeibichai weavings depicting the participants in the sacred Yeibichai Dance, which concludes the Nightway, the best-known of the various Navajo curative ceremonies.\u003c\/p\u003e\n\u003cp\u003e Weavings portraying performers in the Mountainway, a lesser-known healing ceremony, have, because of their rarity, escaped the attention of scholars and at the same time intrigued collectors who have often misinterpreted their imagery. The purpose of this article is to introduce this particular category of weavings and describe their ceremonial imagery on the basis of the accounts left by the scholarly observers of the Mountainway, notably Washington Matthews (\u003cem\u003eThe Mountain Chant,\u003c\/em\u003e 1887), Berard Haile (\u003cem\u003eThe Navaho Fire Dance\u003c\/em\u003e,  14946), and Leland Wyman (\u003cem\u003eThe Mountainway of the Navajo\u003c\/em\u003e, 1975).\u003c\/p\u003e\n\u003cp\u003eThe Mountainway is performed for the benefit of the patients suffering from ailments believed to be caused by some direct or inadvertent contact with bears or other mountain animals and may be held only during winter when the bears are hibernating.  In its nine-day version, the Mountainway, like the Nightway, ends in an all-night spectacular show often referred to as the \"Corral Dance,\" so-named because it takes place within a \"corral\" over 100 feet in diameter created by a tall ring of spruce branches that is erected in the early evening of the last day.  The Navajo spectators, who may number a thousand or more, enter through the opening in the east and take their places around the perimeter.  Families bring blankets and build small fires over which in the course of the long winter night they prepare food and brew coffee.  Located at the center of the corral is an immense pile of wood, which will fuel a huge bonfire, hence the other common appellation \"Fire Dance.\"\u003c\/p\u003e\n\u003cp\u003eThe performance begins at the rising of the evening star with the lighting of the great fire.  When the flames are at their highest, a group of near-naked young men, their bodies caked in protective white clay, enter the enclosure an dance as close as possible to the fire holding wands with downy feathers which once burned off magically reappear.  They are followed by a curative act where performers \"swallow\" arrows, which they then touch to the patient's body.  Once these dramatic first acts are over, successive groups of ritually attired dancers from the Mountainway and other chantways perform their own special acts accompanied by chanters, drummers, rattle shakers, and bull-roarers.  Except for the brief appearance of a trio of Yeibichai dancers impersonating the revered Yeis, or Holy People, none of these performers wear sacred masks, a distinctive feature which facilitates their identification in the weavings as Mountainway dancers. \u003c\/p\u003e\n\u003cp\u003eThe origin of Mountainway weavings remains unknown, although it may correspond historically to the public performances of Mountainway dance teams in the Gallup Inter-Tribal Indian Ceremonials in the 1920s.  The best examples, which are considered masterpieces of Navajo pictorial weaving art, were produced by talented weavers from a group of extended families probably living in the Four Corners area within an area circumscribed by Lukachukai, Sweetwater and Teec Nos Pos.  Versions of their original patterns continued to be made until the 1970s, and perhaps later, but are often of lesser artistic quality. \u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eblack-and-white photograph\u003c\/strong\u003e taken in Gallup in the mid-1930s shows one of the teams that appear in the Corral Dance.  Except for the absence of headmasks, these Mountainway dancers are generally attired like male Yeibichai performers with whitened torsos, ceremonial kilts, and woolen knee stockings.  However, there are some differences: the dancers of this particular group representing the Shootingway are wearing conical or cylindrical hats with imitation buffalo horns topped with feathers.  Long decorative streamers dangle from their elbows.  In their hands are feathered hoops with faces symbolizing the Sun, the Moon, and the Black and Yellow Winds, the four most powerful celestial beings in the Navajo sacred narratives. \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/2017-05_page_64-1_large.jpg?v=1493853329\" alt=\"Mountainway Dancers at the Gallup Inter-Tribal Indian Ceremonial\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe dancers in \u003cstrong\u003eweaving 2\u003c\/strong\u003e with their red wool hats decorated with stylized buffalo horns can be readily identified as Mountainway performers.  Their distinctive facial features - almond-shaped eyes, dark curved eyebrows, small nostrils, rounded mouths and pointed chins - clearly differentiate them from the masked Yeibichai dancers.  Above their heads they hold large stylized hoops with upright eagle feathers that seem to be reflecting the orange and yellow flames of the bonfire.  The dark background of the weaving evokes the nighttime atmosphere of the Corral Dance.  \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/2017-05_page_65-2_large.jpg?v=1493853412\" alt=\"Mountainway Dancers with Hoops\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMost Mountainway weavings from the Four Corners area represent the dancers as pairs of stylized figures in a static posture.  They are dressed in identical striped kilts with wide concha belts and wear long coral and turquoise necklaces. Their flared hats assume different shapes, depending on the creative inspiration of the weavers. The dancers are often presented in imaginary landscapes with various decorative elements.  \u003c\/p\u003e\n\u003cp\u003eThe background of \u003cstrong\u003eweaving 3\u003c\/strong\u003e has three flowering plants which are quite incongruous since the Corral Dance is only performed in the cold winter months.  \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/2017-05_page_66-3_large.jpg?v=1493853492\" alt=\"Mountainway Dancers in floral decor\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn \u003cstrong\u003eweaving 4\u003c\/strong\u003e, several realistically depicted rabbits of different sizes add a bucolic note to the scene.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/2017-05_page_67-4_large.jpg?v=1493853549\" alt=\"Mountainway dancers with rabbits\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn \u003cstrong\u003eweaving 6\u003c\/strong\u003e, the dancers are separated by a sacred corn stalk with birds perched on their hands on each leaf of the plant. \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/2017-05_page_70-6_large.jpg?v=1493853661\" alt=\"Mountainway dancers with birds\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOnly very rarely did Navajo women from other parts of the Reservation experiment with Mountainway themes.  \u003cstrong\u003eWeaving 5\u003c\/strong\u003e represents a creative interpretation of the Lightning Dance.\u003c\/p\u003e\n\u003cp\u003eIn the center, three male Shootingway performers in red conical hats and ceremonial kilts are shown carrying long articulated wands built like retractable lazy tongs.  In an actual performance, they would shoot these wants toward the bonfire to simulate flashes of lightning.  Standing on both sides are four stylized female dancers with white deerskin leggings and varied headgear holding feathered wands.  (During an actual performance, these women would be wearing colored velveteen blouses.)  In the broad border surrounding the central scene, the weaver has placed an assembly of figures clad in red seemingly observing the various events as they develop in the course of the night.\u003c\/p\u003e\n\u003cp\u003eThese spectators are perhaps intended to evoke the spiritual Holy People called to dispense their goodness on the patient and the attending crowd.  In a remarkable tour de force, the weaver has also designed into the border a reverse black pattern that resembles a circle of triangular ceremonial rattles.  \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/2017-05_page_69-5_grande.jpg?v=1493853799\" alt=\"Mountainway Lightning dancers\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn the \"Dancing Feather\" act, a young girl (or boy) circles a large basket, dancing to the accompaniment of rattles and drum beats. As she performs her steps, a tall feather, activated by invisible strings, rises from the basket and imitates her movements, tilting back and forth in rhythmic unison with her. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeaving 7\u003c\/strong\u003e presents a colorful depiction of this crowd-pleasing performance.  In the center, above a symbolic red fire, is a large basket with an erect feather.  To the left is the young female dancer in traditional dress and to the right is a male performer holding two feathered wants,.  At his feet is an inverted basket drum. \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/2017-05_page_70-7_large.jpg?v=1493853864\" alt=\"Mountainway Dancing Feathers\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeaving 8\u003c\/strong\u003e from the early 1920s may be one of the first Navajo textiles to feature Mountainway performers.  Woven in natural wool, it exhibits the general characteristics of rugs from the Crystal or Two Grey Hills area and is, therefore, quite different in style and appearance from the preceding examples.  Its central panel depicts the lively Feather Dance in which pairs of dancers, male and female, execute complex movements while waving triangular reed wands decorated with eagle feathers.  On the right, a seated chanter beats the rhythm on an inverted basket drum.  In the center, the two large eagle feathers standing in an open basket evoke the thematically related Dancing Feather act. \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/2017-05_page_71-8_grande.jpg?v=1493853909\" alt=\"Mountainway Feather Dancers\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Mountainway weavings presented on these pages attest to the creativity of the Navajo women who made them in the 1920s and 1930s.  Unlike later generations of weavers specialized in ceremonial theme textiles, they dd not rely for  inspiration on published models.  Instead they based their designs on their personal observations of ceremonial events and interpreted them in wool, each in her own individual way.  The resulting Mountainway weavings are thus unique in both pictorial content and style.  Our knowledge of these rare textiles will hopefully expand as new examples emerge from public and private collections. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eTo watch the fascinating Feather Dance and learn more about the Night Ceremonies, click video:  \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ca title=\"Navajo Fire Dance and other Night ceremonies\" href=\"http:\/\/bit.ly\/nrg-nighdances\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/nightdance-bitly-nrg-nightdances_medium.jpg?v=1493855084\" alt=\"Navajo Night Dances\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cbr\u003e\u003ca rel=\"noopener noreferrer\" title=\"Shop Yei \/ Yei be chei weavings - a new window will open\" href=\"https:\/\/www.navajorug.com\/collections\/navajo-rugs\/yei\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/dancers_g_medium.jpg?v=1493687064\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eTo visit the Woven Holy People exhibit, click \u003ca rel=\"noopener noreferrer\" title=\"Woven Holy People exhibit - a new window will open\" href=\"https:\/\/www.navajorug.com\/pages\/exhibit-woven-holy-people-2014\" target=\"_blank\"\u003ehere\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eTo learn more about  the Yei \/ Yei be chei (Holy People) style of weaving click \u003ca rel=\"noopener noreferrer\" title=\"Learn about Yei \/ Yei be chei weavings - a new window will open\" href=\"https:\/\/www.navajorug.com\/pages\/navajo-yei-holy-people\" target=\"_blank\"\u003ehere\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eTo shop the Yei \/ Yei be chei available weavings, click \u003ca rel=\"noopener noreferrer\" title=\"Shop available Yei \/ Yei be chei weavings - a new window will open\" href=\"https:\/\/www.navajorug.com\/collections\/navajo-rugs\/yei\" target=\"_blank\"\u003ehere\u003c\/a\u003e. \u003c\/strong\u003e\u003c\/p\u003e","published_at":"2026-05-12T11:41:46-07:00","created_at":"2026-05-12T11:41:08-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48235562107102,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rare and Unique Pictorial Weavings Created in the 1920s and 1930s","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/1644_SandpaintingMedicineMan1644.jpg?v=1613153645"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/1644_SandpaintingMedicineMan1644.jpg?v=1613153645","options":["Title"],"media":[{"alt":null,"id":15089097670823,"position":1,"preview_image":{"aspect_ratio":1.32,"height":515,"width":680,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/1644_SandpaintingMedicineMan1644.jpg?v=1613153645"},"aspect_ratio":1.32,"height":515,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/1644_SandpaintingMedicineMan1644.jpg?v=1613153645","width":680}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003eA look at these rare and unique pictorial weavings created in the 1920s and 1930s. \u003c\/h2\u003e\n\u003cp style=\"float: left;\"\u003eby Rebecca M Valette and Jean-Paul Valette\u003cbr\u003eBased on a chapter in their forthcoming book \u003cem\u003eNavajo Weavings with Ceremonial Themes \u003c\/em\u003eA Historical Overview of a Secular Art Form to be published by Schiffer Books later this year. \u003cbr\u003e\u003cbr\u003eReprinted from April \/ May 2017 Issue of Native American Art Magazine\u003c\/p\u003e\n\u003cp\u003e Most collectors of Navajo textiles are familiar with the Yeibichai weavings depicting the participants in the sacred Yeibichai Dance, which concludes the Nightway, the best-known of the various Navajo curative ceremonies.\u003c\/p\u003e\n\u003cp\u003e Weavings portraying performers in the Mountainway, a lesser-known healing ceremony, have, because of their rarity, escaped the attention of scholars and at the same time intrigued collectors who have often misinterpreted their imagery. The purpose of this article is to introduce this particular category of weavings and describe their ceremonial imagery on the basis of the accounts left by the scholarly observers of the Mountainway, notably Washington Matthews (\u003cem\u003eThe Mountain Chant,\u003c\/em\u003e 1887), Berard Haile (\u003cem\u003eThe Navaho Fire Dance\u003c\/em\u003e,  14946), and Leland Wyman (\u003cem\u003eThe Mountainway of the Navajo\u003c\/em\u003e, 1975).\u003c\/p\u003e\n\u003cp\u003eThe Mountainway is performed for the benefit of the patients suffering from ailments believed to be caused by some direct or inadvertent contact with bears or other mountain animals and may be held only during winter when the bears are hibernating.  In its nine-day version, the Mountainway, like the Nightway, ends in an all-night spectacular show often referred to as the \"Corral Dance,\" so-named because it takes place within a \"corral\" over 100 feet in diameter created by a tall ring of spruce branches that is erected in the early evening of the last day.  The Navajo spectators, who may number a thousand or more, enter through the opening in the east and take their places around the perimeter.  Families bring blankets and build small fires over which in the course of the long winter night they prepare food and brew coffee.  Located at the center of the corral is an immense pile of wood, which will fuel a huge bonfire, hence the other common appellation \"Fire Dance.\"\u003c\/p\u003e\n\u003cp\u003eThe performance begins at the rising of the evening star with the lighting of the great fire.  When the flames are at their highest, a group of near-naked young men, their bodies caked in protective white clay, enter the enclosure an dance as close as possible to the fire holding wands with downy feathers which once burned off magically reappear.  They are followed by a curative act where performers \"swallow\" arrows, which they then touch to the patient's body.  Once these dramatic first acts are over, successive groups of ritually attired dancers from the Mountainway and other chantways perform their own special acts accompanied by chanters, drummers, rattle shakers, and bull-roarers.  Except for the brief appearance of a trio of Yeibichai dancers impersonating the revered Yeis, or Holy People, none of these performers wear sacred masks, a distinctive feature which facilitates their identification in the weavings as Mountainway dancers. \u003c\/p\u003e\n\u003cp\u003eThe origin of Mountainway weavings remains unknown, although it may correspond historically to the public performances of Mountainway dance teams in the Gallup Inter-Tribal Indian Ceremonials in the 1920s.  The best examples, which are considered masterpieces of Navajo pictorial weaving art, were produced by talented weavers from a group of extended families probably living in the Four Corners area within an area circumscribed by Lukachukai, Sweetwater and Teec Nos Pos.  Versions of their original patterns continued to be made until the 1970s, and perhaps later, but are often of lesser artistic quality. \u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eblack-and-white photograph\u003c\/strong\u003e taken in Gallup in the mid-1930s shows one of the teams that appear in the Corral Dance.  Except for the absence of headmasks, these Mountainway dancers are generally attired like male Yeibichai performers with whitened torsos, ceremonial kilts, and woolen knee stockings.  However, there are some differences: the dancers of this particular group representing the Shootingway are wearing conical or cylindrical hats with imitation buffalo horns topped with feathers.  Long decorative streamers dangle from their elbows.  In their hands are feathered hoops with faces symbolizing the Sun, the Moon, and the Black and Yellow Winds, the four most powerful celestial beings in the Navajo sacred narratives. \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/2017-05_page_64-1_large.jpg?v=1493853329\" alt=\"Mountainway Dancers at the Gallup Inter-Tribal Indian Ceremonial\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe dancers in \u003cstrong\u003eweaving 2\u003c\/strong\u003e with their red wool hats decorated with stylized buffalo horns can be readily identified as Mountainway performers.  Their distinctive facial features - almond-shaped eyes, dark curved eyebrows, small nostrils, rounded mouths and pointed chins - clearly differentiate them from the masked Yeibichai dancers.  Above their heads they hold large stylized hoops with upright eagle feathers that seem to be reflecting the orange and yellow flames of the bonfire.  The dark background of the weaving evokes the nighttime atmosphere of the Corral Dance.  \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/2017-05_page_65-2_large.jpg?v=1493853412\" alt=\"Mountainway Dancers with Hoops\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMost Mountainway weavings from the Four Corners area represent the dancers as pairs of stylized figures in a static posture.  They are dressed in identical striped kilts with wide concha belts and wear long coral and turquoise necklaces. Their flared hats assume different shapes, depending on the creative inspiration of the weavers. The dancers are often presented in imaginary landscapes with various decorative elements.  \u003c\/p\u003e\n\u003cp\u003eThe background of \u003cstrong\u003eweaving 3\u003c\/strong\u003e has three flowering plants which are quite incongruous since the Corral Dance is only performed in the cold winter months.  \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/2017-05_page_66-3_large.jpg?v=1493853492\" alt=\"Mountainway Dancers in floral decor\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn \u003cstrong\u003eweaving 4\u003c\/strong\u003e, several realistically depicted rabbits of different sizes add a bucolic note to the scene.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/2017-05_page_67-4_large.jpg?v=1493853549\" alt=\"Mountainway dancers with rabbits\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn \u003cstrong\u003eweaving 6\u003c\/strong\u003e, the dancers are separated by a sacred corn stalk with birds perched on their hands on each leaf of the plant. \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/2017-05_page_70-6_large.jpg?v=1493853661\" alt=\"Mountainway dancers with birds\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOnly very rarely did Navajo women from other parts of the Reservation experiment with Mountainway themes.  \u003cstrong\u003eWeaving 5\u003c\/strong\u003e represents a creative interpretation of the Lightning Dance.\u003c\/p\u003e\n\u003cp\u003eIn the center, three male Shootingway performers in red conical hats and ceremonial kilts are shown carrying long articulated wands built like retractable lazy tongs.  In an actual performance, they would shoot these wants toward the bonfire to simulate flashes of lightning.  Standing on both sides are four stylized female dancers with white deerskin leggings and varied headgear holding feathered wands.  (During an actual performance, these women would be wearing colored velveteen blouses.)  In the broad border surrounding the central scene, the weaver has placed an assembly of figures clad in red seemingly observing the various events as they develop in the course of the night.\u003c\/p\u003e\n\u003cp\u003eThese spectators are perhaps intended to evoke the spiritual Holy People called to dispense their goodness on the patient and the attending crowd.  In a remarkable tour de force, the weaver has also designed into the border a reverse black pattern that resembles a circle of triangular ceremonial rattles.  \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/2017-05_page_69-5_grande.jpg?v=1493853799\" alt=\"Mountainway Lightning dancers\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn the \"Dancing Feather\" act, a young girl (or boy) circles a large basket, dancing to the accompaniment of rattles and drum beats. As she performs her steps, a tall feather, activated by invisible strings, rises from the basket and imitates her movements, tilting back and forth in rhythmic unison with her. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeaving 7\u003c\/strong\u003e presents a colorful depiction of this crowd-pleasing performance.  In the center, above a symbolic red fire, is a large basket with an erect feather.  To the left is the young female dancer in traditional dress and to the right is a male performer holding two feathered wants,.  At his feet is an inverted basket drum. \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/2017-05_page_70-7_large.jpg?v=1493853864\" alt=\"Mountainway Dancing Feathers\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeaving 8\u003c\/strong\u003e from the early 1920s may be one of the first Navajo textiles to feature Mountainway performers.  Woven in natural wool, it exhibits the general characteristics of rugs from the Crystal or Two Grey Hills area and is, therefore, quite different in style and appearance from the preceding examples.  Its central panel depicts the lively Feather Dance in which pairs of dancers, male and female, execute complex movements while waving triangular reed wands decorated with eagle feathers.  On the right, a seated chanter beats the rhythm on an inverted basket drum.  In the center, the two large eagle feathers standing in an open basket evoke the thematically related Dancing Feather act. \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/2017-05_page_71-8_grande.jpg?v=1493853909\" alt=\"Mountainway Feather Dancers\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Mountainway weavings presented on these pages attest to the creativity of the Navajo women who made them in the 1920s and 1930s.  Unlike later generations of weavers specialized in ceremonial theme textiles, they dd not rely for  inspiration on published models.  Instead they based their designs on their personal observations of ceremonial events and interpreted them in wool, each in her own individual way.  The resulting Mountainway weavings are thus unique in both pictorial content and style.  Our knowledge of these rare textiles will hopefully expand as new examples emerge from public and private collections. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eTo watch the fascinating Feather Dance and learn more about the Night Ceremonies, click video:  \u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003ca title=\"Navajo Fire Dance and other Night ceremonies\" href=\"http:\/\/bit.ly\/nrg-nighdances\"\u003e\u003cimg style=\"float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/nightdance-bitly-nrg-nightdances_medium.jpg?v=1493855084\" alt=\"Navajo Night Dances\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cbr\u003e\u003ca rel=\"noopener noreferrer\" title=\"Shop Yei \/ Yei be chei weavings - a new window will open\" href=\"https:\/\/www.navajorug.com\/collections\/navajo-rugs\/yei\" target=\"_blank\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/dancers_g_medium.jpg?v=1493687064\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eTo visit the Woven Holy People exhibit, click \u003ca rel=\"noopener noreferrer\" title=\"Woven Holy People exhibit - a new window will open\" href=\"https:\/\/www.navajorug.com\/pages\/exhibit-woven-holy-people-2014\" target=\"_blank\"\u003ehere\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eTo learn more about  the Yei \/ Yei be chei (Holy People) style of weaving click \u003ca rel=\"noopener noreferrer\" title=\"Learn about Yei \/ Yei be chei weavings - a new window will open\" href=\"https:\/\/www.navajorug.com\/pages\/navajo-yei-holy-people\" target=\"_blank\"\u003ehere\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eTo shop the Yei \/ Yei be chei available weavings, click \u003ca rel=\"noopener noreferrer\" title=\"Shop available Yei \/ Yei be chei weavings - a new window will open\" href=\"https:\/\/www.navajorug.com\/collections\/navajo-rugs\/yei\" target=\"_blank\"\u003ehere\u003c\/a\u003e. \u003c\/strong\u003e\u003c\/p\u003e"}

{"id":9212842082526,"title":"Are Contemporary Navajo Rugs Different than Historic or Antique Navajo Rugs?","handle":"are-contemporary-navajo-rugs-different-than-historic-or-antique-navajo-rugs","description":"\u003cp\u003eThere are more similarities than differences when it comes to\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/historic\" title=\"Antique Navajo Rugs for Sale Page from Nizhoni Ranch Gallery\"\u003ehistoric or vintage antique Navajo rugs\u003c\/a\u003e, or contemporary newer Navajo rugs.\u003c\/p\u003e\n\u003cp\u003eIn fact, both maintain their authenticity because they use the same traditional weaving methods.\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Learn about the talented Master Weavers who create these contemporary works of art!\" href=\"https:\/\/www.navajorug.com\/pages\/master-navajo-weavers-archive\"\u003e\u003cimg alt=\"Contemporary Navajo Rug Master Weavers\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/navajo_weavers_medium.jpg\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eA few examples of these Navajo weaving methods are:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUsing sheep's wool. Many times handspun wool.\u003c\/li\u003e\n\u003cli\u003eAn upright loom with a continuous warp thread. A key differentiator.\u003c\/li\u003e\n\u003cli\u003eNatural traditional dyes. Culturally authentic materials.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis is the same, exclusive Navajo weaving methodology used throughout history. (\u003ca href=\"https:\/\/www.navajorug.com\/collections\/historic\" title=\"Historic Navajo Rugs : Nizhoni Ranch Gallery\"\u003eClick here for Historic Navajo Rugs..\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003eThankfully, contemporary Navajo weaving is a true continuation of this beautiful historic art form. Contemporary Navajo weavers also combine historic styles and traditional designs with their own patterns, colors and flair.\u003c\/p\u003e\n\u003cp\u003eAnd so continues the old WITH the new! The Next Phase.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/navajorug-com.myshopify.com\/admin\/collections\/218592771#contemporary-navajo-rugs-for-sale\" title=\"Click to skip directly to the Contemporary Navajo Rugs..\"\u003eClick here to skip to contemporary Navajo rugs for sale..\u003c\/a\u003e\u003c\/p\u003e","published_at":"2026-05-12T11:47:42-07:00","created_at":"2026-05-12T11:47:20-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48235617157342,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Are Contemporary Navajo Rugs Different than Historic or Antique Navajo Rugs?","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/churro-1762-elsie-bia-ganado-navajo-rug_2.jpg?v=1778612804"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/churro-1762-elsie-bia-ganado-navajo-rug_2.jpg?v=1778612804","options":["Title"],"media":[{"alt":null,"id":38231803068638,"position":1,"preview_image":{"aspect_ratio":0.698,"height":1400,"width":977,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/churro-1762-elsie-bia-ganado-navajo-rug_2.jpg?v=1778612804"},"aspect_ratio":0.698,"height":1400,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/churro-1762-elsie-bia-ganado-navajo-rug_2.jpg?v=1778612804","width":977}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eThere are more similarities than differences when it comes to\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.navajorug.com\/collections\/historic\" title=\"Antique Navajo Rugs for Sale Page from Nizhoni Ranch Gallery\"\u003ehistoric or vintage antique Navajo rugs\u003c\/a\u003e, or contemporary newer Navajo rugs.\u003c\/p\u003e\n\u003cp\u003eIn fact, both maintain their authenticity because they use the same traditional weaving methods.\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Learn about the talented Master Weavers who create these contemporary works of art!\" href=\"https:\/\/www.navajorug.com\/pages\/master-navajo-weavers-archive\"\u003e\u003cimg alt=\"Contemporary Navajo Rug Master Weavers\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/files\/navajo_weavers_medium.jpg\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eA few examples of these Navajo weaving methods are:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUsing sheep's wool. Many times handspun wool.\u003c\/li\u003e\n\u003cli\u003eAn upright loom with a continuous warp thread. A key differentiator.\u003c\/li\u003e\n\u003cli\u003eNatural traditional dyes. Culturally authentic materials.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis is the same, exclusive Navajo weaving methodology used throughout history. (\u003ca href=\"https:\/\/www.navajorug.com\/collections\/historic\" title=\"Historic Navajo Rugs : Nizhoni Ranch Gallery\"\u003eClick here for Historic Navajo Rugs..\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003eThankfully, contemporary Navajo weaving is a true continuation of this beautiful historic art form. Contemporary Navajo weavers also combine historic styles and traditional designs with their own patterns, colors and flair.\u003c\/p\u003e\n\u003cp\u003eAnd so continues the old WITH the new! The Next Phase.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/navajorug-com.myshopify.com\/admin\/collections\/218592771#contemporary-navajo-rugs-for-sale\" title=\"Click to skip directly to the Contemporary Navajo Rugs..\"\u003eClick here to skip to contemporary Navajo rugs for sale..\u003c\/a\u003e\u003c\/p\u003e"}

{"id":9212843262174,"title":"The Thrill of Twill!","handle":"the-thrill-of-twill","description":"\u003cp\u003e\u003cspan\u003eTwill weaving is one of the most difficult styles to master.  Those who do create works of art. It's a dying art form. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhile fewer and fewer artists are able to execute the twill weave, it’s important to remember that even the ones made long ago are still standing the test of time because of their strength and unique weaving technique. Unlike other patterns and weaving styles, the twill uses a four harness loom by replacing the standard pull shed and stick shed with a stick shed and three pull sheds, a weaving technique adapted from the Pueblos. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTake a look at some of the thrilling Twill beauties we have available:\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable height=\"255\" style=\"width: 494px;\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 180px; text-align: center;\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/twill-germantown-double-saddle-blanket-navajo-weaving-pc-66\" title=\"TWILL - GERMANTOWN DOUBLE SADDLE BLANKET : HISTORIC : PC-66\" target=\"_blank\"\u003e\u003cimg alt=\"TWILL - GERMANTOWN DOUBLE SADDLE BLANKET : HISTORIC : PC-66\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/A_5e06cda3-9a9b-4794-acc1-e29fe519cfde_medium.jpg?v=1491342720\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 300px; text-align: center;\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/twill-germantown-double-saddle-blanket-navajo-weaving-pc-66\" title=\"TWILL - GERMANTOWN DOUBLE SADDLE BLANKET : HISTORIC : PC-66\" target=\"_blank\"\u003e\u003cimg alt=\"TWILL - GERMANTOWN DOUBLE SADDLE BLANKET : HISTORIC : PC-66\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/G_d895a00f-44e6-477b-93b0-a0dce7c59606_medium.jpg?v=1491342720\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003ePC-66 • Double Saddle Blanket\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eDo you like surprises of the good kind?  If so, that's exactly what this weaving is.  It sure doesn't look like much in the overall photo, does it?  BUT when you look at the detailed photos, you see the great surprise!  \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLook at the Diamond twill pattern of weaving.  This style of weaving was passed to the Navajo via the manta designs of the Pueblo Indians.  The work in this piece is just stunning and could only have been accomplished by the finest of artisans. And the quality is appreciated even more when you consider it was woven in the 1880s on an outdoors loom.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 52.3333%; text-align: center;\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/serape-navajo-weaving-historic-pc-39\" title=\"TWILL SERAPE NAVAJO WEAVING : HISTORIC : PC-39\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"https:\/\/gallery.mailchimp.com\/8d9d22b4c2be48c5431e01ae2\/images\/bf1b2a9e-20a4-4a91-b797-493a1da61d0a.jpg\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 43.6667%; text-align: center;\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/serape-navajo-weaving-historic-pc-39\" title=\"TWILL SERAPE NAVAJO WEAVING : HISTORIC : PC-39\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/g_e65267fe-7c0c-4142-968c-f587fc15ca52_medium.jpg?v=1489103273\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003ePC-39 • Twill Serape • Circa 1890\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eWoven entirely using the twill technique, this is an extremely rare masterpiece!\u003c\/p\u003e\n\u003cp\u003eThe skilled artisan used hand-carded, hand-spun, hand-dyed Merino wool, and used vegetal dye to obtain some of the coloring.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt's hard to believe that this woven art was brought to life on loom outside where the artist sat daily and played it's music to paint this incredible joyfully colored piece.  It just sings to your soul, doesn't it?  \u003c\/span\u003e\u003c\/p\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"text-align: center; width: 68.8095%;\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/twill-diamond-pattern-double-saddle-blanket-ght-2252\" title=\"TWILL - DIAMOND PATTERN DOUBLE SADDLE BLANKET : HISTORIC : GHT-2252\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/1_1f986006-7579-42d2-8b6c-2d9f3b511663_medium.jpg?v=1491081587\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 27.8571%; text-align: center;\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/twill-diamond-pattern-double-saddle-blanket-ght-2252\" title=\"TWILL - DIAMOND PATTERN DOUBLE SADDLE BLANKET : HISTORIC : GHT-2252\" target=\"_blank\"\u003e\u003cimg alt=\"TWILL - DIAMOND PATTERN DOUBLE SADDLE BLANKET : HISTORIC : GHT-2252\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/B_5986e7ee-e498-4aef-9884-df9d3215b144_medium.jpg?v=1491081587\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eGHT 2252 • Diamond Twill  • Circa 1880\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eThis piece was created to be used as a double saddle blanket. The loom artist used a beautiful diamond twill design which gives beautiful depth and movement to the piece. Do you see the lighter bands?  Those were made by taking red American flannel bolt of material and unraveling it.  Then the long pieces of thread would be carded together to form thicker pieces of yarn.  A feat of creative artistry in itself. \u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003eDo you have any Twill weavings?  What is your favorite thing about them?   \u003c\/p\u003e","published_at":"2026-05-12T12:05:30-07:00","created_at":"2026-05-12T12:01:59-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48235620499678,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Thrill of Twill!","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/products\/ght_2242_014ee611-a6d6-41ab-b298-93b15f24044b.jpg?v=1579880783"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/products\/ght_2242_014ee611-a6d6-41ab-b298-93b15f24044b.jpg?v=1579880783","options":["Title"],"media":[{"alt":"Saddle Blanket - Double Twill Navajo Weaving : Historic : GHT 2242 : 32″ x 50″ - Getzwiller's Nizhoni Ranch Gallery","id":2110048993352,"position":1,"preview_image":{"aspect_ratio":0.708,"height":1917,"width":1357,"src":"\/\/www.navajorug.com\/cdn\/shop\/products\/ght_2242_014ee611-a6d6-41ab-b298-93b15f24044b.jpg?v=1579880783"},"aspect_ratio":0.708,"height":1917,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/products\/ght_2242_014ee611-a6d6-41ab-b298-93b15f24044b.jpg?v=1579880783","width":1357}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eTwill weaving is one of the most difficult styles to master.  Those who do create works of art. It's a dying art form. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhile fewer and fewer artists are able to execute the twill weave, it’s important to remember that even the ones made long ago are still standing the test of time because of their strength and unique weaving technique. Unlike other patterns and weaving styles, the twill uses a four harness loom by replacing the standard pull shed and stick shed with a stick shed and three pull sheds, a weaving technique adapted from the Pueblos. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTake a look at some of the thrilling Twill beauties we have available:\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable height=\"255\" style=\"width: 494px;\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 180px; text-align: center;\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/twill-germantown-double-saddle-blanket-navajo-weaving-pc-66\" title=\"TWILL - GERMANTOWN DOUBLE SADDLE BLANKET : HISTORIC : PC-66\" target=\"_blank\"\u003e\u003cimg alt=\"TWILL - GERMANTOWN DOUBLE SADDLE BLANKET : HISTORIC : PC-66\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/A_5e06cda3-9a9b-4794-acc1-e29fe519cfde_medium.jpg?v=1491342720\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 300px; text-align: center;\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/twill-germantown-double-saddle-blanket-navajo-weaving-pc-66\" title=\"TWILL - GERMANTOWN DOUBLE SADDLE BLANKET : HISTORIC : PC-66\" target=\"_blank\"\u003e\u003cimg alt=\"TWILL - GERMANTOWN DOUBLE SADDLE BLANKET : HISTORIC : PC-66\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/G_d895a00f-44e6-477b-93b0-a0dce7c59606_medium.jpg?v=1491342720\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003ePC-66 • Double Saddle Blanket\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eDo you like surprises of the good kind?  If so, that's exactly what this weaving is.  It sure doesn't look like much in the overall photo, does it?  BUT when you look at the detailed photos, you see the great surprise!  \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLook at the Diamond twill pattern of weaving.  This style of weaving was passed to the Navajo via the manta designs of the Pueblo Indians.  The work in this piece is just stunning and could only have been accomplished by the finest of artisans. And the quality is appreciated even more when you consider it was woven in the 1880s on an outdoors loom.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 52.3333%; text-align: center;\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/serape-navajo-weaving-historic-pc-39\" title=\"TWILL SERAPE NAVAJO WEAVING : HISTORIC : PC-39\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"https:\/\/gallery.mailchimp.com\/8d9d22b4c2be48c5431e01ae2\/images\/bf1b2a9e-20a4-4a91-b797-493a1da61d0a.jpg\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 43.6667%; text-align: center;\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/serape-navajo-weaving-historic-pc-39\" title=\"TWILL SERAPE NAVAJO WEAVING : HISTORIC : PC-39\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/g_e65267fe-7c0c-4142-968c-f587fc15ca52_medium.jpg?v=1489103273\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003ePC-39 • Twill Serape • Circa 1890\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eWoven entirely using the twill technique, this is an extremely rare masterpiece!\u003c\/p\u003e\n\u003cp\u003eThe skilled artisan used hand-carded, hand-spun, hand-dyed Merino wool, and used vegetal dye to obtain some of the coloring.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt's hard to believe that this woven art was brought to life on loom outside where the artist sat daily and played it's music to paint this incredible joyfully colored piece.  It just sings to your soul, doesn't it?  \u003c\/span\u003e\u003c\/p\u003e\n\u003ctable width=\"100%\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"text-align: center; width: 68.8095%;\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/twill-diamond-pattern-double-saddle-blanket-ght-2252\" title=\"TWILL - DIAMOND PATTERN DOUBLE SADDLE BLANKET : HISTORIC : GHT-2252\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/1_1f986006-7579-42d2-8b6c-2d9f3b511663_medium.jpg?v=1491081587\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 27.8571%; text-align: center;\"\u003e\u003ca href=\"https:\/\/www.navajorug.com\/products\/twill-diamond-pattern-double-saddle-blanket-ght-2252\" title=\"TWILL - DIAMOND PATTERN DOUBLE SADDLE BLANKET : HISTORIC : GHT-2252\" target=\"_blank\"\u003e\u003cimg alt=\"TWILL - DIAMOND PATTERN DOUBLE SADDLE BLANKET : HISTORIC : GHT-2252\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/1207\/9128\/products\/B_5986e7ee-e498-4aef-9884-df9d3215b144_medium.jpg?v=1491081587\" style=\"float: none;\"\u003e\u003c\/a\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003eGHT 2252 • Diamond Twill  • Circa 1880\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eThis piece was created to be used as a double saddle blanket. The loom artist used a beautiful diamond twill design which gives beautiful depth and movement to the piece. Do you see the lighter bands?  Those were made by taking red American flannel bolt of material and unraveling it.  Then the long pieces of thread would be carded together to form thicker pieces of yarn.  A feat of creative artistry in itself. \u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003eDo you have any Twill weavings?  What is your favorite thing about them?   \u003c\/p\u003e"}

{"id":9212880355550,"title":"Navajo - The Beauty Way","handle":"navajo-walking-in-beauty","description":"\u003cdiv class=\"xdj266r x14z9mp xat24cr x1lziwak x1vvkbs x126k92a\"\u003e\n\u003cdiv dir=\"auto\"\u003e\u003cspan\u003eThe Navajo concept that being in balance with nature is what brings harmony, balance, beauty and health (Hozho).  Traditionally, the Navajo people seek solitude in wilderness, where they connect with the essence of their being. These are places where people visit, but where the Holy People actually live.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003e\"The Beauty Way\" prayer is a Navajo\/Diné traditional prayer, listed below in English \u0026amp; Navajo.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s x126k92a\"\u003e\n\u003cdiv dir=\"auto\"\u003eIn beauty I walk\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eWith beauty before me I walk\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eWith beauty behind me I walk\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eWith beauty above me I walk\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eWith beauty around me I walk\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eIt has become beauty again\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eIt has become beauty again\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eIt has become beauty again\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eIt has become beauty again\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s x126k92a\"\u003e\n\u003cdiv dir=\"auto\"\u003eHózhóogo naasháa doo\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eShitsijí’ hózhóogo naasháa doo\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eShikéédéé hózhóogo naasháa doo\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eShideigi hózhóogo naasháa doo\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eT’áá altso shinaagóó hózhóogo naasháa doo\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eHózhó náhásdlíí’\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eHózhó náhásdlíí’\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eHózhó náhásdlíí’\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eHózhó náhásdlíí’\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003e\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2026-05-12T13:44:53-07:00","created_at":"2026-05-12T13:32:53-07:00","vendor":"Nizhoni Ranch Gallery","type":"","tags":["educational","no-price-showing"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48235693605086,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Navajo - The Beauty Way","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/www.navajorug.com\/cdn\/shop\/files\/Navajo_Indian_woman_with_her_children.jpg?v=1613501666"],"featured_image":"\/\/www.navajorug.com\/cdn\/shop\/files\/Navajo_Indian_woman_with_her_children.jpg?v=1613501666","options":["Title"],"media":[{"alt":null,"id":15125072576679,"position":1,"preview_image":{"aspect_ratio":0.958,"height":313,"width":300,"src":"\/\/www.navajorug.com\/cdn\/shop\/files\/Navajo_Indian_woman_with_her_children.jpg?v=1613501666"},"aspect_ratio":0.958,"height":313,"media_type":"image","src":"\/\/www.navajorug.com\/cdn\/shop\/files\/Navajo_Indian_woman_with_her_children.jpg?v=1613501666","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv class=\"xdj266r x14z9mp xat24cr x1lziwak x1vvkbs x126k92a\"\u003e\n\u003cdiv dir=\"auto\"\u003e\u003cspan\u003eThe Navajo concept that being in balance with nature is what brings harmony, balance, beauty and health (Hozho).  Traditionally, the Navajo people seek solitude in wilderness, where they connect with the essence of their being. These are places where people visit, but where the Holy People actually live.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003e\"The Beauty Way\" prayer is a Navajo\/Diné traditional prayer, listed below in English \u0026amp; Navajo.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s x126k92a\"\u003e\n\u003cdiv dir=\"auto\"\u003eIn beauty I walk\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eWith beauty before me I walk\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eWith beauty behind me I walk\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eWith beauty above me I walk\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eWith beauty around me I walk\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eIt has become beauty again\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eIt has become beauty again\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eIt has become beauty again\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eIt has become beauty again\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s x126k92a\"\u003e\n\u003cdiv dir=\"auto\"\u003eHózhóogo naasháa doo\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eShitsijí’ hózhóogo naasháa doo\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eShikéédéé hózhóogo naasháa doo\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eShideigi hózhóogo naasháa doo\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eT’áá altso shinaagóó hózhóogo naasháa doo\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eHózhó náhásdlíí’\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eHózhó náhásdlíí’\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eHózhó náhásdlíí’\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003eHózhó náhásdlíí’\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003e\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e"}