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Churro Collection History

"Today "The Navajo Churro Collection" is a premier collection of contemporary Navajo Weavings, which are exclusively commissioned by Steve, from the Churro wool he provides to some of the most capable Navajo-weaving artists of today."

Each weaving from "The Churro Collection" is sequentially numbered and accompanied by a certificate which includes: the Registry Number, a photograph of the weaving and artist, and all other information pertaining to the weaving.

THE NAVAJO CHURRO COLLECTION

Excerpted from an article printed in the June issue of Phoenix Home and Garden.

The Churro breed of sheep were introduced by the Spaniards in the mid 1500's upon their discovery and colonization of the "New World". Having originated in the mountainous regions of southern Spain, they were well adapted to the arid and poor forage conditions of this new environment. Twice on the brink of extinction, this hardy breed of sheep endures. In 1863, the Kit Carson/U.S. Military campaign to incarcerate the Navajo people and destroy their economy {the sheep} was successful in rounding up about half of the population, taking them to Bosque Redondo and killing a large percentage of their sheep. The escaping Navajo went into hiding with the remnants of their flocks. Upon returning from "The Long Walk", they were issued new breeds of sheep, which for the most part replaced the Churro wool in their weaving. Some weaver's preference for their "old wool" persisted, and many managed to rebuild their Churro flocks. Later, in the 1930's, Congress enacted the Taylor Grazing Act; tens of thousands of sheep were killed. This federally enforced stock reduction program was the result of overgrazing and the severe draught conditions of the dust bowl era. Still a few bands of Churro survived, secreted away in the remote canyons of Navajo land. Navajo weavers first used Churro wool during the classic period of Navajo weaving (1700-1863). The superior quality of these weavings is very evident in the blankets that have survived through time. The lustrous fibers of the wool were long and straight, ideal for the limited hand methods of Navajo weaving. Also, the low lanolin content reduced the necessity for extensive cleaning in a land of little water. In recent years, the efforts of a few dedicated breeders have revived the Churro genetics and fleece quality. However, the circle was not complete, as the wool wasn't getting into the hands of Navajo weavers. The most successful effort to reintroduce Churro wool to the Navajo loom was accomplished by native Arizonan, Steve Getzwiller. He set out to revive some of the older design elements as well as some rare and natural dyes. The reintroduction of Churro wool brought those lustrous qualities back to the finished weavings, completing the circle and reconnecting some of the weavers with their past. "The Navajo Churro Collection" was born.
Sheep = Fiber = Art

Each weaving from "The Churro Collection" is sequentially numbered and accompanied by a certificate which includes: the Registry Number, a photograph of the weaving and artist, and all other information pertaining to the weaving. The ladies love the wool and are clearly inspired by the new colors and designs with which they are experimenting. Steve and all of the weaving artists involved are very excited about the prospects for their weaving in the future.

'The Navajo Churro Collection' is a special Navajo weaving project commissioned by Steve Getzwiller

The Navajo Churro Collection weavings are available for purchase or can be custom ordered.

 

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Treasures of the Navajo Horsemen the Steve Getzwiller Collection Catalog

"The Fine Art of Navajo Weaving"

by Steve Getzwiller

 

Over 100,000 Copies Sold

 

In the last 200 years
Navajo Weaving has come a long way: from the shoulder, to the floor, to a place of distinction on the gallery wall.

 

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Treasures of the Navajo Horsemen the Steve Getzwiller Collection Catalog

"Treasures of the Navajo Horsemen"

Historic Saddle Blankets from the Getzwiller Collection

 

There is an artistic quality and inherent freedom of expression reflected in many of these early saddle blankets.

 

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